Roxanne Dunbar-Ortiz's Indigenous Peoples' History of the United States: A Graphic Interpretation

I got this book for Fathers Day this year, and reading it has been a moving ordeal. I have not read the source material for this adaptation, but this graphic interpretation is structured in a way that features its author, scholar and activist Roxanne Dunbar-Ortiz, as its narrator delivering a grand lecture. As lectures go, this one is engaging and chock full of information. It runs from a time 10,000 years ago when agricultural communities were being established around corn until protests and political actions very near our present day. In between is a vast channel of history, from the governmental and social structures of various tribes in North America to the ruling principles of European countries that eventually crossed the ocean in search of trade routes and treasures, only to conquer, enslave, and slaughter the people who already lived here.

This book is encyclopedic with historical figures such as Tecumseh and Andrew Jackson, events such as the Wounded Knee Massacre and the Trail of Tears, and (sadly) influential publications such as Last of the Mohicans. But this is no dry account, and what I appreciate about it most is how it explores historical concepts and expounds on how specific ideologies were formed and propagated and how large-scale murder and theft were made to look heroic and just. It covers the idea of Manifest Destiny and how a campaign of mass genocide was pitched as a moral crusade. There is much to think about here that pertains to current events, propaganda, and modern history, questions and critiques that are worth pursuing to make a more equitable and just world. This book is the best sort, one that leaves the reader changed after putting it down.

One critique I do have is that the book features many large blocks of text, which can be dense, but I feel that it also scaffolds them well with detailed artwork that conveys not only images of the past but also a good amount of emotion and drama. The artwork well suits the prose, providing much needed context that supports and promotes comprehension of the big ideas within.

Pulling off the large feat of adapting this book was Paul Peart-Smith. He is a British artist who has been making comics for over three decades, drawing stories for 2000 AD and many other publishers, including a graphic adaptation of W.E.B. Du Bois's The Souls of Black Folks. Both he and Dunbar-Ortiz speak about this adaptation of Indigenous Peoples' History of the United States in this interview.

I was not able to find many reviews of this book online, but I very much agree with Brian Cronin who wrote, "This is a book that is very worth reading for anyone who wants to challenge what they think about American history."

Roxanne Dunbar-Ortiz's Indigenous Peoples' History of the United States was published by Beacon Press, and they offer more information about it here.

The Great British Bump-Off

I am a big fan of The Great British Bake Off and murder mysteries, and boy was I excited when this series was solicited. The Great British Bump-Off not only marries these two things, it's also written by John Allison, whose work I have been following for decades now. It stars sleuth Shauna Wickle, one of the stars of the webcomic Bad Machinery, as a contestant on a parody version of the esteemed reality baking competition. Someone has poisoned one of the most competitive bakers, and the producers have tasked Shauna with finding the culprit while also being on the show and completing the challenges. Hijinks and suspense ensue.

Drama!

There are a few things that make this book highly appealing. The artwork is cartoonish and dynamic, a great platform for both broad humor and some of the more sinister undercurrents of the plot. The dialogue is snappy, and I found myself laughing and smirking along at this book a few times. The murder mystery plot is a lively one, with plenty of colorful suspects and red herrings, a la Agatha Christie. And if you are a fan of the actual reality competition, like I am, there are plenty of delightful in-jokes and references to the show's many tropes. Still, I feel this book would be attractive to anyone who is not familiar with the show, as these are some excellent comics, and the storytelling is masterfully crafted.

The Great British Bump-Off was created by writer John Allison, artist Max Sarin, colorist Sammy Borras, and letterer Jim Campbell. Allison and Sarin also collaborated on the Eisner Award-winning series Giant Days. Borras colors many comics, most recently in The Phoenix. Campbell has lettered a good number of comics, including Barbaric. Allison talks about his inspirations and work on The Great British Bump-Off in this interview.

All of the reviews I have read of this book have been glowing. Johana Draper Carlson called it "a joy to read" and added, "The mystery is legitimate, and I was thrilled to follow through the twists and turns." And I completely agree with Tegan O'Neil who wrote, "The problem with The Great British Bump-Off is simply that the series is only four issues long." Nathan Simmons concluded, "Don’t worry if you haven’t watched that series [The Great British Bake Off] before, though; you should still be able to enjoy mystery and the lunacy on display in The Great British Bump-Off, even if you can’t tell a parfait from a trifle."

The Great British Bump-Off was published by Dark Horse, and they provide more information about it here. Fans of this series will be happy to know there is a follow-up, The Great British Bump-Off: Kill or Be Quilt being published right now.

Sunflowers

Put simply, Sunflowers is an amazing comic, an autobiographical account of what it is like to being bipolar. It goes from hypomania to mania to a psychotic episode, telling a frank tale of what could happen and what it feels like. It then gets into how these conditions might be treated and ends with a bunch of resources for getting help. This book is terrifically brave, frank, and revealing, and I found it profoundly moving.

There have been excellent graphic novels that touch on similar areas, including ones by Ellen Forney and Daryl Cunningham, but what I feel sets this one apart is its accessibility. It is relatively short, in the form of  a mini-comic, inexpensive, and easy to share. Even in this day, I know that issues of mental health are often kept secret or not discussed, and the level of candor and honesty here are powerful and potentially very helpful to those in need of assistance. I don't think it's hyperbolic to say that this comic has great potential to save lives.

Sunflowers was created by Keezy Young. They prefer to draw short comics and graphic novels with  horror, supernatural, romance, LGBTQ+, and mental health themes. Their graphic novel work includes the forthcoming queer horror story Hello Sunshine and the award-winning supernatural romance Taproot. They speak about their career in comics in this in-depth interview. If you would like to read an interview specifically about Sunflowers, this one is great.

Sunflowers is a 2025 Eisner Award Nominee for Best Single Issue/One-Shot, and it has received many positive reviews. Chloe Horning wrote, "I appreciated the author’s commitment to depicting both the good and bad aspects of their disorder, while taking care not to romanticize those aspects that may seem appealing to someone on the outside looking in." Andy Oliver summed up, "Undoubtedly one of the finest comics to have come out from Silver Sprocket to date. And that is really saying something."

Sunflowers was published by Silver Sprocket, and they offer a preview and more information about it here. You can also read it for free from their website here. Trigger warning: this book deals with issues of mental health and potential self-harm.