This Place Kills Me

I recently borrowed this book from my local library. Libraries RULE!

This Place Kills Me is a murder mystery set at an all-girl private school in the 1980s. The main character is Abby, the new girl there who does not really fit it. She carries the baggage of being expelled from her last school for shady, possibly drug-related reasons. Also, she is a lesbian and catches a lot of flak from other students, which also affects her roommate Claire.

When a student commits suicide after a production of Romeo and Juliet, the two roommates begrudgingly join forces to investigate a few irregularities and find out a strange pattern that may explain what actually happened. The mystery is truly gripping, and part of the fun is figuring out whodunit.

This book has multiple strengths, chief among them the splendid and atmospheric artwork as well as strong characterizations. Abby's feelings of isolation really come through in the visuals, as well as the ornate decor of the school and many of its fancy students. I loved how the characters interact and how they did not end up making nice over the course of the narrative even as they collaborated. In many ways, this book seems like the "beginning of a beautiful friendship," with a pair of unlikely partners solving crime. And I would love to see more adventures featuring these characters.

This Place Kills Me was written by Mariko Tamaki and drawn by Nicole Goux. Tamaki is a prolific writer who has won a ton of awards, including multiple Eisners, being a finalist for the Printz Award (twice!), and a Caldecott Honor. She is known for the graphic novels This One Summer, Laura Dean Keeps Breaking Up With Me, and a few prior entries in DC Comics' YA graphic novel line, including I Am Not Starfire. Goux has several graphic novels to her credit, including Punk'n Heads, Pet Peeves, and Forest Hills Bootleg Society. Tamaki speaks about This Place Kills Me in this interview.

Nominated for an Eisner Award, this book has received much praise. In their starred entry, Kirkus Reviews concluded it was "truly exceptional; a standout." Sean Dillon called it "a thrilling story highly worth recommending." In an another starred review in the School Library Journal, Angie Jameson wrote, "Stunning illustrations coupled with a thrilling plot make this a standout title that belongs in all YA graphic novel sections."

This Place Kills Me was published by Abrams Fanfare, and they offer more information about it here. 

Very Bad at Math

First off, this book is another I checked out from my local library. Local libraries rule! Very Bad at Math is about Verity "Very" Nelson, who is a real go-getter. She is a three-term class president, excellent English and social studies student, top debater, first-chair clarinetist, and can do more push-ups than anyone in gym class. 

See?

On the surface, it looks like there is nothing she can't do, but secretly she is failing math. She is ashamed of it and hides this fact from everyone, including her friends and parents. When she learns that failing a class would disqualify her from student government, she is offered the chance to participate in a "math pod" with a doctoral student who is working at the school where eventually she learns that she has dyscalculia.

Before this revelation, however, all of the secrecy does some damage. Her miscalculations seem to ruin a fundraiser for a class trip that was her main campaign promise. Even worse, her friends do not know what is going on with her and jump to some conclusions that she is being aloof, snobby, and/or uncaring. It also does not help that a middle school podcaster is snooping, secretly recording her, and creating misinformation. In the end, I found this a very compelling and realistic book in how it dealt with the current realities with social media, friendships, and learning disabilities. Also, the characters are also well defined and interesting. I like how they are drawn, how they interact, and how surprising some turn out to be.

This book's author, multiple Eisner Award winner Hope Larson is very good at comics. She practically invented YA graphic novels with her book Chiggers, adapted the graphic novel version of A Wrinkle in Time, wrote the Four Points series and Salt Magic drawn by Rebecca Mock, and created a trilogy of books starting with All Summer Long. She speaks about her work on Very Bad at Math in this interview.

All of the reviews I have read of this book have been positive. In a starred review from School Library Journal, Amy Ribakove wrote, "With captivating characters and a thoughtful exploration of dyscalculia, this book is a wonderful addition to any library." Kirkus Reviews summed it up as "a buoyant misadventure with some lessons along the way." Crystal Wilder concluded, "This graphic novel does a beautiful job of portraying the anxieties that may surround learning disabilities and the many ways family, friends, and learning professionals can be supportive."

Very Bad at Math was published by HarperAlley, and they have a preview and more available here. 

Hockey Girl Loves Drama Boy

Hockey/romance books seem to be all the rage right now, and I just borrowed this one, published a couple of years ago, from my local library. Have I mentioned before that libraries rule!? I have not read a book by Faith Erin Hicks in a while, and with Hockey Girl Loves Drama Boy she is hitting on all cylinders. This books has strong, fully realized characters, interesting personal dynamics and relationships, and a plot that left me wanting more. 

It is about Alix, a star hockey player on a team where her teammate and captain Lindsay constantly berates her in the locker room and on the ice. 

One day she snaps and attacks Lindsay, which shocks everyone and herself. In order to help herself and also convince her coach to approve her invitation to the Canada National Women’s U18 Team’s summer camp, she decides to ask Ezra for help managing her anger. Ezra is a drama kid who presents as gay and deals with a lot of antagonism from a couple of bullies because of that. Alix admires how Ezra can diffuse the hostility directed against him and redirect it through cleverness and humor. The two strike up a friendship and get to know each other. It turns out that Ezra is more gender fluid than gay, and they end up in a relationship.

The artwork and how it conveys emotional scenes and facial expressions is one big reason this book works so well. The characters come to life in their reactions and in actions, but the hockey and drama scenes work just as well as the interpersonal ones. Hicks is magical with her line-work, an alchemist who makes the flat images breathe and emote. 

I also loved how this book contained so many nuanced, complex, and realistic relations. Alix and Ezra's relationship is a focal point of the book, but there are also a few forays into their family lives, including how they deal with their parents and their own relationship issues. None of the love stories here are idealistic or perfect, but they all feel real. In addition, Alix and Ezra have to navigate how some of their friends take these new developments, and they find out about some other unresolved feelings related to bullying from the past. Ironically, it does not look so much in depth at the hockey team dynamics, other than to point out that no on in that locker room ever had Alix's back. The way the book ends is very open-ended, and I hope that it gets a sequel because I would love to spend more time with these characters. They were very easy to fall in love with.

As I mentioned above, this book was written and drawn by Eisner Award winning artist Faith Erin Hicks. She has created some of my favorite books over the past decades, including The Nameless City trilogy, The Adventures of Superhero Girl, Pumpkinheads, and Friends with Boys. She talks about her work on this book as well as her own hockey skills in this interview.

All of the reviews I have read of this book have been positive. Kirkus Reviews wrote that "the ending feels a bit abrupt, but readers will forgive that thanks to the overall incredible storytelling and character building." Ian Keogh concluded, "The general path is predictable, but handled with such delicacy and sympathy that Alix and Ezra carry readers through with the smoothness of skates on ice." Amanda Melilli called it "a feel good romance that doesn’t shy away from the painful side of life."

Hockey Girl Loves Drama Boy was published by First Second, and they offer a preview and more here.

Hoops

I loved reading Hoops, a fictional account of the first Indiana high school girl's basketball tournament in 1976. The books follows the Wilkins Regional High School girls’ basketball team through their bumpy inaugural season. The boy's Bears team is a perennial state power that gets lots of accolades and attention, but the start-up girl's squad suffers in comparison. Those players have to practice in the elementary school gym, deal with tension from peers who think they should stick to cheerleading, and struggle to find funds for basic things they need to run the team, like uniforms, equipment, and buses.

I will try not to spoil much, but they have trials and successes, and luckily they find someone who helps them not only advocate for the team but also find ways to pay for uniforms, travel, and everything they need to compete. This is historical fiction, but it is based firmly on real events, and it is a great way to revisit the recent past and see how it differs from our current realities, and why things are more equitable after Title IX was more fully realized. 

However, this book is not a dry history lesson. It is full of great character moments as well, and it's easy to root for the upstart team, mostly seen through the eyes of Judi. The game and action sequences are exciting and vivid, and the artwork is very clear and inviting. Fans of history, sports, and sports stories will find much to entertain them here.

Hoops is the debut graphic novel by Matt Tavares. He is a long-time children books' writer and illustrator, with more than 20 titles to his name. He speaks about his work on his graphic novel in this interview.

All of the reviews I have read about this book have been positive. Kirkus Reviews summed it up as "a winning tale, all the more exhilarating for its links to history." Beth Kanell called it "a page-turner where determination and hope fill every page." Ofama Umesi opined that it is "delightful and informative on a historical level."

Hoops was published by Candlewick Press, and they offer a preview and more information here. 

Huda F Cares?

I try to vary where and how I get graphic novels to read, and I was pleasantly surprised to find another book by Huda Fahmy in a little free library in my neighborhood. It's the follow-up to Huda F Are You?, which I finally read earlier this year, and it may be even more excellent. It continues the fictionalized memoir, following Huda into the summer after her freshman year of high school as she and her family embark on a road trip to Disney World for a family vacation.

I can say without hyperbole, I LOVED THIS BOOK. It is hilarious and human, a great look at family life as well as the dynamics of planning a trip and then traveling with siblings. They bicker during the long car ride. They have to split up in pairs and keep a strict timetable, otherwise they are grounded and have to spend all their time with their parents. Some help keep secrets, while others are complete tattletales. I found so much to relate to, cringe over, and laugh about, both recalling my own childhood travels and more recent happenings as a parent traveling with three children. 

Along the way, Huda learns a bunch about herself and her relationships with her sisters in organic ways. She sometimes tries to hide her Muslim prayer rituals, gets embarrassed by family picnics when her parents are trying to economize, makes a friend, tries to boss around her younger siblings, and has to deal with rude strangers as well as handsy jerks. She suffers many different consequences for her actions, the biggest one being detained by security for sticking up for herself, and the stakes for that offense make for some compelling reading. But really what bears emphasizing is that with all of this introspection, learning, and drama, the whole book is frequently HILARIOUS. I dare anyone to read it and not at least crack a smile or chuckle.

A National Book Award Finalist, this book has been very well reviewed. Islamic School Librarian wrote that "the entire book reads like time spent with friends who can keep you laughing, comfort you when needed, and who are willing to share their very real relatable world with you." Andy Oliver commented that "Fahmy’s great skill as a storyteller is to combine very funny character pieces with those more touching observations about contemporary perceptions of Islam." Kirkus Reviews summed up, "Delightfully heartwarming."

Huda F Cares? was published by Dial Books, and they provide more information about it here. 

Grommets

Grommets is a series I read via the Global Comix app on my phone, and it is an engaging and moving coming-of-age story. It was definitely a blast from the past for me, taking me back to the 1980s, skateboarding, and punk rock. Although I only really dipped my toe into the world of skateboarding, because my sense of balance was lacking, I was a big fan of the music in this book and had not a few friends who resembled characters in Grommets. The two main characters, Rick and Brian, live in Sacramento, California in 1984 and are loners who find common bonds in skating and music. Together, they navigate a great number of things, including being latchkey kids, dealing with disappointed parents, dating, getting hassled by jocks, dodging security guards, having illegal parties, and finding places to hang out.

As a person who lived through this era, I felt that the creators got so much of the feel and tone of the time period correct. It does not just throw out token references for the sake of nostalgia but weaves all the technologies, musicians, and politics of the 1980s into an organic whole. The artwork in particular is very well researched and portrays a very 1980s world, full of denim, run-down buildings, skate ramps, convenient stores, and other locales. It meshes realism with a cartoon style, a sort of hybrid of classic MAD artists Mort Drucker or Jack Davis and Tank Girl co-creater Jamie Hewlett. It works very well at capturing characters' emotional states as well as bringing energy and dynamism to the action sequences, especially with the vibrant coloring. 

The artwork well suits the funny, honest, and often brutal aspects of the plot, which does not sugar coat any of the rough stuff that come with being a social outlier, physical and emotional violence from peers, and fallout from family who might not see things the same way you do. I read the book as a series, and the wait for the final issue was a struggle because of the cliffhanger, I am not going to lie. It was a very gripping and emotional read for me, with very strong character work, and I found myself very concerned for Rick and Brian's well being. 

Grommets was created by writers Brian Posehn and Rick Remender, artist Brett Parson, and colorist Moreno Dinisio. Posehn is a stand-up comedian and actor who also has a bunch of writer credits for the Marvel character Deadpool. Remender is a comic book writer and television producer known for his work at Marvel as well as his original series Fear Agent, Black Science, and Deadly Class. Parson has drawn a number of Tank Girl comics as well as worked for a number of publishers. Dinisio is an artist and colorist for a wide range of comic books. 

I have read a number of online reviews about this series, and they were all celebratory. Javier Reyes called it "a love letter to 80s skater culture and punk rock." Publishers Weekly wrote, "This sweet and raunchy slice of life spikes its 1980s California skate-punk nostalgia with brutal face-plants, hard-won lessons, and bursts of violence."

Grommets was published by Image Comics, and they offer a preview and more information about it here. I recommend this book for readers mature enough to handle the drinking, language, and mature situations that these kids deal with. The first issue/chapter is available to read for free here. 

Holler

Continuing with my haul of comics from HeroesCon, today I am sharing Holler by Jeremy Massie. One of the best parts of going to Charlotte is seeing friends and getting to talk, even if it is while they are manning their booths and selling their wares. I always make a point to check in with pals Henry Eudy and Eraklis Petmezas, who are typically tabled next to each other, and this year they were joined by Massie. I was very eager to get Holler, as I had gotten the first few issues that were published by It's Alive but had not had the chance to finish the series. Lucky for me, Jeremy had this book for sale, and I loved reading it.

It's a pretty specific book, but I am the target audience in a few ways, because of my age and musical tastes. And I should note that it's not quite autobiography, but it is based on some real events and people. It's set in the 1990s in a small, rural town in Appalachian Virginia. Its narrator and main character is Mark, a high school student who does not really excel at academics, but he is a talented enough artist and musician. He plays guitar and joins his friends in a band called Magnesium Mama that plays grunge rock covers and some original songs. This scene puts him at odds with his family in some ways, as well as with the religious figures that factor heavily in his life. 

It also puts him in a clique that is at odds with the local "rednecks" (as he calls them), which leads to conflicts, both verbal and physical. Over the course of the book, Mark deals with a lot of different situations. He gets his first girlfriend, then experiences his first break-up. He experiments with drugs. He plays a lot of gigs and gets involved in a few different battles of the bands. He switches churches, sort of dates the preacher's daughter, and has to navigate the complicated ways his parents and he practice religion. 

The stories here are all told in episodes, and I found them highly compelling and poignant. The artwork is well paced, and is particularly excellent at capturing people's expressions and emotional reactions, which works very well as this book is very character driven. This book touches on a lot of issues that young people contend with as they get older and start trying to carve out spaces in the world, and it does so in a way that is sometimes humorous, occasionally cringe-inducing, and always relatable and human. Holler is one of the best coming-of-age graphic novels I have read, and I highly recommend it.

This book's creator Jeremy Massie has made all sorts of comics in various genres, including the superhero tales Amazing Age, horror stories Blood-Drenched Creature Double Feature, and the more realistic, solo-authored book All My Ghosts. He speaks about his work on Holler in this interview.

I was not able to locate many reviews of this book, which is a shame, because I feel it should be more widely known and read, because it is so good. Publishers Weekly concluded their review, "This bittersweet blast from the past will strike a chord with recovering high school outcasts."

Holler was published by Dark Horse, and they offer more information about it here. Because it features some drug use, sexual situations, profanity, and adolescent shenanigans, I recommend it for readers mature enough to deal with those matters. 

Huda F Are You?

I have been meaning to read this book for a while now, ever since I learned about it during a presentation at the Literacy Research Association this past December. Huda F Are You? is a fictionalized memoir about a young, Egyptian-American girl trying to figure things out. First, and foremost, is the titular question she is trying to answer, as she is struggling with a great many issues: keeping up her grades, being a hijab-wearing Muslim, making friends, and meeting her parents' expectations. The first one is easy for her, and being a top student is a key part of her identity. The second is tougher, as it makes her pretty visible and a target for discrimination from random white people and even teachers. The third is complicated because she feels like she does not really feel she is Muslim enough, because she is not as strong in Arabic as many of the other students in her school in Dearborn, Michigan. So she feels inferior to what she sees as "more perfect" Muslim kids, but she also feels alien to most other kids at her school.

Dealing with these three concerns cause Huda to spin off her axis, and her grades start to slip. So she makes some somewhat bold choices that lead her into more awkward situations. All of these behaviors lead to a confrontation with her mother that frames the narrative.

Not everything in this book resolves neatly, but she does find some peace and connections in her social and academic worlds. What impressed me most about this narrative was how relatable and  funny it is. It features lots of observational humor and also running jokes, like the multiple ways that people mispronounce her name, which I can relate to. This book has a lot of heart, and it shows it through its expressive artwork, intricate characters, and the delicate, deliberate pacing. I very much enjoyed this book, and now I need to read its two sequels.

This book's creator Huda Fahmy has written a number of comics for both adults and younger readers. Huda F Cares? and Huda F Wants to Know? are the two sequels to this book. Yes, I Am Hot in This and That Can Be Arranged are graphic novels that began as webcomics, and they are more geared toward adults. Fahmy speaks about her life and work in this interview.

All of the reviews I have read of this book sing its praises. Kirkus Reviews called it "hilarious, charming, and much needed." Richetta wrote, "This book is perfect for discussing identity on multiple levels." Amani Salahudeen opined, "I loved how Huda weaved in humor, touched on important topics within the Islamic community, and was unapologetically Muslim. This book is a must-read!"

Huda F Are You? was published by Dial Books, and they offer a preview and more information about it here. I recommend it for middle and high school readers.

Button Pusher

Button Pusher is a phenomenal graphic novel that manages to explore issues of ADHD in multiple ways, all the time still telling an emotionally engaging narrative. It is fictional though memoir-based, and the main character is Tyler, a young boy who is experiencing difficulties in school and gets diagnosed with ADHD. 

Uh, oh.

The reader gets a lot from his point of view about how he experiences the world and also how he does and does not fit in. What is more, we also learn a lot about his father and his own experiences with "hyperactivity" (what it was called in his day), and there is a bunch about how heredity affects things as well as how much this condition affects other family members as well.

The events of the book run a gamut of emotions, from confusion to humor to concern to anger and beyond. Also, what makes this book so strong is its inclusion of several passages that share information about ADHD from clinical and practical viewpoints, sometimes almost as infographics. 

Button Pusher features a comprehensive and human look at this sort of neurodiversity. As a parent who is dealing with at least one children who is diagnosed with ADHD, I appreciated so much about this book. It taught me about what I can expect, what I should do to deal with frustration, and also how to manage all our lives in better ways. If I gave out stars to rate books, this one would get them all.

This book was created by Tyler Page. His prior comics work includes the graphic novels Raised on Ritalin, which is more autobiographical, The Chicagoland Detective Agency series, and the direct sequel to Button Pusher, Extra Large, which was published very recently.

This book won the 2023 Excellence in Graphic Literature Award, and all of the reviews I have read of it have been positive. Kirkus Reviews summed up, "An engaging memoir of one boy’s experience of growing up with ADHD with a risky message around medication cessation." Jason Kelley wrote, "This book will destigmatize and foster understanding for both those navigating life with ADHD and their families."

Button Pusher was published by First Second, and they provide a preview and more information here.

Sunburn

The main character of Sunburn is Rachel, a 16-year-old British teen whose summer plans involve working at a butcher shop where she'll be elbow-deep in pig guts as well as the typical week-long family trip to a rainy cabin. Those plans get exploded when a mysterious invitation appears from the Warners, family friends who own an island house in Greece. They invite her to a summer of fun and sun, and she happily accepts.

Once there, she lives a comfortable life, with wonderful food, free new clothes, and scenic views. She also gets daily visits to the beach, afternoon naps, and dinner parties at different people's houses. The cherry on top of this sundae is that she also gets to spend time with Benjamin, a slightly older British boy, and the two flirt and get involved. 

Of course, nothing this awesome comes for free, and over the course of the book Rachel uncovers the details about why she is there. I very much enjoyed this book, as it made me nostalgic for my own vacations in Greece when I was younger, but it is also a compelling combination of a mystery and character study. Aside from the interesting plot, the artwork is also gorgeous, with a limited color pallette and plenty of landscape imagery that sets the atmosphere.

Sunburn was a collaboration between writer Andi Watson and artist Simon Gane. Watson is a cartoonist, writer, and illustrator who has created a number of books and graphic novels and who has been nominated for four Eisner Awards, two Harvey Awards, and an official selection of the Angoulême International Festival. Gane has drawn a number of comics series and books, including They're Not Like Us and Ghost Tree. Watson talks about making this book as well as some of his other projects in this interview.

All of the reviews I have read of this book have been positive. Darryll Robson wrote, "You will not find immediacy here, but the narrative is better for its slow, dreamy walk through the lives of its characters." Kirkus Reviews called it "a contemplative study of a girl battered and disillusioned by her first glimpses of adult complexities." Ramon Piña opined, "The art in the book is nothing short of spectacular."

Sunburn was published by Image Comics, and they offer more info about it here. 

Frizzy

Sometimes seemingly simple things are super complicated. Take hair, for instance. I don't think much about hair. I have long, straight hair now, and all I know about it was that long ago when I tried to get it feathered and wavy, it never responded. So, I just went with a short, pretty standard haircut for most of my life. That is certainly a position of privilege and convenience I have learned. Claribel, the star of Frizzy, does not enjoy such privilege. This young, Dominican girl has long, curly hair. It has flair and presence, and she learns from her mom that what she needs to do with it is tame that hair through regular visits to the salon. It constantly needs to be straightened and treated so that it is more manageable and she can fit in.

Bound up in all this thinking are all sorts of cultural assumptions of what people should look like, especially if they want to gain cultural capital and respect. Also, racial and ethnic identities come into play here, as some peoples' hair are seen as acceptable while others need work. Claribel and her mother clash over hair, and how it contributes to her being a "good girl," "presentable," and a maturing person. Claribel's Tia Ruby adds a different voice to this conversation, and over the course of the book all of the characters get the chance to interact, learn, emote, and engage in a debate over what people should look like and how it contributes to how they feel and what they can do in life. 

What I love about this book is how it engages in all sorts of complex issues without being didactic or prescriptive. The characters all feel real and relatable to me, and none of them present "straw man" arguments. They have their stances and feel justified in them, and they each have their strong points. Also, none of them is perfect, so the debate about what it takes to grow up as a realized person is palpable. Unless you are made of stone, this book will provoke your thoughts and move you.

This book is a collaboration between writer Claribel A. Ortega and artist Rose Bousamra, and Frizzy was the debut graphic novel from both. Ortega is a best-selling YA novelist whose books Ghost Squad and Witchlings have been very popular. Bousamra is currently working on her follow-up graphic novel, the self-authored Gutless. You can see both creators discuss this book in length in this video interview.

This book has won the 2023 Pura Belpré Award for Children's Text as well as the 2023 Eisner Award for Best Publication for Kids, and it has received many extremely positive reviews. In their starred entry, Kirkus Reviews summed it up, "An exquisite excavation of hair politics, family dynamics, and self-love." In another starred review, Publishers Weekly wrote, "Ortega expertly examines themes of colorism, generational trauma, and toxic beauty standards via authentic, heartstring-tugging dialogue and Marlene’s pitch-perfect narration." Esther Keller concluded, "This is a wonderful addition to the middle-grade repertoire of coming-of-age graphic novels. It will give young girls a great sense of self and help them be happy with the features they were born with."

Frizzy was published by First Second, and they offer a preview and more here.

Tales of a Seventh-Grade Lizard Boy

 

I caught a lot of teasing about my name throughout my schooling, and I cannot imagine what it would have been if I had been called Booger Lizk’t. On top of that name, Booger is a lizard person from Elberon, an underground civilization that faced a natural disaster that drove his family to the surface. So he would stand out pretty starkly in a typical US middle school. Luckily for him, his people can shape their skin pretty much as they please, which makes it possible for them to pass as human. However, Booger also has to fit in socially, which is why he goes by the name of Tommy Tomkins while in Eagle Valley. But he is still having a very difficult time, especially when so many of his classmates watch a popular TV show about villainous alien lizard invaders who want to invade Earth (sort of like V).

From the informative back matter of the book, I learned that many of these feelings and situations are based on the author's Vietnamese heritage, and much of the book reflects commonplace immigrant experiences. This aspect gets highlighted by Tommy's friendship with Dung Tran, a Vietnamese immigrant and kindred spirit. The two gravitate toward each other and take solace in each other's company. Like Dung, Tommy has to figure out how to find friends, speak the language, eat strange food, deal with bullies, and navigate academics on top of passing as a human being, so they are both under a lot of pressure and stress. 

What I liked about this book was how human and organic it was. The plot takes all sorts of twists and turns, and this is not a simple tale of a kid learning to fit in or find his people. Tommy is not perfect, and he makes mistakes, pulls some ill-advised pranks, and hurts some of the feelings of his few friends. I found a lot to relate to as well as laugh and marvel at.

This book was created by Jonathan Hill, who also wrote and drew a fantastic apocalyptic graphic novel Odessa. He also drew Americus, a book I reviewed some years ago. He speaks about his work on Tales of the Seventh-Grade Lizard Boy in this interview.

The reviews I have read about this book have been positive. Kirkus Reviews summed it up as "engaging and thought-provoking." Publishers Weekly wrote, "Employing a bright and energetic palette, uncomplicated paneling, and a cast comprising varying skin tones and body types, Hill keenly portrays the effects this othering has on Tommy and Dung, and how connection, mutual support, and earnest understanding can bridge even significant differences." April Spisak opined, "Vivid colors, wry humor, and playful ignoring of traditional panel structure lighten the heaviest moments, firmly focusing this story on working toward better things."

Tales of a Seventh-Grade Lizard Boy was published by Walker Books US, and they offer a preview and more info about it here.

Swim Team

Swim Team focuses on Bree, an African-American middle school student who recently moved to Florida from New York with her father. 

She is anxious about starting life in a new place and in a new school, and she really does not want to do anything that involves swimming. However, she ends up having to face her fears and learn to swim because it is literally the only elective that fits her schedule. It turns out, she's got of lot of potential and even makes her swim team, the Mighty Manatees.

The middle school she attends is under-funded and in danger of losing its swimming facilities, but the community values competitive swimming highly, which opens a year-long competition with the dominant private school in order to save their pool and program. Not just a typical underdog story, though it does have many of the positive components of the genre, this book also touches on friendship, family relationships, as well as the history of race and class relations in the community. It is a multi-faceted, complex story that I found both moving and touching. It also features a lot of heart and a good sense of humor. This is a superlative graphic novel for middle school students.

This book is the creation of Johnnie Christmas, who has created a number of other graphic novels for both adults as well as younger readers, including Firebug and the Angel Catbird series. He spoke about his work on Swim Team in this interview.

A Coretta Scott King Honor Title and a National Book Award Finalist, Swim Team has received many glowing reviews. In their starred review Kirkus Reviews called it "deeply smart and inspiring story." In another starred review Publishers Weekly wrote, "Challenging the idea that 'Black people aren’t good at swimming,' this middle grade debut from Christmas (the Angel Catbird series, for adults) details segregation’s generational impact through a warmhearted story of community, Black diasporic identity, and learning, all portrayed in kinetic contemporary art." Esther Keller opined, "The bright artwork with vivid sunny colors and fine details in each panel, brings the story to life."

Swim Team was published by Harper Alley, and they offer a preview and more here.

Piece By Piece: The Story of Nisrin's Hijab

Piece By Piece: The Story of Nisrin's Hijab is a complex, harrowing, and compelling graphic novel that tackles some difficult subject matter, namely prejudice and violence directed toward Muslims in the United States. This book is set in 2002 in Portland, Oregon, and it stars Nisrin, a young woman who embraces Islam and traditional garb, despite her parents' views. They still recall the violence in Bangladesh becoming independent from Pakistan in 1971, and their scars color their views differently.

Her wearing a head scarf marks Nisrin as an outsider in school and her community, and one day she and an African-American friend find themselves targeted by a crazed individual spewing anti-Muslim hate. Both girls are beaten badly, and face long recoveries. Nisrin in particular suffers from instances of PTSD, and she finds it difficult to deal with her new surroundings in high school, where she finds herself bullied by some students and shunned by some teachers. She finds it hard to make friends, though eventually she does hit it off with a girl named Veronica.

Reading this book is bracing, because it depicts serious subject matter in a frank manner. However, I appreciated the experience of reading it, because it is engrossing, and I feel that I learned much more about Bangladeshi culture and history. Also, the vivid painted imagery is powerful and atmospheric, drawing the reader into this work in direct and impactful fashion. Its imagery and narrative are both haunting and enlightening, showing the horrors that victims of hate crimes suffer as well as how some immigrants experience life in the US.

This book's creator Priya Huq is a Bangladeshi artist, and this is her debut graphic novel. She publishes work with Radiator Comics, and she speaks more about her life and how it affected the making of this book in this interview.

All the reviews I have read about this book have sung its praises. Kirkus Reviews concluded, "Remarkable storytelling presents a multilayered struggle around identity and power in an anti-Muslim climate." Amanda MacGregor wrote, "This is a very emotional and powerful read, with the assault and resulting trauma coloring much of the story." Mahasin A. Aleem called it "A solid addition to collections of all types and a welcome exploration of what it means to navigate the complexities of Muslim identity in the United States."

Piece By Piece: The Story of Nisrin's Hijab was published by Amulet Books, and they offer more information about it here.

The Fifth Quarter: Hard Court

The Fifth Quarter: Hard Court is one of those sequels that I feel is better than its predecessor, which is saying something because I very much enjoyed book 1. In this book, Lori finds herself facing some new situations. Now in sixth grade, she and her friends are getting older and some are developing new interests and spending more time apart. Her dad is going to go back to work for the first time since she was born, and her mom is going to coach her rec league basketball team. Plus, she and her friend Elyse are growing their skills at basketball camp. There, their coach calls them the "Dream Team," with Lori being more offense-minded and Elyse more a defensive specialist. They still predominantly play during the fifth quarter for their middle school team, but Elyse gets more chances to get into actual games. This situation causes Lori to have some hurt feelings and jealousy. 

What I think pushes this book beyond the first one is the way it shows the dynamics between various relationships in very detailed and realistic fashion, warts and all. Lori's parents have their arguments over money, work, and their parenting roles. Lori has issues with her friends, parents, and little siblings. Also, a good portion of the book involves flashbacks to Lori's mom's childhood, so we learn about her own highly competitive nature as well as her strained relationship with her father and step-sister. 

Looking back, I gained insight into how she pushes Lori and herself to succeed. Getting to see a family reunion at the Passover Seder brings things full circle, as we get to see the aftermath of her childhood and how relationships turned out over the decades.

And I have not even mentioned the game-play, which is also a major aspect of the book. The various scenes of basketball are well paced, exciting, and dramatic. I really appreciate that there is no magical transformation, that Lori still has her struggles , even with extra coaching and attention from her mother. Some of her struggles even come from that very same coaching and her mother, which is both ironic and apt. Her mother pushes her to succeed and have a killer instinct, but she also might be pushing a bit too hard and also rehashing trauma from her childhood. This seemingly simple tale is actually pretty complex and imbued with nuances.

I love a good scrappy underdog tale, and this graphic novel is that as well. It shows that with effort and practice that there can be some success and growth, even if it's still not all sunshine and roses. Plus, as a parent, I really appreciate the vivid portraits of the adults as well as the children. There was so much I could relate to, and I desperately hope that this series will continue. It is simply superb.

I have this same exchange at least three times a day with my own kids.

Mike Dawson created this book. He has written and drawn more than a few graphic novels over the years, including Freddie & Me, Angie Bongiolatti, and Troop 142. He also has done a lot of  graphic nonfiction and essay work, including the collection Rules for Dating My Daughter and plenty of comics for The Nib. He speaks about his work on this book as well as other topics in this interview.

The reviews I have seen about this book have been largely positive.  Kirkus Reviews summed it up as "Buoyant and breathless, scoring on several levels."It currently has a 4.4 (out of 5) star rating on Goodreads.

The Fifth Quarter: Hard Court was published by First Second, and they offer a preview and more information here. 

I read an advance digital copy of the book, and it will published in July.

Mel the Chosen

Mel the Chosen is a book about Mel, a girl who is tired of decisions being made for her. She wants to grow up so that she can make her own choices and be taken seriously. When she finds herself in the presence of three magical creatures who inform her that she is the one who is ordained to defeat the dreaded Malcape, she is excited to have a purpose. But she also quickly blanches at the constraints of being "the Chosen One," as her ability to make her own choices is restricted by the terms of her quest. Also, she finds that Malcape has a way of sensing and twisting a person's wishes, making him a very dangerous adversary.

What makes this book exceptional is two things: First, Mel's character is well defined and interesting. She is not the typical, vanilla "do-gooder" type, but a skeptical, savvy, and out-spoken soul who makes for an interesting protagonist. Second, the artwork, a combination of line drawings with watercolors makes for some excellent atmosphere as well as character designs. The magical creatures seem appropriately otherworldly. The magical realms are strange, beautiful, and menacing. The characters are expressive and feature a wide range of emotions and feelings. 

There are plenty of books that use the trope of "outsider who is an exceptional being in a world parallel to our own," but this one plays with the conventions and makes them fresh and interesting. Also, the drawings are gorgeous to behold and revisit. I very much enjoyed reading this book and think that it would be very popular with a middle grades audience.

Rachele Aragno created this graphic novel, which was originally published in Italy as Melvina, and translated into English by Carla Roncalli Di Montorio. It is her debut graphic novel, and she wrote in an afterward that she would love to revisit this world and check in with Melvina when she gets older. She speaks about her work on this book in this interview.

All of the reviews I have read of it have been positive. Ryan Sonneville called it "stunning" and  "a worthy addition to any library." Publishers Weekly wrote, "A sometimes bewilderingly fast pace paired with loosely explained plot elements muddle the story at times, but also contribute to the adventure’s engrossing atmosphere and humor." Kirkus Reviews summed up, "Dynamic, evocative color and movement easily carry this allegorical fantasy wherever the text is weak."

Mel the Chosen was published by Random House Graphic, and they offer more information about it here.

Twins

Twins is about Maureen and Francine Carter, identical twins who struggle with the transitions in their lives in unique ways. As they start middle school,  they have different academic schedules for the first time ever. 

Maurine especially feels anxious without her sister around, and she also struggles to perform well in the youth cadet corps (An ROTC-type program at her school). Francine starts wanted to be called Fran, and she is becoming more invested in school chorus activities. Also, as the more outspoken and extroverted sister, she is going to run for class president. Maureen, partly in order to get some extra credit for YCC, also decides to run not only for a class office, but for president as well. The two sisters' lives get consumed with their competition, which tests their relationship with each other, their mutual friendships, and their family.

The clear, colorful, and vibrant artwork excels in telling the story and setting tones, depicting the characters as distinct while also highlighting their various emotional states.  Where this book excels is in capturing the tenor of family relationships. Francine and Maureen love each other, but they are frequently at odds and argue. As a sibling from a large family and a parent who has multiple children, I have found that interpersonal dynamics can be mercurial, volatile, and/or comforting. I saw much here I could empathize with, from both twins. It is refreshing to see a book that explores just how messy family relationships can be while also showing how they can lead to growth and self-actualization. I also admire how much the parents are involved in their daughters' lives, trying to make choices to help both, even if their overtures are not always welcome.

I think that it would have been very easy for this book to be formulaic, but the character work elevates the enterprise. It takes its genre conventions and spins them in a way that makes it unique and human, relatable but also surprising. I loved reading this book.

Twins was a collaboration between writer Varian Johnson and artist Shannon Wright. Johnson has received many accolades and honors for his books, the most recent of which is Playing the Card You're Dealt. Wright is an illustrator and cartoonist who has worked with several prominent publishers and platforms. Johnson and Wright both speak about their work on Twins in this interview.

All of the reviews I have read of this book have been stellar. In a starred entry, Kirkus Reviews summed it up as "a touching, relatable story of identity, sisterhood, and friendship." Avery Kaplan called it "a comic that you’ll want to start over from the beginning as soon as you’ve reached the last page." Renée Watson wrote that it is "a page-turner with moments that make you laugh out loud. Anyone with a sibling will appreciate the sarcastic and witty banter of these sisters."

Twins was published by Scholastic, and they offer more about it here. This book is titled Twins #1 in various places, though I have not seen a sequel solicited at this time. I very much hope to see more stories about these characters.

Too Tough To Die: An Aging Punx Anthology

I have read a few anthologies published by Birdcage Bottom Books (like this one), and they have always been interesting and/or provocative, introducing me to some new artists along the way. Too Tough To Die is a weighty tome featuring 47 different entries. Many focus on autobiographical tales of people's punk rock fandom. There are references to lots of bands and multiple reasons why these people were drawn to punk rock. For some, there was family situations that made the scene relatable; others just liked the crass humor; some found it an appropriate response to hypocrisy, and others found kinship in the motley assortment of punks. Many of the stories speak to punk more as an ethos than a fashion or musical movement and also speak to how it was not just some youthful phase but a blueprint for being a critical and informed adult.

Art by Hyena Hell

These stories are not all about sharing mix tapes, though there is plenty of that. They are not overly nostalgic, depicting scenes of violence, some substance abuse, and a number of other poor life choices. Many also address some of the more sinister aspects of the scene, such as the presence of white supremacists and skinheads. Many of the stories puncture any pomposity of the narrators, as contemporary young people have their own particular mindsets and wonder why these lame old folk keep trying to impress them, even if they might be into the same bands.

Art by Ayti Krali

In terms of representation, I really liked seeing the multiple ways that people found their ways into punk consciousness. There are tales from men, women, people of color, city dwellers, suburbanites, and kids from the country. There is also plenty of discussion about how punk intermingled/juxtaposed with other movements, such as hair metal, grunge, and alternative music.

Art by Gideon Kendall

There are too many stories for me to explain fully, but I loved the range of formats and styles. Some are short, almost like gag strips. Many are pretty raw, featuring rough lines and splotchy black and white images, mimicking the format of zines. One of my favorites, concluding the book, is series of images and biological accounts by Haleigh Buck in the style of show posters. Maybe it's because I am squarely in the age demographic of many of these artists/stories, but I found much I could empathize with and relate to. This anthology is phenomenal.

This collection was edited by Haleigh Buck and J.T. Yost. Yost has done all sorts of comics over the years, including a memorable tale about the Westboro Baptist Church in American Cult, and also founded and runs Birdcage Bottom Books. Buck is a frequent contributor to anthologies and has created a number of comics and mini-comics.

The reviews I could find of this book have been positive. Publishers Weekly summed up, "This is one awesome and introspective ode to rebellion." It currently has a 4.7 (out of 5) star rating on Goodreads.

Too Tough To Die was published by Birdcage Bottom Books, and they offer a preview and more here. This book features profanity, some sexual situations, and drug use, so reader discretion is suggested.