Ms. Tree: One Mean Mother

To celebrate Noirvember this year, I dug into the latest compilation of Ms. Tree stories, One Mean Mother. And when I say latest, it has been some time in coming. Ms. Tree is a series that begin in the heyday of independent comics, the early 1980s, when it bounced around a couple of different publishers during its 50-some-odd-issue run. In the 1990s, the series ended up at DC Comics, where it was published as a series of larger-size, self-contained quarterly stories. This volume collects the first six of those tales.

Michael Tree is a classic, hard boiled detective. She runs her agency with a few trusted allies, and she is at constant war with the Muerta crime family, who were responsible for the death of her husband. Here, the family appears to be moving into more legitimate ventures as it is trying to extricate itself from crime altogether under the leadership of the latest young hotshot Don Donnie. Ms. Tree is not so sure that this clean streak is for real, and of course there are lots of conflicts, double crossings, and subterfuge.

Adding a different wrinkle to the works is that Ms. Tree gets pregnant and has a baby in the middle of this volume. Never one to shrink from conflict, she finds herself in new territory in having to think differently before throwing herself into violent situations. It is interesting to see how she adjusts her life after becoming a parent while still being a kick-ass heroine.

These stories are well crafted crime tales, with snappy dialogue and a good share of action and violence. Tree is a tough as nails woman who has her own code of justice, and I very much enjoy following her adventures. Occassionally, this book has a few dated references to things like Thirtysomething, but they do not really detract from the general timelessness of the tales. If you like classic crime stories told and drawn in excellent manner, this is a book for you.

Ms. Tree was created by Max Allan Collins and Terry Beatty. Collins is a mystery writer with years of experience writing short stories, comic books, novels such as his Quarry series, the Dick Tracy newspaper strip, and the graphic novel Road to Perdition, which was made into a major motion picture. Beatty has drawn lots of comics over the past four decades, including the co-creating the Wild Dog series with Collins and inking many issues of Batman Adventures. Both creators speak about the return of Ms. Tree to publication in this article.

I have not been able to locate many reviews of this book, but the ones I have seen are positive. C.J. Bunce wrote, "As you’d expect from Max Allan Collins, this is another great read.  It has good characters, nicely plotted mysteries, and Terry Beatty brings in a classic noir style." You can find more reviews at Goodreads, where it has a 4.12 (out of 5) star rating as of this writing.

Ms. Tree: One Mean Mother was published by Titan Books/Hard Case Crime, and they offer more about it here.

Minky Woodcock: The Girl Who Handcuffed Houdini

Minky Woodcock: The Girl Who Handcuffed Houdini collects the four-issue comic book series in a gorgeously illustrated and lustrous hardcover. It is a delightful piece of historical fiction, a detective tale set in the early 20th century, where Harry Houdini is engaged in both amazing escapes while also lecturing to debunk fraud being perpetrated by so called mediums at staged seances. The latter enterprise brings him into conflict with famed author Arthur Conan Doyle (creator of Sherlock Holmes), which is based in historical fact. Here, the enterprise also drives at least one party to attempt to murder the famed magician/escapist.

 

 

Enter into this situation the crafty and resourceful Minky Woodcock, the daughter of an investigator who seeks her own life of intrigue. She ends up traveling with the Houdinis and investigates the suspicious happenings. Minky poses as Houdini's assistant, and she proves quite an asset to his act and also his debunking charlatans. She also gets deeply involved with the couple in personal ways, which creates its own set of complications. The rest of the plot unfolds in a combination of historical fact and fantasy, spinning an engaging and titillating mystery tale.

The highlight of this book for me was the luxurious artwork by Cynthia von Buhler, a Renaissance woman who acts, paints, sculpts, and creates in many ways. Here, the artwork properly evokes a sense of history with its stylized layouts and character designs. Not only are the main characters strong and sensual, the whole book also pops in terms of linework and coloring. She speaks more about her work on Minky Woodcock in this interview. Also, this book will be adapted into an off-Broadway production, which seems very cool.

I was not able to locate many reviews about this collection, but the ones I found were positive. Ryan C. Bradley called it "a love letter to noir" and "a Houdini pastiche that offers a new theory about his death." Kristel Yeager summed up, "Amazing art and unique storyline."

Minky Woodcock: The Girl Who Handcuffed Houdini was published by Hard Case Crime/Titan Comics, and they provide more info and a preview here. This book features some profanity, nudity, and sexual situations, so I recommend it for mature readers.

Wolf, Volume 1: Blood and Magic

Wolf is a detective book that has a lot going on, including a number of supernatural elements. The book's protagonist Antoine Wolfe is seemingly immortal. He is hired by an incredibly rich, racist, and crooked businessman to retrieve an adolescent girl who may be the antichrist. His best friend is a tentacle-faced demon straight out of the chronicles of Cthulhu. He also runs afoul of criminal vampires, multiple ghosts, apparitions, and spirits, not to mention a werewolf, too.

 

 

This book features many of the conventions of noir books, including a hip narrator, lots of double-crosses, shady characters who are up to no good, and revelations that complicate everyone's lives. I quite enjoyed reading this book, even if it was not the most ground-breaking kind of story. Some clever plot twists and novel interpretations of classic monster tales helped, as did the expressive and creepy artwork. The coloring is especially exceptional, as you can see from the excerpt. If you are a fan of noir detective tales with a dash of supernatural mayhem, this is a book for you.

Wolf is the creation of writer Alex Kot and artists Matt Taylor and Lee Loughridge. Kot has worked on a number of works from comics to video games for multiple companies. Taylor is a commercial artist and comics creator with a number of credits. Loughridge is a colorist who has worked on many Batman titles as well as some indy works like Deadly Class and Southern Cross. Kot speaks at length about his work and inspirations on Wolf in this interview.

The reviews I have read of this book have mostly rated it as solid, if not spectacular. Peter Marinari enjoyed it very much, stating, "Kot and his collaborators have conjured a bit of true magic with this ouroboros of a tale that forced me to pick it up for a re-read just seconds after I finished." Kieran Fisher liked it fine and opined about the series, "It’s not quite perfect yet, but it’s certainly headed in that direction." There are also a number of reviews of it on Goodreads, where it has an aggregate 3-star rating.

Wolf is published by Image Comics, and they have a preview and more information about the series here. I borrowed this volume using Comixology Unlimited service, and it is intended for mature readers.

Kill My Mother

Jules Feiffer cuts a large figure in the world of comics. He was an apprentice to Will Eisner in the 1940s, a time when comics were in a nascent state. He won a Pulitzer Prize for his cartoon work, all but created the genre of alt-weekly comics with his work for The Village Voice, was a comics historian, wrote the screenplay for the classic film Carnal Knowledge, and illustrated classic books like The Phantom Tollbooth. But until now, he had not written or drawn a graphic novel.

And this is some debut. It has lots of elements of 1940s noir films, which I guess should not be a surprise as the book is dedicated in part to Dashiell Hammett, Raymond Chandler, James M. Cain, John Huston, Billy Wilder, and Howard Hawks. It stars the prerequisite private detective, though he is pretty much useless, a drunken lout who tries to be a womanizer and who seems to enjoy wearing women's panties. The folks who actually do things are all women, and what roles they play. There is Elsie, a young widow who decides to work as a secretary for a PI so she can investigate her policeman husband's murder. There is her daughter, Annie, who resents her absent mother while bossing around her friend Artie. There is a mysterious blond who hires the PI to find a tall, blond woman whom she resembles.

And of course, this being a noir tale, there are lots of scenes in seedy place like apartment buildings, smoke filled cabarets, and boxing matches.

 

The story is split into two parts, one in 1933 in Bay City, and the other in 1943 in Hollywood, where we see what has transpired in ten years. The tone of the second half is much different, as we see the movers and shakers behind movies, radio programs, and USO tours. Their world may seem cleaner and more civilized, but there are still bitter undercurrents of jealousy, greed, and potential murder. It is like having a movie and its sequel in one work, and I think that this graphic novel works extremely well in terms of its narrative. In fact, I think this is a book with all kinds of details that demands to be read and then re-read.

Part of what makes the story interesting is how it is laid out. I think that the panels (and at times, lack of panels) are constructed in interesting and fluid ways. There is something experimental about them in how they attempt to track how readers' eyes will move across pages. The sketchiness of those movements are a strength but also sometimes a detriment. The biggest issue I had with this book was that some of the characters look alike, but that seems partly the purpose in a book about changing societal roles and shifting identities.

Feiffer makes a great hash from his many influences, including dimestore novels, old comic strips, and noir films, as well as his years spent as Will Eisner's apprentice. This book is sort of a paean to those modes of telling stories, but it is also a commentary and critique of them, playing with their conventions and making something vital. The story is entrancing, and the artwork is provocative, ranging from paneled scenes to full page splashes that are surprising effecting and poignant. You can read more about Feiffer's influences and choices for making this book in this profile.

All the reviews I have read about this book regard it as a work to be reckoned with, even if they were not always uniformly positive. In the New York Times Sunday Book Review Laura Lippman called it "terrific" and wrote that it was "a thoughtful meditation on female identity and whether the not-so-simple art of murder can ever be defended as a moral necessity." Alan Cheuse called it "a darkly drawn confection." Dash Shaw was more critical of the book's layouts, calling them "herky-jerky" and summing up his review, "It looks like it was fun for him to make. I wish it was fun for me to read."

Kill My Mother was published by W.W. Norton & Company, and they provide a link to previews and more here.

Hero Sandwich Collection: The Works

Hero Sandwich Collection: The Works is a trade paperback collection of comics books from SLG (formerly Slave Labor Graphics), a publisher based in San Jose, California. Among their best known publications are Milk and Cheese, Johnny the Homicidal Maniac, and My Monkey's Name is Jennifer. SLG has been around for decades now, and they have been a place for interesting and off-beat comics, a launching pad for a number of creators.

This book follows the adventures of a detective agency/motley crew of characters: Rachel Ashley is a smart and sly woman who seems to be the leader. Allison is her compatriot who has a thing for large guns. Silver Scorpion is an aging ex-CIA type with a mysterious past. Lee is an alien (I think, he's "not from around here") who has a round, almost featureless face, and Richard is a hero with stretching powers a la Plastic Man.

This volume contains two storylines, one where the detectives take a case from a coven of vampires who are seeking out a man who is trying to become a vampire by taking drugs, filing down his teeth, and savagely killing random people (that's the connection to this month's theme, BTW).

Ow.

The second is a caper that follows when Silver Scorpion meets up with one of his compatriots from the old days. To be honest, neither story was excellent, though I thought they were fun and entertaining. Mostly, they are great for looking at the time period, as 1980s fashions and style are pretty prominent throughout, for good or bad.

80s fashion!

These comics are also good for looking at the early days of some comics creators. Writer Dan Vado is also the publisher of SLG, and he is also known for a run on JLA for DC Comics, though I think the best book he did was The Griffin. He won an Inkpot Award for his long-standing contributions to comics. The first story arc about vampires was drawn by Chuck Austen, who has worked on various comics over time, including some semi-autobiographical porn books, Miracleman and X-Men, though his work became reviled by fans. He also created the animated series Tripping the Rift. The second story arc was drawn by Peter Krause (yes, his name is misspelled on the cover) and Aldin Baroza. Krause went on to draw many comics for DC, including Superman and Shazam! He also collaborated on the Irredeemable and Insufferable series. Baroza mostly works an an animation storyboard artist nowadays but he also does a webcomic called Rose Madder.

I could not find any reviews for this book online, and it is mostly exists for comics completists, or as Vado put it in his introduction, "the 500 of you who will eventually own this collection." Instead of reviews then, I will take this space to talk about SLG and its current plight. The publisher has been in business for three decades now, and the comics business is not what it used to be. Publisher Vado has established a gofundme project here and is looking for donations to get his company back to speed. They are an established publisher with a long track record of contributing to the comics industry, and I contributed to their drive, so won't you consider helping them out as well?

Hero Sandwich Collection: The Works was published by SLG Publishing. 

Red Handed: The Fine Art of Strange Crimes

Red Handed: The Fine Art of Strange Crimes was created by the same person who made Mind MGMT, my favorite graphic novel collection from last year. This book is similarly excellent, exploring similar themes about what defines crime and art while spinning a masterfully complex narrative full of quirky details and insanely compelling short tales.

The strange crimes that occur in the town of Red Wheel Barrow are myriad. There is a woman who steals only chairs, a thief who steals artwork so he can cut it into 100 pieces and sell them off individually, a magician who moonlights as a pick-pocket, a struggling author who steals street and building signs so she can create a warehouse-sized novel, and a photographer who creates personal conflicts and then profits from the images of them she captures.

There are two common threads connecting these capers: Detective Gould, who is infinitely perceptive and deductive, and who has never let a case go unsolved, and a mysterious Moriarty-type mastermind who tests him. Gould is a riff on Dick Tracy and named for his creator Chester Gould; he is a super-cop who always gets the culprit. He may have an excellent track record at work, but we catch glimpses into his personal life and see that his work obsessions have created distance at home from his wife, an art gallery owner.

This distance turns out to be a vulnerability where his enemy tests him, and in the process the areas of crime and art are blurred. The main conflict between Gould and his opponent is played out via a series of dialogue pages where the reader does not really know who is speaking. These sequences are text heavy and fraught with philosophical questions.

This existential, multidimensional, detailed, and addictive book was written and drawn by the  prolific Matt Kindt. He has created numerous graphic novels, including Super Spy and Revolver, worked on his own series Mind MGMT, and written a good number of titles at DC Comics, including Frankenstein, Agent of S.H.A.D.E., Justice League of America, and Suicide Squad. He also has written a few comic books series at Marvel of late, including Infinity: The Hunt and Marvel Knights: Spider-Man. He has been nominated for multiple Eisner and Harvey Awards. Kindt speaks extensively about his work on Red Handed in this interview.

This book has perhaps been overshadowed by Kindt's many other works, but it has also been praised highly. CBR's Greg Burgas named it his favorite original graphic novel of 2013 and summed it up as "brilliant." NPR's Glen Weldon likened it to a mind trap that "snaps shut on the reader in a way that's ruthless, irrevocable and entirely satisfying." Booklist honored it with a starred review, and Kirkus Reviews called the book "elegant scribbles from an electric mind," "told by way of Socratic dialogue and pulp homage."

Red Handed was published by First Second, and they provide a preview and more information here.

Paul Auster's City of Glass

The first book in Paul Auster's New York Trilogy, City of Glass is an exploration of identity and theology clad as a detective story. The tale begins when a crime novelist named Quinn begins receiving a series of calls at night, mistakenly trying to hire him as a private investigator. Eventually the author decides to just pretend to be a P.I. and take the case. His client is a strange, awkward man, the son of a theology professor who thought if he raised his boy without any human language that he would end up speaking the original language of God as spoken by Adam and Eve in the Garden of Eden. When the professor is released from prison, the man and his femme fatale wife suspect he will try to seek vengeance, so Quinn is supposed to keep tabs on the old man. This being a detective story, of course not everything is as it seems.

This graphic adaptation manages to take a complex, intricate story and add even more dimensions with graphic representations and fantastic interpretations of the narrative. It was done by Paul Karasik and David Mazzucchelli, both Eisner Award winning creators who have been making avant garde comics for decades. Karasik is known for cartooning for a diverse range of publications, from The New Yorker to Nickelodeon Magazine, a memoir comic about living with autism done in collaboration with his sister Judy, The Ride Together, and his collections of the works of Fletcher Hanks. Karasik blogs about his life and work here. Mazzucchelli is best known for his landmark works with Frank Miller on Batman: Year One and Daredevil: Born Again as well as his original graphic novel, Asterios Polyp.

Reviewers have acknowledged that this graphic novel is something to be contended with. Carl Doherty praised this adaptation as being as good as its source material while cautioning, "If you’re the kind of reader who needs to know the answer to a riddle, then this might not be the book for you." Tom Bernard wrote that the book "is something like a waking dream; even though the artists keep showing possible avenues of escape, the reader ends up feeling trapped in the story." Dealing with many complex questions, Darren was left feeling "perplexed" but "with the feeling a second read-through would definitely be rewarding."

Published by Picador, a preview for this edition is available at Amazon.com.