Hometown

Hometown is a riveting, gorgeous, and moving book. It is about a girl who appears human and lives on a world populated with with otherworldly beings and creatures. Her mother takes her out collecting, and her father and she build animals and machines. She also has five siblings:

Although all of the scenes and beings seem alien to me, to her they are commonplace and the only people, things, and places she has known. One day, a strange thing falls from the sky that makes her question everything she knows, and it wants to take her back to the place where she is from. Thus, she has to make a potentially difficult choice.

I do not want to spoil things about the plot, but I found so much of this book emotionally compelling. She feels such joy in her hometown and the questions she poses are profound and human. I found myself concerned, charmed, frightened, and tickled multiple times over the course of reading this book, and when I read it with my seven-year-old, she was rapt as well. And to think that I have not even mentioned the sumptuous artwork, done with a combination of colored pencils and watercolors. The result is a surreal phantasmagoria that is unique though calls to my mind effects reminiscent of artists like Frida Kahlo, H.R. Giger, Chris Van Allsburg, and Jim Woodring. It also has so many subtle details, some of which are funny or cute and others secret plot points. Go read this book!

Hometown was written and drawn by Shaun Tan, an artist and filmmaker who is best known for The Arrival. He has drawn multiple books that have been published internationally and can be read by people of all ages. He has also won an Academy Award for the animated short film The Lost Thing, the prestigious Astrid Lindgren Memorial Award in Sweden, and the Kate Greenaway Medal in the UK. He speaks about his work on Hometown in this interview.

This book has been very well reviewed. In a starred review, Publishers Weekly called it "a luminous and ethereal work about home and identity." April Spisak wrote, "There are so many extravagantly surreal moments within the immersive illustrations that it may take a few repeat readings for the profound messages to take root; it is to Tan's enormous credit that each time through will yield new details, both artistic and emotional." Peter Dabbene called it "a masterful graphic novel."

Hometown was published by Levine Querido, and they offer a preview and more about it here. 

Thank you to Tracy van Straaten for the review copy!

A Tale of Two Travelers

I bought this book during Fieldmouse Press's annual catalog pre-sale. I got all the books, and I will be reviewing some of them here, stay tuned! First up is A Tale of Two Travelers, an adaptation of a tale from the Brothers Grimm. In this story, a tailor and a shoemaker meet up on the road to a big city, and they decide to travel together. They are a study in opposites, as the tailor is rather carefree, open, generous, and likes to leave things to chance. The shoemaker is reserved, severe, penurious, and likes to plan everything out in advance. The shoemaker gets easily annoyed by the tailor, and even attempts to leave him a few times. When they come to a point where the trip will take either two or seven days, the tailor does not take enough water to sustain him, and then the shoemaker strikes a dark bargain for his companion to survive.

I was not familiar with this story beforehand, and it is intriguing on its own, with weighty ethical and moral implications. But the narrative is incredibly enhanced by the deceptively simple artwork, which is sketchy, bold, and expert. The characters and backgrounds are rendered in remarkably economical ways that amplify the characters' personalities, the stakes of their situations, and the emotional drama. I loved reading this book, and it would be an excellent text to include in any unit or study of folktales or simply as a great diversion in its own right.

This book was written and drawn by Madita Schwenke, whose comics have mostly been published in German. If you go check out her website, you can see images from some of her other works, like Drifting and Wohnen und Wurmen. This book was translated into English by Natalye Childress, a writer and editor who trucks in comics.

A Tale of Two Travelers was published by Fieldmouse Press, and they offer preview pages and more information about it here.

Globetrotters: Nellie Bly and Elizabeth Bisland's World Tour

There are so many graphic novels published every year, and I sometimes have a hard time keeping track of what is out there. Lately, I have been checking out books (literally, from my local library) that have been nominated for awards. Globetrotters was nominated for the Eisner Award in the Best Reality Based Work category, and it is a fantastic look at a unique moment in US (and world) history. Looking for a news story, reporter Nellie Bly was sponsored by the New York World to try to travel round trip to beat the fictional journey of Jules Verne's Around the World in Eighty Days. 

Seeing their own opportunity to make a sensation, The Cosmopolitan sponsored literary writer Elizabeth Bisland to do the same, only traveling west. This books adapts both of their published travelogues that documented their much publicized and ballyhooed journeys. Both faced many obstacles, from traveling solo as women, which was frowned upon, to weather, to tight scheduling. I won't spoil things for people who do not know the history, but I will say that both arrived back in under 80 days. 

The pluses of this book are that it is very compelling in terms of the plot, gorgeously drawn, and full of interesting facts. I felt that the alternating looks at Bly and Bisland's journeys made for good competitive drama that reflected that being drummed up in the publications of the time. The artwork is obviously well-researched and detailed, and it is also dynamic and expressive in ways that highlight characters' actions and emotions. Lastly, there is a good amount of exposition that helps give more context to the places they visit, especially in terms of geography, which I found helpful. I enjoyed reading this exceptional book very much.

Globetrotters was a collaboration between writer Julian Voloj and artist Julie Rocheleau. Voloj has worked on a number of graphic novels, including the biographies Basquiat, The Story of Joe Shuster, and Ghetto Brother. Rocheleau has drawn the Eisner-nominated books Wrath of Fantomas and About Betty's Boob.

The reviews I was able to locate about this book have been positive. Ian Keogh called it "well told, intended to shock and surprise anyone unaware of the story." Robert Greenberger wrote "Julie Rocheleau’s limited color palette and cartoony expressiveness bring the pulse-pounding race to life, nicely capturing the look and feel of this bygone era."

Globetrotters was published by Abrams ComicArts, and they offer a preview and more information about it here.

Local libraries rule! 

The Conquest of the Cosmos

I love learning about space and space travel, and I've read a lot of books and seen a lot of movies/videos about them both. I've also traveled to a bunch of museums and historical sites, like the Air and Space Museum and Huntsville, AL. All this to say that I have a big background with these things, which made The Conquest of the Cosmos a joy to read.

This graphic novel revisits some key moments in space travel, from the launch of Sputnik, through the space race, to the Apollo 11 mission. As you can see from the excerpt below, it relies heavily on verbal humor and dialogue juxtaposed with static or repeated images. 

I love the caustic humor of this book, which skewers both the USSR and USA space programs, exposing the mania of the Communist and Capitalist drives to overcome each other, the callous treatment of animals and people in the nascent days of space travel, and the allocation of resources that might have been applied to other social needs. Not all of the humor is so critical but more situational, like imaging Buzz Aldrin insisting on playing "Spanish Flea" on a loop during the trip to the moon while he and Neil Armstrong mercilessly razzed Michael Collins that he was going all that way and was not getting to walk on the moon. I am not sure all of this would be as funny to someone not decently versed in space history, but those who are this book is well worth checking out.

The Conquest of the Cosmos was written by Alexandre Fontaine Rousseau and drawn by Francis Desharnais, translated into English by Pablo Strauss. Rousseau has written a number of graphic novels, including Vampire Cousins and Les Canots de Satan. Desharnais has drawn several graphic novels, including Little Russia and Art Wars. Strauss has translated two other graphic novels, Camp Spirit and What If We Were.

This book won a BDGest'Arts Award for its original publication, which was in French. I was not able to find many reviews of this book in English, but the one I did find was positive: Al Mega wrote, "This is historical satire with teeth, but it never forgets to be fun."

The Conquest of the Cosmos was published by Pow Pow Press, and they offer a preview of the French version here.

Housecat Trouble

I got this book with my kids at HeroesCon this year, and I finally pried it away from them long enough to read it. I am glad I did, because it is a charming and fun book. And best yet, there's a sequel to check out.

Housecat Trouble stars Buster, a yellow housecat, kitten almost, whose owner goes away for a day. Far from being a chill day of relaxation, Buster instead learns that his house is being overrun by a horde of monstrous house spirits. Fortunately for him, two stray cats Chauncey and Nova happen upon the scene and hatch a plan to deal with them.

Of course, the plan faces some complications, including machinations by crows and stray dogs. Still, the trio face these obstacles with ingenuity and bravery, making for tense chases and athletic feats. The artwork is well suited to the many facets of this book: It shows cute animals, conveys emotion and tone with skill, creates suspense and tension, and also jokes through situations, poses, and facial expressions. Also, the book has nuances, as the house spirits are also a little scarier than I expected, and Chauncey and Nova's tale of how they came to live in the wild is heart-breaking. Overall, I found it a delight to read, especially as a cat-owner. 

Housecat Trouble was written and drawn by Mason Dickerson. As far as I can tell, it is his first graphic novel, and it has a sequel subtitled Lost and Found. He speaks about his art in this interview.

The reviews I read about this book have all been positive. Stephanie Tournas called it "a hilarious coming of age story and personal odyssey, with witty and amusing repartee and immensely appealing graphic art." Alea Perez summed it up, "A charming, humorously silly, and unexpectedly touching story about the power of friendship and loyalty in the face of adversity."

Housecat Trouble was published by Random House Graphic, and they offer a preview and more info about it here. 

Spider-Man: Mighty Mayhem!

My oldest kid loves this series, and I cannot believe I have not reviewed a book from it until now. Spider-Man: Mighty Mayhem! is the fourth Mighty Marvel Team-Up book by Mike Maihack, who is best known for his Cleopatra in Space series of graphic novels that were also adapted as a cartoon series. In this book the web-spinner teams up with Thor and a gaggle of Asgardians who have run afoul of the Enchantress. She was scheming to steal powerful magical artifacts, and was thwarted by Odin but not before she could transform him, the magical items, and all the Asgardians into mundane animals and household objects. 

Thor (in frog form) enlists Spider-Man to help find the artifacts before the Enchantress, and they journey across the different realms in order to fulfill their quest. Along the way, they encounter frost giants and other assorted obstacles, and there are lots of funny scenes, witty banter, and action sequences to enchant and delight readers. 

The artwork is vibrant and energetic, and I loved getting to see so many different characters featured in an accessible and wonderful way. I very much enjoyed this romp across the Marvel Universe, and what is more, my oldest child declared it the best and their favorite of the four books. And each one is stand-alone, so anyone can pick up and get into the fun without knowing much about superheroes.

I was only able to locate two reviews of this book, and they were both positive. J. Caleb Mozzocco called it "a gentle, all-ages adventure with more jokes than fights, and another swathe of the Marvel Universe appealingly rendered in Maihack’s lovely style." Robert Greenberger wrote, "Aimed at readers 6-9, the book will most definitely satisfy and amuse them."

Spider-Man: Mighty Mayhem! was published by Abrams Fanfare, and they offer more information about it here.

Science Comics: Elephants: Living Large

August 12 is World Elephant Day, and in advance of that I decided to review this entry in the Science Comics series, Elephants: Living Large. What this book really drives home are that elephants are intelligent creatures with complex social relationships and that child-rearing is where those relationships are created and realized. Following the viewpoint of Duni, an 8-year-old female elephant, the reader gets to know the other members of her family and see what happens to them as they get older, some leave the fold, and all have to learn how to survive among predators and shifting food and water sources. Also touched upon is one of the greatest dangers: humans who hunt the elephants for sport and the ivory in their tusks.

Like the best books in this series, Elephants balances an engaging narrative with facts and information. It taught me about some interesting things, for instance how elephants trunks work and how they use them to eat, drink, communicate, and explore their worlds. It also led me to look at these creatures and their behaviors in a nuanced way. The artwork is expressive and well suited to telling a great number of elephants apart from each other, no small feat of storytelling. I highly recommend this book as one of the strongest in a very impressive series of graphic novels.

Elephants was written by Jason Viola and drawn by Falynn Koch. Both have contributed multiple volumes to the Science Comics series, with Viola also having written a book about the Digestive System and Polar Bears. He also has written an entry in the History Comics series, The Prohibition Era. Koch has drawn books about Bats, Plagues, National Parks, The Wild Mustang, and baking, as well as three entries in the History Smashers series.

All of the reviews I have read about this book have been positive. Johanna Draper Carlson called it "heart-warming and affecting." Omar wrote that it "has the right amount of content... presented in such a way as to grab and maintain one’s interest." School Library Journal opined, "this book is just right for animal lovers and budding ­zoologists."

Elephants: Living Large was published by First Second, and they offer a preview and more information about it here. 

Dogs on Dates

Dogs on Dates began a few years ago as a series of strips on Luke Healy's Instagram account, and I have been looking forward to this book. It follows the lives of Brad and Bernie, a couple of gay dogs whose "meet cute" involves a broken plate glass window and a shared ambulance ride. 

What follows is a series of dates, some quotidian and others quite outlandish, and the duo gets to know each other. Much of the book is composed of single page strips that depict a single date, though there are some extended sequences where some of their more complicated adventures occur. These sequences are suspenseful and well-plotted, making them real page-turners. Also, the character designs, gestures, expressions, and interactions make these cartoon dogs palpable and relatable.

Overall, I loved getting to know these characters and seeing how their relationship develops and unfolds. There is lots of drama and emotional baggage, from meeting parents to dealing with employment issues to learning about past relationships, but this book presents them in frank, refreshing, and utterly charming ways. It made me laugh and worry and my heart melt. It is a feel-good read, in a wonderful and substantial way, a reaffirming tale that shows the realities and absurdities of love.

The book's author Luke Healy is a cartoonist, comedian, and screenwriter. He has made all sorts of comics from short-form to graphic novels like Self-Esteem and the End of the World and The Con Artists. I feel the need to read more of his work soon.

All of the reviews I have read of it have been positive. Lindsay Pereira wrote, "There is a lot of sensitivity on display here, especially when one considers that these feelings are being filtered through the lives of two anthropomorphic canines." Jeff Provine highlighted "the genuine humanness of two guys just trying to be a couple in a world packed with awkwardness and responsibilities as well as amazing snacks and belly laughs." Killian Fox called it "an endearingly scrappy piece of work whose charms make up for its occasional misfires."

Dogs on Dates was published by Drawn & Quarterly, and they offer an excerpt and more here.

 

My Life in 24 Frames Per Second

Anime seem omnipresent in contemporary times, and I feel I did not know much about it before I read this book. Rintaro is a veteran anime director who has an impressive body of work to his credit. My Life in 24 Frames Per Second is a different sort of artistic endeavor for him, a manga memoir of his life and work in the cartoon industry. This book melds his personal and professional lives, beginning with him as a child and his family dealing with the fallout of World War II.

He and his father end up having a tenuous relationship, though they do share a love of cinema. Rintaro begins working in animation at the tender age of 17, and the rest of the narrative traces his circuitous rise to being one of the most storied and influential people in his field. Along the way, he worked at multple studios and collaborated with such titans of the industry as Osamu Tezuka, the god of manga, and Masao Maruyama, another founder of Madhouse Studio. He worked on seminal TV series like Astro Boy and Kimba the White Lion as well as directing the groundbreaking film Galaxy Express 999. Seeing the behind-the-scenes goings-on of these projects lends a lot of insight into how much work, uncertainty, and ingenuity went into these classic works.

I love how this book humanizes the people who may seem like otherworldly figures because of their accomplishments. Rintaro comes across as a driven but ordinary person, trying his best to realize his dreams. Also, it is clear that many of these anime/manga artists really overworked themselves with their projects, some to the detriment of their personal lives and health. This is a very engaging and eye-opening book that educated me tremendously about anime. 

My Life in 24 Frames Per Second has been nominated for an Eisner Award, and all the reviews I have read of it have been positive. Publishers Weekly concluded their starred review, "This meticulous portrait of a life in animation glows with love of the art form." Orrin Scott called it "a powerfully personal story written like a screenplay."

My Life in 24 Frames Per Second was published by Kana, and they have more information about it here.

I borrowed this book from my local library. Libraries RULE! 

Calamity Before Jane

I recently borrowed this book from my local library. Libraries RULE! Calamity Before Jane is a biography/history book for younger readers, and I feel it is very successful in deflating romantic myths about the American West. When this book opens, Jane (born Martha Jane Canary) is a performer in Buffalo Bill's Wild West show, telling her tales to an audience in upstate New York. She happens upon a couple of young runaway orphans and tells them about her own tough childhood. She is run-down, barely able to tell her own tall tales, and adding insult to injury, they rob her after she passes out.

What we know to be true: Jane's dad moved the family around a lot, trying to get rich by mining gold, gambling and later farming. Her mom died when she was young, and she had to take up the housework before she decided to strike out on her own. She had to fend for herself in places of ill-repute, learning to ride a horse and shoot along the way. She drove cattle and was a US Army scout. The rest may or may not have happened.

All in all, the brown and grey coloring of this book matches the dour town of the story, which is enlightening in how it dispels the typical "cowboys and Indians" tenor of many Western tales. This book does not sugarcoat the treatment or depictions of Native Americans, describing how it avoids the stereotypes used to portray them as wild people. It also touches on their genocide, the pointed decimation of the American buffalo, and later small inclusions in traveling shows like Buffalo Bill's. 

Bolstering the story are informative essays by Dr. Susana Geliga that add more context to Jane's life and times. There are also copious period photos in the inside covers and endpapers that show readers more about the reality of her life, and they also reveal how much reference work went into the drawings. I feel like this is an excellent source for learning about American history for readers of any age.

Cartoonist Noah Van Sciver wrote and drew this book. He is one of my favorite comics creators, the Ignatz Award-winning author of the graphic novels Beat It, Rufus, One Dirty Tree, The Hypo: The Melancholic Young Lincoln, Saint Cole, and Fante Bukowski.

All of the reviews I have read about this book have been positive. Kirkus Reviews called it "engaging and eye-opening." Publishers Weekly wrote, "Gritty illustrations and ample 19th-century vernacular render a thought-provoking portrait of the rapidly changing era." Melanie Jackson described it as "fun, lively."

Calamity Before Jane was published by Toon Books, and they offer more information about it here.

Flocks

I have been meaning to read this book for a long while now, because I had bought a mini-comic that was a draft of one of the chapters years ago but never followed up because of life and who-knows-what-else going on. Happily, I found it in a library. Libraries rule!

Flocks is an incredible book, a candid look at a person who was assigned female at birth and raised in a conservative, Christian family in Louisiana. What I think makes this book exceptional is its combination of imagery, plotting, and exploration of religious belief. It is drawn in a mostly realistic style, though the main character is almost always depicted as a button-eyed rag doll. It is almost viscerally painful to read about how isolated that L. felt during childhood, being constantly faced with contradictory feelings to what was being preached at church. Being so completely othered and trying to reconcile thoughts with religion is one tremendous struggle, and I found it very powerful that they did not shy away from sharing just how profound their religious faith was to them.

I do not think it is too much in giving away the plot that L. eventually transitioned to being a man, but what makes this book special is just how much detail and nuance is given to that journey from childhood, through finding solace and kindred spirits through academics, and to adulthood and building a family. He also does not necessarily vilify his family, as they are depicted as supportive in some ways even if they do not always understand or approve of what they see happening. Ultimately, this book is about communities and relationships and how they can damage and/or validate you. Flocks is an insightful and moving account of one person's figuring out who he is and all of the fallout and victories that accompany the process.

L. Nichols wrote and drew this book, and they are artist and illustrator who publishes work with the Grindstone Comics imprint. They have also published a follow-up book I Am Only A Foreigner Because You Do Not Understand that continues looking at their continuing transition to a more nonbinary identity. They speak about their work on Flocks as a mini-comic as well as their other comics work in this interview from 2013 (pre-transition) and also this one from 2018 (post-transition).

I was not able to locate many reviews of this book, which is a shame. Publishers Weekly named it one of their Big Indie Books of 2018. Meepelous wrote, "L.’s irresistibly charming drawings demonstrate what makes Flocks so special: L.’s boundless empathy.”  Blackraven called it "an odd little gem."

Flocks was published by Secret Acres, and they offer more info about it here. Trigger warning: this book features a lot of emotional trauma, some sexual situations, and depictions of self-harm.

A Quick & Easy Guide to Queer & Trans Identities

A Quick & Easy Guide to Queer & Trans Identities is just what it says in the title, an accessible primer on LGBTQIA+ matters for those who would like to know more. It is divided into pointed chapters that answer specific questions, namely defining the terms queer, gender identity, gender expression, dysphoria, and asexuality. It also explores the concept of coming out as well as provides some elementary information about healthy relationships. 

The book presents serious material in a breezy and whimsical way. Its narrators are a group of snails who are observing a queer educator campout, providing an outsider/insider viewpoint. As you can see from the excerpt below, the artwork is playful and expressive. 

I really like the pastel color scheme, as well as the blue/green/yellow strips that follow each chapter that feature Sproutlings, a bunch of fantastic woodland creatures that enact the ideas contained in each chapter. All in all, I appreciated just how much information this book communicates in a fast and friendly way. It also contains a few activity pages in the back, as well as a list of great online resources. It's a great introduction for anyone wanting to learn more about the basics of LGBTQIA+ identities.

Cartoonists and illustrators Mady G and Jules Zuckerberg collaborated on this book. Mady G has made lots of shorter comics and has worked for a number of high-profile illustration clients. Zuckerberg has also illustrated the Printz Honor book Queer Ducks (And Other Animals). They both speak about their work on this quick & easy guide in this interview.

Most of the reviews I have read about this book have been positive. Alec Chunn wrote, "Though the book is slim, it effectively covers a broad swath of identities and topics." Becca called it "witty, engaging, and down-to-earth." Johanna Draper Carlson was less taken with it and opined, "the book often reads as a decorated lecture."

A Quick & Easy Guide to Queer & Trans Identities was published by Limerence/Oni Press, and they offer a preview and more information about it here.

The Well

I recently got to know about Jon Allen's Ohio Is For Sale series and read the first collection of those strips. They feature a cast of 20-something characters, depicted as animals but who have real human problems and relationships interspersed with some fantastical elements.  The Well is the latest book set in that universe, and it was available from my local library. Libraries RULE!

The star of The Well is Veronika, a reserved 24-year old who lives with her parents, has a jerk boyfriend in a band, and who has not had a job in about a year.

This situation changes when the band goes on tour, she gets to crash at her boyfriend's gross apartment, and she gets a job coding for a local energy drink/wellness company. She settles in smoothly at first, makes a couple of work friends, Persephone and Dave, and gets into a new pattern. Dave is a go-getter who obviously has a crush on her while Persephone is an open lesbian who has learned not to get involved with straight women (maybe), but they all get along and occasionally go out for drinks. Their dynamics are fun to see, but something is not right with the company's owners.

Her bosses Susan and Jake are distant and weird, and eventually it's revealed that they are running illegal experiments involving the toxic morass that lies below the building as well as the huge creature that lives there. Veronika figures out that something hinky is going on, but she and her co-workers still get roped into the situation. What follows opens her eyes to how she views the world and her role in it.

The artwork in this book is very clean and simple, with bold characters rendered in black, white, and grayscale. This style belies a complexity of character and plotting, and this book is incredibly compelling. I read the whole thing, more than 700 pages (!), in one sitting. It is a master class in graphic storytelling, and I cannot recommend it enough. There are two other books, Julian in Purgatory and The Lonesome Era, available from this series, and I need to get my hands on them ASAP.

All of the reviews I have read about this book have been positive. François Vigneault wrote, "Over the many pages of this book Veronika clearly emerges as Allen’s most well-rounded and engaging protagonist yet." Phantastic Reads opined, "I love Allen’s deceptively simple art, and he’s got some really fun backgrounds in this one. The creeping suspense is a great counterpoint to Veronika’s very real personal problems, and it all comes to a head and wraps up beautifully."

The Well was published by Top Shelf Productions, and they offer a preview and more here. For those interested, Allen speaks about his work on this book in this interview. And if it is not clear by now, this book is not for kids.

This Place Kills Me

I recently borrowed this book from my local library. Libraries RULE!

This Place Kills Me is a murder mystery set at an all-girl private school in the 1980s. The main character is Abby, the new girl there who does not really fit it. She carries the baggage of being expelled from her last school for shady, possibly drug-related reasons. Also, she is a lesbian and catches a lot of flak from other students, which also affects her roommate Claire.

When a student commits suicide after a production of Romeo and Juliet, the two roommates begrudgingly join forces to investigate a few irregularities and find out a strange pattern that may explain what actually happened. The mystery is truly gripping, and part of the fun is figuring out whodunit.

This book has multiple strengths, chief among them the splendid and atmospheric artwork as well as strong characterizations. Abby's feelings of isolation really come through in the visuals, as well as the ornate decor of the school and many of its fancy students. I loved how the characters interact and how they did not end up making nice over the course of the narrative even as they collaborated. In many ways, this book seems like the "beginning of a beautiful friendship," with a pair of unlikely partners solving crime. And I would love to see more adventures featuring these characters.

This Place Kills Me was written by Mariko Tamaki and drawn by Nicole Goux. Tamaki is a prolific writer who has won a ton of awards, including multiple Eisners, being a finalist for the Printz Award (twice!), and a Caldecott Honor. She is known for the graphic novels This One Summer, Laura Dean Keeps Breaking Up With Me, and a few prior entries in DC Comics' YA graphic novel line, including I Am Not Starfire. Goux has several graphic novels to her credit, including Punk'n Heads, Pet Peeves, and Forest Hills Bootleg Society. Tamaki speaks about This Place Kills Me in this interview.

Nominated for an Eisner Award, this book has received much praise. In their starred entry, Kirkus Reviews concluded it was "truly exceptional; a standout." Sean Dillon called it "a thrilling story highly worth recommending." In an another starred review in the School Library Journal, Angie Jameson wrote, "Stunning illustrations coupled with a thrilling plot make this a standout title that belongs in all YA graphic novel sections."

This Place Kills Me was published by Abrams Fanfare, and they offer more information about it here. 

Night Chef

I borrowed this book from my local library, and you know what? Libraries RULE!

 Of late, I have been reading through some of this year's Eisner Award nominees, and Night Chef is up for Best Publication for Kids. The titular character is a raccoon who lives in the walls of a restaurant. When night falls, this nocturnal critter sets to work making her culinary magic. 

All of this comes to a halt one day when she happens upon a baby crow, and they set off on a journey into the woods to get that chick home. They meet all sorts of interesting creatures along the way, including a mole who runs his own restaurant, dumpster-dwelling raccoons, and a murderous owl. I love the way that all of these animals and their personalities seamlessly combine into a fun and organic story that has whimsical touches as well as some high-stakes suspense. This book just left me feeling flat-out happy when I finished it. It is an utter delight, with its evocative watercolors and genuinely lovable characters.

This literary confection was concocted by Mika Song. She has illustrated numerous picture books as well as a series of graphic novels for younger readers beginning with the Eisner Award-nominated Donut Feed the Squirrels. She has also been posting a webcomic called Dee Dee. She talks about her work on Night Chef  in this interview.

All of the reviews I have read about this book have sung its praises. In their starred entry, Kirkus Reviews summed up, "A deeply satisfying adventure for readers young and old." Susan Harari wrote, "Song’s delicate and beautiful watercolor illustrations, with added black lines for emphasis, and her elegant, hand drawn lettering make this book a standout." April Spisak called it a "warm, endearing graphic novel."

Night Chef was published by Random House Graphic, and they offer more information about it here. 

Hello Sunshine

Hello Sunshine has been sitting in my to-read pile for much too long. When I finally began reading it, I had a difficult time putting it down. This book is about Alex, a teen boy who has had a mental break and disappeared after a violent episode. Searching for him are Noah, a football player who is secretly his boyfriend, his angry brother Jamie, their dog Cass, their friend and neighbor Sky, and Alex's best friend and Jamie's girlfriend Izzy. Each chapter is told from each of their viewpoints, contributing to the suspenseful series of revelations about their family and what Alex is going through. It is also a gateway into each character's thoughts and feelings. 

Aside from learning about this ersatz Scooby gang, which takes a tremendous amount of character work, we also gain insight into Alex's plight, which involves a frightening combination of the mental health issues and the supernatural. The plot navigates a delicate balance between educating about his mental state as well as delving into a Stygian horror, replete with demons and false faces. Along the way, the characters all reveal something about themselves and their mettle.

The artwork in this book also manages a difficult balance, with affecting emotional moments and interactions as well as depictions of truly horrific creatures and realms. Alex's mental space is not for the meek, and it is a testament to his friends and family that they even attempt to approach it. I feel that this book is a success on pretty much every level, and I cannot recommend it enough.

Author Keezy Young has made the award-winning supernatural romance graphic novel Taproot as well as several impressive mini-comics, including the autobiographical Sunflowers and horror stories like It's Bitter, Baby, and It's Very Sweet. She speaks extensively about her work on Hello Sunshine in this interview.

Nominated for the Best Publication for Teens Eisner Award, this book has received many positive reviews. Cassy Lee called it "an artfully compelling and haunting read." Kirkus Reviews described it as being "beautiful, spooky, and emotional." Andy Oliver wrote, "It’s an astonishing piece of comics, one of the finest examples of graphic fiction of this decade, and a book that is deserving of all the acclaim it has received."

Hello Sunshine was published by Hachette Books, and they offer a video preview and more here. This book is meant for YA readers, and it contains profanity as well as references to self-harm and suicide.

Trumpets of Death

I have not read a graphic novel quite like Trumpets of Death, and it's a very memorable and haunting book. Its protagonist is Antoine, a young boy whose parents are struggling and seemingly heading for divorce. So his father brings him to the country to live with his parents, Antoine's grandmother and grandfather. The grandmother dotes on him, making him his favorite foods and catering to his wants. His grandfather is the total opposite, alternating between ignoring him and treating him with disdain. 

Yikes!

One day while out foraging for mushrooms, unbeknownst to anyone, Antoine is transformed into a majestic, white stag. He escapes and frolics in the woods, staying out there for weeks, avoiding humans altogether, as deer do. Things get tense and intense when his grandfather sets up a deer stand for hunting.

I am not quite sure what young people would make of this story, but it is a wild one, ripe for interpretation and analysis. I found the book gripping because of the narrative, intense character work, and also because of the dreamlike artwork, which uses color to some very interesting effects. There is so much to take in and make sense of here: it's part fable, part examination of family dynamics, part coming-of-age tale. This book has stuck with me.

Trumpets of Death is the debut graphic novel by Simon Bournel-Bosson, a graphic designer from France, where this book was originally published. He speaks about his work on it in this interview. The translation was done by Edward Gauvin.

All of the reviews I have read about this book have been positive. Kirkus Reviews called it "an unsettling, thought-provoking coming of age." Gene Ambaum wrote, "I’m not sure what most young people will make of the book, but it’s a quick, enjoyable read that’s more literary than most graphic novels marketed to them." Amber Love called it " pure magic."

Trumpets of Death was published in the USA by Graphic Universe, and they offer more info and preview images here. 

I borrowed this book from my local library. Libraries rule! 

Chickenpox

As a person with a lot of siblings, I found a bunch to relate to in this book. Chickenpox is a story set in 1994 about Abby and her family. 

She is a fifth grader, the oldest of five siblings, and like many children she gets annoyed with them for various reasons. They take her toys and comic books. They make her seem uncool to her friends, but in actuality they are having friction for their own reasons. All of this drama comes to a head when Abby ends up stuck at home sick with chickenpox with the whole family for more than a week.

Familiarity builds contempt, as they say, but sick and tired kids make for some different circumstances. Abby starts to see some good things about them while she tries to smooth things over with her classmates over the telephone. I won't spoil how things resolve, but I will say that I found this book to be charming and absorbing. It portrays family relationships and friendships in realistic, nuanced ways. The artwork is simple yet expressive, and I can see why it has been nominated for both Harvey and Eisner Awards.

Although it is not a memoir, Remy Lai based Chickenpox on her experiences growing up. She has authored several graphic novels, including Ghost Book and Pie in the Sky. She speaks about her work and inspirations in this interview.

This book has received many accolades and has been very well reviewed. In a starred entry, Kirkus Reviews called it "honest, atmospheric, and full of heart." Kate Quealy-Gainer wrote, "Touches of manga bring silly humor and high drama to an otherwise conventional cartoon style." Annamarie Carlson called it "heartwarming and fun."

Chickenpox was published by Henry Holt and Company, and they offer a preview and more here.

The Hidden Dominion of Geordie James

The Hidden Dominion of Geordie James is a fantastic graphic novel that delves into many contemporary issues that kids and parents are dealing with. Geordie is obsessed with Dominion, a Minecraft-ish MMORPG where he spends hours building up an elaborate amusement park with even more elaborate defenses to drive away marauders who would steal his (digital) stuff. His dad does not really see what he gets from the game, but he does not like it, especially when Geordie starts to fail science class. He grounds Geordie, making him spend time outside. Geordie finds a secret hideout, which somehow has working wifi he can use when he sneaks his tablet. He also becomes somewhat obsessed with a pig that has somehow escaped into the wild in their neighborhood.

Geordie is not the only one failing science though, and he and some classmates get put into an after-school group to work on a project to boost their grades. It turns out that Geordie is not great at working in groups, and some of his classmates are tough to get along with. They sometimes bicker and struggle to come up with a common topic, and seeing how they interact reminded me of how many kids today relate to one another, when they have to manage both face-to-face and digital interactions.

I am not going to get more into the plot and how the various relationships work out, but I will say that I found a lot of nuance and suspense throughout this book, and I found it really difficult to put down. It's not only riveting, it's also very moving and relatable. The interplay between reality and virtual worlds was palpable, and I cannot wait to share this book with my kids.

The Hidden Dominion of Geordie James was made by Mike Dawson, who is one of my favorite comics artists. I belong to his Patreon, where he publishes "almost monthly" zines. He has also written and drawna number of graphic novels over the years, including the Fifth Quarter books, Freddie & Me, Angie Bongiolatti, and Troop 142. He also has done a lot of  graphic nonfiction and essay work, including the collection Rules for Dating My Daughter and plenty of comics for The Nib and other venues.

All three of the reviews I have read of this book have starred ones. The entry from Kirkus Reviews concluded, "A beautifully resonant work for the plugged-in set."  Barbara Ward wrote in Booklist, "With threads exploring philosophical and moral questions and a nuanced look at the impact of time online for kids, this bright, expressive graphic novel has lots of emotional grounding while still being an engaging story of an often-overlooked kid finding acceptance and understanding." The School Library Journal  wrote that it "could readily serve as a mentor text and is an excellent book club choice for middle school students.”

The Hidden Dominion of Geordie James was published by Union Square Kids, and they offer a preview and more information here.