I am a big fan of Michael Kupperman's comics. Tales Designed to Thrizzle was one of my favorite series, and I adored the humor of Mark Twain's Autobiography 1910-2010. His combination of deadpan faces with absurd, surreal imagery and situations have consistently cracked me up. I even have a print of his "Are Comics Serious Literature" on my office wall. So when I learned he had a full length graphic novel forthcoming, I was jazzed. When I found out it was a serious, nonfiction work, I was intrigued even further. This book, All the Answers did not disappoint in any way. It's a fantastic, gripping, and thought-provoking work.
This book is mostly a biography of his father, Joel Kupperman, a famous child prodigy who starred on a radio/TV show called Quiz Kids. He began on the show from age 6 and became a break-out star who toured the country and met many famous people for more than a decade. He had a gift for mathematics and could do algebra problems in his head with relative ease. There was a backlash from being so familiar and appearing so perfect, not to mention pressures from being in the public spotlight for so long, and later in life he basically shut the whole episode away. Joel Kupperman went on to become a successful philosophy professor,
mostly interested in exploring ethics, but he
refused to engage with any part of his prior life. This situation also affected how he raised his own children, and we see the long-term effects in this book.
The detached art style responsible for the humor in Michael Kupperman's earlier works here plays in a much more dramatic way, communicating the detached way that the older Kupperman treated his own family. The title of the book has a double meaning, one linked to Joel's ability to always come up with the correct solution, but the second is more ironic. In the end Michael Kupperman has lots of questions about his father's life and motivations that lie unanswered. What is more, he constantly questions whether bringing all these issues into the light via this book is a good idea. In the end, this book is a meditation about families, how they relate to each other, and the roles of parents with their children. It also has a lot to say about the functions of popular culture and the early days of television. It is wonderfully provocative and affecting, an excellent biography, history, memoir, and autobiography all in one.
If you would like to learn more about Kupperman's inspirations and work on this book, check out this interview with the Comics Alternative.
All of the reviews I have read of this book sing its praises. Publishers Weekly gave it a starred review and wrote that the combination of art and text "help turn an already incredible story into an electrifyingly fast-paced,
yet intimate memoir about family secrets and the price children can pay
for their parents’ ambitions." Rob Clough concluded his review, "He
told his father’s story as authentically as he could, but the fact that
he had the guts to admit that this didn’t lead to a magical catharsis
doesn’t puncture a hole in the narrative; it simply grounds it in
reality." Greg Hunter called it "a brave piece of storytelling."
All the Answers was published by Gallery 13, and they offer more info about it here.
A site for links and information about graphic novels for anyone interested in reading them. I hope that you find my posts informative, useful, or entertaining. Thanks for stopping by!
Showing posts with label Michael Kupperman. Show all posts
Showing posts with label Michael Kupperman. Show all posts
Thursday, July 5, 2018
Saturday, May 5, 2012
Mark Twain's Autobiography 1910-2010

Up first in Not-Quite-A-Graphic-Novel Month is Michael Kupperman's Mark Twain's Biography 1910-2010.
Most people are under the impression that Mark Twain died in 1910, but according to this volume the report of his "death was an exaggeration." Reading this book, we learn that not only is Twain still alive (thanks to a wizard's spell) but he has been having adventures the last 100 years. He fought in the Great War. He died his hair black, moved to Italy, and spent a year yelling gibberish at people. He had dalliances with Marilyn Monroe and Mamie Eisenhower. He foiled an alien invasion. He starred in several movies, including one porn film. He teamed up with Albert Einstein. He went to the moon with NASA. He fought in World War II. He even influenced Charles Schultz in creating Peanuts. Schultz's first version of the comic strip was decidedly less friendly and was called Li'l Sh*ts, and thankfully Twain was able to intervene with some constructive criticism.
Of course all of this is pure hokum. Still, I very much enjoyed the book, and frequently laughed out loud at the wordplay and absurd situations Twain engaged in. I found the best way to enjoy the book was to read it intermittently, taking time to savor each individual escapade.
This book is the creation of Michael Kupperman, a cartoonist most famous for his surreal, hilarious series Tales Designed to Thrizzle. He is known for his strange and wonderful characters such as Snake 'n' Bacon and Pagus. Kupperman speaks about his life and career in this interview with Big Think. And he speaks specifically about creating this book in this interview with SF Weekly.
The reviews I have read of the book have been mostly positive. The Comic Journal's Rob Clough praised the book, stating that "whatever direction he moves in, there is a consistent level of dizzying joy to be found in Kupperman’s work, a kind of humor that features dark and occasionally satirical edges but is mostly just a barrage of inspired wordplay, deadpan humor, and deceptively simple images." NPR's Glen Weldon called this book "hugely imaginative, exultantly silly, gag-a-minute writing that manages to comment on the popular culture of the last century while willfully wallowing in it — Python with a wry dose of Pynchon." Grace Bello enjoyed the book but was more lukewarm about the stories within, writing that "they're meant to be digested occasionally" so to avoid fatigue readers should read the book in small chunks.
Various previews and a plethora of links are available here from the book's publisher, Fantagraphics. Some sample chapters from the book (sans illustrations) are available here from the author.
Why it's not quite a graphic novel: Although there are a few sequential art episodes in the book, most chapters consist of a text piece and accompanying illustration. I see this work more as an illustrated book that has a few comic strips thrown in.
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