The Hidden Dominion of Geordie James

The Hidden Dominion of Geordie James is a fantastic graphic novel that delves into many contemporary issues that kids and parents are dealing with. Geordie is obsessed with Dominion, a Minecraft-ish MMORPG where he spends hours building up an elaborate amusement park with even more elaborate defenses to drive away marauders who would steal his (digital) stuff. His dad does not really see what he gets from the game, but he does not like it, especially when Geordie starts to fail science class. He grounds Geordie, making him spend time outside. Geordie finds a secret hideout, which somehow has working wifi he can use when he sneaks his tablet. He also becomes somewhat obsessed with a pig that has somehow escaped into the wild in their neighborhood.

Geordie is not the only one failing science though, and he and some classmates get put into an after-school group to work on a project to boost their grades. It turns out that Geordie is not great at working in groups, and some of his classmates are tough to get along with. They sometimes bicker and struggle to come up with a common topic, and seeing how they interact reminded me of how many kids today relate to one another, when they have to manage both face-to-face and digital interactions.

I am not going to get more into the plot and how the various relationships work out, but I will say that I found a lot of nuance and suspense throughout this book, and I found it really difficult to put down. It's not only riveting, it's also very moving and relatable. The interplay between reality and virtual worlds was palpable, and I cannot wait to share this book with my kids.

The Hidden Dominion of Geordie James was made by Mike Dawson, who is one of my favorite comics artists. I belong to his Patreon, where he publishes "almost monthly" zines. He has also written and drawna number of graphic novels over the years, including the Fifth Quarter books, Freddie & Me, Angie Bongiolatti, and Troop 142. He also has done a lot of  graphic nonfiction and essay work, including the collection Rules for Dating My Daughter and plenty of comics for The Nib and other venues.

All three of the reviews I have read of this book have starred ones. The entry from Kirkus Reviews concluded, "A beautifully resonant work for the plugged-in set."  Barbara Ward wrote in Booklist, "With threads exploring philosophical and moral questions and a nuanced look at the impact of time online for kids, this bright, expressive graphic novel has lots of emotional grounding while still being an engaging story of an often-overlooked kid finding acceptance and understanding." The School Library Journal  wrote that it "could readily serve as a mentor text and is an excellent book club choice for middle school students.”

The Hidden Dominion of Geordie James was published by Union Square Kids, and they offer a preview and more information here.

Assorted Crisis Events, Volume 1

Assorted Crisis Events is an anthology series where each issue is done by the same creative team. This volume collects the first five issues of the series, five tales that follow different characters in different circumstances. The only thing these stories have in common is that they deal with time travel and one grand temporal disturbance. There is a mysterious figure in each story, a bearded man with a jet pack, but he's never around long, and what his role is, if he even has one, in this series is not revealed.

The first tale is about a woman who lives in a run-down building frequently used to fill disaster movies; the second about a man unstuck in time catching various glimpses of his life, Billy Pilgrim-style: from his family immigrating to the US, to working in a slaughterhouse, to episodes of family drama, to dinosaurs materializing and attacking. The third tale is about two cities from parallel universes coming together; the fourth about a man who speeds through his own life, seemingly never making decisions and just hurtling forward toward death. The fifth story is about a woman who is stuck in a time loop where she continually re-experiences a trauma event.

These stories are all morality plays of a sort, in the mold of very specific Twilight Zone episodes. They work because they tend to be instantly compelling, the twists are well executed, plus the artwork is simply incredible. The amount of detail, strategic coloring, and page layouts make for some innovative comics reading. I appreciate just how much work goes into visual displays that take advantage of how the passage of time can be throttled, warped, and communicated via comics. I prefer some of the stories to others, but I feel that they are all strong. And I am interested to see if any sense of continuity develops as the series goes on.

Assorted Crisis Events was written by Deniz Camp, drawn by Eric Zawadzki, and colored by Jordie Bellaire. Camp is one of the hottest writers in comics right now, having worked on the acclaimed series Ultimates for Marvel and Absolute Martian Manhunter for DC. Zawadzki has worked on a number of comics series, including the House of El trilogy for DC and Heart Attack for Skybound. Bellaire is an Eisner Award-winning colorist and writer who has worked on many series for multiple publishers. There are multiple interviews with the makers of this series listed here.

All of the reviews I have read about this book celebrate its merits. Matt Reads Comics called it "a must-read series." Evan gushed in his spoiler-filled review, "Overall, this might be one of the best comics I’ve ever read." Brian Nicholson was lukewarm on the series for reasons related to contemporary comics publishing, but he also noted, "The abundance of craft and intellect on display makes me hope it could open up and move beyond the closed-off system of thought that defines it currently."

Assorted Crisis Events, Volume 1 was published by Image Comics and they offer more info about it here. This series is intended for mature readers, and it is ongoing, currently up to issue 8.

Steady Rollin': Preacher's Kid, Black Punk, and Pedaling Papa

I got this book a few years back from a Kickstarter campaign for Birdcage Bottom Books. Steady Rollin' is a collection of previously published comics, and the only thing holding them together is that they are all autobiographical, roughly chronological, and feature the author and illustrator, Fred Noland. He is currently, in his own words, "an avid cyclist and proud papa." 

Over the course of this book he delves into lots of subjects and time periods, including looking at his upbringing as a literal son of a preacher man, his foray into the punk music scene, living in and around southern California, working at a car wash, various cycling trips, and a tense escapade where he tracked down someone who had stolen his bike. Along the way, I got a lot of insight into his politics, personality, and parenting. 

Each comic episode is a concentrated look at his life, sometimes funny, sometimes thoughtful, and always engaging. He tends to look at things, warts and all, and I appreciated the many truth bombs he dropped. At first I was disappointed that there was not a unified narrative, but I think this book has something better. Although the stories only really roughly fit together and were purposed for other venues, taken altogether they create a mosaic of man I find not only interesting and entertaining but also someone I'd actually like to meet and hang out with. I am not sure if we would get along necessarily, but I like the cut of his jib. And I really like his comics.

As I wrote earlier, Noland is a working artist, and he has produced work for many prominent magazines and venues. He has made a short graphic biography of Major Taylor, one of the USA's first global superstar athletes, and has been working on a longer one as well. He speaks more about his work and this book in this interview and also in this article.

I was not able to find many reviews of this book online, but Publishers Weekly called it a "companionable grab bag of humorous autobiographical shorts."

Steady Rollin' was originally published by Birdcage Bottom Books, but now you can get copies from Microcosm  Publishing (they offer a preview and more at the link).

Spectators

Spectators uses afterlife and science fiction future tropes to examine our contemporary lives and relationships with sex and violence. It is a wild book to read, one that will stick in my mind for a while to come. The story begins in 2022, when a woman named Val is stood up for a date at a movie theater, watches porn on her phone to pass some time, then gets gunned down by a maniac who is obsessed with a competition called #leaderboard. Her story does not end there however, as she becomes a spirit who haunts the Earth. She is unable to interact or affect any living beings, but there are plenty of other dead folk she can talk to. In an interesting stylistic choice, the living world is depicted in black and white while the ghosts are in full color.

Val spends the next few hundred years roaming around New York City, spying on people having sex (or using their personal masturbatory devices) and going to particularly violent happenings, some pretty popular pursuits among the other ghosts. Eventually, she runs into another ghost named Sam, and the two loners find an affinity with one another and begin to travel together. First they go looking for people engaged in a threesome but later getting drawn up in the increasing escalation of #leaderboard killers that kick off a series of international attacks that may just be the end of times for humanity. Clearly, this tale is an epic one with a grand scope, but it is also a commentary on people's obsessions with sex and violence, particularly in these times when both are digitally accessible within seconds. 

This book is about the end of humanity in the sense of extinction but also in terms of the desensitization that comes with our access to all sorts of experiences with the touch of a button. Sam's history especially brings this notion into focus, as he is old enough to have lived through Teddy Roosevelt's presidency and the early days of motion pictures. These ghosts are the ultimate lurkers, getting to experience people's most intimate and terrible moments, much like many of us can also via the internet and social media. 

None of this grand enterprise/social critique would work if not for the synergy of two superb comics creators, the writer Brian K. Vaughan and artist Niko Henrichon. The plotting and characterization are as detailed and vivid as the artwork, which is well suited to grand vistas, dynamic action sequences, and private emotional moments. Both collaborated in the past of the graphic novel Pride of Baghdad, and they originally published Spectators over a two year period as part of their Substack newsletter.

All of the reviews I have read of this book have been positive. Zack Quaintance wrote about the original newsletter publication (and I feel it still applies to this book version), "With Spectators, Vaughan and Henrichon really thought through what sort of story would be perfect for this format, and delivered a memorable story along with a rewarding reading experience." Rory Wilding wrote that it is "a multi-faceted epic that ranges from sci-fi to the afterlife and an examination of humanity at its most self-destructive and raunchiest." Justin Soderberg called it "a truly spectacular graphic novel."

Spectators was published in collected form by Image Comics, and they offer more information about it here. This book features sex and violence on an intense scale and is intended for mature readers.

History Comics: The Stonewall Riots: Making a Stand for LGBTQ Rights

 

History is a tough thing to conceive of for some learners, as it's difficult to remove oneself from one place in time and try to imagine themselves in another. This volume of History Comics, The Stonewall Riots: Making a Stand for LGBTQ Rights, tackles this issue by literally having its protagonists, a trio of adolescents named Natalia, Jax, and Rashad, who are diverse in terms of gender and sexuality, go back in time (without their cell phones, the horror!). Then and there, they are witness to the actual events leading up to the Stonewall Uprising, and they get to know some of its major players. 

This graphic novel is more about getting to know a tone and people than it is about presenting specific facts and dates to memorize, and I think where it excels is in contextualizing what led to this series of protests that gave momentum to a significant push for LGBTQ rights. The artwork is full of personality and depicts characters in stark, energetic fashion, pairing well with the plot to make this book have a very human focus. The characters and readers both get well acquainted with the people who made history.

Significantly, this book also does not sugar-coat the people or events, nor does it conclude that the struggle is over in the present day. In fact, it points out how much work still needs to be done and also provides a slew of resources for how young people can also get involved in various organizations today. It is a fantastic resource for learning about history as well as for encouraging contemporary activism, and I think it is a much-needed book for classroom and school libraries.

The Stonewall Riots was co-created by writer Archie Bongiovanni and artist A. Andrews. Bongiovanni has co-created comics in all sorts of formats, from graphic novels like A Quick & Easy Guide to They/Them Pronouns to webcomics like Grease Bats and other shorter ones published at The Nib. Andrews also has created a number of different sorts of comics including A Quick & Easy Guide to Sex and Disability.

All of the reviews I have read of this book have been positive. Brett at Graphic Policy stated that it is a great primer that "captures the moment," "the feel," and "the build-up of it all." Krystal Moore and Felix Whetsel called it "a timely introduction to the history of the LGBTQ community, and the people who fought to get us where we are now." Kirkus Reviews summed up, "Engaging account that invites young people to continue to advocate for equality now."

The Stonewall Riots: Making a Stand for LGBTQ Rights was published by First Second, and they offer a preview and much more here.

Sk8 Dad Summer: ramps, rebellion, and raising a kid

Sk8 Dad Summer is one publication in the 2022 Birdcage Bottom Books distribution list, for which there is a Kickstarter currently happening (and I hope that you help fund - go check it out!). As a parent of young children, I found a lot to relate to in this book. It is a refreshingly real look at parenting that I feel captures the spirit of contemporary culture. And although I have not been a dedicated skater, I could empathize with wanting to share my interests and joys with my children, though they often have their own ideas about what is cool and what they would prefer to do.

The main narrative of this book involves the author making a half pipe in his backyard, but he uses this device as a platform for pondering multiple aspects of his life. He thinks about when he was as a young skater and how his life has changed now that he is in his 40s. Once, he literally had to scavenge materials and deal with prohibitive authorities, but now he is part of the authority structure and can readily buy high quality construction materials. Now, he tries to encourage his child to skate, with mixed results. It also makes him think of his own relationship with his father, who was a preacher. The skate ramp also becomes a center of activity for the neighborhood, attracting both nearby children and parents, so it embodies a certain sense of community. 

All of these threads of the story weave into a humorous exploration of  parenthood, community, marriage, and life in general. In many ways, it reminded me of the recent aging punk anthology I read, in that it shows how being a skater informed his life in a way that has colored his experiences and formed his ethics. And although it is relatively short, this book is memorable, packing a heartfelt and emotional punch. It is highly entertaining, insightful, and frequently funny. I loved reading it, and I cannot wait to have a hard copy in my hands.

This book's creator Brett Hamil is an artist, comedian, and writer who regularly publishes comics in Seattle's Child. He also draws a weekly political comic for the South Seattle Emerald. I just been getting into his various works, and I have dug what I have seen so far.

I could only locate one review of this book so far, and it was a positive one. Cheryl Murfin (scroll to page 57) called it a "sweet, funny, poignant little book." It deserves much more attention, and I hope it receives it.

Sk8 Dad Summer was/will be published by Birdcage Bottom Books, and they offer a preview and more here on their Kickstarter page. Please consider funding this and other great books from this indie publisher. The campaign ends in a week on March 17, and they could use your support.

Save It For Later: Promises, Parenthood, and the Urgency of Protest

We are living through "interesting times," and Save It For Later is a great collection of essays that survey much of what has been transpiring over the past decade, with a rise in fascism as well as the need for political action and attention to our environment. These essays do not offer easy answers, but they do offer insight into how one might speak to one's children about the world and how they should act in order to make sure that they have a future that is equitable and safe. It is a raw and emotionally direct book that elicits feelings of pain and anxiety that accompany difficult events. It is also a harrowing look at political movements that seek to silence many and enforce a single autocratic ideology.

It would be easy to say that this book is a response to the rise of Trump, and now that he is gone many of the issues brought with his regime are gone with him. But these essays show that his presidency is but one manifestation of a slow, persistent political tide, where white supremacists and toxic masculinity have amassed political currency for hatred and authoritarianism. He also points out many ways that a progressive response to this should not be to ridicule or treat these movements as clownish, even when they might seem ridiculous, because the consequences of their actions can be harmful and even deadly. 

Still, the book is not all gloom and doom. Hope does lie in the future, with people who strive to find justice despite adversity, but it will take a lot of effort from many. Taking up the mantle of figures like John Lewis, this book is about how parents can talk to their children thoughtfully, discuss the political world, and act in ways that promote equity, equality, and freedom. It is not an easy book to read, but I feel it's an important one, especially right now.

This book was created by Nate Powell, one of the most accomplished graphic novelists of his generation. He is a veteran creator with a long list of praised works, including the Eisner and National Book Award winning March trilogy. He has also drawn a number of other graphic novels, such as The Silence of Our Friends, Swallow Me Whole, Any Empire, Come Again, and Run. He speaks about his work on these essays in this interview.

All of the reviews I have read about this book have been positive. In a starred review, Publishers Weekly concluded, "This sincere volume carries off parenting inspiration with gravitas." Henry Chamberlain wrote, "Powell manages to retain a certain level of rawness that adds authenticity. This is a real person who is just trying to figure things out, what’s best for him, his family, and his community." Hillary Chute called it "an absorbing reflection on intergenerational inheritance."

Save It For Later was published by Abrams, and they offer a preview and more here.

Montana Diary

Montana Diary is an interesting travelogue/mini-comic that melds history with current politics. It is about a road trip through "Big Sky Country" that delivers a history of the state, exploration of its national parks, sample of local culture, and reflection on contemporary politics and race relations. As a person in a mixed race marriage, Taylor shares her discomfort with social situations on her trip, admitting how she let her husband do the speaking, as she did not know how locals would react to them. She is also responding to the historical moment, living in the US after years of divisive hate becoming more and more pronounced. 

Thus, this book captures a few unique facets in its pages. It contains a response to a specific time, set in a particular place, and elucidating that place's history and geography. I think that the artwork is elegant and economical, depicting very human and occasionally humorous situations. It is alternately affecting, informative, and moving, portraying an intimate look into relationships and traveling. I think that it exemplifies the best characteristics of both diary writing and a travelogue, a compelling book that is surprisingly complex and enlightening in the short space of 32 pages. You will feel like you are there in the car with her, knocking back a huck shake while worrying about climate change.

Montana Diary is the work of Whit Taylor, who has been a very active cartoonist, editor, and contributor to multiple anthologies. She has won multiple Ignatz Awards, one for co-editing the anthology Comics for Choice and the other for outstanding series for Fizzle. She is also a contributing editor for The Nib.

The reviews I have read of this book have been positive. Rob Kirby wrote, "This thirty-two-page zine boasts a rich tapestry of content, more in fact, than many full-length graphic novels I’ve read of late. It’s an entertaining, genuinely rewarding read, created with equal parts heart and mind." Scott Cederlund opined, "It’s great to come away from a comic like this feeling like you’ve shared at least a part of the experience with the cartoonist and that’s what Taylor does in her cartooning."

Montana Diary was published by Silver Sprocket, and they offer a preview and more info here. You can also read the entire comic here, though I suggest you also buy a copy.

Dolly Pardon

With the embarrassing, infuriating decision by a Tennessee county school board to ban the Pulitzer Prize-winning Maus books, yet another attack on the propriety of comics as well as implicit support for fascism, I feel the need to highlight both comics and someone from this state who does a lot of good for many people, country star Dolly Parton. I just read this great anthology about her, and I think that others would also enjoy reading about various aspects of her life.

This unauthorized biography touches on so many things, including her childhood, burgeoning music career, rise to international fame, personal life, movie roles, entrepreneurship, philanthropy, and work for childhood literacy. It is a relatively quick read, but it is also simply amazing as it almost encompasses all that this woman has accomplished. I very much appreciated the straight-forward, informative, and entertaining way this book hops from topic to topic in portraying a biography. I think it would appeal to Dolly fans but also for those who have no clue about the scope and influence of her life.

This fine book was edited by Liz Yerby, with art by the Sound Grounds Wreckin' Crew, a Portland, OR based collective that includes BB Andersson, Caroline Cash, Eileen Chavez, Alecia Gatlin, Kathleen Gros, Avery Jepsen-Minyardthat , Elodie Kahler, Emily Lewis, Emily Nilsson, Samantha Szabo, Morgan Thomas, Amie Wilensky and Liz Yerby. It is amazing that so many people collaborated to make this book relatively cohesive and on point.

This comic is 52 pages long, but it contains multitudes. I have not been able to locate any reviews of it online, which is a shame because I think it deserves much more attention.

Dolly Pardon was published by Sound Grounds Wreckin’ Crew. I got my copy from Birdcage Bottom Books, and they a preview and more copies available here.

Too Tough To Die: An Aging Punx Anthology

I have read a few anthologies published by Birdcage Bottom Books (like this one), and they have always been interesting and/or provocative, introducing me to some new artists along the way. Too Tough To Die is a weighty tome featuring 47 different entries. Many focus on autobiographical tales of people's punk rock fandom. There are references to lots of bands and multiple reasons why these people were drawn to punk rock. For some, there was family situations that made the scene relatable; others just liked the crass humor; some found it an appropriate response to hypocrisy, and others found kinship in the motley assortment of punks. Many of the stories speak to punk more as an ethos than a fashion or musical movement and also speak to how it was not just some youthful phase but a blueprint for being a critical and informed adult.

Art by Hyena Hell

These stories are not all about sharing mix tapes, though there is plenty of that. They are not overly nostalgic, depicting scenes of violence, some substance abuse, and a number of other poor life choices. Many also address some of the more sinister aspects of the scene, such as the presence of white supremacists and skinheads. Many of the stories puncture any pomposity of the narrators, as contemporary young people have their own particular mindsets and wonder why these lame old folk keep trying to impress them, even if they might be into the same bands.

Art by Ayti Krali

In terms of representation, I really liked seeing the multiple ways that people found their ways into punk consciousness. There are tales from men, women, people of color, city dwellers, suburbanites, and kids from the country. There is also plenty of discussion about how punk intermingled/juxtaposed with other movements, such as hair metal, grunge, and alternative music.

Art by Gideon Kendall

There are too many stories for me to explain fully, but I loved the range of formats and styles. Some are short, almost like gag strips. Many are pretty raw, featuring rough lines and splotchy black and white images, mimicking the format of zines. One of my favorites, concluding the book, is series of images and biological accounts by Haleigh Buck in the style of show posters. Maybe it's because I am squarely in the age demographic of many of these artists/stories, but I found much I could empathize with and relate to. This anthology is phenomenal.

This collection was edited by Haleigh Buck and J.T. Yost. Yost has done all sorts of comics over the years, including a memorable tale about the Westboro Baptist Church in American Cult, and also founded and runs Birdcage Bottom Books. Buck is a frequent contributor to anthologies and has created a number of comics and mini-comics.

The reviews I could find of this book have been positive. Publishers Weekly summed up, "This is one awesome and introspective ode to rebellion." It currently has a 4.7 (out of 5) star rating on Goodreads.

Too Tough To Die was published by Birdcage Bottom Books, and they offer a preview and more here. This book features profanity, some sexual situations, and drug use, so reader discretion is suggested.

Billionaires: The Lives of the Rich and Powerful

Billionaires: The Lives of the Rich and Powerful is another well-researched, informative, and thought-provoking book by Darryl Cunningham. He is an author whose work I always try to check out, and I have reviewed a number of his other works, including his graphic novels about Ayn Rand and capitalism, science denial, and mental illness. In this book, he details three biographies, about media mogul Rupert Murdoch, petroleum tycoons Charles and David Koch, and Amazon founder Jeff Bezos, all super-rich individuals who have had a profound impact on modern life. 

With his journalistic writing, bleak humor, and spare art, Cunningham details their lives, political development, and effects on marketplaces, politicians and political movements, law-making, and media. One common thread is that as they amassed great wealth and used it to consolidate power. Usually, this consolidation involved buying up or creating prominent media outlets to spread their views and persuading others to act (and vote) in ways that tend to be conservative and/or libertarian. In many ways, they become more powerful and wield more clout than political leaders.

The analyses in this book come from a progressive point of view, and they critique what Cunningham sees as a new manifestation of the Gilded Age, but it is difficult to disagree with the profound influence these men have had on people's lives. The economic and political turns he chronicles are evident in our modern world, and I think it is essential that all can see their origins in the lives of these figures.

All of the reviews I have read have been positive. Kirkus Reviews summed up, "The rich really are different, as this lightly presented but utterly serious presentation proves beyond argument." Bruno Savill De Jong wrote, "Cunningham collects vast data and research into their lives and businesses, detailing how through bending their companies to collect additional revenue, they have also thrown society out of shape." Jeff Provine opined how Cunningham's drawings "add attentive details and sometimes humor while at some points instilling vignettes to show the drama of the scene words cannot fully capture."

Billionaires was published by Drawn & Quarterly, and they offer an excerpt and more here. Cunningham's next book, Putin's Russia, will be out in the February.

Some Recent Silver Sprocket Publications

In this time of social distancing and no comics conventions, I have been checking out books from various small, independent presses whenever I can. That's how I came upon the two titles I am reviewing today, from one of my favorite presses Silver Sprocket.

That Full Moon Feeling is a queer, supernatural, love story about a witch and a werewolf who meet on a dating app. They go on a series of dates, but each one ends in disasters, like being attacked by a swamp monster, a necromancer's army of skeletons, disembodied hands, or giant praying mantises. Somehow, despite all these adversities (or maybe because of them?), they find a connection.

I loved this story, as it is very sweet without being cloying. I found a lot to empathize with a situation where two people just figure out that they are right for each other, and I loved the amount of character work done throughout the book. Both Suzy (the witch) and Jada (the werewolf) are unique, and I found it easy to fall in love with both characters. Also, although this book is clearly set in a fantasy realm, it is an authentic and refreshing take on contemporary romance. 

The artwork complemented the story perfectly, with characters being imbued with lots of heart and emotion. Also, there is a lot of delight in the various monsters and other horrific denizens of this world, not to mention that animal familiars that Suzy associates with. In addition to all the fun imagery, there is also an interesting incorporation of technology in the storytelling, like the interactions on the dating app, texting, and the various group messages that Jada receives from her pack.

This book's creator Ashley Robin Franklin also has published a number of other comics, including the horror/romance tale One Million Tiny Fires. She discusses her career and work on That Full Moon Feeling in this interview.

All of the reviews of this book have found it delightful. Ryan C. wrote that it "lithely threads the needle between two genres that are by and large of little interest to me, specifically romantic comedy and the supernatural, yet nevertheless managed to warm my cynical middle-aged cis white male heart and plant an entirely unforced smile on my face for the duration of its 64 pages." David Charles Bitterbaum called it "a stupendous comic. It is very sweet, fantastically illustrated, and immensely cute."

You can find more info and a preview of That Full Moon Feeling here.

I was way more familiar with this creator's work, as Matt Lubchansky is an Associate Editor and regular contributor to The Nib, so I see a lot of their work regularly. The Antifa Super-Soldier Cookbook is a hilarious, long-form satire about Max Marx, a radical who gets a huge call-up from Antifa. Because of his past successes, the secret council selects him to become a super-soldier.

I love how this book amplifies a paranoid conservative conspiracy theory that what is a loose affiliation of political activists is really a covert, highly organized organization along the lines of COBRA. Their various training initiatives and sabotage operations are shown in nefariously absurd detail, but underlying the silliness is the serious counterpoint that in the police/political realm, such action is actually happening. I found much to laugh at in this book, but the humor is tempered with an edge about what is occurring in our country/world today.

Well suiting its subject matter, the artwork in this book is appropriately over-the-top, with shady police officers, fantastical inventions, and lots of bombastic action. I especially adored all the nifty gadgets built into Max's new robotic body. This book is an excellent satire that balances ridiculous and outrageous imagery with sobering social commentary.

The reviews I have read about this book have been positive. Brett Schenker called it "a solid satire that has fun with the absurd reality some people live in." Ryan C. wrote about it coming from a specific political stance, opining "If...you’re a rational and well-adjusted human being, then you’ll probably get a solid kick out of it."

Also, for those interested, Lubchansky speaks more about this book and their career in this interview.

You can find a preview and more info about The Antifa Super-Soldier Cookbook here.

Because of profanity and adult themes, I recommend both of these books for more mature readers.

Harley Quinn: Breaking Glass

 

I have read a few of the YA graphic novels that DC Comics has published the past couple of years (you can check out my two reviews here and here), but this one really took me by surprise by how much I liked it. I don't mean that I underestimated the talent who collaborated on this book, as writer Mariko Tamaki is one of the best writers working in comics today, and I have enjoyed artist Steve Pugh's work for decades now. 

Dear readers, I suffer from what I call "Batman fatigue." I used to love the character, and there was a time when I felt it was the greatest superhero creation ever. But after decades of reading some great stories, I have gotten to the point where there is just too much Batman out there for me. Sure, I admire writer Tom King's meta-commentary comics when I have read them, and works like The Dark Knight Returns, The Dark Knight, Batman: Year One, Batman: The Animated Series, and the 1966 Batman TV show are some of my favorite things ever. But I am over the umpteenth "final battle" between Batman and the Joker, and I am sick to death of the latest "most ultimate, extreme version ever" that has driven the comic books over the past two decades. Plus, I have some issues with Harley Quinn, who has come a long way, but whose origins truck in some pretty toxic masculinity and decades of abuse in her relationship with the Joker.

What impressed me most about this book was how well it imagined this whole universe that I found not only fresh and riveting, but that also left me gasping for more when the book ended. That is no mean feat.

Harley Quinn: Breaking Glass re-imagines Harley Quinn (or Harleen Quinzel, as she starts out) as a troubled youth who was sent to live with her grandmother in Gotham City, only to end up living with a large Asian drag queen named Mama and her coterie of drag performers. 16-year-old Harley goes to school, gets into trouble, but also befriends a girl named Ivy, here conceived as a mixed race, activist teenager with a Black father and Asian mother. Ivy is an environmentalist who finds solace in the community garden, but the entire neighborhood is threatened by aggressive gentrification perpetrated by the Kane Corporation (who are a sort of evil version of Starbucks). She and Harley also also have a major beef with Gotham High's Film Club, which is run by their classmate, elitist jerk John Kane.

Ivy presents one option of using social activism to combat this injustice, but Harley also meets a masked stranger who calls himself the Joker who offers an alternative course of action, to use terror and bomb and burn the city. None of these changes comes off as ham-handed, but they are rather nuanced, logical, and thematically apt. Also, this books turns the convention version of these characters on their heads, confronting issues of toxic masculinity, classism, racism, incarceration, and misogyny head-on. 

The story and themes are augmented by the artwork, which is incredibly detailed, so that the entire city and its motley cast of characters comes alive. There are a few key players who are important throughout the book, but the backgrounds, crowd scenes, layouts, and setting also loom large and add so much personality and ambience. This book is fantastic, an incredibly smart, moving, and suspenseful reworking of overdone characters. If this is the future of mainstream comics, sign me up please.

Like I wrote above, both of the main creators involved with this book are accomplished comics veterans. Tamaki has won a ton of awards, including multiple Eisners, being a finalist for the Printz Award (twice!), and a Caldecott Honor. She is known for the graphic novels This One Summer, Skim, and Laura Dean Keeps Breaking Up With Me. Pugh's most notable works in the US have been multiple runs on Animal Man, drawing the Saint of Killers mini-series, and a recent run on the utterly great The Flintstones mini-series (For real. Go read my review.). Both creators speak about their collaboration on Breaking Glass in this interview.

All of the reviews I have read about this book have been very positive. Ray Goldfield wrote that he felt "it’s the most essential read for anyone who hasn’t seen themselves represented in DC Comics yet." Kirkus Reviews summed it up as "a riotous read." Publisher Weekly observed, "Harley is a relatively breezy character whose questionable ethics often mirror those closest to her, and pairing her with a found family of drag queens and community organizers directs her chaotic whimsy toward a social justice bent."

Harley Quinn: Breaking Glass was published by DC Comics, and they offer more info about it here.

Woods

Woods is a book I picked up from the same Kickstarter campaign I got Eddie's Week. I had really enjoyed the author's prior book Monkey Chef, and I was eager to see what his new work was like. Whereas that book, and most of Mike Freiheit's other comics work has been autobiographical, this book is a work of fiction. Woods is one of the creepier books I have read of late, and I mean that as a compliment. It's a subtle horror story that combines current events with mental health concerns, mixed with some basic archetypes of scary fiction.

The main characters in this book are Jason and Beth. Beth experiences a mental break after the presidential election of 2016, paranoid about the state of the world and the hate/misogyny she sees everywhere. After convalescing, she and her husband Jason decide to sublet their apartment and move to a cabin in the woods. Jason has a dark complexion (and is meant to be African-American, I think, though it's not explicitly stated), which brings him unwanted attention from the rural locals. They make "jokes," but they also seem menacing. 

All of these aspects coalesce into a terrible scenario. Jason begins to suspect slight instances of sabotage to their land. Beth may or may not be taking her meds faithfully, or perhaps they are not effective. Add to this mix a cold winter, a faulty generator, and an unreliable truck, and what you have is a horrific scene. 

What I admired most about this book was how it establishes a tone of unease and terror through it's raw-feeling artwork and small cracks in the veneer. Beth's descent into paranoia is at once slow and then sudden, and the clues have been dotted along all the while. The artwork indicates these shifts with its use of black and white and a spectrum of lines that run from relatively smooth to more frenetic and jarring. The ways that the local animals are depicted in the background, environment, and also interacting with the main characters add nuance and menace. Overall, I think this book is very effective in creating an ominous tone that touches on horror both in contemporary and classic ways.

The reviews I have read about this book have been positive. Publishers Weekly wrote that he "achieves a claustrophobic sense of threats from both inside and out. Freiheit disconcertingly draws readers into paranoia in this cooped-up cabin fever–dream." John Seven stated, "Freiheit’s artwork in Woods mirrors the frantic nature of the situation the couple is in — stark black and white, sometimes scratchy as if the sanity of the panels are fraying along with Beth and Jason’s perception of the world around them." Ryan C. wrote that "this book excels at making you think. About where we are as a society, how we got here, how or even if we can possibly get out."

 Woods was published by Birdcage Bottom Books, and they offer a preview and more here.

The Hard Tomorrow

Imagine it's 2022, and Mark Zuckerberg is president. That's the premise of The Hard Tomorrow, the latest book from Eleanor Davis, one of the best comics artists going right now. The book's main character is Hannah, a young woman who works as an in-home caretaker for an elderly woman and who lives in a truck with Johnny. Johnny is working on building them a house, but he spends a lot of his alone time smoking pot and hanging out with their dog Tinker. Also, the two of them are trying to get pregnant.

When she's not at work, Hannah is involved in Humans Against All Violence, a group working for positive social action. She also hangs spends much of her time with her friend Gabby. Johnny spends his free time with Tyler, a reclusive survivalist who has many guns. Hannah is not a big fan of Tyler's, obviously, but the near future makes for some interesting bedfellows.

As much as this book is a commentary on the present day, and how it might become even worse, it is also a book about humanity and hope. Although things are tough, and in the course of the book several heartbreaking things happen, it casts a wide light on the complex and nuanced characters contained in its pages. Some of them are disappointments, while others come through in the clutch. Some are utterly wrong, and some who are easy to doubt end up being right. No one in this book is completely a saint or a sinner (except for faceless, fascist police and the POTUS), and the exploration of humanity under duress is both fascinating and moving. Most impressively, this feat is achieved via the plot and the pictures, as Davis's artwork breathes life into the pages. The Hard Tomorrow is both provocative and poignant, containing moments both jarring and subtle. Not many books move me as much as this one did, and the ending had me covered in goosebumps.

This book's creator is Eleanor Davis. She has racked up quite a few accolades, including the Russ Manning Most Promising Newcomer Award, and she has created a number of books that can appeal to adults (How to Be Happy and Why Art?), younger readers (Stinky), and adolescents (The Secret Science Alliance). You, a Bike, & A Road was one of my favorite books of 2017, and it won an Ignatz Award for Outstanding Anthology or Collection. She speaks about her work on The Hard Tomorrow in this interview. I'd be shocked if this book does not win at least a few major awards in the coming year, as it highlights just how spectacular a writer and artist she is.

All of the reviews I have read of this book have been glowing. Publishers Weekly opined that "Davis seems to argue that any life is rich and complicated enough to merit its own book—and she convinces the reader she is right." Leonard Pierce wrote, "All told, this is a book that finds that razor’s edge between irrelevance (sic?) and datedness and balances there with the expertise of a gymnast." Oliver Sava called it a graphic novel that "looks at a bleak and very familiar near-future to tell a story about activism, empathy, and believing in a better world."

The Hard Tomorrow was published by Drawn & Quarterly, and they offer a preview and more here.

The Nib Magazine Issue 4: Scams

I just read the fourth issue of The Nib print magazine, and it is a top notch collection of political cartoons, tales, and reports by excellent writers and cartoonists. I am a huge fan of The Nib, as a magazine and as a website that updates fairly regularly (practically daily). As of July, the entire enterprise is independent and reliant on the support of its readers, and I am glad to take this time to highlight what I feel is an excellent source of comics goodness.

This particular issue focuses on Scams, and it covers multiple topics, including the classic Nigerian Prince email swindle, ways that refugees are robbed by supposed help agencies, various Ponzi schemes, seemingly criminal real estate practices, good-old-fashioned counterfeiting, and electronic fraud. The stories are current, topical, and fascinating. Also, many also feature a good dose of humor. I love nonfiction comics, and this book is full of them.

Stand-out stories in this book include:

Emi Gennis's account of John Romulus Brinkley, "The Goat Gland Doctor" who was an infamous huckster with a huge radio signal.

"My Heart Burns" by Yazan al-Saadi and Tracy Chahwan, about smugglers and how they fleece Syrian refugees who are most vulnerable and desperate.

Josh Carter and Liz Enright's "Secret Agent Man," about one father's search for a big online score and its aftermath on his family's lives.

These stories are profoundly moving as well as eye-opening. These are the best kinds of comics: educational, informative, funny, and emotional. There is something here for everyone.

The Nib's website, where original work is regularly published, is here. Memberships to The Nib are available here. Rates start at $2/month, and the print copy costs $4/month. It's well worth it!

They are also currently running a summer fundraiser, if you are just inclined to make a donation, I say it's for a great bunch of folks.