All the Hulk Feels

I recently borrowed All the Hulk Feels, because it had been nominated for (and won!) an Eisner Award. Libraries RULE!

This picture book is a short tale about the Hulk and Bruce Banner, as they deal with the latest scheme from their arch-foe the Leader. His evil intention is to divide the scientist and green goliath so that he can free a crew of supervillains and rule the world. So he purposefully annoys Banner with things he hates, like playing certain songs on the radio and putting pickles on his hamburgers (Banner apparently abhors pickles).

Fortunately, a little kid gets the duo a crayon and they begin writing notes back and forth to each other, which leads to a surprisingly poignant moment. The plot of this book is pretty predictable, but how it executes the plotting and hits its emotional beats is what makes it successful. The highly expressive artwork carries the entire enterprise into being an exceptional book. I love how it balances silly situations and serious concepts.

This last point should be no surprise as this book was drawn by Caldecott Award winner Dan Santat. He has many picture books to his credit, most notably The Adventures of Beekle. He also has drawn a few graphic novels, including A First Time for Everything and the new Sashimi series. He speaks about his work on All the Hulk Feels in this interview.

This book has been well reviewed. Kirkus Reviews wrote, "Author/illustrator Santat breathes new life into the nature of comic-book conflict, exploring the emotional stakes of a consciousness divided." Eric Smith called it "a fantastic picture book with an important story." Susan Harari wrote, "The emphasis on when it’s OK to feel upset and how to strategize about ways to calm down are cleverly worked into what many kids will already know about the Hulk, making this a win for both young readers and adults."

All the Hulk Feels was published by Abrams Fanfare, and they offer more info about it here.

Super Magic Boy Book 3: I Am A Slime Monster

In this third volume of the Super Magic Boy series, Hugo has just finished the second book of his favorite series, Sponge Man, and wants to read the third. So he and his pal Dino head to the library only to find disaster.

It turns out that the place has been overrun by a slime monster who wants to destroy all the books so that humanity will become stupid and be easier to conquer. Hugo is frightened of slime monsters, but he marshals his courage and abilities to battle this gelatinous foe. I won't spoil what happens, but I will say that all resolves well, albeit in a silly way. My kids have all read this book, and they especially loved the gruesome slime monster.

Personally, I enjoy the energetic and loopy artwork. Hugo and Dino are enthusiastic in everything they do, and that affect makes the proceedings all that more funny, fearsome, and exciting. This book is flat out fun to read.

Long-time readers of the blog might know that Jarod Roselló is a big deal in my house. We have all read both his Red Panda and Moon Bear books, and I have read a bunch of his mini- and web-comics, including the The Well-Dressed Bear Will (Never) Be Found. He speaks about his work on the Super Magic Boy series in this interview.

I Am A Slime Monster was published by Random House Graphic, and they offer a preview and more here. 

Super Magic Boy 1: I Am a Dinosaur

All of my kids and I LOVE graphic novels by Jarod Roselló. We have all read both his Red Panda and Moon Bear books, and I have read a bunch of his mini- and web-comics, including the compiled The Well-Dressed Bear Will (Never) Be Found. His work is playful and energetic, and we all have found great joy in it. So, we were all sure to get this book, the first in a proposed series, Super Magic Boy.

In I Am a Dinosaur we met Hugo, a boy who has magic powers and can do seemingly anything. In the first few pages, he animates one of his dinosaur toys and makes it a real dinosaur and then transforms himself into a dinosaur. Of course, they do what dinosaurs do best, go on a rampage.

After crashing and roaring about the house and punching a hole in the exterior wall, they end up outside. The duo then decides to dig a giant hole, where they unearth (among other things) the Cursed Skeleton King and his cursed treasure. After wreaking a path of destruction, Hugo eventually settles down enough to fix everything in his own unique way.

My whole family liked many aspects of this book, and all of my kids loved reading this book both with me and by themselves. I liked that it is fun to read aloud, and the educator in me also liked how Hugo taught the dinosaur new words. I also admired the colorful artwork that looks like a blend of comics and collage. My kids liked its action, characters, and humor. And to be more exact: My four-year-old was thrilled by their rampaging. My six-year-old thinks the dinosaur is hilarious, because he loves how it does not know anything. My eight-year-old really enjoyed the shorter second story where Hugo and the Cursed Skeleton King search for treasure and encounter an imposing guardian. This book is full of wonderful and exciting things, and we are all looking forward to Book 2. If you have younger children who are into graphic novels or simply laughing, go get this book!

I Am a Dinosaur was just published, and thus far I have not been able to locate many other reviews. In the one I did find Kirkus Reviews summed up, "A high-energy celebration of a delightfully rambunctious childhood."

Super Magic Boy: I Am a Dinosaur was published by RH Graphic, and they have a preview and more available here.

The Cardboard Kingdom: Roar of the Beast

I was super-impressed and loved The Cardboard Kingdom, which I feel is a watershed book in the world of graphic novels for younger readers. This sequel, Roar of the Beast maybe lacks the varied emotional impact of that book, but it offers a more unified and complex narrative. Both books are superlative, and arguing which is better is sort of like arguing whether The Godfather or The Godfather II is better, which is to say that you cannot go wrong with either.

The main plot in this book is that there is great unrest in the neighborhood. Some of the kids are doubting/rethinking their characters, some bullied by older teens, and there seems to be a great beast roaming around at night wreaking havoc and spreading fear.

Overall, I think it is a great exploration of emotional issues that young people may experience, and how messy friendships and navigating the many changes of growing up and dealing with relationships can be. It does not downplay the complexity of what people do or feel, and not everyone makes the best choices for themselves, which I think reflects reality. It was a very moving book, and one I think that will resonate with a great many readers, both young and old. This is a graphic novel that I feel belongs in every upper elementary/middle school library.

This book was drawn by Chad Sell, and co-written with nine other authors, Vid Alliger, Manuel Betancourt, Michael Cole, David DeMeo, Jay Fuller-Ng, Cloud Jacobs, Barbara Perez Marquez, Molly Muldoon, and Katie Schenkel.

All of the reviews I have read of this book comment on its excellence. Charles Hatfield called it "that rare sequel that outshines its original." Kirkus Reviews wrote, "Continuing his collaboration with a group of different writers, Sell weaves together an engaging, endearing ensemble cast with a diverse range of gender identities and gender presentations, races, ethnicities, and body shapes." Juanita Giles wrote about how well this books captures the sensations and uncertainties of growing up and opined that it "not only reminds us of what it was like to go through that transition, but just how real even imagined problems can be at that age."

The Cardboard Kingdom: Roar of the Beast was published by Random House Graphic, and they offer a preview and more info about it here.

Chibi Usagi: Attack of the Heebie Chibis

I have read a great many Usagi Yojimbo comics in the past, and consider it one of the modern masterpieces of the medium. Its creator Stan Sakai is one of the greats, who has been awarded pretty much every accolade a living cartoonist can receive, and here he and his wife Julie collaborate on a slightly different version of his classic character. Drawn in a cuter, more cartoony chibi art style, this version seems pitched at a younger audience, but it's still enjoyable for pretty much any age. The artwork is adorable but not juvenile and coupled with a well-crafted plot, which incorporates a number of story elements, including individual character moments, slapstick, quests, and battles. This book offers something for pretty much any reader. It does not talk down to its audience, and I got a big kick out of reading it.

The narrative here focuses on a trio of adventurers, Usagi, Gen, and Tomoe, who are out fishing for unagi (freshwater eels) when they rescue a creature in distress. The creature is an animated clay figure named Dogu, and it tells the trio that it has escaped from slave labor from the nefarious Salamander King. That villainous creature has captured Dogu's people and forced them to do his bidding, and of course our three heroes embark to free the village and defeat the Salamander King's army. This mission is fraught with peril, including shaky bridges, meandering forests, and the titular Heebie Chibis.

This story works well as a straight adventure story, but it also features strong characters who are almost instantly related to the readers as well as snappy dialogue. The situations themselves are based on traditional Japanese folklore, which are explained further in  the end sections of the book. It is fascinating to see how well the detailed fictional world depicted here matches up with real life creatures, creations, and beliefs. In addition, there is a short story at the end of the book where the usual version of Usagi Yojimbo meets the Chibi version, which not only works as a stand-alone tale but may also be a great gateway into the further adventures of the rabbit samurai.

This book is one of the best kids of all-ages fiction in the best sense of the world. I think its potential audience is a vast one, and I hope that this book sells bazillions of copies.

All of the reviews I have read of this book have been positive. Ingrid Lind-Jahn wrote, "It’s an adventure story that has plenty of danger without being overly scary and emphasizes positives like friendship by example rather than explanation." Pharaoh Miles called it "an exciting story that any fan of any age can get into" and "easily the most accessible story involving this enigmatic protagonist."

Chibi Usagi: Attack of the Heebie Chibis was published by IDW Publishing, and they offer more information about it here.

Doodleville

In part, Doodleville is a book about creativity and how it relates to people's emotions. Its protagonist is Drew, a young girl who loves to draw. What is more, her doodles literally pop off of the page and alter their surroundings. 

When she brings her notebook to the Art Institute of Chicago, her doodles run wild through the museum's various masterpieces, which especially upsets one curator. Also, one of her doodles steals a hat from a classical painting. 

 

Another problem arises when Drew feels a sense of competition with the cool creations of her friends in the art club, and she tries to remedy the situation by drawing Levi, a leviathan creature she hopes will amaze them. When they don't quite get what she's trying to do with her creation, Levi manifests off the page in a disastrous way. 

The various members of the art club all have their own characters, including superheroes, fantastical creatures, and animals, which unfortunately fall in Levi's path. A large part of the book is them planning ways to deal with the leviathan, which includes attacking it, trying to befriend it, and trapping it. But Levi proves almost impossible to deal with or contain. So in a manner, this book is also about how people learn how to relate to each other, which can be a messy and volatile endeavor.

I know that there are lots of cliches about the mental instability of artists, as it they need some sort of madness to fire their art, but this book does not really perpetuate that myth. Instead, the role of art here is to reflect people's emotional lives, and those of young people trying to find their way in the world can be tumultuous. Experimenting with identities and trying to fit in with friends can be frustrating, and that is part of what manifests in the children's drawings. I think this book is a highly respectful one, that takes children's mental states seriously and communicates just how complex they can be.

I appreciated how the artwork reflects these various struggles in interesting ways, and I also appreciated how these events are not tidily resolved at the end of the book. Also, on a positive note, the lack of resolution means that there will be a sequel set in this same beautifully rendered world.

Doodleville is the creation of Chad Sell, the artist who collaborated with a number of authors on one of my favorite graphic novels of recent years, The Cardboard Kingdom. This book continues in its vein of respectfully representing the diverse, complicated lives of children. Sell provides lots of insight into his work on Doodleville in this interview.

All of the reviews I have read about this book have been positive. Kirkus Reviews summed up that this book "will draw readers in and inspire doodles galore." Publishers Weekly wrote, "Sell’s caricatured illustrations provide strong action, and single-hue overlays (purples, greens) highlight emotionally charged moments for the friend group, which includes kids of various ethnicities and gender identities." Charles Hartford wrote that it has "the perfect balance of seriousness and fun."

Doodleville was published by Random House Graphic, and they offer a preview and more here.

Maker Comics: Grow a Garden!

Happy 2021! It's a brand new year, and some people like to take this time to do something new with their lives. For instance, you might want to do something productive like take up gardening. Well, luckily for graphic novel fans, the Makers Comics series has got you covered. Grow a Garden! has all sorts of helpful insights on how to begin a garden, both inside and outside, with directions on how to plant specific crops, set-up an indoor lighting system to foster seedlings along during weather, and tips on how to compost and create your own rich soil. Overall, I think it's a handy introduction to the rudimentary aspects of gardening. I certainly learned a bunch from it, most notably the need to pay close attention to the specific needs of specific plants.

As you can see from the excerpt from the opening of the book, the artwork is clean and attractive, a style that is cartoonish and inviting to read. It also feels like a book aimed toward younger readers, as a sizable aspect of the book also focuses on setting up the book's premise, namely that there is a bunch of students learning about agriculture at Garden Gnome Academy. I think this premise is clever, but I also feel that it is overly developed for a book such as this. A lot of space goes toward crafting a narrative where the apparent nebbish, instructor Mr. Butternut, is in actuality a superhero named Captain Compost who eventually saves the school from the schemes of fellow teacher Mr. Thorn and his mad experiments with carnivorous plants. In (too?) clever fashion, the students spent a lot of the downtime waiting for plants to grow by reading Captain Compost comic books, so the reveal is a big surprise. 

I  enjoyed reading and learning from this book , and I don't want to poo-poo its whimsical narrative, but I also think it could have used some streamlining. There are a number of places where I think text dominates the narrative flow, and I can't help but wonder if some of the superhero/fantasy story could have been pruned in the interest of delineating more visual directions for gardening.  I have read many books in the various nonfiction series that First Second publishes, and this volume just seems to not maximize its potential for being informative. It is charming, but I also feel that its premise sometimes detracts from its content. The combination of fiction and nonfiction is not harmonious.

This book's creator Alexis Frederick-Frost is best known for his work on the Adventures in Cartooning series, and he's no stranger to fantasy comics aimed at younger readers.

The reviews I could locate about this book often express disappointment. Johanna Draper Carlson concluded, "All this background material means we don’t get to see the gnomes actually grow or harvest much of what they start. Just as the part I’m interested in is beginning, the book ends. Instead of seeing the outcome of a successful garden, we get a superhero battle out of nowhere. I also hoped that there would be more information on fixing or avoiding problems with plants, but there are only a couple of pages on how to recognize when something’s wrong." Melissa McCleary wrote, "Overall, this installment of the series fails to meet its basic goals of both educating readers and presenting an enticing story; the structure ultimately cancels both out."

Grow a Garden! was published by First Second, and they offer a preview and more info about it here.

Marge's Little Lulu: The Fuzzythingus Poopi

During this time of year (in the US), many of us stop to ponder what we're thankful for. This year, for me, one of them is finally taking time to read Little Lulu. It began as a classic one-panel comic strip, then became a cartoon and later a comic book, drawn by John Stanley. His stories are considered one of the gold standards in comics, and I can see why. I picked up a copy of the Free Comic Book Day floppy offered this year at my local comic shop, and my 5-year-old was very interested in checking it out. Long story short, those four stories really grabbed him and became a regular part of his bedtime story rotation. These are some fun, substantial, and engaging stories that are fun to read aloud, too.

The title character Lulu is feisty, confident, and smart. Over the course of the book she finds herself in lots of familiar situations, like being stuck home on a rainy day, wanting to buy a specific toy, or being caught in the fray of a snowball fight. She has to deal with her parents' rules but finds ways to subvert them. She also often contends with the local "boys club" and their strong anti-girl sentiment, coming out on top with subterfuge and guile. She is frenemies with one of those boys, Tubby, and the two of them embark on a series of adventures, most notably with Tubby being a detective. It is that constant combining of genres that help make this series so great. Sometimes, when Lulu tells stories to her pesky younger neighbor Alvin, the narrative delves into fairy tales and more fantastical adventures. There are the detective tales I mentioned above, and also gag and humor tales like the titular one, where a local man thinks that Lulu has come upon a rare species of flower and tries his best to swindle her. So much of this book is amazingly inventive and imaginative.

That these various stories work with this cast of characters speaks highly of their strong personalities and almost instant relatability. The superbly rendered artwork, full of emotion and powerfully clear storytelling, is a testament to the range and scope that comics can achieve as a narrative medium. The format of this book, which is a thick volume with nice paper and vibrant coloring, showcases these comics in fine fashion. And to top everything off, these stories are done with a robust sense of humor. Both of my boys think they are hilarious. I don't think I can say that they are universal, but these tales stand up to reading and rereading decades after they were originally published.

This collection has received rave reviews.  Lindsay Pereira wrote, "Her behaviour, undeniably subversive for her time, is still refreshing." Jeff Provine called it "an excellent read at any age. The stories are as wholesome as they are packed with action, making it a difficult book to put down."

The Fuzzythingus Poopi was published by Drawn & Quarterly, and they offer a preview and much more here.

Investigators

As a professor at UTK and a grad of UGA, I have an antipathy for gators. But Investigators is utterly charming and hilarious, and 5-year-old is currently obsessed with it to boot. It stars two gators named Mango and Brash who are agents of Special Undercover Investigation Teams (SUIT). You can tell them apart by their jawlines and coloring. Mango's jaw is round and he is dark green, while Brash is lighter green and has a square jaw. Clad in their high-tech Very Exciting Spy Technology (VEST), they go into action to solve some extraordinary cases. In this book they are trying locate a famous cupcake baker named Gustavo Mustachio, who has gone missing for two weeks, and suspect foul play. 

Also, they want to foil a villain who has stolen a device that digitizes physical money and automatically deposits it electronically. It even works through walls, which makes it especially harmful. It might not be so much a spoiler that these two cases eventually intersect.

As you might tell from the names of devices and agencies, this book is full of puns, and Mango is very fond of them, too. The back and forth conversations and sound effects are frequently funny. This book is also full of pop culture references and snappy dialogue, and the sum of all these things makes it a fun book to read aloud. There is also some potty humor, as the agents' main mode of transportation is flushing themselves down into sewers.

Adding to the fun visually is a wild array of characters and character designs. There is a triceratops escape artist named Houdino. There is a villainous crocodile who is part baked good named Crackerdile. There is a giant chicken who is also a scientist/inventor named Dr. Doodledoo. There is also Doctor Copter, a brain surgeon who was bitten by a rabid helicopter and who is compelled to transform into a helicopter to cover anything especially newsworthy. There is lots of whimsy and invention at play in this book, and my 5-year-old is really taken by this motley assortment of characters. He especially wants to read and re-read the chapters that tell Dr. Copter and Crackerdile's origin stories.

The end-papers also have a few bonus features, including a guide on how to draw the main characters, which my son is very into. Altogether, this book has lots to offer in terms of readers young and old. It is fun to read together. It has vibrant, unique characters. The plot is off-the-wall and the dialogue laugh-out-loud funny. It truly is a great graphic novel for all ages, which is a pretty hard trick to pull off.

This book was created by John Patrick Green. I enjoyed his first graphic novel Hippopatomister, and he has also drawn a number of other books for children as well as the mini-comic Teen Boat! written by Dave Roman. He speaks about the origins of the Investigators series in this interview.

All of the reviews I have read of this book have been positive. Kirkus Reviews concluded that it was "silly and inventive fast-paced fun." Publishers Weekly called it "fast-paced fun for the bad pun and dorky joke crowd: 'Now let’s flush ourselves down the nearest toilet and GATER DONE!'" Kate Quealy-Gainer wrote, "While the art is a bit more sophisticated than Pilkey’s Dogman, the tone is the same, and those waiting for the next installment of that series may want to spend time with this weird reptilian pair."

Investigators was published by First Second, and they offer a preview and more here. A sequel is due to be published at the end of the month.

Hilda and the Mountain King

This book I reviewed while judging for the Excellence in Graphic Literature Awards seems pretty appropriate for Mother's Day. One of the things that made it stand out for me is how it extended a fantasy narrative into a canny commentary on parenthood and the lengths that some will go to make sure that their children get advantages and opportunities. Hilda and the Mountain King is the sixth in the Hilda series of graphic novels (you can read my review of volume 1 here). This volume features all sorts of action and adventure, but the crux of matters is that Hilda and a baby troll have been bodily switched. So, while Hilda has to deal with adapting to life as a troll, her mother is desperately seeking ways to find her lost child. Also, she has to deal with a real wild child who has not manners or idea of how to act human. It is a comedy of sorts, but one tinged with a sense of horror. However, over the course of events Hilda learns that being a troll is not all that bad...

She also learns more about trolls and their history, which makes her wonder why the two species can't get along better than they do. The book also touches on themes of immigration and ethnicity, with the conflict between human and trolls and the ambiguity about who owns the land and who is trespassing. It features way more nuance and thoughtfulness than I expect in a series book for young readers, let alone one that is licensed as a cartoon series by a major media entity.

The artwork, presented in a large page format a la European comics albums, is impressive in a number of ways. It tells its story in very clear ways and also amps up the action sequences in ways that carry real stakes. The book is also full of cartoonish and cute figures, but with a muted color palette. The effect of this style really sells the humorous bits and makes what could be monstrous characters more relatable. It also makes the rather serious commentary work in a disarming way, with its absence of garish colors. I was impressed by how this book touched on serious issues without seeming preachy or didactic. This book works on so many different levels, and I was very impressed by its total effect. I really need to check out more titles from this series.

The Hilda series was created by Luke Pearson. He has a selection of other comics work you can peruse here. He speaks more about this book, the cartoon adaptation, and his inspirations in this interview.

All the reviews I have read about this book have been positive. Hillary Brown wrote, "The panel structure of Mountain King is as visually complex as the range of emotions in the story, and yet neither is hard to read. It feels cinematic without leaving comics behind." Oliver Sava added, "These oversized graphic novels feature beautiful illustrations of natural, urban, and magical environments populated by eye-catching characters, all rendered with a precise yet lively line and expressive color palette." Andy Oliver called it "thrilling, touching and even thought-provoking."

Hilda and the Mountain King was published by Flying Eye Books, and they offer a preview and more information about it here. Also, season two of the cartoon adaptation of Hilda will be up at Netflix soon.

Benny and Penny in Just Pretend

Just Pretend is the first book in the Benny and Penny book series, aimed at younger readers. They are young mice, with Benny being the older brother to little sister Penny. In this book Benny tries to avoid playing with Penny, because he wants to play pirate by himself. He keeps telling her that she's too little and afraid to hang out with him, but over the course of this book (spoiler) he turns out to be a fraidy cat who needs his little sister to rescue him.

This book was a joy to read, and both of my sons (ages 2 and 4) have wanted to read it multiple times. The illustrations bring to mind classic children's book characters; they are adorable and full of expression and life. The situations, like a brother trying to trick his sister to take or nap or get her to play hide and seek, then "forgetting" to seek her, are relatable and familiar. I've not read other books in the series, but now I just may have to.

This book's author, Geoffrey Hayes wrote over 50 books for children over his career. His first love was comics, though, and he published six Benny and Penny books toward the end of his life. He spoke about his career and work on Benny and Penny in this interview.

All the reviews I have read of this book have sung its praises. In a starred review, Publishers Weekly wrote, "Jazzy, multipanel layouts add a contemporary dimension to simply worded episodes about an eager younger sister and standoffish brother who relish their rivalry more than they admit." Greg McElhatton praised the artwork, "His colored pencils are just gorgeous to look at, rich in detail and shading, and his mice are nothing short of adorable." Usha Reynolds concluded, " Hayes has created a thoroughly charming and witty book that begs to be read over and over again."

Just Pretend was published by TOON Books, and they offer a preview and more info here.

Noisemakers: 25 Women Who Raised Their Voices & Changed the World

Noisemakers is an impressive collection of stories, 25 mini-biographies of notable women who have left profound marks on the world. This project was accomplished by 25 different creators, who were all women or non-binary, which adds a unique take on these accounts as well. The book is divided into six sections (Grow, Tinker, Play, Create, Rally, and Explore) that cast a light on scientists, inventors, athletes, artists, activists, and explorers. Some of the figures, like Hedy Lamarr, Frida Kahlo, and Rosa Parks are well known, but there are others, like Emily Warren Roebling, Madam C.J. Walker, and Junko Tabei that I knew little or nothing about beforehand (and shame on me!). I think they did a great job of covering a wide array of people and nationalities, and even though this book is aimed at younger readers I feel it is also an informative introduction to older ones.

The artwork in this volume covers as wide a range of pallettes as it does subjects. Some, like Shauna Grant's take on Maya Angelou, are more manga-inspired and cartoonish. Others, like Rebecca Mock's account of Ida Lewis, hew a little more to reality. I think all of the stories are extremely well illustrated, and the worst thing I can say about this book is that some seem more fleeting and slight than others. 8 pages is not a lot of space to work with, and some of the entries are more dense, in terms of panels and information, than others. Still, this is a great book full of excellent stories. It's a wonderful introduction to these women and a jumping off point for those seeking out further reading.

The mix of creators in this book is admirable, with more seasoned creators as well as new faces. For me, the most notable entries were Emil Ferris's bio of Mary Shelley, Lucy Knisley's look at Julia Child, Molly Brooks's tale of Kate Warne, and Jackie Roche's account of Nellie Bly. But there is not a clunker in the bunch. More context about the book and the process of making it can be found in this interview with editor Erin Bried.

The reviews I have read of this book have been positive. Kate Sánchez called it "a great graphic novel with beautiful and important stories." Nicole Drum wrote that it "may be geared towards young readers, but anyone can pick this up and not only be entertained and inspired, but perhaps even learn something, too." Publishers Weekly called it a "tasting menu of short biographical comics...[that] serves up enticing bits of history for an array of readers with varying interests."

Noisemakers was published by Alfred A. Knopf, and they offer more info about it here.

Stinky

Stinky is one of the more popular books with my four-year-old right now. It's premise is pretty simple. Stinky is a small monster who lives on the outskirts of the city. He loves his spot because it is full of lots of smelly things, like his pet toad Wartbelly, an onion patch, and a swamp. He is very wary of people, especially children, as they enjoy things he hates, like baths, apples, and cake. One day, however, his world gets rocked when a boy named Nick builds a treehouse on his turf.

 

Stinky goes on the offensive, drawing up plans to drive Nick away. All of them backfire, hilariously, and Stinky and Nick find that they are kindred spirits and become friends. The end.

Like I wrote earlier, this book is pretty simple and the plot somewhat familiar, but it is also extremely well executed. The dialogue and sound effects make for a fun read-aloud. The artwork is simple and clean, with strong primary coloring. The characters are cute, in a big head style of cartooning, and the storytelling is clear and direct. And best of all for me, there are some elegant details that help populate this world with characters and heart, much in the same way Walt Kelly's classic Pogo strips did. You can see a tiny little toad and mouse fore-grounded in the opening page of chapter 2 above, and I loved seeing all the denizens of the forest in this story, including possums, mice, alligators, slugs, and bats.  Also, how can you not love a comic that features a hole with a wooden arrow labeled "Bottomless Pit?"

This book is an early work by Eleanor Davis, who has racked up quite a few accolades since, including the Russ Manning Most Promising Newcomer Award. She has created a number of books, including ones for adults (How to Be Happy and Why Art?) and adolescents (The Secret Science Alliance). You, a Bike, & A Road was one of my favorite books of 2017, and it won an Ignatz Award for Outstanding Anthology or Collection. Her latest book The Hard Tomorrow came out last year, and I expect it to do well come comics award season.

Stinky was named a 2009 Theodor Seuss Geisel Honor Book, and it has been very well reviewed. In a starred review, Kirkus Reviews wrote, "The winning story carries itself on spunk and a controlled vocabulary that combines judiciously chosen sight words (onion, gross) with easily sounded-out words (slimy slugs!) that will have emerging readers in stitches." Bill Sannwald added, "The fun storyline, lush visuals, and appropriate vocabulary work together to make the book an absolute pleasure worthy of a place in any collection of short-chapter books."

Stinky was published by TOON Books, and they offer a preview and more here.

3x4

When I survey the range of graphic novels out there today, I am amazed at the sorts of titles and topics they cover. Except when it comes to mathematics. Math is the one area that is apparently very difficult to translate into comics, and that is one reason why this book, 3x4, is noteworthy.

The premise in this book is a homework assignment where the students have to draw sets of 12. The amounts of sets and items is up to them. They can draw one set of 12, two of six, three of four, or four of three. I know that the author uses this exact assignment with adult art students, but it also works for teaching younger children about counting, multiplication, and elementary factoring. And the children take the assignment to heart, expressing their interests through their drawings.

Roses! And mmm, donuts.

A lot of the fun of this book shines through the drawings. It is full of simple figures and backgrounds rendered in geometric shapes and in vibrant colors. My 2-year-old love reading this book, pointing out all of the items that appear in the sets. He also likes to tell me whether we can eat them or not, but I think that means that the items themselves appeal to young readers and also that the illustrations are just that visually appetizing. Fans of the book Wordplay, which I reviewed earlier this year, will also be glad to see Annemarie return and play a prominent role here. This book has the illusion of simplicity, but it is elegantly complex and works on many different levels.

This book's author, Ivan Brunetti, an artist and educator who has been working in comics for a few decades. Currently an associate professor at Columbia College Chicago, he has done multiple covers for The New Yorker and created all kinds of solo work, including lots of independent comics and lately a growing number of titles for younger readers like Comics: Easy As ABC. He speaks about his work on 3x4 in this interview.

All the reviews I have read of this book have been glowing. In a starred review, Kirkus Reviews summed up, "So exemplary an execution of a simple concept that it can be read multiple ways—as multiplication, counting, sorting—without sacrificing fun." In another starred review, Publishers Weekly concluded, "As the characters work through the multiplication concept on their own terms, readers are sure to arrive at a clearer understanding." Kelley Gile gave it another starred review, calling it "a lovely graphic story that teaches a simple concept in a most engaging way."

3x4 was published by TOON Books, and they offer a preview and more here.

Wordplay

Making books that appeal to young children can be tough, especially striking a balance between being engaging and educational. This graphic novel, Wordplay, accomplishes that feat in fine manner. When I got it, I read it to my two boys (ages 2 and 4), and not only did they sit through the entire thing they asked me to read it again, which is a huge compliment. That night, my 2-year-old pulled it out for his bedtime book and after I finished he said, "Again!"

A big part of what makes this book so appealing is its playful illustrations. The plot involves a teacher presenting a lesson about compound words, and the protagonist Annemarie starts imaging them all in literal terms, which are depicted in detail. It is silly to see houses doing work (for homework) and even other ones vacuuming (for housework), but those are just the beginning.

There were a couple of words that I felt had some limited use today (like milkmaid), but some of the choices are inspired and hilarious. Just check out the cool drawing of a handyman:

In all, I think this book is a great way to both engage and entertain young readers while also teaching them some specifics about the English language. It certainly demonstrates what compound words are and provides multiple examples of them as well. This would be an excellent book for preschool, kindergarten, or first grade.

This book's creator Ivan Brunetti is an artist and educator who has been working in comics for a few decades. He is currently an associate professor at Columbia College Chicago, and he has done multiple covers for The New Yorker. He has created all kinds of solo work, including lots of independent comics and lately a growing number of titles for younger readers, like 3X4 and Comics: Easy As ABC. He speaks about his work on Wordplay in this interview.

All of the reviews I have read of this book have been positive. Kirkus Reviews gave it a starred review that called it "Praiseworthy!" J. Caleb Mozzocco wrote that "it’s hard to imagine a better candidate for explaining compound words." Publishers Weekly concluded, "Brunetti buoyantly conveys the joy of diving into newly acquired knowledge and the idea that learning and play aren’t mutually exclusive."

Wordplay was published by TOON Books, and they offer a preview and more here.

Zita the Spacegirl

Today is my oldest child's fourth birthday, and we just read this book, so it's appropriate that I post its review now. Zita the Spacegirl is a fun, exciting, suspenseful, and inventive adventure story. It starts when she and her friend Joseph find a crater while playing outside. In it is an old, strange remote device with a big red button.

Of course, Zita presses the button and a portal to another dimension pops open. Tentacles grab Joseph and he disappears as the portal closes. Zita is intrepid, presses the button again and leaps in to follow and rescue her friend.

What follows involves a lot of twists and turns. There are aliens of all sorts, a real menagerie of sizes, shapes, forms, and roles. Also, there are shifty characters who seek to exploit others, and some who seem to be more friendly. Zita falls in with a battle robot named 1, a giant mouse named Mouse, a large alien named Strong Strong, a shady, apparently human guy named Piper, and an old bucket of bolts named Randy.

Together, this ragtag band seeks to locate and rescue Joseph, who by the way has been taken by a doomsday cult who sees him as their savior. Because, oh yeah, an asteroid is on a collision course with this planet.

There is a lot going on here, clearly, but the storytelling is clear and bold. The characters are strongly defined and easy to know. And the action is fast and furious. This book is a lot of fun to read, even the scary bits, which come in the form of creepy aliens and dire situations. My son and I have read it and re-read it a few times already.

Ben Hatke is the author/creator of this book. He has quite a few other graphic novels and picture books under his belt, including more entries in the Zita series, the Mighty Jack series, Little Robot, and Julia's House for Lost Creatures. His artwork is deceivingly simple looking yet dynamic. He draws great facial expression, and he clearly loves designing some way-out looking aliens. He speaks about his work on this book in this interview (it's a few years old, but hey, no spoilers about the later books).

Zita the Spacegirl is a much celebrated book with lots of great reviews. Elizabeth Bird wrote that "what author/artist Ben Hatke does well is dip into a wellspring of familiar ideas to bring us a new world that truly is its own beast." Kirkus Reviews gave it a starred review that concluded, "this debut is truly out of this world." April Spisak opined, "The amount of background detail fills out the story, inviting examination of the endless number of monster, alien, and robot inhabitants, even while the pace of the text itself is as fast as Zita has to be to save her friend before the world explodes."

Zita the Spacegirl was published by First Second, and they offer more info about it (including the whole slew of awards and accolades it has earned) here. This book is the first in a series, so fans have more to look forward to!

Red Panda & Moon Bear

Red Panda & Moon Bear is a delightful book. It features a unique Latinx sister/brother superhero team. Both wear hoodies, Red Panda's giving her the strength of ten red pandas. Moon Bear possesses a magic crystal that he wields in a special gauntlet. Together, they defend their neighborhood from various menaces and solve mysteries. They face evil dogs, a ghost in a library, ice cream monsters, a nightmare, shape-shifting monsters from another galaxy, disappearing buildings, and scary trees.

Their adventures are fun and inventive, and I appreciate how they get through various situations not only by using their wits and sometimes their fists, but also by being empathetic and talking things through. They show that kindness and understanding can be effective for dealing with others and finding solutions to various dilemmas.

This book is fantastical in the best kind of way, with cool sci-fi, fantasy, and superhero elements woven throughout 11 chapters. And I love RP and MB's sense of adventure and cleverness. I think that perhaps the highest praise I have for the book is that I read it with my three-year-old, and he did not want to put it down. He not only insisted I keep reading each chapter, he even took it with him in his wagon when we went for a walk around our neighborhood. This book is enchanting!

When I asked him what he liked about it, he told me, "There's a mystery." "It's a little bit scary." And "I like Red Panda and Moon Bear (the characters)." So, there's something for everyone!

This book's creator Jarod Roselló is an artist, researcher, and educator who teaches creative writing at the University of South Florida. Although this book is his first for younger readers, he has published the graphic novel The Well-Dressed Bear Will (Never) Be Found as well as a bunch of shorter pieces. He has another graphic novel called Those Bears in the works for publication. He speaks about his work in this interview.

I was not able to locate many reviews of this book, but the ones I found were very positive. Cassie at Teachers Who Read called it "a perfect addition to the graphic novels in my classroom." It currently has a 4.71 (out of 5) star rating at Goodreads.

Red Panda & Moon Bear was published by Top Shelf Productions, and they offer a preview and much more here.

Dog Man and Cat Kid

The Dog Man book series has topped best-seller lists, been translated into 23 languages, and had an initial printing of 5 million copies(!) for the sixth volume, so I figured I might check this little series out. Actually, I have been meaning to read one of these books, a spin-off of the wildly popular Captain Underpants series, for a while now. So when my wife came home after picking up one on a whim for me, I finally had the chance to see what all the hubbub was about. Dog Man and Cat Kid is actually the fourth book in the series, and it did a great job of recapping prior books and getting me right into the narrative.

 

As you just saw, Dog Man is the result of an experimental surgery that grafted a dying dog's head onto the body of a dying police officer, resulting one strange living crime fighter. He fights for good, beset by his nemesis Petey the Cat. In his latest plot, Petey cloned himself but was bummed to find out that the result was a kitten. So he gets Dog Man to adopt the kitten, that way he'll have a double agent acting on his behalf. However, the kitten has other ideas and actually wants to be more like the virtuous Dog Man. Still, he has doubts and thinks he might be inherently evil, so he lets Petey sway him at times. When Dog Man's adventures get optioned for a major Hollywood movie, Dog Man ends up being hired as a bodyguard for the film's star, Yolay Caprese, and Petey decides to do everything in his power to ruin the entire enterprise.

This book has a little bit of something for everyone: bad puns, parodies of Hollywood action movies and actors, some bathroom humor, giant robotic hot dogs, slapstick scenes, riffs on Steinbeck's East of Eden and other literary works, and superheroic action scenes. And in the end, I feel like after all the silliness, there actually was a decent lesson about being able to make choices and determine how you want to act in the world. I know that this series and Captain Underpants gets a bad rap, appearing at the top of banned book lists, but I thought this book was a lot of fun and had a good moral. Sort of a contemporary version of MAD Magazine, with a critical skewering of the adult world.

This book was created by Dav Pilkey, a wildly successful children's book and comics author who has the Captain Underpants and The Dumb Bunnies series to his credit. My son and I are also quite partial to his parody/homages Kat Kong and Dogzilla. He speaks about his life, books, and a number of other topics in this interview.

I was not able to locate many reviews of this book, and they tended to be either "love" or "hate" ones. Kirkus Reviews concluded that this is a book "that will tickle fancies high and low." It currently has a 4.54 overall rating at Goodreads.

Dog Man and Cat Kid was published by Scholastic Graphix, and they offer more info about it here.