The Conquest of the Cosmos

I love learning about space and space travel, and I've read a lot of books and seen a lot of movies/videos about them both. I've also traveled to a bunch of museums and historical sites, like the Air and Space Museum and Huntsville, AL. All this to say that I have a big background with these things, which made The Conquest of the Cosmos a joy to read.

This graphic novel revisits some key moments in space travel, from the launch of Sputnik, through the space race, to the Apollo 11 mission. As you can see from the excerpt below, it relies heavily on verbal humor and dialogue juxtaposed with static or repeated images. 

I love the caustic humor of this book, which skewers both the USSR and USA space programs, exposing the mania of the Communist and Capitalist drives to overcome each other, the callous treatment of animals and people in the nascent days of space travel, and the allocation of resources that might have been applied to other social needs. Not all of the humor is so critical but more situational, like imaging Buzz Aldrin insisting on playing "Spanish Flea" on a loop during the trip to the moon while he and Neil Armstrong mercilessly razzed Michael Collins that he was going all that way and was not getting to walk on the moon. I am not sure all of this would be as funny to someone not decently versed in space history, but those who are this book is well worth checking out.

The Conquest of the Cosmos was written by Alexandre Fontaine Rousseau and drawn by Francis Desharnais, translated into English by Pablo Strauss. Rousseau has written a number of graphic novels, including Vampire Cousins and Les Canots de Satan. Desharnais has drawn several graphic novels, including Little Russia and Art Wars. Strauss has translated two other graphic novels, Camp Spirit and What If We Were.

This book won a BDGest'Arts Award for its original publication, which was in French. I was not able to find many reviews of this book in English, but the one I did find was positive: Al Mega wrote, "This is historical satire with teeth, but it never forgets to be fun."

The Conquest of the Cosmos was published by Pow Pow Press, and they offer a preview of the French version here.

Housecat Trouble

I got this book with my kids at HeroesCon this year, and I finally pried it away from them long enough to read it. I am glad I did, because it is a charming and fun book. And best yet, there's a sequel to check out.

Housecat Trouble stars Buster, a yellow housecat, kitten almost, whose owner goes away for a day. Far from being a chill day of relaxation, Buster instead learns that his house is being overrun by a horde of monstrous house spirits. Fortunately for him, two stray cats Chauncey and Nova happen upon the scene and hatch a plan to deal with them.

Of course, the plan faces some complications, including machinations by crows and stray dogs. Still, the trio face these obstacles with ingenuity and bravery, making for tense chases and athletic feats. The artwork is well suited to the many facets of this book: It shows cute animals, conveys emotion and tone with skill, creates suspense and tension, and also jokes through situations, poses, and facial expressions. Also, the book has nuances, as the house spirits are also a little scarier than I expected, and Chauncey and Nova's tale of how they came to live in the wild is heart-breaking. Overall, I found it a delight to read, especially as a cat-owner. 

Housecat Trouble was written and drawn by Mason Dickerson. As far as I can tell, it is his first graphic novel, and it has a sequel subtitled Lost and Found. He speaks about his art in this interview.

The reviews I read about this book have all been positive. Stephanie Tournas called it "a hilarious coming of age story and personal odyssey, with witty and amusing repartee and immensely appealing graphic art." Alea Perez summed it up, "A charming, humorously silly, and unexpectedly touching story about the power of friendship and loyalty in the face of adversity."

Housecat Trouble was published by Random House Graphic, and they offer a preview and more info about it here. 

Spider-Man: Mighty Mayhem!

My oldest kid loves this series, and I cannot believe I have not reviewed a book from it until now. Spider-Man: Mighty Mayhem! is the fourth Mighty Marvel Team-Up book by Mike Maihack, who is best known for his Cleopatra in Space series of graphic novels that were also adapted as a cartoon series. In this book the web-spinner teams up with Thor and a gaggle of Asgardians who have run afoul of the Enchantress. She was scheming to steal powerful magical artifacts, and was thwarted by Odin but not before she could transform him, the magical items, and all the Asgardians into mundane animals and household objects. 

Thor (in frog form) enlists Spider-Man to help find the artifacts before the Enchantress, and they journey across the different realms in order to fulfill their quest. Along the way, they encounter frost giants and other assorted obstacles, and there are lots of funny scenes, witty banter, and action sequences to enchant and delight readers. 

The artwork is vibrant and energetic, and I loved getting to see so many different characters featured in an accessible and wonderful way. I very much enjoyed this romp across the Marvel Universe, and what is more, my oldest child declared it the best and their favorite of the four books. And each one is stand-alone, so anyone can pick up and get into the fun without knowing much about superheroes.

I was only able to locate two reviews of this book, and they were both positive. J. Caleb Mozzocco called it "a gentle, all-ages adventure with more jokes than fights, and another swathe of the Marvel Universe appealingly rendered in Maihack’s lovely style." Robert Greenberger wrote, "Aimed at readers 6-9, the book will most definitely satisfy and amuse them."

Spider-Man: Mighty Mayhem! was published by Abrams Fanfare, and they offer more information about it here.

Our Little Wild Time

Earlier this year, I read and reviewed Steady Rollin', a collection of autobiographical comics by Fred Noland, which I loved. I got this book, Our Little Wild Time, as part of Fantagraphics' annual sale, and I could not wait to dig into it. It is a collection of mostly fictional works, originally published as mini-comics, about murderers, cholos playing putt-putt, drug addicts, and artist George Grosz. What I admire most about this book is its frenetic energy. These stories may be brief ones, but they are impactful and impressive.

Also, Noland draws some of the best faces in comics. Growing up, I was obsessed with reading Basil Wolverton's Wolvertoons book with its variety of fantastic and grotesque portraits, and Our Little Wild Time is right up there with its gallery of mugs. Just take a look at these:

Fred Noland is a working artist who has worked for many prominent magazines and media venues. In addition to Steady Rollin', he made a short graphic biography of Major Taylor, the bicyclist who was one of the USA's first global superstar athletes, and has been working on a longer one that will be published later this year.

I was not able to find many reviews of this book online, which is a shame because I feel it deserves wider recognition. Ryan Carey called it a "solid" if "dated" collection of tales, a book to grab when he wants "to be entertained by something seedy, sleazy and, at its best, maybe even a little dangerous."

Our Little Wild Time was published by Fantagraphics, and they offer a preview and more information about it here. This book features a fair amount of nudity, sex, and violence and is recommended from readers mature enough to deal with those things.

Dogs on Dates

Dogs on Dates began a few years ago as a series of strips on Luke Healy's Instagram account, and I have been looking forward to this book. It follows the lives of Brad and Bernie, a couple of gay dogs whose "meet cute" involves a broken plate glass window and a shared ambulance ride. 

What follows is a series of dates, some quotidian and others quite outlandish, and the duo gets to know each other. Much of the book is composed of single page strips that depict a single date, though there are some extended sequences where some of their more complicated adventures occur. These sequences are suspenseful and well-plotted, making them real page-turners. Also, the character designs, gestures, expressions, and interactions make these cartoon dogs palpable and relatable.

Overall, I loved getting to know these characters and seeing how their relationship develops and unfolds. There is lots of drama and emotional baggage, from meeting parents to dealing with employment issues to learning about past relationships, but this book presents them in frank, refreshing, and utterly charming ways. It made me laugh and worry and my heart melt. It is a feel-good read, in a wonderful and substantial way, a reaffirming tale that shows the realities and absurdities of love.

The book's author Luke Healy is a cartoonist, comedian, and screenwriter. He has made all sorts of comics from short-form to graphic novels like Self-Esteem and the End of the World and The Con Artists. I feel the need to read more of his work soon.

All of the reviews I have read of it have been positive. Lindsay Pereira wrote, "There is a lot of sensitivity on display here, especially when one considers that these feelings are being filtered through the lives of two anthropomorphic canines." Jeff Provine highlighted "the genuine humanness of two guys just trying to be a couple in a world packed with awkwardness and responsibilities as well as amazing snacks and belly laughs." Killian Fox called it "an endearingly scrappy piece of work whose charms make up for its occasional misfires."

Dogs on Dates was published by Drawn & Quarterly, and they offer an excerpt and more here.

 

Wrestle Heist

Any new series by Kyle Starks is a reason for me to celebrate, especially when he draws it as well. I love his pacing, dialogue, and way of weaving familiar pop culture tropes into new and interesting tales. Wrestle Heist features Sterling Steele, a former professional wrestler who has been done wrong by a crooked promoter. In order to get some revenge and also give him a proper nest-egg, he sets out to rob the box office haul from the biggest event of the year. 

In order to pull off a job of this scope, he needs a crew, and a lot of the fun in this book comes from the powerful personalities of that crew, including luminaries like Gravedigger and Bearwolf. Their interactions and relations are nuanced, peppered with snappy patter and well-developed backstories. If it was not clear enough that this book is a love letter to 1970s/80s professional wrestling, the book also features plenty of back matter that hilariously parodies the pro wrestling magazines of the era. I cackled out loud at them more than once. This book has it all: thrills, action, and laughs, plenty enough to suit fans of pro wrestling and/or crime caper tales. I daresay its my favorite Starks book yet.

Every review I have read about this series has been positive. Mike Eakins called it "a masterclass in storytelling." Chris Coplan wrote, "The character work is not only interesting, but it bucks expectations." Fred Morlan opined, "Stark has a singular genius for writing bizarre idiots."

Wrestle Heist was published by Image Comics, and they offer a preview and more information about it here. 

Three Rocks: The Story of Ernie Bushmiller The Man Who Created Nancy

Three Rocks: The Story of Ernie Bushmiller The Man Who Created Nancy sounds like a biography, but it is so much more. Certainly it does detail much about Ernie Bushmiller, the cartoonist who inherited a comic strip started in 1922, Fritzi Ritz, about a flapper making her way in the world, and who transformed that strip by introducing her niece Nancy who eventually took it over. But this book also delves deeply into the semiotics and sensibilities of that comic strip and what has led to it enduring over time with many different sorts of audiences. Also, this book offers a great sampling of Bushmiller's strips over the decades, detailing both its evolution and many of its greatest hits along the way.

Bushmiller was a workaholic who seemingly was constantly thinking of gags for his strips. He had four work tables set up in his house so he could work multiple strips simultaneously, and he worked so far ahead that he was about a year's worth of strips in the hopper. So it is no surprise that often the strip and reality coalesce in the course of the book's narrative:

I was totally engrossed reading this book, and it is dense with information but presented in a energetic and engaging way. It is a long-form comic about a man's life and how comics work, like reading an essay presented in comic strips. 

This meticulously rendered and researched book is a clear love letter to the Nancy strip as well as Bushmiller's work, written by a man who has read, enjoyed, and analyzed it all for decades. Since 1969, Bill Griffith has been publishing comics, including his long-running strip Zippy the Pinhead and nonfiction graphic novels like Invisible Ink and Nobody's Fool. He speaks about his work on Three Rocks in this interview.

This book has been extremely well reviewed. In a starred entry, Kirkus Reviews concluded that it "firmly raises the bar for comics biographies." Cory Doctorow called it "a great biography and a great book of literary criticism and comic arts theory." Henry Chamberlain wrote, "There’s a lot of fun things going on in this book and you definitely don’t need to know a thing about comics or have any strong feelings regarding the subject."

Three Rocks was published by Abrams, and they offer more info about it here. 

One last note: I borrowed this book from my local public library. Public libraries ROCK! 

Boy vs. Shark

You know what is still awesome? Libraries! I recently borrowed and read the e-comic version of Boy vs. Shark through Libby, because the physical copy from my local branch was already checked out. I don't regularly read comics on my laptop, but the interface was intuitive and I enjoyed the reading experience. Logistically, it also made it super easy for me to take a screen capture and provide this short excerpt:

This graphic novel, set in 1975, was totally up my alley, not just for the pop culture references of the times (there is a handy glossary for those references in the end matter, for you whippersnappers) but also for its good senses of characters and humor. The story here is one of transitions, as young Paul is 10-years-old and feeling threatened for a couple reasons. First, he feels like he is losing touch with his best friend David, who he has known forever, because he has started hanging around with some older kids. Second, everyone seems obsessed with the new movie Jaws, a huge summer blockbuster that he is probably too young to watch but he feels compelled to in order to keep up appearances. Also, the older kids seem OK with initiating these younger ones into their club, but it involves some questionable activities like throwing apples at people's windows and shoplifting.

Paul is caught up in many emotions: he wants to act grown-up, to keep his friendships stable, and does not want to disappoint his parents. I should also add that he thinks that his father has the "Irish eye," which is an ability to see what he is doing at all times. He and his dad do not always see eye to eye, and a large part of this book is a look at their realistic, imperfect, and loving relationship.

Of course, things go wrong and there is trouble with the law, store owners, and the next-door neighbor. And people get hurt, both literally and figuratively. I do not want to spoil much, but I was impressed with how Paul deals with things and also how he relates to his friends and family. Bravery can take different forms, and he certainly shows ways to face responsibility and find an alternative to toxic masculinity. This graphic novel tells a coming-of-age tale in excellent fashion.

The deceptively simple artwork and moving story were done by Paul Gilligan, who is known for his comic strip Pooch Cafe. He has been twice nominated by the National Cartoonist Society for best strip, and he also has a couple of other books series, Pluto Rocket and King of the Mole People. He speaks about his work on Boy vs. Shark in this article.

All of the reviews I have read about this book have been glowing. In a starred entry Kirkus Reviews called it "an authentic and funny look at masculinity and growing pains that resonates across the decades." Kasey summed up, "Gilligan creates a compelling balance of humor and heart in his exploration of masculine values and growing up." Allison Giggey wrote that it "never feels preachy or overly sentimental" and added, "it’s funny, upbeat, and overall a great read."

Boy vs. Shark was published by Tundra Books, and they have a preview and more available here. 

Super Magic Boy Book 3: I Am A Slime Monster

In this third volume of the Super Magic Boy series, Hugo has just finished the second book of his favorite series, Sponge Man, and wants to read the third. So he and his pal Dino head to the library only to find disaster.

It turns out that the place has been overrun by a slime monster who wants to destroy all the books so that humanity will become stupid and be easier to conquer. Hugo is frightened of slime monsters, but he marshals his courage and abilities to battle this gelatinous foe. I won't spoil what happens, but I will say that all resolves well, albeit in a silly way. My kids have all read this book, and they especially loved the gruesome slime monster.

Personally, I enjoy the energetic and loopy artwork. Hugo and Dino are enthusiastic in everything they do, and that affect makes the proceedings all that more funny, fearsome, and exciting. This book is flat out fun to read.

Long-time readers of the blog might know that Jarod Roselló is a big deal in my house. We have all read both his Red Panda and Moon Bear books, and I have read a bunch of his mini- and web-comics, including the The Well-Dressed Bear Will (Never) Be Found. He speaks about his work on the Super Magic Boy series in this interview.

I Am A Slime Monster was published by Random House Graphic, and they offer a preview and more here. 

Justice Warriors

Justice Warriors is a series set in a near future where citizens live in a "perfect," domed city called "The Bubble" and are surrounded by the "Uninhabited Zone," which is populated by mutants who live in squalor. The Justice Warriors are police who enforce the laws of The Bubble in the UZ, one officer a monster with a goldfish head named Swamp, the other a walking poop emoji named Cadet Schitt. Swamp is not a great officer, and in the course of the first few pages, his partner is killed in action while he waits for his breakfast burrito to be cooked. Those in charge are perhaps even worse: The mayor is a musician who is more interested in album sales than governing, the chief of police a robot obsessed with social media and not justice. And overall, the entire system promotes capitalism over any sense of morality.

Exhibit A.

This future comments on our present day in darkly funny ways, parodying our contemporary consumption as vapid and in service of maintaining a power structure of media and soft drink companies while shilling cheap goods at the general populace. It is a darkly funny book, full of extreme, slapstick violence and a Judge Dredd-level of social commentary where it is way too easy to find yourself rooting for the wrong side (if there is one). The adversary in this book is a band of Zodiac-driven terrorists, they are Libras, who are exacting justice by taking over social medial popularity and invading the Bubble. They wreak havoc and disturb album sales, but what is disturbing is how most folks are easily swayed to their side and a "new" social order where the new boss will be just like the old one. 

This book is biting and weirdly fun, pointing out many of the foibles of ourselves and our current times. And perhaps best of all, it features phenomenally good artwork. The wide variety of mutants are cartoonish, highly detailed, and quite distinct from each other. There are intricate backgrounds that belay a vast amount of world-building. And the action sequences and comedic timing are both on point. I found myself poring over this book, reading and rereading sections to drink in all the mayhem, hilarity, and detail.

Justice Warriors is a collaboration between writer Matt Bors and artist Ben Clarkson. Bors is a long time political cartoonist who also founded and edited The Nib. He has won multiple Eisner Awards, was twice nominated for a Pulitzer Prize, and also writes the recent Toxic Avenger series. Clarkson works in animation, illustration, fine art, theater and comics, and his work has appeared internationally in many venues. Bors and Clarkson both speak more about their work on this book in this interview.

All of the reviews I have read of this book have been positive. Zack Quaintance called it "a dense, surprising, and often-hilarious read." Ryan Zickgraf wrote, "Part of what makes Justice Warriors feel fresh is that it finds new ways to depict totalitarian regimes. Instead of the predictable censorship-focused Big Brother of the endless 1984 knockoffs, everyone in Bubble City is free to speak their mind online — but the algorithm is tweaked to favor the rich and powerful and ads promoting conspicuous consumption."

Justice Warriors was published by Ahoy Comics, and they offer more information about the series here. It features violence, gore, and profanity, and is advised for readers mature enough to handle those things. For those who enjoyed this book, a second volume, Vote Harder, has also been published.

The Six Sidekicks of Trigger Keaton

I am a huge fan of both Kyle Starks and Chris Schweizer's comics, having read pretty much all of the books they've made (click on their names in the labels, you'll see!). They are friends in real life and frequent collaborators, and in The Six Sidekicks of Trigger Keaton they once again make an enjoyable and well-plotted action/murder mystery. The titular Trigger Keaton is an actor in adventure shows, a horribly behaved Chuck Norris type and grade A jerk, leaving a path of verbal abuse, wounded egos, and broken noses in his wake. He's got a long-term studio contract so that he appears in many different series, only his cantankerous disposition, hard drinking, and penchant for wounding stuntmen means that they are short-lived despite their popularity.

Someone has finally had enough, and they take Trigger out to pasture, but staged it as a suicide. The six actors who played his sidekicks are some of the only people who come to his funeral, and when some of them question his death, they all end up involved in a disjointed and haphazard investigation.  

These unlikely sleuths have a difficult time gelling as a squad, and their bickering is one of the bright spots of this book. The book also features lots of snappy dialogue, several carefully constructed combat scenes, and myriad pop culture references to fictional shows, including ads, movie posters, interviews, and previews. Also, the mystery plots features lots of red herrings to keep the reader guessing. This series is a real labor of love and a joy to read, especially as a child of the 1980s where many of the pop culture references come from. 

Trigger being Trigger.

All of the reviews I have read about it have praised this critically under-rated series. I agree with Sean Kleefeld who wrote, "On top of being a fun set of characters and an interesting concept, the story is told very well." Aussiemoose gushed that "the 6 Sidekicks of Trigger Keaton has everything you could possibly want in a graphic novel." Joe concluded that there is "so much packed into each issue, none of the characters or ideas feel underbaked, it all feels so fleshed out and has made for an incredibly fufilling reading experience that everyone should check out!"

The Six Sidekicks of Trigger Keaton was published by Image Comics, and they offer previews and more info about it here. This book features copious amounts of profanity and violence, so it is suggested for folks who can handle that.

Witch Hazel: Variety Hour

Continuing my look at spooky-themed books, Witch Hazel: Variety Hour is a fun-time activity book for older teens and above. It features puzzles, stickers, and a few comic stories. The comics focus upon the titular Witch Hazel. She is a a youngish spell-caster, and she is trying to get her act together. In the first tale she is trying to get by via the gig economy, performing an exorcism ordered up on the Witchcraft app. Things do not go exactly to plan but play out in a clever and playful manner. 

In the second story, there is a misadventure with a size changing spell and her familiar, an axolotl named Noot.  In the final and longest story, she gets a job in the gift shop at a medieval theme park that used to be an apple orchard and ends up having to contend with the guardian spirit who lives there. Hazel also has to deal with her ex-girlfriend, Alice, as well as her friends who are visiting the park, which complicates matters.

I very much liked this book, which is a lot like a classic comic book but with a much sturdier cover. The artwork is colorful and energetic. The stories are fun and entertaining, and the whole enterprise feels so full of joy and whimsy. If you are looking for some contemporary Halloween comics amusement, this book should be right up your alley.

This book was written by Colton Fox and drawn by Beige Blum. Fox is an instructor and also featured his artwork in the film Erin’s Guide to Kissing Girls. Blum is the founder of the Dirty Laundry Collective, a Toronto-based crew of women of colour and LGBTQ+ artists. Fox and Blum have collaborated on a couple other Witch Hazel comics, which they link to on their websites. You can find more info about these comics in a few interviews with Fox here.

I was not able to find many substantive reviews, but Brad at Graphic Policy called it "cute" and "fun." Witch Hazel: Variety Hour was published by Silver Sprocket, and they offer a preview and more here. There is another sizable excerpt available here from Solrad.

Karate Prom

Karate Prom was written and drawn by Kyle Starks and colored by Chris Schweizer, two of my favorite comics creators who have collaborated before on the series like Rock Candy Mountain, Mars Attacks!, and Six Sidekicks of Trigger Keaton. Their storytelling and artistic chops complement each other very well, and they are expert at conveying action and atmosphere. 

In Karate Prom they are abetted by Liz Trice Schweizer (on color assists) as they spin the tale of Don Jones. He is participating in the All-City Karate Tournament, but he has been training so much that he almost arrives late for his match, where he meets Sam (short for Samantha) Steadman. He is instantly smitten, then she knocks him out with one kick. 

After he comes to, they get snow cones, they get to know each other, and she asks him to prom. What follows is an escalating series of high school dramas involving exes, ninjas, crime cartels, and a battle royale to end battle royales. However, this book is not just a fight-fest, it is also hilariously funny. There are witty banter, fun nicknames, and clever plot twists that subvert stereotypes. Karate Prom is a lot of fun to read, and I hope that it opens up opportunities for more YA-focused work from Starks and Schweizer.

These two creators have a bevy of other graphic novel and comics work available as well, including Starks's Kill Them All, Sexcastle, The Legend of Ricky Thunder, Old Head, and Assassin Nation. Among my favorite works of Schweizer are his series The Crogan Adventures and The Creeps as well as his contributions to the History Comics and Makers Comics graphic novels. Starks speaks about making Karate Prom in this interview.

All of the reviews I have read of this book have been positive. Kirkus Reviews called it "mercurial and cartoonishly violent but enjoyable thanks to its exuberance." Jordan Jennings wrote that it is "a delightful graphic novel that is full of action and romance," featuring "a strong cast of characters that you will come to love by the end of the story." In a starred review, Adam Fisher summed it up as "a joy-filled story about two teens who want to be together so badly, they are willing to fight for it."

Karate Prom was published by First Second, and they offer a preview and more information here. 

Santos Sisters, Volume 1

This collection gathers the first five issues of the 2025 Eisner Award winner for Best Continuing Series. Santos Sisters is a tough book to categorize, but I think it characterizes some of the best aspects of comics in general. It looks like an Archie comic, features adventures and characters straight out of superhero stories, and is mostly full of clever repartee and relationship talk. This strange amalgamation makes for some very funny and engaging stories, and I have really enjoyed reading this series and revisiting the comics in this version was very rewarding.  

Ambar and Alana are the titular sisters, and one day they discovered a pair of medallions on a beach and were transformed by the mysterious and mystical Madame Sosostris into masked super-beings to defend the fictional town of Las Brisas. That is, when they are not laying about the house, watching silent bee cartoons, and bickering, especially about Ambar's self-absorption or boyfriend Dirk. 

Together they deal with a motley crew of threats such as the saboteur 8Ball, Scope the assassin, Weird A.I. Ankhovic, Kreg the Handsome Barbarian, and Bridgette Spinner (say it out loud). These characters are a vivid and distinctive bunch, and a lot of the fun of this book is seeing just how ridiculous they and their villainous motivations are. The sisters often defeat them more out of personal reasons or irritation than altruism, and as they battle they are often engaged in side conversations about food, relationships, or sex acts. 

And there are lots of comics Easter eggs. Check out those teeth!

They also talk to lots of anthropomorphic animals, including a bunch of jerky forest animals and a know-it-all dolphin. These are some surreal, fun, and smart comics that have a lot going on but also trust the reader to catch onto what's happening without needing much context or backstory. I love the episodic way the tales are structured like classic Archie comics: each one is a celebration of comics, a burst of inventiveness and joy. And much like stones in a mosaic, cumulatively these stories depict a wonderfully realized fictional world.

This book's creators Greg & Fake collaborate between Chicago and Manzanillo, Mexico, respectively. Fake Petre is the writer and Greg the artist, and they also incorporate ideas and input from Graham Smith, Dave Landsberger, and Marc Koprinarov. G&F speak more about their origins and work in this interview. You can learn more about the series at its official website.

All of the reviews I have read of this book have been full of praise. D. Morris opined, "It is a book that knows great comedy comes from putting well defined characters into absurd situations." Timothy Callahan wrote, "None of these three- to eight-pagers would feature in a Best American Comics anthology. But as a whole, the accumulation of details and comedic elements and relentlessness work to make this a highly entertaining comic." 

Santos Sisters was published by Fantagraphics, and they offer a preview and more about it here. This book is not for kids. 

Beat It, Rufus

I feel that any time a new book comes from Noah Van Sciver is time to celebrate. Van Sciver is one of my favorite comics creators, the Ignatz Award-winning author of the graphic novels One Dirty Tree, The Hypo: The Melancholic Young Lincoln, Saint Cole, and Fante Bukowski. His work is often darkly funny and full of compelling characters who are often depressed, sad sacks, or incredibly delusional. The title character of Beat It, Rufus hits the trifecta there. Rufus Baxter is a washed up rock guitarist who has been living off of the fumes of his slight musical success for decades. After he gets kicked out of his storage unit, he embarks on a cross-country road trip to try to revisit old friends, rekindle past glory, and recoup the royalties that could fund his big comeback.

At least his tape deck still works...

I am not going to spoil things, because most of this book is Rufus back-tracking through the wreckage of his life, but I will say that mostly things do not go to plan. The journey is full of surprises, weirdos, and disappointments, although there is an occasional bright spot, such as a free Quiznos gift certificate. 

One of the things I admired about this book was how much it portrays the road of this road trip. There are lots of depictions of street signs, buildings, wilderness, and businesses that make the American landscape as much as a character in the book as humans. Beat It, Rufus grounds the weirdness, zaniness, and melancholy in drab reality in a way that makes this book completely engrossing.

All of the reviews I read of this book have been positive. Frank M. Young wrote that the affection for ambitious self-doubters "gives this and Van Sciver’s other books a warmth, even as his characters debase themselves in their failed grabs at the big brass ring." AJ Frost called Rufus "a character of surprising depth and complexity: an aging hair metal dreamer whose stubborn refusal to abandon his long-dead aspirations is simultaneously hysterical, harrowing, and deeply human." Publishers Weekly called it "a must-read comic about a must-avoid person."

Beat It, Rufus was published by Fantagraphics, and they offer a preview and more information about it here. This is not a graphic novel for kids.

Jimmy Olsen's Supercyclopedia

When I was a kid, I could buy comic books at lots of places, including supermarkets, pharmacies, flea markets, department stores, and convenient stores. One memorable acquisition for me was Ambush Bug #3 that I got at the Cumberland Farms by my house. I was 12, and it contained a comedic mini-history of the DC Comics universe, including lots of Silver Age madness and strange things like Glop, Egg Fu, Itty, Mopee, and Julius Schwartz. A lot of what I read was unfamiliar but it fired me up to learn more about these fantastical and arcane cast of characters. 

This slice of history is a prologue to why I think Jimmy Olsen's Supercyclopedia might also be a sort of gateway book. My first impression after reading it was to question its audience. I loved the book, but it's full of references that I get because I've read comic books for a very long time. I am all in for a dance battle between the Legion of Superheroes and the Legion of Substitute Heroes. I grin at appearances of Space Cabbie, Blue Devil, Mr. Mind, and Ultra the Ultra-Alien. I know the rules about engaging with Mister Mxyzptlk. And I think it's clever that Toyboy's robot minions have heads shaped like the Hall of Doom. And I feel these things might be lost on younger readers in ordinary circumstances, but the structure of this book has a layer of informational assistance in the form of mini-encyclopedia entries like this one:

Many of the obscure references get explained in quick fashion in a way that does not detract from the story. This book is as much an updated version of Who's Who for a new generation as it is its own adventure. The result is a fun romp through the DC Universe with a wonderful mix of the familiar and new. 

The main narrative is a sort of version of the Hitchhiker's Guide to the Galaxy, with Jimmy Olsen playing the Ford Prefect role. His presence is in a different appearance, as a black teen and not the original freckled faced, red-headed white boy, but the bones of his existence are still based on his many Silver Age shenanigans. When he is tasked with creating and propagating the Supercyclopedia by the New Gods, he gets some unwanted attention from the villainous Toyboy, who steals it and corrupts it into evil. And Jimmy is well suited to solving the problem by relying on his teen pals Rip Hunter and Linda Park and not simply calling in the Big Blue Boy Scout. 

The artwork conveys action as well as many fun moments, and it is jam-packed with Easter eggs for attentive readers. I had a lot of fun reading this book, and I hope that it might attract some newer, younger attention to this vibrant cast of characters. From its cover paying homage to Flash #163 to its conclusion, this book is a love letter to the weird and wonderful DC Multiverse.

The Supercyclopedia is a collaboration between writer Gabe Soria and artist Sandy Jarrell. Soria writes all sorts of things, including books, comics, role-playing games, and album liner notes. He is the creator of the Sword & Backpack RPG, the Midnight Arcade series, and has also co-written the graphic novel Life Sucks. Jarrell has drawn lots of comics, including Meteor Men, Batman 66, and The Legendary Lynx.

I was not able to find many reviews of it online, but the one I did read was a rave: J. Caleb Mozzocco liked the book so much, he actually bought a physical copy (He works in a library so that is a big deal!). He also wrote, "If you're a DC Comics fan, or are just curious about the publisher, it's a real love letter to the company, its creators and its universe, filled with appearances of many less-seen characters (Warlord, Captain Carrot and his Amazing Zoo Crew, Angel and The Ape) and intriguing reinventions of a handful of characters (Cain and Abel as TV horror hosts, Doc Magnus as a kid with action figure-sized Metal Men)."

Jimmy Olsen's Supercyclopedia was published by DC Comics, and they offer more info about it here.

The Cola Pop Creemees: Opening Act

This book I got as part of Birdcage Bottom Books' 2023(!) Kickstarter campaign. The Cola Pop Creemees: Opening Act is on its surface a funny book, but its loopy, cartoon images masque several unique human dramas that all combine as one musical act. The Cola Pop Creemees consist of guitarist/front man Ralph Jonathan, drummer Wallace T.J., Mona Gertrude on tambourine, bassist Gil Christopher, and keyboardist Henrietta Susan. Part of this book details the politics of being in a band, with people jockeying for praise, songwriting credit, and attention. Part of it is a deep dive into the different band members' pasts, with a look at their childhoods, parents, and various life-shaping events.

The five members all feature very different personalities, and many of them have been shaped and influenced by traumatic events. Sometimes the tenor of the stories can be slapstick or has a tinge of dark humor, but mostly they are relatable and moving. Some of the band members are depressed, some obsessed, some stressed, and it might be accurate, and sad, to say that Wallace T.J., who abuses a good many substances, might just be the most well adjusted of the bunch. Whatever the case, each story is incredibly compelling, and I found this book difficult to put down.

The Cola Pop Creemees: Opening Act paints remarkably vivid character portraits and is one that rewards reading and re-reading. It will make you laugh, cry, and seek a solo career where you never have to be in a band.

This is the debut graphic novel by Desmond Reed. Since this, he has published two further works about the Cola Pop Creemees: Lefty and The Horrors of Being Human. Reed speaks about his work on Opening Act in this interview.

The reviews I have read of this book have been glowing. I concur with Andy Oliver who wrote that "in less than 250 pages, The Cola Pop Creemees manages to make the reader so invested in this oddball cast that a second outing feels essential." Publishers Weekly called it "an unexpected, oddly emotional gem"

The Cola Pop Creemees: Opening Act was originally published by Birdcage Bottom Books, and they offer a preview and more information about it here. You can now buy it from Microcosm Publishing. This book features family trauma, adult relationships and situations, and drug use, so it is recommended mature enough to deal with those matters.

I Was A Teenage Michael Jackson Impersonator, And Other Musical Meanderings

One of the highlights of this year's HeroesCon for me was meeting Keith Knight and buying this book from him. I Was A Teenage Michael Jackson Impersonator, And Other Musical Meanderings is a funny and entertaining autobiographical comic that mainly details the author's brief stint making crazy amounts of money as a celebrity impersonator. For about a year and a half in the mid-1980s, starting when he was 17-years-old, he lip-synched and danced at birthday parties and department stores, joined a cadre of other touring impersonators, dated a Madonna impersonator, and learned a lot about the entertainment business. Also, ironically, by pretending to be someone else, he learned much about himself, the world, and how to get by in it.

Certainly, this book has lots of voyeuristic thrills, and it is fun to watch as Knight gets into (and out of) various scrapes and uncomfortable situations. His artwork is wonderfully cartoonish and expressive, bringing life and vibrancy to the proceedings, and the pacing makes the gags and witty dialogue land in hilarious fashion. As a bonus, interspersed between the chapters are passages from Knight's various comic strips that celebrate various musicians from David Bowie to Run DMC (RIP Jam-Master Jay) to Prince. If you have a fascination for 1980s pop culture and a sense of humor, this is the book for you.

The aforementioned Keith Knight created this book, and he has been celebrated for his past strips The K Chronicles and (th)ink. He is also a rapper and had his life and comics adapted into the comedy series Woke, which ran for two seasons on Hulu. I love this show and am glad it got two seasons, but I wish there were many more. Knight speaks about his MJ years and this book in this interview.

I Was A Teenage Michael Jackson Impersonator was nominated for an Eisner Award for Best Humor Publication in 2024. It was published by Keith Knight Press, and there is more info about it here. This book was originally funded by a Kickstarter campaign.