Sunday, October 25, 2020
Tuesday, October 20, 2020
A million years ago when I was a wee ankle-biter in a comic shop, I remember Vic Bertini, the owner of Iron Vic Comics ("He rules Poughkeepsie with an iron fist!"), saying about Neil Gaiman's Sandman series that it was the only book that brought "Vassar girls" into his shop. From what I've read, the series whose first five issues are collected here, Something is Killing the Children, has similar drawing power for non-typical comics shop goers. After reading this trade paperback, I can see why. It's got an intriguing premise, compelling characters, and scenes that are genuinely horrific.
The setting for the story is the small town of Archer's Peak, where, as of the start of the book, at least 15 children have either been killed or gone missing. And by killed, I mean butchered, chopped up, and left in pieces. The entire town has been traumatized and is desperately searching for answers. One boy, James, who somehow survived a monster attack contacted a woman named Erica Slaughter. She has monster-killing expertise and a mysterious backstory. Not to mention that she carries around a stuffed octopus toy that she has regular conversations with. Her methods are unorthodox, to say the least, and I found her absolutely compelling.
|Erica knows how to make an entrance...|
The artwork is appropriately spooky, with horrific monsters and lots of great storytelling that helps build suspense. This book does not show all the gory details, but it shows enough to get the reader to fill in the gaps in ways that elevate the horror. Plus, there are some very cool visual designs, particularly Erica's "work gear," complete with its creepy mask and power tools.
I have to admit I am not typically fan of horror comics, but this series is utterly compelling. I put it in the pantheon of superb, frightening, and unsettling horror comics with Southern Cross and Wytches. This volume collects the first five issues of the series, which was originally meant to be a limited series but has since been made ongoing.
This series is a collaboration between writer James Tynion IV, artist Werther Dell'Edera, and colorist Miquel Muerto. Tynion IV is known for his GLAAD Media Award winning series The Woods as well as writing a large number of Batman-related titles for DC Comics. Dell'Edera has drawn a number of titles for DC's Vertigo imprint. Muerto is a colorist with many credits for companies such as Boom! Studios, Vault, DC, and IDW. Tynion IV and editor Eric Harburn speak about the series in this interview.
All of the reviews I have read of this book have been positive. Jenny Robins wrote, "While there’s nothing earth-shatteringly original in the story, there are more than enough strands of intrigue to keep you turning the pages, from the mysterious Slaughter family Erica belongs to, the efforts of the local police, and of the relatives of the missing kids and their already layered stories." Justin Monday wrote, "The unique plot, excellent character writing, and nailbiting presentation are sure to excite, intrigue, and scare the hell out of you." Gregory Paul Silber opined that the series's "slow start may discourage some readers, but its first volume has loads of promise for patient ones."
Thursday, October 15, 2020
Lon Chaney was notoriously private during his life, once even stating, "Between pictures, there is no Lon Chaney." This book, Lon Chaney Speaks, takes a shot in filling in some of the gaps about his private life, but as is written in the author's note that opens the book, it is more of a "imagined biography."
For those who don't know, Lon Chaney was an actor who began working in vaudeville, transitioned to silent movies, and finally made his speaking debut in a movie just before he died. He is renowned as "the man of 1,000 faces" for his pioneering make-up and special effects work. He was famous for portraying monsters and other gruesome creatures in his films, most notably The Hunchback of Notre Dame and The Phantom of the Opera. This book recreates movie posters for most of his films and also provides adaptations for his more famous roles. It also portrays events from his private life, including a rocky first marriage, an uneasy relationship with his son Creighton (later known as Lon Chaney, Jr.), and a happier second marriage. It also shows behind the scenes glimpses of how he slowly built his career into one of the most notable in Hollywood history.
This book is a clear labor of love that is very well researched and referenced. I adore the scenes and adaptations of the films, and the personal moments are all well staged as executed in terms of portraying strong characters and memorable events.The bold storytelling is reminiscent of the art style often employed by illustrators of the day (especially Syd Hoff), which adds to the historical tone of the story. A variety of colors are used, though each vignette is rendered mono-chromatically, which helps with shifts in time and space as well as indicates what is "real life" and what are movie scenes. I am a big fan of comics, old Hollywood movies, and monsters, so this book is right up my alley. It's gorgeous and informative, a must have for any monster or movie fans who are into comics.
This book's creator Pat Dorian is a filmmaker and cartoonist who has worked on high-profile projects for AMC and Adult Swim. He also teaches animation at the Pratt Institute. This book is his graphic novel debut, though he began the project as two mini-comics titled "Lon Chaney Talks."
All of the reviews I have read of this book have been full of praise. In a starred review, Kirkus called it a "dazzling debut" that "captures the voice and soul of Lon Chaney." Publishers Weekly called it a "spirited homage." Steven Thompson wrote, "It capsulizes his life just enough. He’s depicted as a less than perfect man, getting along as well as he can in a less than perfect world."
Saturday, October 10, 2020
There is a burden on trilogy finales to tie up all the loose ends in satisfying, and increasingly novel, ways. In this sense I think that Rise Up is a successful capper to the Last Pick series. It is a gratifying conclusion to an action narrative but also goes beyond into more nuanced territory. I don't want to spoil too much about it, but I will say that it is thrilling and full of "heck yeah!" moments where the alien invaders get what's coming to them. There are also a number of family reunions, including twins Sam and Wyatt (which may be a spoiler, but it's on the COVER), though they are tempered with sadness and loss. Along the way, there are also some quiet moments, bursts of humor, and great character work. One thing this book excels at is depicting characters in diverse, individualized ways that make them memorable.
What really drew me to this series was the sheer amount of gruesome aliens throughout the book. They are drawn in a way that is very playful and filled with delight, as ugly as they are. But behind this monstrous facade is an important look at how assumptions can turn into prejudices. Many of these creatures have been manipulated, and as you can see from the preview, some even fall in with the rebellion.
As an added bonus, in this book there are lots of mech-suits used to battle the aliens. Mech-suits are cool.
I love how all the Last Pick books explore how being disabled is not the same thing as being useless. The ruling aliens have dismissed entire swaths of the human population for being too old or somehow otherwise defective for physical or mental conditions. However, Wyatt and his crew prove them wrong. They are scrappy, crafty, and quite effective at what they do, on a universal scale. It's rare to find a book that balances having a message with also being exciting, but this one pulls off that trick.
The reviews I have read of this book have been positive. T Drecker wrote, "There's a wonderful sense of family and friendship, which gives the tale
heart. While this is sold as a novel for young adults, I can easily see
older middle graders enjoying it quite a bit as well." Kirkus Reviews gave it a starred review that summed up, "An affecting and unforgettable SF series with heart." As of this post, it currently has a 4.30 (out of 5) star rating on Goodreads.
A review copy was provided by the author.