Dragon Hoops

If you have been reading graphic novels (or this blog) for any length of time, you are probably familiar with this book's author Gene Leun Yang. He is one of the premier comics creators working today and a former National Ambassador for Young People's Literature. Additionally, he was awarded a MacArthur Fellowship and has also won the Printz Award for his graphic novel American Born Chinese. He also has won multiple Eisner Awards. He has explored themes of immigration, belief, identity, and growing up in his many works, including The Eternal Smile, Level Up, The Shadow Hero, the twin volumes Boxers & Saints, and New Superman. And (fun fact), I'll be talking with him this week about Superman Smashes the Klan.

 

The work on hand here, Dragon Hoops, is a rather personal one, about the 2014-2015 Bishop O'Dowd High School basketball team and their march toward a state championship. At the point of this story, Yang had worked at the school for 17 years but was not really much of a sports fan. Part of what drew him to the tale was the fact that the school had made the championship game before and was 0-8. Coach Lou Richie was an alum who played in one of those games and had coached teams in a few more, so his deep involvement and passion are palpable. Further, Yang was fascinated by the collection of players, a diverse set of high school boys with different viewpoints and goals, and how they came together as a team. So, there are lots of people to root for and engage with in this book. As a slight spoiler, Yang becomes a sports fan at the end of the book.

He does a superb job of tackling individual games and the drama they contain. His storytelling in these instances is as powerful as any sports narrative I've read or seen. But this book goes beyond the games. It lets us get to know the students (at least the ones who let Yang get to know them). It shows a side of what being a student athlete entails, with a nuanced exploration of race in multiple arenas. It also dives deep into history, giving background on the school, Catholic schools in general, and the history of basketball going back to Dr. Naismith. The coloring by Lark Pien further makes the games dynamic but also elucidates the many facets of the story. The work on this book is clearly extensive and beautifully presented.

Pushing beyond the boundaries of the sports narrative is a long thread of Yang making explicit that this book is a comic that he is composing. As such, it is full of omissions, biases, and intentional choices to force a certain type of narrative on the proceedings. It is fascinating to see him struggle with the decision to include Coach Phelps, a legendary figure at the school, because of unsettled allegations of sexual misconduct. It is also interesting to see him wrestle with two large decisions, one of whether to quit teaching and focus on creating comics full-time, the other whether or not to accept the position to write Superman for DC Comics, which is a lifelong dream. I also liked some of the metanarrative flourishes, such as when he discusses the specific ways that a student-athlete wants his hair to be depicted, with the conversation literally drawing out his options. This book is clever and self-aware, as much a meditation on the creative process as it is a product of said process.

I can say with authority that this book offers much to a wide array of readers, whether they are sports fans or not. It is a long book but so compelling that I devoured it. Giving more insight into potential audience, reviewer Esther Keller opined, "I think the storytelling style is a bit sophisticated and better suited to high school students, but some middle school kids, especially those into basketball, can and will enjoy the story."

The reviews I have read about this book have been glowing. Michelle Falter wrote, "I love how this book is a sports novel about a coach and his team trying to win State for the first time, but also it delves into so so so much more. It deals with everything from fitting in, microaggressions and racism, to self-doubt and taking chances." In a starred review, Publishers Weekly concluded, "Using a candid narrative and signature illustrations that effectively and dynamically bring the fast-paced games to life, Yang has crafted a triumphant, telescopic graphic memoir that explores the effects of legacy and the power of taking a single first step, no matter the outcome." Jerry Craft wrote, "Framed from the start as a book about the struggle to create a book, Dragon Hoops animates the inner conflict between Gene Yang, computer science teacher; Gene Yang, family man (his wife and four children appear throughout); and Gene Luen Yang, graphic novelist. Is it possible to do all these things simultaneously without literally being Superman?" Kirkus Reviews wrote, "This creative combination of memoir and reportage elicits questions of storytelling, memory, and creative liberty as well as addressing issues of equity and race."

Dragon Hoops was published by First Second, and they offer a preview and more information about it here.

Kiss Number 8

Kiss Number 8 is set in 2004, but I feel that the story is also very relevant and contemporary. It stars a 17-year-old named Amanda who goes to a Catholic school. She gets along well with her father, and they are big minor league baseball fans who also like to watch cheesy fantasy TV shows and play video games. She feels a little more tension with her mother, though this starts to shift over time after she learns about a secret her parents are keeping that seems to implicate her father in some serious infidelity.

That is the background of the subplot, and more immediate in Amanda's life is her relationship with her school friends. Her best friend Cat is a tornado, sneaking out to clubs, drinking, carousing, and hooking up with boys. Her next door neighbors, Laura and Adam are more staid, though Adam has had a crush on her that is getting increasingly difficult to ignore or play off. As the book goes on, Amanda realizes that she does not really have any feelings for Adam but for Cat, and then things really go off the rails.

This book was a fantastic read. It features very realized, nuanced characters, both in terms of the plotting and how they are visually depicted. There are many sorts of emotions in play in here, and I feel that it handles all of the drama, humor, love, and pain in excellent fashion. I also admired that the book takes the issues at hand very seriously and does not resolve with simple, pat responses to complex relationships. It handles issues of gender and sexuality in a frank manner that shows all people's humanity, including their strengths and foibles. Finally, it highlights the awkward, painful, and weird ways that adolescent relationships form, evolve, and crumple that made me both cringe and ring a little nostalgic. That last feeling was heightened by the characters frequently interacting via instant messaging, which was the style at the time. I was genuinely moved several times in reading Kiss Number 8, which is a testament to its characters and craft.

This excellent book was a collaboration between Colleen AF Venable and Ellen T. Crenshaw. Venable is a book designer and author who is known for her Eisner nominated Pet Shop Private Eye series. Crenshaw is an illustrator who has also contributed to The Nib. I enjoyed both their work and also getting to know more about them in the substantive Q&A that followed the story. Both creators speak about their work on this book in this interview.

All of the reviews I have read about this book have been glowing. Kirkus Review gave it a starred review that summed the book up as "A rare blend of tender and revolutionary."  Publishers Weekly gave it another starred review that concluded, "A queer coming-of-age story that earns its powerful emotional impact." Dahlia Adler called it "a layered, funny, sharp-edged story of teen sexuality and family secrets." Alea Perez wrote, "Overall, Venable and Crenshaw do a wonderful job of using the characters to present teaching moments to readers without it feeling unnatural or patronizingly didactic." Andrew wrote that he was "happy to read an LGBTQ+ story that definitely had stakes and drama but did not have to end tragically or lack humor."

Kiss Number 8 was published by First Second, and they offer a preview and much more here.

Nightlights

Although it is not a finalist in the middle grades category, Nightlights is another stand-out book I read while judging for the Excellence in Graphic Literature Awards. It tells the story of a young girl named Sandy who every night when she goes to sleep  travels to incredible worlds full of strange and wonderful creatures and each day while she is awake depicts those worlds and creatures in her artwork. These activities make her an outlier in her school. She does not have many friends and gets picked on frequently. The nuns who teach her do not appreciate her spacing out and staring out windows. Nor do they like that she is constantly doodling in her notebooks instead of taking notes or doing schoolwork.

All of this changes one day when she meets the new girl in school, Morfie, who loves her drawings and wants nothing more than to see them all. Soon afterward, however, Sandy begins to wonder if Morfie is even real, and things take a pretty dark turn.

This book tackles multiple themes, chiefly how creativity and imagination work as well as how people socialize and are socialized. I feel the story is surprisingly complex for what is a relatively brief text, and the artwork is exquisite. I had never seen the work of this book's creator Lorena Alvarez before, and I have to say I am very impressed by it. Her characters are vibrant, expressive, and relatable, and she is adept at creating fantasy scenes that are simultaneously gorgeous, breath-taking, and terrifying. I loved going to this site here where I could look at her previous and current projects. Go check out her fabulous artwork! Also, for more about her work and inspirations for Nightlights, check out this interview (but be aware that it does contain spoilers).

All of the reviews I have read of this book have been glowing. In a starred review Publishers Weekly called it "a deliciously hair-raising story that thoughtfully explores themes of isolation, creativity, and how social pressures can encroach on individuality." April Spisak wrote that "Alvarez has achieved something special and unforgettable with her first authorial outing." In a starred review from School Library Journal Abby Bussen opined that "Alvarez’s artwork is gorgeous, alternating between traditional panels and, in the dream sequences, vibrant spreads that spill from page to page with grace and fluidity."

Nightlights was published by NoBrow Press, and they offer a preview and more information about it here.