All the Hulk Feels

I recently borrowed All the Hulk Feels, because it had been nominated for (and won!) an Eisner Award. Libraries RULE!

This picture book is a short tale about the Hulk and Bruce Banner, as they deal with the latest scheme from their arch-foe the Leader. His evil intention is to divide the scientist and green goliath so that he can free a crew of supervillains and rule the world. So he purposefully annoys Banner with things he hates, like playing certain songs on the radio and putting pickles on his hamburgers (Banner apparently abhors pickles).

Fortunately, a little kid gets the duo a crayon and they begin writing notes back and forth to each other, which leads to a surprisingly poignant moment. The plot of this book is pretty predictable, but how it executes the plotting and hits its emotional beats is what makes it successful. The highly expressive artwork carries the entire enterprise into being an exceptional book. I love how it balances silly situations and serious concepts.

This last point should be no surprise as this book was drawn by Caldecott Award winner Dan Santat. He has many picture books to his credit, most notably The Adventures of Beekle. He also has drawn a few graphic novels, including A First Time for Everything and the new Sashimi series. He speaks about his work on All the Hulk Feels in this interview.

This book has been well reviewed. Kirkus Reviews wrote, "Author/illustrator Santat breathes new life into the nature of comic-book conflict, exploring the emotional stakes of a consciousness divided." Eric Smith called it "a fantastic picture book with an important story." Susan Harari wrote, "The emphasis on when it’s OK to feel upset and how to strategize about ways to calm down are cleverly worked into what many kids will already know about the Hulk, making this a win for both young readers and adults."

All the Hulk Feels was published by Abrams Fanfare, and they offer more info about it here.

Dogs on Dates

Dogs on Dates began a few years ago as a series of strips on Luke Healy's Instagram account, and I have been looking forward to this book. It follows the lives of Brad and Bernie, a couple of gay dogs whose "meet cute" involves a broken plate glass window and a shared ambulance ride. 

What follows is a series of dates, some quotidian and others quite outlandish, and the duo gets to know each other. Much of the book is composed of single page strips that depict a single date, though there are some extended sequences where some of their more complicated adventures occur. These sequences are suspenseful and well-plotted, making them real page-turners. Also, the character designs, gestures, expressions, and interactions make these cartoon dogs palpable and relatable.

Overall, I loved getting to know these characters and seeing how their relationship develops and unfolds. There is lots of drama and emotional baggage, from meeting parents to dealing with employment issues to learning about past relationships, but this book presents them in frank, refreshing, and utterly charming ways. It made me laugh and worry and my heart melt. It is a feel-good read, in a wonderful and substantial way, a reaffirming tale that shows the realities and absurdities of love.

The book's author Luke Healy is a cartoonist, comedian, and screenwriter. He has made all sorts of comics from short-form to graphic novels like Self-Esteem and the End of the World and The Con Artists. I feel the need to read more of his work soon.

All of the reviews I have read of it have been positive. Lindsay Pereira wrote, "There is a lot of sensitivity on display here, especially when one considers that these feelings are being filtered through the lives of two anthropomorphic canines." Jeff Provine highlighted "the genuine humanness of two guys just trying to be a couple in a world packed with awkwardness and responsibilities as well as amazing snacks and belly laughs." Killian Fox called it "an endearingly scrappy piece of work whose charms make up for its occasional misfires."

Dogs on Dates was published by Drawn & Quarterly, and they offer an excerpt and more here.

 

Flocks

I have been meaning to read this book for a long while now, because I had bought a mini-comic that was a draft of one of the chapters years ago but never followed up because of life and who-knows-what-else going on. Happily, I found it in a library. Libraries rule!

Flocks is an incredible book, a candid look at a person who was assigned female at birth and raised in a conservative, Christian family in Louisiana. What I think makes this book exceptional is its combination of imagery, plotting, and exploration of religious belief. It is drawn in a mostly realistic style, though the main character is almost always depicted as a button-eyed rag doll. It is almost viscerally painful to read about how isolated that L. felt during childhood, being constantly faced with contradictory feelings to what was being preached at church. Being so completely othered and trying to reconcile thoughts with religion is one tremendous struggle, and I found it very powerful that they did not shy away from sharing just how profound their religious faith was to them.

I do not think it is too much in giving away the plot that L. eventually transitioned to being a man, but what makes this book special is just how much detail and nuance is given to that journey from childhood, through finding solace and kindred spirits through academics, and to adulthood and building a family. He also does not necessarily vilify his family, as they are depicted as supportive in some ways even if they do not always understand or approve of what they see happening. Ultimately, this book is about communities and relationships and how they can damage and/or validate you. Flocks is an insightful and moving account of one person's figuring out who he is and all of the fallout and victories that accompany the process.

L. Nichols wrote and drew this book, and they are artist and illustrator who publishes work with the Grindstone Comics imprint. They have also published a follow-up book I Am Only A Foreigner Because You Do Not Understand that continues looking at their continuing transition to a more nonbinary identity. They speak about their work on Flocks as a mini-comic as well as their other comics work in this interview from 2013 (pre-transition) and also this one from 2018 (post-transition).

I was not able to locate many reviews of this book, which is a shame. Publishers Weekly named it one of their Big Indie Books of 2018. Meepelous wrote, "L.’s irresistibly charming drawings demonstrate what makes Flocks so special: L.’s boundless empathy.”  Blackraven called it "an odd little gem."

Flocks was published by Secret Acres, and they offer more info about it here. Trigger warning: this book features a lot of emotional trauma, some sexual situations, and depictions of self-harm.

A Quick & Easy Guide to Queer & Trans Identities

A Quick & Easy Guide to Queer & Trans Identities is just what it says in the title, an accessible primer on LGBTQIA+ matters for those who would like to know more. It is divided into pointed chapters that answer specific questions, namely defining the terms queer, gender identity, gender expression, dysphoria, and asexuality. It also explores the concept of coming out as well as provides some elementary information about healthy relationships. 

The book presents serious material in a breezy and whimsical way. Its narrators are a group of snails who are observing a queer educator campout, providing an outsider/insider viewpoint. As you can see from the excerpt below, the artwork is playful and expressive. 

I really like the pastel color scheme, as well as the blue/green/yellow strips that follow each chapter that feature Sproutlings, a bunch of fantastic woodland creatures that enact the ideas contained in each chapter. All in all, I appreciated just how much information this book communicates in a fast and friendly way. It also contains a few activity pages in the back, as well as a list of great online resources. It's a great introduction for anyone wanting to learn more about the basics of LGBTQIA+ identities.

Cartoonists and illustrators Mady G and Jules Zuckerberg collaborated on this book. Mady G has made lots of shorter comics and has worked for a number of high-profile illustration clients. Zuckerberg has also illustrated the Printz Honor book Queer Ducks (And Other Animals). They both speak about their work on this quick & easy guide in this interview.

Most of the reviews I have read about this book have been positive. Alec Chunn wrote, "Though the book is slim, it effectively covers a broad swath of identities and topics." Becca called it "witty, engaging, and down-to-earth." Johanna Draper Carlson was less taken with it and opined, "the book often reads as a decorated lecture."

A Quick & Easy Guide to Queer & Trans Identities was published by Limerence/Oni Press, and they offer a preview and more information about it here.

The Well

I recently got to know about Jon Allen's Ohio Is For Sale series and read the first collection of those strips. They feature a cast of 20-something characters, depicted as animals but who have real human problems and relationships interspersed with some fantastical elements.  The Well is the latest book set in that universe, and it was available from my local library. Libraries RULE!

The star of The Well is Veronika, a reserved 24-year old who lives with her parents, has a jerk boyfriend in a band, and who has not had a job in about a year.

This situation changes when the band goes on tour, she gets to crash at her boyfriend's gross apartment, and she gets a job coding for a local energy drink/wellness company. She settles in smoothly at first, makes a couple of work friends, Persephone and Dave, and gets into a new pattern. Dave is a go-getter who obviously has a crush on her while Persephone is an open lesbian who has learned not to get involved with straight women (maybe), but they all get along and occasionally go out for drinks. Their dynamics are fun to see, but something is not right with the company's owners.

Her bosses Susan and Jake are distant and weird, and eventually it's revealed that they are running illegal experiments involving the toxic morass that lies below the building as well as the huge creature that lives there. Veronika figures out that something hinky is going on, but she and her co-workers still get roped into the situation. What follows opens her eyes to how she views the world and her role in it.

The artwork in this book is very clean and simple, with bold characters rendered in black, white, and grayscale. This style belies a complexity of character and plotting, and this book is incredibly compelling. I read the whole thing, more than 700 pages (!), in one sitting. It is a master class in graphic storytelling, and I cannot recommend it enough. There are two other books, Julian in Purgatory and The Lonesome Era, available from this series, and I need to get my hands on them ASAP.

All of the reviews I have read about this book have been positive. François Vigneault wrote, "Over the many pages of this book Veronika clearly emerges as Allen’s most well-rounded and engaging protagonist yet." Phantastic Reads opined, "I love Allen’s deceptively simple art, and he’s got some really fun backgrounds in this one. The creeping suspense is a great counterpoint to Veronika’s very real personal problems, and it all comes to a head and wraps up beautifully."

The Well was published by Top Shelf Productions, and they offer a preview and more here. For those interested, Allen speaks about his work on this book in this interview. And if it is not clear by now, this book is not for kids.

This Place Kills Me

I recently borrowed this book from my local library. Libraries RULE!

This Place Kills Me is a murder mystery set at an all-girl private school in the 1980s. The main character is Abby, the new girl there who does not really fit it. She carries the baggage of being expelled from her last school for shady, possibly drug-related reasons. Also, she is a lesbian and catches a lot of flak from other students, which also affects her roommate Claire.

When a student commits suicide after a production of Romeo and Juliet, the two roommates begrudgingly join forces to investigate a few irregularities and find out a strange pattern that may explain what actually happened. The mystery is truly gripping, and part of the fun is figuring out whodunit.

This book has multiple strengths, chief among them the splendid and atmospheric artwork as well as strong characterizations. Abby's feelings of isolation really come through in the visuals, as well as the ornate decor of the school and many of its fancy students. I loved how the characters interact and how they did not end up making nice over the course of the narrative even as they collaborated. In many ways, this book seems like the "beginning of a beautiful friendship," with a pair of unlikely partners solving crime. And I would love to see more adventures featuring these characters.

This Place Kills Me was written by Mariko Tamaki and drawn by Nicole Goux. Tamaki is a prolific writer who has won a ton of awards, including multiple Eisners, being a finalist for the Printz Award (twice!), and a Caldecott Honor. She is known for the graphic novels This One Summer, Laura Dean Keeps Breaking Up With Me, and a few prior entries in DC Comics' YA graphic novel line, including I Am Not Starfire. Goux has several graphic novels to her credit, including Punk'n Heads, Pet Peeves, and Forest Hills Bootleg Society. Tamaki speaks about This Place Kills Me in this interview.

Nominated for an Eisner Award, this book has received much praise. In their starred entry, Kirkus Reviews concluded it was "truly exceptional; a standout." Sean Dillon called it "a thrilling story highly worth recommending." In an another starred review in the School Library Journal, Angie Jameson wrote, "Stunning illustrations coupled with a thrilling plot make this a standout title that belongs in all YA graphic novel sections."

This Place Kills Me was published by Abrams Fanfare, and they offer more information about it here. 

Chickenpox

As a person with a lot of siblings, I found a bunch to relate to in this book. Chickenpox is a story set in 1994 about Abby and her family. 

She is a fifth grader, the oldest of five siblings, and like many children she gets annoyed with them for various reasons. They take her toys and comic books. They make her seem uncool to her friends, but in actuality they are having friction for their own reasons. All of this drama comes to a head when Abby ends up stuck at home sick with chickenpox with the whole family for more than a week.

Familiarity builds contempt, as they say, but sick and tired kids make for some different circumstances. Abby starts to see some good things about them while she tries to smooth things over with her classmates over the telephone. I won't spoil how things resolve, but I will say that I found this book to be charming and absorbing. It portrays family relationships and friendships in realistic, nuanced ways. The artwork is simple yet expressive, and I can see why it has been nominated for both Harvey and Eisner Awards.

Although it is not a memoir, Remy Lai based Chickenpox on her experiences growing up. She has authored several graphic novels, including Ghost Book and Pie in the Sky. She speaks about her work and inspirations in this interview.

This book has received many accolades and has been very well reviewed. In a starred entry, Kirkus Reviews called it "honest, atmospheric, and full of heart." Kate Quealy-Gainer wrote, "Touches of manga bring silly humor and high drama to an otherwise conventional cartoon style." Annamarie Carlson called it "heartwarming and fun."

Chickenpox was published by Henry Holt and Company, and they offer a preview and more here.

The Hidden Dominion of Geordie James

The Hidden Dominion of Geordie James is a fantastic graphic novel that delves into many contemporary issues that kids and parents are dealing with. Geordie is obsessed with Dominion, a Minecraft-ish MMORPG where he spends hours building up an elaborate amusement park with even more elaborate defenses to drive away marauders who would steal his (digital) stuff. His dad does not really see what he gets from the game, but he does not like it, especially when Geordie starts to fail science class. He grounds Geordie, making him spend time outside. Geordie finds a secret hideout, which somehow has working wifi he can use when he sneaks his tablet. He also becomes somewhat obsessed with a pig that has somehow escaped into the wild in their neighborhood.

Geordie is not the only one failing science though, and he and some classmates get put into an after-school group to work on a project to boost their grades. It turns out that Geordie is not great at working in groups, and some of his classmates are tough to get along with. They sometimes bicker and struggle to come up with a common topic, and seeing how they interact reminded me of how many kids today relate to one another, when they have to manage both face-to-face and digital interactions.

I am not going to get more into the plot and how the various relationships work out, but I will say that I found a lot of nuance and suspense throughout this book, and I found it really difficult to put down. It's not only riveting, it's also very moving and relatable. The interplay between reality and virtual worlds was palpable, and I cannot wait to share this book with my kids.

The Hidden Dominion of Geordie James was made by Mike Dawson, who is one of my favorite comics artists. I belong to his Patreon, where he publishes "almost monthly" zines. He has also written and drawna number of graphic novels over the years, including the Fifth Quarter books, Freddie & Me, Angie Bongiolatti, and Troop 142. He also has done a lot of  graphic nonfiction and essay work, including the collection Rules for Dating My Daughter and plenty of comics for The Nib and other venues.

All three of the reviews I have read of this book have starred ones. The entry from Kirkus Reviews concluded, "A beautifully resonant work for the plugged-in set."  Barbara Ward wrote in Booklist, "With threads exploring philosophical and moral questions and a nuanced look at the impact of time online for kids, this bright, expressive graphic novel has lots of emotional grounding while still being an engaging story of an often-overlooked kid finding acceptance and understanding." The School Library Journal  wrote that it "could readily serve as a mentor text and is an excellent book club choice for middle school students.”

The Hidden Dominion of Geordie James was published by Union Square Kids, and they offer a preview and more information here.

Akane-banashi, Volume 1

Akane-banashi is an engrossing manga series that  focuses on a niche area, but I took a lot away from it. The main character is teenager Akane Osaki who aspires to excel at rakugo, which is a tradition of comedic storytelling. Part of what drew her to this field was seeing her father rehearse his routines when she was younger, and she loved seeing his skill at portraying characters and scenarios. However, he was shamed and expelled from his rakugo school, and part of why she strives to succeed is to avenge his harsh treatment. 

At first, she trains in secret with his former teacher and in this first book she begins to meet other young storytellers as she joins a school. Some of them are supportive while others are more competitive, which makes for some drama.

Aside from all of the interpersonal intrigue, there is also a healthy amount of historical background about rakugo, which offers insights into the intricacies involved in being a performer as well as how it ties into Japanese culture as a whole. So, in combination with it being a gripping story, it is a sort of sociology as well. I might be making this book sound ponderous, but it was full of colorful characters and a breeze to read.

This manga is written by Yuki Suenaga and drawn by Takamasa Moue. It is the first serialized manga by Suenaga. Moue wrote and drew a prior series Ole Golazo, published in Shonen Jump.

All of the reviews I have read about this book have been positive.  In a starred review from School Library Journal Joe Pascullo concluded, "With its lovable protagonist, strong artwork, and unique exploits at its heart, Akane-banashi is not only a must for any budding manga collection, but for any reader simply looking for a magnificent reading experience." Sara Smith wrote, "This is a great read for its characters but also for anyone interested in learning more about this Japanese art form." Sakura Eries "if you’re open to learning (a lot) about Japanese traditional culture, Akane-banashi might be a fun way to do it."

Akane-banashi, Volume 1 was published by VIZ Media, and they offer a preview and more here. So far, the series has been collected in 15 volumes in the USA (and 22 in Japan), so there's plenty more for fans. It has also recently begun to be adapted into an anime series.

Clementine, Book One

Tillie Walden is one of my favorite comics artists, a multiple Eisner Award winning talent and current cartoonist laureate of Vermont. I loved her books Spinning and On a Sunbeam, and I also had the pleasure of interviewing her a few years back as part of The Comics Alternative podcast. I was very surprised to see that she was going to be working on a book based in The Walking Dead franchise, and I bought it a few years ago but only got to actually reading it now. Clementine is based on a character from the franchise's video game series. She is a young woman/teenager who is living in a world over-run by zombies. When this book begins, she is a loner, and she wears a prosthetic leg in place of the limb she lost.  And, as you can see in the except below, she is used to taking care of herself.

Her isolated demeanor gets seriously challenged when she happens up some Amish folk on a trail, and she ends up partnering up with a young man named Amos who is on his way to Vermont as part of his  rumspringa. It turns out it is easier to ride in a wagon than walk all that way, but when they get there, things are not what they expected. I don't want to spoil much, but they end up trying to make the best of things in the cold, harsh winter conditions, and there are many complications and obstacles.

What I think this book does best is use the backdrop of the zombie apocalypse to explore human beings, how they act, and what they are capable of. This is a book with lots of moral and ethical dilemmas that also explores people's relationships to each other and why they may or may not trust them. Clementine and the others are all complex, compelling characters, and watching how they relate, strive to survive, and potentially look out for each other is very engaging. All of this is further enhanced by the expert storytelling and character depictions. This book is a definite page-turner that is tough to put down. Good thing this is the first book of  a trilogy, so I will need to track down the rest of her story.

It can be tough to please the audience of an existing character, especially one that belongs to as large and passionate a fanbase as The Walking Dead. I have no experience with the video game version, and I very much enjoyed this book. Furthermore, all of the full reviews I have read about this book have been positive. In a starred review for Library Journal, Tom Batten summed up, "Walden’s knack for character development and unique perspective result in a tale perfect for diehard fans of The Walking Dead, as well as newcomers." David Harper wrote that the book "finds a singular talent threading a needle, making this graphic novel feel like a Walden original and a natural continuation of this character’s journey."

Clementine, Book One was published by Image Comics, and they offer a preview and more here.

Very Bad at Math

First off, this book is another I checked out from my local library. Local libraries rule! Very Bad at Math is about Verity "Very" Nelson, who is a real go-getter. She is a three-term class president, excellent English and social studies student, top debater, first-chair clarinetist, and can do more push-ups than anyone in gym class. 

See?

On the surface, it looks like there is nothing she can't do, but secretly she is failing math. She is ashamed of it and hides this fact from everyone, including her friends and parents. When she learns that failing a class would disqualify her from student government, she is offered the chance to participate in a "math pod" with a doctoral student who is working at the school where eventually she learns that she has dyscalculia.

Before this revelation, however, all of the secrecy does some damage. Her miscalculations seem to ruin a fundraiser for a class trip that was her main campaign promise. Even worse, her friends do not know what is going on with her and jump to some conclusions that she is being aloof, snobby, and/or uncaring. It also does not help that a middle school podcaster is snooping, secretly recording her, and creating misinformation. In the end, I found this a very compelling and realistic book in how it dealt with the current realities with social media, friendships, and learning disabilities. Also, the characters are also well defined and interesting. I like how they are drawn, how they interact, and how surprising some turn out to be.

This book's author, multiple Eisner Award winner Hope Larson is very good at comics. She practically invented YA graphic novels with her book Chiggers, adapted the graphic novel version of A Wrinkle in Time, wrote the Four Points series and Salt Magic drawn by Rebecca Mock, and created a trilogy of books starting with All Summer Long. She speaks about her work on Very Bad at Math in this interview.

All of the reviews I have read of this book have been positive. In a starred review from School Library Journal, Amy Ribakove wrote, "With captivating characters and a thoughtful exploration of dyscalculia, this book is a wonderful addition to any library." Kirkus Reviews summed it up as "a buoyant misadventure with some lessons along the way." Crystal Wilder concluded, "This graphic novel does a beautiful job of portraying the anxieties that may surround learning disabilities and the many ways family, friends, and learning professionals can be supportive."

Very Bad at Math was published by HarperAlley, and they have a preview and more available here. 

Hockey Girl Loves Drama Boy

Hockey/romance books seem to be all the rage right now, and I just borrowed this one, published a couple of years ago, from my local library. Have I mentioned before that libraries rule!? I have not read a book by Faith Erin Hicks in a while, and with Hockey Girl Loves Drama Boy she is hitting on all cylinders. This books has strong, fully realized characters, interesting personal dynamics and relationships, and a plot that left me wanting more. 

It is about Alix, a star hockey player on a team where her teammate and captain Lindsay constantly berates her in the locker room and on the ice. 

One day she snaps and attacks Lindsay, which shocks everyone and herself. In order to help herself and also convince her coach to approve her invitation to the Canada National Women’s U18 Team’s summer camp, she decides to ask Ezra for help managing her anger. Ezra is a drama kid who presents as gay and deals with a lot of antagonism from a couple of bullies because of that. Alix admires how Ezra can diffuse the hostility directed against him and redirect it through cleverness and humor. The two strike up a friendship and get to know each other. It turns out that Ezra is more gender fluid than gay, and they end up in a relationship.

The artwork and how it conveys emotional scenes and facial expressions is one big reason this book works so well. The characters come to life in their reactions and in actions, but the hockey and drama scenes work just as well as the interpersonal ones. Hicks is magical with her line-work, an alchemist who makes the flat images breathe and emote. 

I also loved how this book contained so many nuanced, complex, and realistic relations. Alix and Ezra's relationship is a focal point of the book, but there are also a few forays into their family lives, including how they deal with their parents and their own relationship issues. None of the love stories here are idealistic or perfect, but they all feel real. In addition, Alix and Ezra have to navigate how some of their friends take these new developments, and they find out about some other unresolved feelings related to bullying from the past. Ironically, it does not look so much in depth at the hockey team dynamics, other than to point out that no on in that locker room ever had Alix's back. The way the book ends is very open-ended, and I hope that it gets a sequel because I would love to spend more time with these characters. They were very easy to fall in love with.

As I mentioned above, this book was written and drawn by Eisner Award winning artist Faith Erin Hicks. She has created some of my favorite books over the past decades, including The Nameless City trilogy, The Adventures of Superhero Girl, Pumpkinheads, and Friends with Boys. She talks about her work on this book as well as her own hockey skills in this interview.

All of the reviews I have read of this book have been positive. Kirkus Reviews wrote that "the ending feels a bit abrupt, but readers will forgive that thanks to the overall incredible storytelling and character building." Ian Keogh concluded, "The general path is predictable, but handled with such delicacy and sympathy that Alix and Ezra carry readers through with the smoothness of skates on ice." Amanda Melilli called it "a feel good romance that doesn’t shy away from the painful side of life."

Hockey Girl Loves Drama Boy was published by First Second, and they offer a preview and more here.

Life Drawing

It had been a minute since I read any Love and Rockets, but I recently read Life Drawing to check in with what Jaime Hernandez has been creating these past several years. This book follows the exploits of Jaime's two main focal characters of late, Tonta and Maggie. Most of the book looks at how Tonta is dealing with life after high school, with her bouncing around her aunts' houses, taking drawing lessons at the local community college, maybe finding gainful employment, and fumbling toward possible relationships. Maggie keeps popping up in and around her life in surprising ways, and together they begin to work on Maggie's fear of the ocean. 

None of this plot summary really gets at what makes this book special, which includes the dialogue, interactions between the characters, and gorgeous artwork. In many ways, it reads like a grown-up Archie comic, with multiple short, separate episodes that coalesce into a narrative whole. The characters are vivid and how they interact with each feels real, funny, and moving. The issues they deal with are mundane and relatable, but the artwork is exquisite and expressive. In lieu of a preview, I am just going to post a series of random panels as rendered by Hernandez. 

I think readers new to the Love and Rockets world might need to allow themselves some time to get into this book, as it is a bit scattered on the front end, but fans will be able to visit again with a cast of old friends. I loved seeing the familiar stomping grounds being populated with newer characters, and there are a few surprises, too, including a forest spirit and a couple of weddings. It's another outstanding comic by one of this generation's best artists.

All of the reviews I have read of this book have been positive. In their starred review Publishers Weekly gushed, "Hernandez's jaw-droppingly clean line and mastery of the subtly caricatured human form make the most mundane moments vibrate with life." John Paul Bullock wrote that it "is a perfect entry point for anyone who’s recently discovered this groundbreaking series." Tom Shapira pondered the task of tackling this series for the first time and wrote, "The reviews are still good, they’ve always been good, but there’s just so much of it."

Life Drawing was published by Fantagraphics, and they offer a preview and more information about it here. This book features adult situations, profanity, sex, and nudity, so it is recommended for readers mature enough to handle those things.

Golem Pit 224

It's October and to celebrate this spooky month, I am going to review a bunch of different graphic novels that fit the season. First up is Golem Pit 224, a book I got from a Kickstarter campaign last year. The plot revolves around a couple, Thea and Kelsey, who decide to go on a camping trip to explore an unusual land form, the not-at-all-creepy- sounding Exclusion Zone Golem Pit 224. Kelsey is a research professor who is treating the trip more like an opportunity to collect work samples, and Thea would like to actually have fun and spend time with her partner. Without spoiling too much, they end up having to deal with some psychoactive material and find themselves literally and figuratively on shaky ground.

This book was wonderfully weird and compelling. What I liked about it was that it worked as a horror tale as well as a relationship story. Kelsey and Thea have some unresolved tensions that they need to deal with, and the way those manifest both emotionally and physically throughout the story makes for suspense and high drama. There were also several scares, including one pretty gross one that involved possibly swallowing an alien life form. The plot was pretty unique, and at some points I honestly did not know how or if things would resolve. The artwork does not employ the typical panel borders of most comics, and the floating, amorphous way the figures and events are depicted makes for some interesting developments later in the book in terms of how transformations and mysteries play out. Also, the color palette dealt mostly in earthy, brown tones that create a murkiness that well suited the setting and events of the story.

Golem Pit 224 was written and drawn by Julia Gootzeit. She has mostly published her work in mini-comic form, and her more recent comics can be found on her Instagram feed.

Golem Pit 224 was published by Fieldmouse Press, and they offer a preview and more info about it here.

The Cola Pop Creemees: Opening Act

This book I got as part of Birdcage Bottom Books' 2023(!) Kickstarter campaign. The Cola Pop Creemees: Opening Act is on its surface a funny book, but its loopy, cartoon images masque several unique human dramas that all combine as one musical act. The Cola Pop Creemees consist of guitarist/front man Ralph Jonathan, drummer Wallace T.J., Mona Gertrude on tambourine, bassist Gil Christopher, and keyboardist Henrietta Susan. Part of this book details the politics of being in a band, with people jockeying for praise, songwriting credit, and attention. Part of it is a deep dive into the different band members' pasts, with a look at their childhoods, parents, and various life-shaping events.

The five members all feature very different personalities, and many of them have been shaped and influenced by traumatic events. Sometimes the tenor of the stories can be slapstick or has a tinge of dark humor, but mostly they are relatable and moving. Some of the band members are depressed, some obsessed, some stressed, and it might be accurate, and sad, to say that Wallace T.J., who abuses a good many substances, might just be the most well adjusted of the bunch. Whatever the case, each story is incredibly compelling, and I found this book difficult to put down.

The Cola Pop Creemees: Opening Act paints remarkably vivid character portraits and is one that rewards reading and re-reading. It will make you laugh, cry, and seek a solo career where you never have to be in a band.

This is the debut graphic novel by Desmond Reed. Since this, he has published two further works about the Cola Pop Creemees: Lefty and The Horrors of Being Human. Reed speaks about his work on Opening Act in this interview.

The reviews I have read of this book have been glowing. I concur with Andy Oliver who wrote that "in less than 250 pages, The Cola Pop Creemees manages to make the reader so invested in this oddball cast that a second outing feels essential." Publishers Weekly called it "an unexpected, oddly emotional gem"

The Cola Pop Creemees: Opening Act was originally published by Birdcage Bottom Books, and they offer a preview and more information about it here. You can now buy it from Microcosm Publishing. This book features family trauma, adult relationships and situations, and drug use, so it is recommended mature enough to deal with those matters.

Holler

Continuing with my haul of comics from HeroesCon, today I am sharing Holler by Jeremy Massie. One of the best parts of going to Charlotte is seeing friends and getting to talk, even if it is while they are manning their booths and selling their wares. I always make a point to check in with pals Henry Eudy and Eraklis Petmezas, who are typically tabled next to each other, and this year they were joined by Massie. I was very eager to get Holler, as I had gotten the first few issues that were published by It's Alive but had not had the chance to finish the series. Lucky for me, Jeremy had this book for sale, and I loved reading it.

It's a pretty specific book, but I am the target audience in a few ways, because of my age and musical tastes. And I should note that it's not quite autobiography, but it is based on some real events and people. It's set in the 1990s in a small, rural town in Appalachian Virginia. Its narrator and main character is Mark, a high school student who does not really excel at academics, but he is a talented enough artist and musician. He plays guitar and joins his friends in a band called Magnesium Mama that plays grunge rock covers and some original songs. This scene puts him at odds with his family in some ways, as well as with the religious figures that factor heavily in his life. 

It also puts him in a clique that is at odds with the local "rednecks" (as he calls them), which leads to conflicts, both verbal and physical. Over the course of the book, Mark deals with a lot of different situations. He gets his first girlfriend, then experiences his first break-up. He experiments with drugs. He plays a lot of gigs and gets involved in a few different battles of the bands. He switches churches, sort of dates the preacher's daughter, and has to navigate the complicated ways his parents and he practice religion. 

The stories here are all told in episodes, and I found them highly compelling and poignant. The artwork is well paced, and is particularly excellent at capturing people's expressions and emotional reactions, which works very well as this book is very character driven. This book touches on a lot of issues that young people contend with as they get older and start trying to carve out spaces in the world, and it does so in a way that is sometimes humorous, occasionally cringe-inducing, and always relatable and human. Holler is one of the best coming-of-age graphic novels I have read, and I highly recommend it.

This book's creator Jeremy Massie has made all sorts of comics in various genres, including the superhero tales Amazing Age, horror stories Blood-Drenched Creature Double Feature, and the more realistic, solo-authored book All My Ghosts. He speaks about his work on Holler in this interview.

I was not able to locate many reviews of this book, which is a shame, because I feel it should be more widely known and read, because it is so good. Publishers Weekly concluded their review, "This bittersweet blast from the past will strike a chord with recovering high school outcasts."

Holler was published by Dark Horse, and they offer more information about it here. Because it features some drug use, sexual situations, profanity, and adolescent shenanigans, I recommend it for readers mature enough to deal with those matters. 

Odessa

I have read tons of dystopian future stories from the YA graphic novel market, and Odessa is one of the best ones, because it is well realized and complex. It begins when Ginny, the main character, gets a package for her 18th birthday. This package, it turns out, came from her mother Odessa, who has not been home in years and was presumed dead. This gift sets off an entire series of events that put Ginny on a quest across the environmental disaster the western United States has become to either find her mother or some sort of resolution to this situation. Along the way she runs into a good number of interesting folks (both friends and adversaries), including two stowaways that really up the stakes for her (and their) safety.

I am being vague because I do not want to spoil too much, but suffice it to say that I feel that the plot of this book is excellent, with lots of moments of suspense and cliffhangers (both emotional and physical), superb character designs, grand vistas of devastation, and palpable character moments. The way the book ends very much begs for a sequel, and I really hope we eventually get one.

One big reason why we have not gotten a sequel yet is that this book's creator, Jonathan Hill has been working on another graphic novel series, Tales of a Seventh-Grade Lizard Boy and its soon-to-be-published sequel Lizard Boy 2: The Most Perfect Summer Ever. He speaks about his work on Odessa in this interview.

All of the reviews I have read about this book have sung its praises. In a starred entry, Kirkus Reviews summed it up as "a gritty, raw page-turner."  Sara Smith wrote, "There are parts of this story that are hauntingly beautiful." Becky Proie opined, "Odessa is a seemingly simple and effortless graphic novel that manages to take the well-used dystopian setting and somehow bring a welcoming feel to it that makes readers not want to put it down."

Odessa was published by Oni Press, and they offer more info about it here. 

Shortcomings

I am very late to the party in reading this book, and I am so glad that one of the students in my graphic novel course selected it to read with the class. Shortcomings is a modern class graphic novel, originally published as three issues in the late 1990s/early 2000s comics series Optic Nerve. It follows the trials and tribulations of a trio of Asian-American 30-something young adults as they navigate romance, friendships, and the demands of adult life to varying degrees of success. 

Ben Tanaka is the main protagonist, a Japanese-American movie theater manager who is acerbic, hyper-critical, and somewhat obsessed with white women. At the start of the book he is living with his girlfriend Miko Hayashi, who organized an Asian-American film festival, which Ben finds "shitty." Alice Kim is from Korea, and she and Ben went to college together, and they share a love for hating on things. She is also single and ready to mingle with a good number of people. When Miko decides to take a four-month-long internship in New York City, she and Ben go "on a break," which leads to a series of misadventures. Ever stirring the pot, Alice learns something about what Miko is up to in NYC and sends for Ben to come see. 

All this roiling drama is a huge draw for this graphic novel, and it also features strong characterizations that make you feel repelled by and also empathetic towards the protagonists. It is an engrossing and vexing reading experience, a book that lingers long after it is read. The artwork is crisp, expressive, yet also very open to interpretation. I love how it is paced, with lots of personal interactions punctuated by memorable and provocative images. I loved this book, and I will seek out more from its author, whose works I have been remiss about picking up.

This book's creator Adrian Tomine, the 2021 Eisner Award winner for his memoir The Loneliness of the Long-Distance Cartoonist. He has been publishing comics for more than 20 years now, most notably his series Optic Nerve as well as the graphic novels Summer Blonde, Killing and Dying, and Scenes From an Impending Marriage. He speaks about his early career and work on Shortcomings in this interview from 2007.

This book is very well reviewed. In a starred review for Publishers Weekly Junot Díaz called it both a "lacerating falling-out-of-love story" and "an irresistible gem of a graphic novel." PopMatters wrote, "In place of a conclusive affirmation, Shortcomings weaves an intricate portrait of the various responses to age and identity that set in during the early years of post-twenties life." Jim Woldof called it "a meticulously observed comic-book novella."

Shortcomings was published by Drawn & Quarterly, and they offer an excerpt and more info here.

This book has been optioned to be adapted into a motion picture. I am very interested in seeing how it turns out.