Chibi Usagi: Attack of the Heebie Chibis

I have read a great many Usagi Yojimbo comics in the past, and consider it one of the modern masterpieces of the medium. Its creator Stan Sakai is one of the greats, who has been awarded pretty much every accolade a living cartoonist can receive, and here he and his wife Julie collaborate on a slightly different version of his classic character. Drawn in a cuter, more cartoony chibi art style, this version seems pitched at a younger audience, but it's still enjoyable for pretty much any age. The artwork is adorable but not juvenile and coupled with a well-crafted plot, which incorporates a number of story elements, including individual character moments, slapstick, quests, and battles. This book offers something for pretty much any reader. It does not talk down to its audience, and I got a big kick out of reading it.

The narrative here focuses on a trio of adventurers, Usagi, Gen, and Tomoe, who are out fishing for unagi (freshwater eels) when they rescue a creature in distress. The creature is an animated clay figure named Dogu, and it tells the trio that it has escaped from slave labor from the nefarious Salamander King. That villainous creature has captured Dogu's people and forced them to do his bidding, and of course our three heroes embark to free the village and defeat the Salamander King's army. This mission is fraught with peril, including shaky bridges, meandering forests, and the titular Heebie Chibis.

This story works well as a straight adventure story, but it also features strong characters who are almost instantly related to the readers as well as snappy dialogue. The situations themselves are based on traditional Japanese folklore, which are explained further in  the end sections of the book. It is fascinating to see how well the detailed fictional world depicted here matches up with real life creatures, creations, and beliefs. In addition, there is a short story at the end of the book where the usual version of Usagi Yojimbo meets the Chibi version, which not only works as a stand-alone tale but may also be a great gateway into the further adventures of the rabbit samurai.

This book is one of the best kids of all-ages fiction in the best sense of the world. I think its potential audience is a vast one, and I hope that this book sells bazillions of copies.

All of the reviews I have read of this book have been positive. Ingrid Lind-Jahn wrote, "It’s an adventure story that has plenty of danger without being overly scary and emphasizes positives like friendship by example rather than explanation." Pharaoh Miles called it "an exciting story that any fan of any age can get into" and "easily the most accessible story involving this enigmatic protagonist."

Chibi Usagi: Attack of the Heebie Chibis was published by IDW Publishing, and they offer more information about it here.

Usagi Yojimbo: Yokai

I wrote about my love of Usagi Yojimbo comics in the past, and I felt that this stand-alone graphic novel would be a great one to promote for reading around Halloween time. It was published to celebrate the 25th anniversary of Usagi's creation, and it tells a different kind of ghost story, one where the rabbit ronin finds himself in the middle of a forest and comes upon a weeping mother. Her child has been kidnapped by a fox spirit and she begs Usagi for help. Against his better judgment, he agrees to help, even though he knows his swords may be no help against a supernatural enemy.

It turns out that Usagi's instincts were spot on. This kidnapping is only one act in a series of appearances by yokai, Japanese spirits/monsters who are congregating in an evil plot to bring the witch queen into the human world. Usagi is certainly over his head here, but assistance arrives in his ally Sasuke the Demon Queller. However, both learn that dealing with these treacherous creatures is extremely hazardous, as they are incredibly underhanded and tricky.

This book's creator Stan Sakai is a multi-Eisner Award winning artist and letterer who is best known for creating Usagi Yojimbo as well as his work on the independent comic book series Groo. He speaks extensively about his career as well as his work on this graphic novel, which consists entirely of painted images, in this interview.

All the reviews I have read about this book sing its praises. Publishers Weekly gave it a starred review, calling it "a genuine pleasure for readers of all ages." The review in Rolling Stone India stated that the watercolors gave "the story a Miyazaki-esque feel that wows you right from the first page." The reviewer at Reading for Sanity wrote that it featured "a lovely blend of humor mixed with drama."

Usagi Yojimbo: Yokai was published by Dark Horse Comics, and they have a preview and more here.

The Usagi Yojimbo Saga, Books 1 & 2

Today I am writing about two books that contain more than 600 pages of comics each following a creator-owned character that originated in 1984.

I have read the adventures of Usagi Yojimbo before, mostly because his creator Stan Sakai worked on a ton of Groo comic books I read when I was a kid. But it has been years since I have checked in on him. Luckily, Comixology Unlimited has the first two books of The Usagi Yojimbo Saga available to borrow, and I got to read a great many of these wonderful stories over the past few weeks.

The plot mainly follows Miyamoto Usagi, a samurai living in 17th century Japan (during the Edo Period) who has lost his master and now wanders the road alone. He has a code of ethics, and he seeks to help those in need and often finds himself embroiled in interesting situations. What I find most impressive about this series, it features "funny animals" but they are some of the most human and evocative comics I have ever read. Sakai is masterful at creating tense situations and full characterizations in very short order. His artwork is impressively detailed and smooth, and the economy of his storytelling is superlative. He can portray small scenes of poignancy equally as well as large scale battles. Just check out this preview:

 

 

The tales in these books range from one-page gags to multi-page episodes to one multi-chapter epic (called "The Grasscutter"). I was shocked and amazed to see how much material was incorporated from all these disparate episodes into one long narrative in Book Two. The scope and scale of the world-building here is nothing short of remarkable. I feel that these books are masterpieces of comics, and what is more they are accessible for readers of almost any age. And apparently I am not in the minority here, as "The Grasscutter" stories won one of Sakai's five Eisner Awards. If you read comics and have never read Usagi Yojimbo, you should make time to do so immediately.

You'll be glad you did.

The Usagi Yojimbo Saga was published by Dark Horse, and they have a preview and more info about the series here.