Asgardians: Loki

I thought it might be appropriate in the month of trick-or-treating to take a look at one of the biggest tricksters of all. If everything you know about Loki comes from Marvel Comics or MCU movies this book is going to blow your mind. First off, Loki here is a half-brother to Odin, not Thor. He is the son of a ice giant, and he engages in all sorts of chicanery. Some of it is in service of the Asgardians, like negotiating the building of a defensive wall around the city, and some for nefarious reasons, like plotting the death of Baldur, the most beloved of all Aesir. Along the way, he gives birth to a 8-legged horse, uses his testicles to play tug of war with a goat, and fathers a giant wolf, the Midgard Serpent, and Hel, the goddess of the underworld. He lived a wild life for sure.

What I loved about this book was how it is crafted in a way that more clearly shows that how all the books in this series fits together to tell one grand narrative. Loki and his kin all will play huge roles in the ultimate demise of the Norse gods, Ragnarök, which will be the focus of the fourth and final book. And instead of portraying all of the major players there as villains, this book gives insights into how and why they are pitted to combat against the Aesir. The tale of the Fenrir the wolf I found especially distressful, with how they tricked him into bondage while also sacrificing the right hand of Tyr, who had played a big part in raising him, in the process. The Norse gods are petty, deceitful, greedy, and prone to bullying, and it is interesting to juxtapose this pantheon with the Olympians, the Greeks gods that author George O'Connor chronicled. 

Also, like the other books in the series, there are copious endnotes that lend lots of insight into O'Connor's artistic choices and visual themes. There is much to digest from this wonderfully rendered graphic novel.  

O'Connor has created many graphic novels in the past two decades, including the American history journal account Journey into Mohawk Country and the dystopian future book Ball Peen Hammer, written by Adam Rapp. He also drew the political graphic novel Unrig: How to Fix Our Broken Democracy with author Daniel G. Newman. He speaks about his penchant for drawing mythological tales in this interview.

All of the reviews I have read about this book have been positive. Kirkus Reviews called it "a semi-sympathetic portrait of a god too clever for his own good." Ian Keogh wrote, "Asgardians has been an excellent series from the start, well researched and engagingly presented, but the additional nuance in telling Loki’s story, the sheer variety of other material and the always excellent art raise the quality higher."

Asgardians: Loki was published by First Second, and they offer a preview and more information here. I am so looking forward to book four!

Nathan Hale's Hazardous Tales: Bones and Berserkers

The 13th book in one of my favorite graphic novel series, Bones and Berserkers changes up the format in that it features a collection of 13 tales rather than one overarching narrative. Still, all the major players are still here, and the range of horrific stories run a gamut of genres. There are folk tales like the Demon Cat, an adaptation of Edgar Allan Poe's "Hop-Frog," the real-life misadventures of pro-golfer Eben Myers with medicinal radium, and the terrible murders and arson at Frank Lloyd Wright's home/studio Taliesin. I felt that in some ways this book was a bit more documentary in places, like history mixed with true crime writing, which worked well.

This book is dedicated to Alvin Schwartz and Stephen Gammell, and it shares a real kinship to their Scary Stories to Tell in the Dark. It features some pretty graphic scenes, including a human head stripped bare by cancer treatments, a bunch of men dressed as orangutans who are set on fire, and butts being chopped off of people's bodies, so it is pitched toward an older audience than earlier volumes in the series. Still, there are moments of grim humor that punctuate the proceedings much like the Crypt-Keeper did in Tales From the Crypt. It's not a book for the squeamish, and I found it to be wonderfully gruesome and fun. This book is a treasure trove of horror for fans of both fiction and nonfiction.  

The Jersey Devil!

Bones and Berserkers was made by Nathan Hale (not related to the Revolutionary War spy), a highly accomplished graphic novelist. I love his work so much that I named one of my annual favorites list categories after him. Aside from his great success with this series, he has also published the fictional graphic novels The Mighty Bite,  One Trick Pony and Apocalypse Taco. He has also drawn a few others, including Rapunzel's Revenge and Calamity Jack. I learned some more about Hale's work on this book and his upcoming projects in this article.

The reviews I have read of this book have been positive. Kirkus Reviews summed it up, "Not all true, but truly nightmarish." Susan Harari wrote that it would be "perfect for reluctant readers in middle or even high school who are brave enough to handle both fictional and factual horror stories."

Nathan Hale's Hazardous Tales: Bones and Berserkers was published by Abrams Fanfare, and they offer more information about it here.

DC's Misfits of Magic

Continuing my look at spooky themed books this month, today I look at DC's Misfits of Magic, which is from the latest series of their graphic novels for YA readers. This one is focused on a summer camp for adolescent magic users and stars teen-aged versions of quirky characters like Deadman, Blue Devil, and the Enchantress that I enjoy. Their ringleader is Rikki, an orphan with no last name, who is a riff on Dr. Occult the Ghost Detective. Together this motley bunch does arts and crafts and the like until mysterious things start happening in the library. Behind the back of their counselor Zatanna, they do the Scooby gang thing and investigate, uncovering quite a few surprises.

What I liked about this book was its whimsical artwork, snappy dialogue, and use of interesting, fun characters. The book is very colorful and uses it to great impact in its sound effects and depictions of magic use, creating an otherworldly atmosphere. I have long been a fan of the "Justice League Dark" characters (long before they got called that), and how they are portrayed here is rewarding to a long-time fan like me or to new readers, because they are introduced in quick and informative ways. There are also references to other DC characters, and I feel these would also be quite accessible to even casual fans. Overall, I enjoyed the book and would like to see more stories set here.

DC's Misfits of Magic was written and drawn by Matthew Dow Smith, a comics artist who has done work for most major US comics publishers. He also has worked on a number of webcomics and series published by small publishers over the years, and a couple of them, October Girl and Amelia Shadows and the New Head Ghost, will be published as graphic novels soon. He serializes his works in progress on his Patreon page.

I was not able to find many reviews online, but the ones I read have been positive. In the most substantive one I saw Too Dangerous for a Girl concluded, "So if you know a small person who enjoys colourful, imagination-expanding comics, buy them a copy of DC’s Misfits of Magic. They’ll love it, and chances are you will too."

DC's Misfits of Magic was published by DC Comics, and they offer more info about it here.

Golem Pit 224

It's October and to celebrate this spooky month, I am going to review a bunch of different graphic novels that fit the season. First up is Golem Pit 224, a book I got from a Kickstarter campaign last year. The plot revolves around a couple, Thea and Kelsey, who decide to go on a camping trip to explore an unusual land form, the not-at-all-creepy- sounding Exclusion Zone Golem Pit 224. Kelsey is a research professor who is treating the trip more like an opportunity to collect work samples, and Thea would like to actually have fun and spend time with her partner. Without spoiling too much, they end up having to deal with some psychoactive material and find themselves literally and figuratively on shaky ground.

This book was wonderfully weird and compelling. What I liked about it was that it worked as a horror tale as well as a relationship story. Kelsey and Thea have some unresolved tensions that they need to deal with, and the way those manifest both emotionally and physically throughout the story makes for suspense and high drama. There were also several scares, including one pretty gross one that involved possibly swallowing an alien life form. The plot was pretty unique, and at some points I honestly did not know how or if things would resolve. The artwork does not employ the typical panel borders of most comics, and the floating, amorphous way the figures and events are depicted makes for some interesting developments later in the book in terms of how transformations and mysteries play out. Also, the color palette dealt mostly in earthy, brown tones that create a murkiness that well suited the setting and events of the story.

Golem Pit 224 was written and drawn by Julia Gootzeit. She has mostly published her work in mini-comic form, and her more recent comics can be found on her Instagram feed.

Golem Pit 224 was published by Fieldmouse Press, and they offer a preview and more info about it here.

Pushing Buttons

This "futuristic workplace kerfuffle" recently came to my attention via social media, and I was very glad to buy and read a copy. Pushing Buttons features an eventful first day at work. It stars Margit, a young woman who has not had a job in months and is facing eviction. Luckily(?), her best friend Chloe is a supervisor for a local company and scores her a position operating a 3AZ machine, which involves reading a manual to learn which wires to connect and buttons to press. Chloe's supervisory position makes for some awkward situations, and Margit starts to question their friendship. She also quickly realizes that this gig has lots of restrictions.

This was a relatively short graphic novel, but I found a lot to relate to. I felt quickly drawn into the personal drama, and as I realized more about the social and work dynamics the more engrossed I got. The artwork is geometric and cartoony, somewhat drawing to my mind alternative comics artists like Kaz or Chris Ware. I felt that the cute, regular drawings made for a great atmosphere for the rote and soul-sucking situations Margit finds herself in. Additionally, the adorableness of the characters adds an interesting accent to the ways they put up certain appearances and treat each other. 

Pushing Buttons was made by Ursula Blix, an animator and artist who recently graduated from The Animation Workshop in Viborg. She has drawn a bunch of comics and covers, but as far as I can tell, this is her debut graphic novel, drawn as a final school project. She drew this interview that tells a little bit more about her work on the book. I was not able to find any reviews of it online, but I will definitely keep my eyes peeled to see what else she publishes.

Pushing Buttons was published by Black Panel Press, and they offer a preview and more here. 

Minor Arcana, Volume One: The Fool

I am a big fan of Jeff Lemire since I read The Essex County Trilogy  almost two decades ago. He is one of the most prolific comics creators in the field today, with a huge list of comics credits and having won a slew of major awards along the way. He has written a number of series for DC Comics and Marvel as well as his own creator-owned works like Black Hammer, and Sweet Tooth. I was very excited to read his newest ongoing series, his first solo one since 2012, Minor Arcana, and this book collects the first five issues.

Theresa St. Pierre is the protagonist of the series, and she's been called back to the small town of Limberlost to care for her mother, who has cancer. Theresa hated growing up there and is very reluctant to return, but she has had a bad run of her own and really has nowhere else to be. She is also a recovering alcoholic and generally seems to hate people. Her mother works as a psychic, and Theresa always thought she was just running an extended con on people, but then something happens that makes her realize that these abilities might be real. 

What makes this book so compelling to me are the hallmarks of Lemire's work. He is able to created strong characters with whom the reader is drawn to care about. Theresa is surly, unpleasant, and imperfect but also gives people credit when it's due, and she is a surprisingly relatable person. Also, the small town setting and family drama are fertile ground for delving into the past, unearthing secrets and revealing events that have profoundly shaped the present day. I loved how suspense builds through the plotting and pacing and how revelations in singular moments really pay off in terms of both story and imagery. All of Lemire's storytelling tools are in full effect here. I was instantly drawn into this world, and I cannot wait to see what else happens here.

I had a difficult time finding reviews of this trade paperback, but Jared Bird called this collection "tremendous work" that "feels special." There are a range of reviews available from The League of Comic Geeks, where it has been rated 4.3 (out of 5) stars as of this post.

Minor Arcana, Volume One was published by Boom! Studios, and they offer more info and a video preview of the series here. Lemire also speaks extensively about the influences on the series in this interview.

Big Jim and the White Boy: An American Classic Reimagined

The Adventures of Huckleberry Finn has been called "the best book we've had" (by Ernest Hemingway) and also been widely banned because of its copious use of the N-word. Here, this American classic is recast in a way where Jim becomes the central figure and Huck is more of a sidekick instead of vice versa. A big impetus for the switch is to bring dignity and humanity to a figure who is not given proper treatment in the original novel, but it is also made to explain some weirdness to the narrative, namely revealing why an escaped enslaved person would travel south instead of north to safety. Also, this book explains why Jim is so attached to Huck in the first place.

One major addition to this story is the revelation that Jim's family, who are referred to in the original but never named, have been illegally sold down the river by Huck's reprobate father Joe. So, Jim embarks on his odyssey to be reunited with them. Along the way, he is hunted, becomes a sort of racist bogeyman, assists with the Underground Railroad, joins the Union army, and has all sorts of adventures. He meets many people, telling all of them his story, and he becomes an almost mythic figure, an adventurer and beacon for freedom. 

What makes this narrative work is the fact that it is told across three different timelines. Some of the book focuses on the adventures from the book set in the 1850s, other portions show Jim and Huck as old men in the 1930s, telling tales of their adventures to Jim's grandchildren. The third storyline is set in 2022 and follows Jim's great-great-great-great-granddaughter Almena who is a history professor researching his life. The various viewpoints make for a rich, complex narrative, and the result is a grand epic. I cannot say enough good things about this book.

Big Jim and the White Boy was a collaboration between writer David F. Walker and artist Marcus Kwame Anderson, who previously produced the Eisner Award-winning graphic novel The Black Panther Party. Walker is a prolific author and is best known in comics for his work on the series Bitter Root, runs on Marvel Comics series such as Luke Cage and Power Man & Iron Fist, and the DC Comics series Naomi. He also wrote another nonfiction graphic biography of Frederick Douglass. Anderson also worked on his creator owned series Snow Daze. Walker and Anderson speak about their work on this book in this interview.

All of the reviews I have read about this book have been glowing. In a starred review, Publishers Weekly called it "a vital reconsideration of an American classic." Mike Rhode wrote that Walker and Anderson achieved what they "set out to do, providing readers with a work that strips away the minstrel mask that Twain placed on Jim and reveals reality." Carla Riemer declared that "this well-researched, well-written book belongs in all library collections."

Big Jim and the White Boy: An American Classic Reimagined was published by Ten Speed Graphic, and they offer a preview and more information about it here. There is also this 11-page preview available from Publishers Weekly.

Sunshine

Hey Kiddo is one of my favorite graphic novels, and Sunshine is its follow-up but it stands by itself. This book chronicles a week that Krosoczka spent at a camp for children with life-threatening conditions. He was one of six high school students chosen at random (and they are a motley bunch)

At Camp Sunshine, he is charged with helping out Diego, a 13-year-old who has a brain tumor and travels via wheelchair, and his family. He also meets a bunch of other children, notably young Eric, who is a bundle of energy and obsessed with Power Rangers. Instead of spending this time in sadness, instead he finds that this week is one of the rare and special times that these kids fit in, can relate to each other, and take time to enjoy themselves.

Many of these memories were captured by the video camera Jarrett brought with him, and the characters really come to life in their stories and the artwork. This book is very affecting, and the weighty subject matter comes off more as a celebration of life and a window into how individuals and their families deal with difficult life situations. There is much to smile at and cry about in this book, and I feel it does an excellent job of shedding light into areas that most people, especially those not involved, tend to shy away from. 

Jarrett Krosoczka is best known for his series of Lunch Lady graphic novels for younger readers, and he has also contributed to the Star Wars Jedi Academy series. His prior memoir Hey Kiddo won the 2019 Harvey Award for Best Book of the Year and also was a finalist for the National Book Award for Young People's Literature. He speaks about his work on Sunshine in this interview.

Most of the reviews I have read about this book have been positive. In a starred review, Publishers Weekly concluded, "Though the creator is unsparing in his raw depictions of the campers’ situations and his reverence when recalling these memories is palpable, he never condescends, always faithfully documenting the warmth and life-changing potential of confronting grief head-on and participating in communal care." Tahneer Oksman wrote, "Krosoczka has a talent for uncovering the bountifulness and grace that can emerge from harsh, and otherwise quotidian, realities." Kirkus Reviews summed up, "Loving and true but doesn’t always avoid cliché."

Sunshine was published by Scholastic Graphix, and they offer a preview and more information about it here. 

I Survived the Shark Attacks of 1916

This book has been super-popular in my house of late, with two of my kids reading and re-reading it and asking for more books in the series. So, naturally, I read it to see what the hubbub was about. I Survived the Shark Attacks of 1916 is an adaptation of Lauren Tarshis's novel written for elementary and middle school readers. It is a fictionalized version of the actual Jersey Shore shark attacks of 1916. Before then, people largely believed that sharks were harmless, skittish creatures, but that summer between July 1st and 12th, five people were attacked and 4 died of their wounds. This story became national news and kicked off the widespread fear and even hatred people have toward sharks today.

You should always listen to the grizzled sea captain in these stories...

Making history come alive, this story is told through the eyes of Chet, a young teenager whose parents have left him to live (and work) with his diner-running Uncle Jerry for a summer while they chase their own fortunes. As a new kid in town, Chet has a hard time making friends, and the ones he does make are into pranks, which leads to lots of drama surrounding the local creek they swim in. The recent shark attacks have some people on edge, and the kids take the chance to test their friends' bravery through hijinks. Little do they know what is coming upstream.

I really enjoyed reading this book, and I can see why it is such a crowd-pleaser. The artwork is clear and expressive, and the first-person narrative makes for some great eyewitness storytelling. That there is the added element of shark attacks and blood puts things over the top. This book will be popular with younger readers looking for some compelling historical fiction that teaches about disasters both natural and man-made, with backmatter that explains more about sharks and the actual events. It also, mercifully, includes helpful tips for avoiding shark attacks.

Translating Tarshis's novel into graphic novel format are writer Georgia Ball and the art collective Haus Studio, a group of self-publishers from Argentina. Ball has published more than 30 books, many of them of the licensed property variety, including ones about Strawberry Shortcake and My Little Pony, and has also written more in the I Survived graphic novel series. This book was penciled by Gervasio, inked by Jok and Carlos Aón, colored by Lara Lee, and includes an art assist by Dario Brabo. 

The reviews I have read about this book have been positive. Pharaoh Miles summed it up as "a great book that melds slice of life with history." BlackRaven called it "fun and educational."

I Survived the Shark Attacks of 1916 was published by Scholastic Graphix, and they offer a preview and more info about it here. 

Huda F Cares?

I try to vary where and how I get graphic novels to read, and I was pleasantly surprised to find another book by Huda Fahmy in a little free library in my neighborhood. It's the follow-up to Huda F Are You?, which I finally read earlier this year, and it may be even more excellent. It continues the fictionalized memoir, following Huda into the summer after her freshman year of high school as she and her family embark on a road trip to Disney World for a family vacation.

I can say without hyperbole, I LOVED THIS BOOK. It is hilarious and human, a great look at family life as well as the dynamics of planning a trip and then traveling with siblings. They bicker during the long car ride. They have to split up in pairs and keep a strict timetable, otherwise they are grounded and have to spend all their time with their parents. Some help keep secrets, while others are complete tattletales. I found so much to relate to, cringe over, and laugh about, both recalling my own childhood travels and more recent happenings as a parent traveling with three children. 

Along the way, Huda learns a bunch about herself and her relationships with her sisters in organic ways. She sometimes tries to hide her Muslim prayer rituals, gets embarrassed by family picnics when her parents are trying to economize, makes a friend, tries to boss around her younger siblings, and has to deal with rude strangers as well as handsy jerks. She suffers many different consequences for her actions, the biggest one being detained by security for sticking up for herself, and the stakes for that offense make for some compelling reading. But really what bears emphasizing is that with all of this introspection, learning, and drama, the whole book is frequently HILARIOUS. I dare anyone to read it and not at least crack a smile or chuckle.

A National Book Award Finalist, this book has been very well reviewed. Islamic School Librarian wrote that "the entire book reads like time spent with friends who can keep you laughing, comfort you when needed, and who are willing to share their very real relatable world with you." Andy Oliver commented that "Fahmy’s great skill as a storyteller is to combine very funny character pieces with those more touching observations about contemporary perceptions of Islam." Kirkus Reviews summed up, "Delightfully heartwarming."

Huda F Cares? was published by Dial Books, and they provide more information about it here. 

Constitution Illustrated

Up until now, the US Constitution has proven to be a sturdy and adaptable document that has guided the country through troubled times by describing the rule of law as well as the basic rights afforded to Americans. Portions of it have been hotly contested and reinterpreted over centuries, and it has slowly been transformed through amendments. In Constitution Illustrated it gets further transformed with the addition of comics art to communicate the big ideas, making this landmark document more accessible in a time when folks should brush up on their rights.

I teach social studies teachers, and they seek ways to make difficult texts more approachable, and I love the way that the Constitution is parsed into manageable chunks in this book. Additionally, another scaffold is provided with the artwork, which can act as imagery to help recall the text or also extend it by adding another aspect for analysis and examination. These images run the gamut from classic works like Krazy Kat, Little Lulu, and superhero fare to more contemporary ones like Captain Underpants and Rick and Morty.

What I like about this book are the many ways you can approach reading it. A long-time comics reader, like me, can play "guess the pastiche" as I peruse the pages. One could also think of rationales for the pairings between sections and amendments and the comics style/artist/characters. Alternatively, a reader could also just be amused to see the juxtaposition of the governmental policies and comics artwork or, if nothing else, laugh at how the characters are rendered in colonial dress. I like the combination of humor and politics in this book, and I think it is an excellent way to get introduced to or just review the founding  document of the US government.

This book's creator, R. Sikoryak, teaches in the illustration department at Parsons The New School for Design. He has been making comics for decades, appearing in books such as Masterpiece Comics, in prominent publications like The New Yorker, and in anthologies like Raw. He speaks about his work adapting the Constitution in this interview.

All of the reviews I have read about this book have been positive. Ryan Carey called it "the most grand, ambitious, and relevant application of his unique skill set to date." Publishers Weekly wrote, "This pastiche of comics and politics is a cleverly educational and irresistible way to engage with this foundational text." Paul Buhle opines, "Wake up, reader. Look at the constitution with new eyes. Or else."

Constitution Illustrated was published by Drawn & Quarterly, and they offer more information about it here.

Know your rights!

 

The Cartoonists Club

 

Today's graphic novel is also one from a powerhouse duo of creators: Raina Telgemeier has done hugely successful work on The Babysitters Club series as well as Smile and several other books while Scott McCloud literally wrote the book on how to read comics, Understanding Comics, and has been publishing comics works since the 1990s. Here they put their talents together to make a wonderful, and much-needed, book The Cartoonists Club. 

The story here brings together four middle schoolers: Makayla, who loves to write stories, Howard, who is a prolific artist but whose dad frowns upon art as a serious enterprise, Lynda, who is constantly drawing but also critiquing her own work harshly, and Art, who is a creative type looking to try pretty much anything. Together, with the guidance of school librarian Ms. Fatima, they form a club and being making comics. They even get the chance to exhibit their work at a local library comics convention. 

All these questions, and more, answered!

This story is told in a very charming way, and it is easy to fall in love with the characters, who are vibrant and relatable. But what I feel is most helpful is how much information is folded into the narrative in an organic way that speaks to what goes into designing and making comics. This book is a lot of fun and not at all didactic in tone. I have worked with many different groups of people over the years, from elementary students all the way up to graduate students, teaching them how to make their own comics, and this book especially fills a vacuum for explaining the rudimentary mechanics of comics-making for younger readers. That it does so in an engaging and highly readable way is simply amazing, and I plan to use this book with students I work with as soon as possible.

All of the reviews I have read about this book have been glowing, and I would be surprised if it did not clean up come awards season. In a starred entry, Kirkus Reviews called it "highly imaginative and cleverly conceived." Sean Kleefeld wrote that the book "is simply the best bits of both creators, fused together in about as seamless a manner as possible." In another starred entry, Publishers Weekly opined, "Creative prompts, tips, instructions, and definitions feature throughout, delivered in a cheeky tone that seamlessly integrates heartfelt narrative with approachable how-to guides."

The Cartoonists Club was published by Scholastic Graphix, and they offer more info about it here. They also offer the first two chapters as a free preview here.

Lunar New Year Love Story

The 2025 Eisner Award winner for Best Publication for Teens, Lunar New Year Love Story is a book that I approached much differently than I usually do when I read a graphic novel. Typically, I read through one in as close to one sitting as I can. I tend to read voraciously and at a fast clip, but this one I took my time with, reading each chapter individually and taking time over a few days to complete the book. It worked really well, because this book's narrative is set over the space of a year and is divided into chapters that each had so much going on in terms of plot, revelations, and emotions that the extra time helped me develop my thoughts and get ready for what was to come. So, I treated it like a serial comic, even though I had the entire graphic novel.

I have to say that the payoff for me was a great one, as this was one of the most satisfying books I have read this year and the ending gave me the tingles. It is a love story of sorts, but it is based strongly in family and community relationships. The plot revolves around Valentina, a Vietnamese-American teen whose mother died when she was young and is being raised by her father. They tend to be a self-contained unit, not even having much interaction with her paternal grandmother, who is a vivacious character who loves cooking and poker. She learns that her family is cursed to be unlucky in love while also developing a strange imaginary relationship with St. Valentine. Eventually, she enters into a dire bargain with Saint V., vowing to abandon love and give her heart away to him if she cannot find true love in one calendar year.

Over the course of the book, Valentina learns that she has been lied to by multiple people her entire life, and the revelations rock her world and cause her to look for community beyond her best friend, Bernice. She joins a lion dance troupe and meets a boy named Les, who is sort of a flirt and attention hog, but somehow they click. She begins to question her destiny and also goes on a surprising path of discovery, which includes her getting more familiar with her heritage, the local Vietnamese-American community, and Les's sullen cousin Jae.

I feel I am not doing this book justice with my descriptions, and I am trying not to give too much of it away, but it is simply fantastic. The artwork and narrative meld to make a very moving and impactful story, and it deserves the many accolades it has received.

Lunar New Year Love Story was created by powerhouse graphic novelists Gene Luen Yang and LeUyen Pham. Yang is one of the premier comics creators working today and a former National Ambassador for Young People's Literature. Additionally, he was awarded a MacArthur Fellowship and has also won the Printz Award for his graphic novel American Born Chinese. He has won multiple Eisner Awards. He has explored themes of immigration, belief, identity, and growing up in his many works. Pham is one of the premier children's book illustrators working today, the winner of the Caldecott Medal for her work on the Bear Came Along. She is known for her collaborations on the popular Friends series of graphic novels and The Princess in Black picture books with Shannon Hale. And she also drew the Vampirina Ballerina series of picture books that were adapted into a Disney cartoon. Both creators speak about the book and romance in this interview.

All of the reviews I have read about this book have sung its praises. Thúy Đinh wrote of its use of lion imagery and how "this dual, transcontinental symbol of life and death, truth and mystery, reason and emotion, male and female, gracefully captures the complicated heritage of characters impacted by their parents' diasporic experiences." Kirkus Reviews concluded their starred entry, "A sparkling romance anchored by a poignant coming-of-age story." Zack Quaintance commented on the "stellar" artwork, adding that "the character acting is strong yet distinct, making for an immersive reading experience."

Lunar New Year Love Story was published by First Second, and they offer a preview and more information about it here.

Mujirushi: The Sign of Dreams

Being contacted by the Louvre, one of the most well known and prestigious museums in the world, to collaborate on a comic seems a highly unlikely proposition, but then again most artists are not as renowned as Naoki Urasawa. Among his many manga credits are contemporary classics such as 20th Century Boys, Monster, Pluto, as well as the ongoing Asadora! Urasawa has won numerous awards, including the Shogakukan Manga Award three times, the Tezuka Osamu Cultural Prize twice, and the Kodansha Manga Award. He has also been recognized internationally, with honors from the Angoulême International Comics Festival and the Eisner Awards.

Mujirushi is exceptional among Urasawa's works in two ways: first, because it is based on holdings and input from the Louvre, it features a lot of the architecture, artworks, and behind-the-scenes schematics from the buildings. Second, it is a serial story that can be contained in one graphic novel-seized volume and not a multi-volume epic that takes years to be published. Still, it features the grand craftsmanship, pacing, and vivid characters that are a hallmark of his past work. 

The plot focuses on a father Kamoda and his young daughter Kasumi. Kamoda stops paying taxes and gets mixed up in some get-rich schemes, which end up with him destitute, desperate, and stuck with a factory full of unwanted rubber novelty masks. Also, his wife leaves him. Through a convoluted series of events he and Kasumi end up involved with a Francophile con man ("the Director") who has a scheme to "borrow" a Vermeer painting from the Louvre. What they do not know is that they have all become people of interest in an investigation of an international art smuggling ring, and the detective is determined to catch them in the act.

What makes this book work is its incredible artwork, strongly defined characters, and a plot that takes many twists and turns as the complicated backstory of the Director is slowly untangled. There are many revelations and twists in these nine chapters, maybe too many coincidences, and the ending is a clever weaving together of seemingly unrelated plot threads. If you would like to get a taste of what makes Urasawa's work so appealing and do not want to invest the time to read multiple volumes of a manga serial, this book is for you. If you are already a fan of his, this book is another gem to be enjoyed. 

The reviews I have read of this book have been mixed. Morgan Santilli wrote, "Though perhaps not as engrossing or complex as some of Urasawa’s other offerings, Mujirushi does leave the reader with that familiar feeling of awe at a master’s manipulation of line, panel, and story." Irina found it "to be both entertaining and endearing in many ways." In a long critique of this book and Urasawa, Austin Price calls the story "cute" but also "contrived and overblown."

Mujirushi was published by Viz Media, and they offer more information about it here.

Karate Prom

Karate Prom was written and drawn by Kyle Starks and colored by Chris Schweizer, two of my favorite comics creators who have collaborated before on the series like Rock Candy Mountain, Mars Attacks!, and Six Sidekicks of Trigger Keaton. Their storytelling and artistic chops complement each other very well, and they are expert at conveying action and atmosphere. 

In Karate Prom they are abetted by Liz Trice Schweizer (on color assists) as they spin the tale of Don Jones. He is participating in the All-City Karate Tournament, but he has been training so much that he almost arrives late for his match, where he meets Sam (short for Samantha) Steadman. He is instantly smitten, then she knocks him out with one kick. 

After he comes to, they get snow cones, they get to know each other, and she asks him to prom. What follows is an escalating series of high school dramas involving exes, ninjas, crime cartels, and a battle royale to end battle royales. However, this book is not just a fight-fest, it is also hilariously funny. There are witty banter, fun nicknames, and clever plot twists that subvert stereotypes. Karate Prom is a lot of fun to read, and I hope that it opens up opportunities for more YA-focused work from Starks and Schweizer.

These two creators have a bevy of other graphic novel and comics work available as well, including Starks's Kill Them All, Sexcastle, The Legend of Ricky Thunder, Old Head, and Assassin Nation. Among my favorite works of Schweizer are his series The Crogan Adventures and The Creeps as well as his contributions to the History Comics and Makers Comics graphic novels. Starks speaks about making Karate Prom in this interview.

All of the reviews I have read of this book have been positive. Kirkus Reviews called it "mercurial and cartoonishly violent but enjoyable thanks to its exuberance." Jordan Jennings wrote that it is "a delightful graphic novel that is full of action and romance," featuring "a strong cast of characters that you will come to love by the end of the story." In a starred review, Adam Fisher summed it up as "a joy-filled story about two teens who want to be together so badly, they are willing to fight for it."

Karate Prom was published by First Second, and they offer a preview and more information here. 

Barbaric Book One: Murderable Offenses

Sometimes you just need to read some fun genre fiction, and Barbaric is just that. The star of this fantasy series, Owen the barbarian, starts out as a typical ruffian, drinking, fighting, and enjoying all sorts of carnal desires. However, he runs afoul of a trio of witches who curse him to only do good for the rest of his life, saddling him with an enchanted, talking axe (named Axe, of course) who constantly craves the blood of evil-doers. Together this terrible duo has a streak of misadventures, applying justice in their own warped way, with Axe constantly yakking Owen's ears off.

As their journeys continue, they pick up a motley assortment of allies and rack up quite the body count. What I loved about this book is how weird it is, with Axe explaining its strange sense of justice that determines just who is and isn't worthy of slaying. And there is also witty wordplay that complements the gore and nudity, making this book into a fun, engaging adventure. What is more, there are three subsequent volumes as well as some related series, which I have also read and enjoyed. So if this book is to your liking, you have more in store.

This book was written by Michael Moreci, drawn by Nathan Gooden, colored by Addison Duke, and lettered by Jim Campbell. Moreci is a screenwriter and author known for his comics series The Plot and Wasted Space as well as the movie Revealer. Gooden is a co-founder of Vault Comics and is involved in developing a number of series, including Post Malone's Big Rig. Duke began his career as a production artist, and Campbell has lettered a good number of comics, including The Great British Bump-Off. Moreci speaks about his work on the development of the series in this interview. 

Certainly, this series has a specific audience, and the reviews I have read about it have been positive. Brad Gullickson penned the memorable line, "If Gooden's art does not belong in a museum it sure as hell belongs on the side of a van." Matt wrote, "The prudish will not approve, but fans of dark fantasy will love it and eagerly anticipate Barbaric, vol. 2."

Barbaric Book One was published by Vault Comics, and they offer a preview and more information about the series here. This book contains profanity, gore, nudity, violence, and is suggested for adult readers.

Santos Sisters, Volume 1

This collection gathers the first five issues of the 2025 Eisner Award winner for Best Continuing Series. Santos Sisters is a tough book to categorize, but I think it characterizes some of the best aspects of comics in general. It looks like an Archie comic, features adventures and characters straight out of superhero stories, and is mostly full of clever repartee and relationship talk. This strange amalgamation makes for some very funny and engaging stories, and I have really enjoyed reading this series and revisiting the comics in this version was very rewarding.  

Ambar and Alana are the titular sisters, and one day they discovered a pair of medallions on a beach and were transformed by the mysterious and mystical Madame Sosostris into masked super-beings to defend the fictional town of Las Brisas. That is, when they are not laying about the house, watching silent bee cartoons, and bickering, especially about Ambar's self-absorption or boyfriend Dirk. 

Together they deal with a motley crew of threats such as the saboteur 8Ball, Scope the assassin, Weird A.I. Ankhovic, Kreg the Handsome Barbarian, and Bridgette Spinner (say it out loud). These characters are a vivid and distinctive bunch, and a lot of the fun of this book is seeing just how ridiculous they and their villainous motivations are. The sisters often defeat them more out of personal reasons or irritation than altruism, and as they battle they are often engaged in side conversations about food, relationships, or sex acts. 

And there are lots of comics Easter eggs. Check out those teeth!

They also talk to lots of anthropomorphic animals, including a bunch of jerky forest animals and a know-it-all dolphin. These are some surreal, fun, and smart comics that have a lot going on but also trust the reader to catch onto what's happening without needing much context or backstory. I love the episodic way the tales are structured like classic Archie comics: each one is a celebration of comics, a burst of inventiveness and joy. And much like stones in a mosaic, cumulatively these stories depict a wonderfully realized fictional world.

This book's creators Greg & Fake collaborate between Chicago and Manzanillo, Mexico, respectively. Fake Petre is the writer and Greg the artist, and they also incorporate ideas and input from Graham Smith, Dave Landsberger, and Marc Koprinarov. G&F speak more about their origins and work in this interview. You can learn more about the series at its official website.

All of the reviews I have read of this book have been full of praise. D. Morris opined, "It is a book that knows great comedy comes from putting well defined characters into absurd situations." Timothy Callahan wrote, "None of these three- to eight-pagers would feature in a Best American Comics anthology. But as a whole, the accumulation of details and comedic elements and relentlessness work to make this a highly entertaining comic." 

Santos Sisters was published by Fantagraphics, and they offer a preview and more about it here. This book is not for kids.