Housecat Trouble

I got this book with my kids at HeroesCon this year, and I finally pried it away from them long enough to read it. I am glad I did, because it is a charming and fun book. And best yet, there's a sequel to check out.

Housecat Trouble stars Buster, a yellow housecat, kitten almost, whose owner goes away for a day. Far from being a chill day of relaxation, Buster instead learns that his house is being overrun by a horde of monstrous house spirits. Fortunately for him, two stray cats Chauncey and Nova happen upon the scene and hatch a plan to deal with them.

Of course, the plan faces some complications, including machinations by crows and stray dogs. Still, the trio face these obstacles with ingenuity and bravery, making for tense chases and athletic feats. The artwork is well suited to the many facets of this book: It shows cute animals, conveys emotion and tone with skill, creates suspense and tension, and also jokes through situations, poses, and facial expressions. Also, the book has nuances, as the house spirits are also a little scarier than I expected, and Chauncey and Nova's tale of how they came to live in the wild is heart-breaking. Overall, I found it a delight to read, especially as a cat-owner. 

Housecat Trouble was written and drawn by Mason Dickerson. As far as I can tell, it is his first graphic novel, and it has a sequel subtitled Lost and Found. He speaks about his art in this interview.

The reviews I read about this book have all been positive. Stephanie Tournas called it "a hilarious coming of age story and personal odyssey, with witty and amusing repartee and immensely appealing graphic art." Alea Perez summed it up, "A charming, humorously silly, and unexpectedly touching story about the power of friendship and loyalty in the face of adversity."

Housecat Trouble was published by Random House Graphic, and they offer a preview and more info about it here. 

A Cat Story

We have five cats at home, so I am partial to these insane, occasionally lovable critters. A Cat Story portrays felines in apt ways, from the arching and squiggly way their bodies are drawn to the way they alternate being affectionate and combative in their relating to each other. The narrative focuses on a couple of young cats, Cilla and Betto, who live in the Mediterranean seaside city of Valletta. They like their way of life well enough, sleeping under boats, dodging the elements, and living on stolen fish or scraps left to them by tourists. Cilla also sometimes happens upon an unsuspecting child who sneaks them into their house.

Cilla turns on the charm to score some chicken from a sweet kid.

However, they learn of a legendary "Quiet Garden," where all cats are welcome and well-fed, and it entices them to embark on a quest to find it. Their journey is risky and long, and they meet a number of interesting, sometimes helpful, sometimes frightening creatures.

Aside from being a compelling and well told odyssey, this book is also beautified by its visual references to multiple art works and narrative flourishes that extend from those classical images. Consequently, this book is a sumptuous reading experience that is rewarding in numerous ways. It also invites re-reading to drink in all of the various details and references. 

A Cat Story is the debut graphic novel by Ursula Murray Husted. She has since made a second, Botticelli's Apprentice, which is a historical fiction.

The reviews I have read of this book have all been positive. Kirkus Reviews concluded that it "works equally well as simple animal tale, metaphysical journey, or reimagining of classic artworks." Betsy Bird called it "gorgeously wrought and tenderly rendered" and added that it "feels like a labor of love that will snuggle itself deep into the hearts and minds of kids everywhere."

A Cat Story was published by Quill Tree Books, and they offer a preview and more information here. 

Science Comics: Cats: Nature and Nurture

 

Three cats live in my house, and I learned so much about them and their distant cousins by reading this volume of Science Comics, Cats. It was written and drawn by Andy Hirsch, who has also created a bunch of other entries in the Science Comics series, including  Dogs, Rocks and Minerals, and Trees as well as The American Bison, which he made for History Comics. He also just published Good Boy, a fictional graphic novel about a boy who adopts a rescue dog.

But back to the subject of Cats, it's one got all of the hallmarks of graphic novels I've seen from Hirsch: a fun narrator, lots of facts that are not overwhelming, and very attractive and engaging artwork. The story begins with an interview with an internet-famous calico cat named Bean, who explains their journey from stray to pet that spins into a wide-ranging exploration of cats, including those from the distant past. 

This platform launches into a grand survey that is jam-packed with information about a wide range of felines, from house cats to tigers to ocelots to kodkods. I learned about why cats pace, hunt, and pounce; how they see in the dark; why they eat what they eat, and how the various specialized parts of their bodies work. It's even got a short section about reproduction and DNA and how they propagate specific traits. What's best about this book is that is a great read for anyone who is interested in cats, from younger readers to adults. It's presented in a very readable, engaging way that spans a wide range of audiences.

All of the reviews I have read of this book have been glowing. Lori Henderson called it "another great entry in the Science Comics series" and added, "If you think you know everything about cats, this book will make you think again." Johanna Draper Carlson wrote, "Hirsch’s art style is well-suited to animals, giving them plenty of personality in a cartoony way." Sam Wildman added that Hirsch "does a fantastic job of mixing hard science with a fun story (and adorable narrator) to keep readers invested."

Cats: Nature and Nurture was published by First Second, and they offer a preview and much more here.

Are You Listening?

Are You Listening? is a beautiful book about dealing with pain and trauma. At the center is a road trip. 27-year-old Lou is driving across Texas about a year after her mother's death, going to visit her grandmother. On the way she picks up 18-year-old Bea, who is running away from her family. Their trip is mostly silent, punctuated by an occasional question or comment, when they find and pick up a cat. They resolve to return it to its owner, even though the town on the tag is difficult to locate (i.e. so small it's not on any map). Soon enough, they find out this is no ordinary cat. Also, there are dark, mysterious men who want that cat.

What my summary leaves out is what the book is really about, which is coming to terms with oneself and one's life. Lou has not dealt with the grief of her mother's death, which (/SPOILER) is compounded by her not coming out to her when she had the chance (end/SPOILER). Bea is running away because of some prolonged trauma, which she does not want to talk about, and it becomes pretty clear to Lu that she is also a lesbian. Eventually, the fact that these two women spend so much time in a car (and on various accompanying misadventures) they start to reveal what they've kept bottled up to each other. I have to say that much of what they discuss could be triggering, as it touches on deeply personal trauma, but it is conveyed in thoughtful, delicate, and artful manner.

The artwork in this story is one the main reasons this whole endeavor works as well as it does. There is a lot of pain in these pages, and there is also a lot of driving. The faces and backgrounds blend together in visually interesting ways that both propel the story as well as the characters' emotional journeys. The sequential art blend into map features at time, and the book takes on the characterization of a true road story. It is definitely a book more about tone, even if it does feature a riveting and spare plot. I have not read many stories like this one, and it left me with all kinds of feels with the ending.

This book's creator Tillie Walden is one of my favorite comics creators. Even though she is a relative newcomer, she has already racked up a few huge accolades, including the 2018 Eisner Award for Best Reality-Based Work for her graphic memoir Spinning (also one of my favorite books of the year). Her second major graphic novel On a Sunbeam was nominated for a 2017 Eisner in the category of Digital Comic (even though it is technically a webcomic). I had the distinct privilege of speaking to her about On a Sunbeam in this interview on the Comics Alternative Podcast.

The reviews I have read of this book laud it for its complexity and artwork. Oliver Sava praised "Walden’s distinct perspective," particular in its way of "blending dreamy visuals with hard-hitting stories about the challenges of growing up." Hillary Brown called it "a good midpoint between Walden’s previous two books. It’s not as abstruse as On a Sunbeam, not as simple as Spinning." Kirkus Reviews summed it up, "A tsunami of emotions—sharp and heavy."


Are You Listening? was published by First Second, and they offer a preview and much more here. I think this book definitely would appeal to a YA audience, though it does feature some heavy traumatic content that may affect less mature readers.

Cat Person

Cat Person is a fun and funny book, full of keen observational humor and not as many cat-centric comics as you'd think. I laughed at quite a few of the gags, but more often I sort of blushed/cringed with recognition at having had gone through similar situations.

The book is divided into a few thematic sections. The first is about Seo and her cat Jimmy, the second and third are about Seo's life, mundane routines, struggles with food, and creative struggles/triumphs. The fourth section focuses on aspects of her relationship with Eddie, which is partly long distance, and the fifth is a grab-bag of assorted gags.

If you have read many comics, you can see that the topics tackled here are not really novel, but this book does handle them in an enjoyable and fresh manner. What makes the whole thing work are two things: the expressive and vibrant depictions of the characters and the economy of storytelling that distills particular experiences and sets up the punchlines. Reading this book made me feel as an adult reader like I did when I was a little kid reading a Garfield book, being engrossed by moments of pure joy and hilarity. And I mean that in the most sincere way.

Cat Person was written and drawn by Seo Kim. She is a storyboard artist for the cartoon Adventure Time, and as far as I can tell this book is her only published work in comics to date.

All of the reviews I have read about this book have been positive. Publishers Weekly called it "a winner. Even the cat jokes are not tired—a difficult feat in a world saturated with feline cartoon books and webcomics." Amy Ratcliffe wrote that it "has its own charming flavor. And, since it is in the style of a journal, you can drop in and out of the book as you please." Whit Taylor called it "a delightful, entertaining read about the little moments in life. Kim’s adeptness at picking up situational nuances, tied with her simple yet whimsical line, hints at an artist who is able to use the inherent ridiculousness of everyday life to her advantage."

Cat Person was published by Koyama Press, and they have a preview and more info about it here. The book has some occasional profanity, so it is recommended for folks who are OK with that.

Monstress, Volume 1: Awakening

Monstress is a book that has appeared on many Best of 2016 lists, and I liked but did not love it. The main story follows Maika Halfwolf, an Arcanic (a magical creature that can look human), as she tries to avenge her mother's death. In the opening pages, she infiltrates a household of the Cumea, an order of sorceresses that treat the Arcanics like animals, experiment on them, and sometimes even consume them.

On Maika's side, she knows that there is something powerful and ravenous inside her, although she has to learn what it is and how (if?) she can control it. Her plan might not be the most solid one, but she soon finds herself embroiled in a world of revelations, double-crossings, cruelty, and surprising alliances. Also, she learns about the five races of beings in the world, one of which is cats. Smart cats that can talk and have multiple tails, how cool is that? They were among my favorite characters in the book.

If all of the above sounds like a lot to digest, that's because it is. My big issue with the book is that much information and exposition bogs down some of the proceedings. Still, this book is gorgeously illustrated, as you can see in the preview above, in a style that combines elements of manga with more western comic books. Its lush images are imaginative, interesting, and aptly frightening. I feel that this fantasy world is an interesting take on typical monster/magic books. It's a good allegory for several civil rights issues as well as compelling locale populated with complex characters.

Monstress is the creation of writer Marjorie Liu and artist Sana Takeda. Liu has published best-selling novels such as the Dirk & Steele and Hunter's Kiss series as well as several comic book series about Wolverine, X-23, and the X-Men. Takeda's credits include work on Marvel's X-23 and Ms. Marvel. Liu speaks about her work on Monstress in this interview, and Takeda speaks about her evolving art style in this series in this interview.

All of the reviews I have read about this book have praised the artwork, but some have been more critical about the narrative. Jeff Lake called it "confident and complex, bolstered by a compelling narrative and wondrous visuals." Publishers Weekly summed up, "The labyrinthine drawings enchant, but the convoluted storytelling and extreme violence may drive away more casual readers." The reviewer at Comic Bastards liked the book overall but voiced "that in trying so hard to establish this vast, fantasy world for the reader, there is a tendency for heavy exposition and extensive historical dialogue that can be a bit of a drain at times."

Monstress, Volume 1 was published by Image Comics and they have much more information about this book and the series here. The series also has an official page here, if you are interested in checking out previews, art, and news about it.

Angel Catbird Volume 1

The first volume of a trilogy, Angel Catbird is a superhero comic by way of The Island of Doctor Moreau. It is a compelling, if a little strange, narrative in that it is peppered with service announcements for Nature Canada, a charity which here targets the well-being of cats and birds.

 

Otherwise, the story reads like a classic superhero yarn from the Golden Age of comics, with an evil scientist and a couple of work colleagues who seem attracted to each other. The artwork is certainly indicative of a superhero story, with bold colors and strong action and costume design. Where the story veers into a different direction is that there are all kinds of animal characteristics at play, so territorial posturing and other biological considerations loom large.

Also, matters quickly dive into a fantastic realm of cat-people, bird-people, and rat-people. Entire hybrid societies are exposed and explored, and there are many fun features in seeing how they live, party, and function. I have to say that I found the whole thing peculiar in a good way, and I may just have to check out what happens in the next two volumes.

One of the most remarkable things about this book is that it was written by Margaret Atwood, a well-respected and awarded author/poet known for the novels The Handmaid's Tale and The Blind Assassin. She includes an interesting essay at the beginning of this book that detail her unlikely decision to get into making comics. The artwork is by Johnnie Christmas and coloring by Tamra Bonvillain. Christmas has worked on a number of comics series, including Firebug (appearing in  Island) and Sheltered. Bonvillain works on many comics series such as Rat Queens, Wayward, and Moon Girl and Devil Dinosaur. Atwood speaks more about her ideas about this book in this interview, and Christmas talks about their collaboration here.

All of the reviews I have read have praised this quirky, strange, and fun book. Etelka Lehoczky wrote that Atwood was "so busy exploring the possibilities of her interspecies world, she neglects to have her hero fight crime. But that's no shortcoming; actually, it may be the smartest way to deal with her themes." Oliver Sava remarked on the beautiful art and coloring and added that the "moments of humor are when Angel Catbird most strongly distinguishes itself from other superhero stories." Scott Stewart summed up simply, "I absolutely loved this book, and can’t wait for volume two to arrive in February 2017."

Angel Catbird was published by Dark Horse, and they have a preview and more available here.