The Great British Bump-Off

I am a big fan of The Great British Bake Off and murder mysteries, and boy was I excited when this series was solicited. The Great British Bump-Off not only marries these two things, it's also written by John Allison, whose work I have been following for decades now. It stars sleuth Shauna Wickle, one of the stars of the webcomic Bad Machinery, as a contestant on a parody version of the esteemed reality baking competition. Someone has poisoned one of the most competitive bakers, and the producers have tasked Shauna with finding the culprit while also being on the show and completing the challenges. Hijinks and suspense ensue.

Drama!

There are a few things that make this book highly appealing. The artwork is cartoonish and dynamic, a great platform for both broad humor and some of the more sinister undercurrents of the plot. The dialogue is snappy, and I found myself laughing and smirking along at this book a few times. The murder mystery plot is a lively one, with plenty of colorful suspects and red herrings, a la Agatha Christie. And if you are a fan of the actual reality competition, like I am, there are plenty of delightful in-jokes and references to the show's many tropes. Still, I feel this book would be attractive to anyone who is not familiar with the show, as these are some excellent comics, and the storytelling is masterfully crafted.

The Great British Bump-Off was created by writer John Allison, artist Max Sarin, colorist Sammy Borras, and letterer Jim Campbell. Allison and Sarin also collaborated on the Eisner Award-winning series Giant Days. Borras colors many comics, most recently in The Phoenix. Campbell has lettered a good number of comics, including Barbaric. Allison talks about his inspirations and work on The Great British Bump-Off in this interview.

All of the reviews I have read of this book have been glowing. Johana Draper Carlson called it "a joy to read" and added, "The mystery is legitimate, and I was thrilled to follow through the twists and turns." And I completely agree with Tegan O'Neil who wrote, "The problem with The Great British Bump-Off is simply that the series is only four issues long." Nathan Simmons concluded, "Don’t worry if you haven’t watched that series [The Great British Bake Off] before, though; you should still be able to enjoy mystery and the lunacy on display in The Great British Bump-Off, even if you can’t tell a parfait from a trifle."

The Great British Bump-Off was published by Dark Horse, and they provide more information about it here. Fans of this series will be happy to know there is a follow-up, The Great British Bump-Off: Kill or Be Quilt being published right now.

Sunflowers

Put simply, Sunflowers is an amazing comic, an autobiographical account of what it is like to being bipolar. It goes from hypomania to mania to a psychotic episode, telling a frank tale of what could happen and what it feels like. It then gets into how these conditions might be treated and ends with a bunch of resources for getting help. This book is terrifically brave, frank, and revealing, and I found it profoundly moving.

There have been excellent graphic novels that touch on similar areas, including ones by Ellen Forney and Daryl Cunningham, but what I feel sets this one apart is its accessibility. It is relatively short, in the form of  a mini-comic, inexpensive, and easy to share. Even in this day, I know that issues of mental health are often kept secret or not discussed, and the level of candor and honesty here are powerful and potentially very helpful to those in need of assistance. I don't think it's hyperbolic to say that this comic has great potential to save lives.

Sunflowers was created by Keezy Young. They prefer to draw short comics and graphic novels with  horror, supernatural, romance, LGBTQ+, and mental health themes. Their graphic novel work includes the forthcoming queer horror story Hello Sunshine and the award-winning supernatural romance Taproot. They speak about their career in comics in this in-depth interview. If you would like to read an interview specifically about Sunflowers, this one is great.

Sunflowers is a 2025 Eisner Award Nominee for Best Single Issue/One-Shot, and it has received many positive reviews. Chloe Horning wrote, "I appreciated the author’s commitment to depicting both the good and bad aspects of their disorder, while taking care not to romanticize those aspects that may seem appealing to someone on the outside looking in." Andy Oliver summed up, "Undoubtedly one of the finest comics to have come out from Silver Sprocket to date. And that is really saying something."

Sunflowers was published by Silver Sprocket, and they offer a preview and more information about it here. You can also read it for free from their website here. Trigger warning: this book deals with issues of mental health and potential self-harm.

Science Comics: Cats: Nature and Nurture

 

Three cats live in my house, and I learned so much about them and their distant cousins by reading this volume of Science Comics, Cats. It was written and drawn by Andy Hirsch, who has also created a bunch of other entries in the Science Comics series, including  Dogs, Rocks and Minerals, and Trees as well as The American Bison, which he made for History Comics. He also just published Good Boy, a fictional graphic novel about a boy who adopts a rescue dog.

But back to the subject of Cats, it's one got all of the hallmarks of graphic novels I've seen from Hirsch: a fun narrator, lots of facts that are not overwhelming, and very attractive and engaging artwork. The story begins with an interview with an internet-famous calico cat named Bean, who explains their journey from stray to pet that spins into a wide-ranging exploration of cats, including those from the distant past. 

This platform launches into a grand survey that is jam-packed with information about a wide range of felines, from house cats to tigers to ocelots to kodkods. I learned about why cats pace, hunt, and pounce; how they see in the dark; why they eat what they eat, and how the various specialized parts of their bodies work. It's even got a short section about reproduction and DNA and how they propagate specific traits. What's best about this book is that is a great read for anyone who is interested in cats, from younger readers to adults. It's presented in a very readable, engaging way that spans a wide range of audiences.

All of the reviews I have read of this book have been glowing. Lori Henderson called it "another great entry in the Science Comics series" and added, "If you think you know everything about cats, this book will make you think again." Johanna Draper Carlson wrote, "Hirsch’s art style is well-suited to animals, giving them plenty of personality in a cartoony way." Sam Wildman added that Hirsch "does a fantastic job of mixing hard science with a fun story (and adorable narrator) to keep readers invested."

Cats: Nature and Nurture was published by First Second, and they offer a preview and much more here.

Huda F Are You?

I have been meaning to read this book for a while now, ever since I learned about it during a presentation at the Literacy Research Association this past December. Huda F Are You? is a fictionalized memoir about a young, Egyptian-American girl trying to figure things out. First, and foremost, is the titular question she is trying to answer, as she is struggling with a great many issues: keeping up her grades, being a hijab-wearing Muslim, making friends, and meeting her parents' expectations. The first one is easy for her, and being a top student is a key part of her identity. The second is tougher, as it makes her pretty visible and a target for discrimination from random white people and even teachers. The third is complicated because she feels like she does not really feel she is Muslim enough, because she is not as strong in Arabic as many of the other students in her school in Dearborn, Michigan. So she feels inferior to what she sees as "more perfect" Muslim kids, but she also feels alien to most other kids at her school.

Dealing with these three concerns cause Huda to spin off her axis, and her grades start to slip. So she makes some somewhat bold choices that lead her into more awkward situations. All of these behaviors lead to a confrontation with her mother that frames the narrative.

Not everything in this book resolves neatly, but she does find some peace and connections in her social and academic worlds. What impressed me most about this narrative was how relatable and  funny it is. It features lots of observational humor and also running jokes, like the multiple ways that people mispronounce her name, which I can relate to. This book has a lot of heart, and it shows it through its expressive artwork, intricate characters, and the delicate, deliberate pacing. I very much enjoyed this book, and now I need to read its two sequels.

This book's creator Huda Fahmy has written a number of comics for both adults and younger readers. Huda F Cares? and Huda F Wants to Know? are the two sequels to this book. Yes, I Am Hot in This and That Can Be Arranged are graphic novels that began as webcomics, and they are more geared toward adults. Fahmy speaks about her life and work in this interview.

All of the reviews I have read of this book sing its praises. Kirkus Reviews called it "hilarious, charming, and much needed." Richetta wrote, "This book is perfect for discussing identity on multiple levels." Amani Salahudeen opined, "I loved how Huda weaved in humor, touched on important topics within the Islamic community, and was unapologetically Muslim. This book is a must-read!"

Huda F Are You? was published by Dial Books, and they offer a preview and more information about it here. I recommend it for middle and high school readers.

7 Generations: A Plains Cree Saga

In the last few years, I have been interacting with Native American cultures through a variety of different media. I have watched shows like Reservation Dogs and Dark Winds, read books like We Had A Little Real Estate Problem, and read comics from companies like ATCG. Today, I am talking about a  graphic novel, 7 Generations, which spans centuries in its look at a Canadian indigenous family and how generational trauma affects them. The framing sequence is set in 2010, and it's about a 16-year-old boy named Edwin. He is struggling with school and life, and he feels cut adrift. One reason for his feelings is because he is estranged from his father, James, and feels abandoned by him. He decides to take matters and his life in his own hands, namely to end both. Luckily, he was not successful.

It turns out that these feelings are predicated on what has gone on in the past, and this book chronicles four episodes about this family. The first chapter focuses on a couple of Plains Cree brothers in the late 19th century and what transpires after one of them dies in a Blackfoot raid and the other, named Stone, seeks revenge. The second chapter focuses on White Cloud and his experiences during the smallpox pandemic of 1870-1871. The third chapter leaps more toward the present, portraying James's experiences being taken from his family and re-housed in Christian residential schools with his brother. The fourth comes full circle and deals with how James and Edwin might reconcile and lead better lives.

There is a lot going on in this book, and each chapter contains scenes of horror and violence of different sorts. The drawings portray much of the proceedings in visceral, emotional, and dramatic fashion, and in many ways this is a tough book to read, appropriately so, in my opinion. It does not flinch from showing past terrors and crimes, and it also resolves not completely but hopefully. I found this a very moving and informative book, and I recommend it to anyone who is interested in learning more about indigenous cultures or comics.

This book was created by author David A. Robertson and artist Scott B. Henderson. Robertson has written many books from adults and young people, and has won many accolades, including the Governor General's Literary Award and the TD Canadian Children’s Literature Award. 7 Generations was Henderson's first graphic novel, and since then he has drawn 20 more, mainly collaborating with indigenous authors. Robertson speaks about his collaboration with Henderson on this book in this interview.

All of the reviews I have read of this book sing its praises. Suzanne Manizza Roszak concluded, "An equally fitting choice for adolescent and adult readers, 7 Generations deserves to be much more widely read." Joanne Peters wrote that the chapters are "emotionally powerful works, and Scott Henderson's ...visuals add to the impact of Robertson's narratives, particularly in the depiction of the residential school experience."

7 Generations was published by HighWater Press, and they offer more information about the upcoming 15th anniversary edition here. Because of the subject matter, including self-harm and emotional violence, I suggest this book for high school and above.

 Thank you and shout-out to Dani, who chose this book for our graphic novel class!!!

Asgardians Book 2: Thor

Many people, myself included, know a lot about the Thor from Marvel. He's big, strong, blond, wields a big hammer, and can control lightning. The mythological Thor is some of these things, including the muscles, power, hammer, and lightning, but he is also somewhat different.

This second volume sheds more light on that Thor, telling a good number of tales that show him to be a sort of dunderhead despite all of his strength and abilities. He's loud and impetuous, and he often gets taken advantage because of that, particularly by his clever half-brother Loki, though he does strive to do his best.

I really love this book, and I also love that it has a very different sort of flavor than the Olympians series by the same author. Norse legends are a bit more gritty and earthy, and the artwork and storytelling here reflects that. This Thor has to get his hands dirty when he fights, he slaughters and eats goats, and he drinks a lot of ale. He is also sort of goofy in the way he has to get himself out of sticky situations. Still, he is heroic in his own way, and this book does an excellent job of conveying the original legends in an intriguing and engaging way. The third book in this series, Loki, is slated to come out in October and I am really looking forward to it.

George O'Connor has a slew of excellent graphic novels under his belt. In addition to the aforementioned Olympians series, he adapted the American history journal account Journey into Mohawk Country and also illustrated the dystopian future book Ball Peen Hammer, written by Adam Rapp. He has also drawn the political graphic novel Unrig: How to Fix Our Broken Democracy with author Daniel G. Newman.

All of the reviews I have read of this book have been positive. In a starred entry, Kirkus Reviews called it a "close and spirited take on original sources." Carol Youssif summed it up, "A well-rounded title that will appeal to fans of the titular god and Norse mythology, and readers looking for an action-packed story." Ian Keogh concluded his review, "These are a bunch of great stories by any reckoning, and O’Connor really brings them to life, and not just for the intended young adult audience."

Thor was published by First Second, and they offer a preview and more information about it here. 

Check, Please! Book 1: #Hockey

"

Two of my favorite things are comics and hockey, and this book combines both! I cannot think of many books that do both, save for Robert Ullman's Old-Timey Hockey Tales mini-comics, which are great by the way. Check, Please! began as a webcomic, and the first two of the four seasons are collected here. The premise is that we are following the life of Eric "Bitty" Bittle, an incoming freshman to the fictional Samwell University that is located in the real-life state of Massachusetts and plays in the real-life ECAC conference. Bitty is a former figure skater turned hockey player who comes from Georgia, loves to bake and vlogs about his life. He is also gay, and wonders when and how he should come out to his teammates. Over the course of the book, he shares about his struggles to adapt to college life, his quirky teammates, his culinary creations, and his adapting to the rules and rigors of college hockey.

For instance, dealing with contact is new to Bitty...

Over the two seasons in this book, we get glimpses into Bitty's freshman and sophomore years. He transitions from being a newbie to moving into the team house. There is some light hazing, intense feedback from the team captain, heavy partying, and typical college shenanigans. A slight spoiler: It is refreshing to see a bunch of macho athletes appreciate Bitty's baking and sexual orientation with not just tolerance but acceptance and joy. This book is fun to read for its sports intrigue, personal drama, charm, clever banter, and humor. I am very much looking forward to reading the next book that runs to Eric's junior and senior years.

Check, Please! was created by Ngozi Ukazu. She began making webcomics but has transitioned into making graphic novels, including Bunt!, which is about a college baseball player, Barda, which is a YA graphic novel from DC Comics featuring Jack Kirby's Fourth World characters, and the forthcoming Flip. Ukazu speaks more about Check, Please! in this interview.

This series has won a Reuben Award, a Harvey Award, and an Ignatz Award, and it's been very well reviewed. The starred entry from Kirkus Reviews concluded, "A fun and deeply satisfying read for teens." Thoroughly Modern Reviewer called it " a well-written, immensely enjoyable rom-com," and added that "it’s also a delightful exploration of male friendship, a really funny coming of age story, and an exciting look into the softer side of hockey culture." Nick Goodsell summed up, "It’s funny, its heartfelt, its deep, and it’s another great coming of age story for anyone to enjoy!"

Check, Please! Book 1 was published by First Second, and they offer a preview and more information about it here. This book features profanity and some adult situations, so it is recommended for readers mature enough to handle those things, probably more mature teens.

Crowded, Volume 1

Crowd-sourcing is ubiquitous nowadays, but "10 minutes" in the future it will be even more pervasive. Crowded depicts this world in satirical, troubling, and exciting (because it's not happening to me) fashion. The narrative here follows Charlie Ellison, a gig-worker who wakes up one day to find that she is the target of a $1 million Reapr campaign. Reapr is an app where a person can legally order an assassination that has to happen within 30 days. For some reason, which she may or not be aware of, Charlie finds herself being attacked by all of the would-be assassins who come out of the woodwork to bump her off and cash in. 

Luckily for Charlie, there is also Dfend, an app for bodyguards. She is not super solvent, so she hires the lowest rated bodyguard, Vita. He is grouchy but surprisingly effective. He might actually be able to keep her safe for the 30-day term of the Reapr contract, but Charlie is kind of a wildcard who wants to make her own rules and complicates both their lives. The plot here is excellent, as the clash of personalities makes for great drama in and of itself, but there are also so many different plot twists that come from unshared secrets, wily would-be assassins, and disasters that make this book a real page-turner. The artwork equals the plotting, and it melds realism with a exaggerated, cartoonish style that conveys the action and emotion well. It also captures the flavor of a near-future world in a vibrant way. I loved this book, and it's a great hook for the rest of the series.

Crowded was written by Christopher Sebela and drawn by Ro Stein and Ted Brandt. Sebela has been nominated for four Eisner Awards, and Stein and Brandt have drawn a variety of comics for both DC and Marvel. All three creators speak about their work on Crowded in this interview.

The reviews I have read about this book have been positive. Nicole Drum called it "the comic book equivalent of a viral video," adding, "It sucks you in and leaves you wondering what’s next all the while asking what that says about us." Brandon Lawrence described it, "Well written, well drawn, sets up a world, sates your appetite for action, and leaves you wanting more." You can read more reviews of the series at Comic Book Roundup.

Crowded was published by Image Comics. They have more info about this book and the next volumes in the series here. You can read the first issue, which is the first chapter of this trade paperback, here. This book features violence and profanity, so it is recommended for readers mature enough to handle them.

The Toxic Avenger

When I was growing up, there was a theater right next door to my dad's pizzeria, and I saw many a movie there. One of my formative experiences was watching the original Toxic Avenger movie, which warped my prepubescent brain with all its gore, violence, and "special effects." It led me to other films from Troma, and probably deranged me (in what I feel are mostly positive ways). I was not as big a fan of the 1990s cartoon revival of the franchise, though I was glad for the popularity and profits for the upstart parent company. A re-imagined version of the monster hero starring Peter Dinklage will debut in theaters this year, but before it arrived there was this five-issue comic book series collected here. 

This version of the Toxic Avenger operates independently of any of the movies, and new readers really do not need to know anything about them. Here, Tromaville, NJ is beset by a huge environmental disaster, and aliens and/or a shady corporation may or not be involved (I'm not going to spoil it). The entire area is quarantined, and a good number of the populace are exposed to something that radically transforms them into monstrous beings. Furthermore, there is a huge amount of misinformation coming from the government over both traditional and social media that obscures what is really happening. 

As you can see from this excerpt, this book follows the exploits of Melvin, once a scrawny weakling but now a strapping, grotesque hulk. Over the course of the narrative, he has to deal with physical battles from his former bullies who are also now monstrous, as well as the ethical dilemma of possibly becoming the public face of the huge cover-up fabricated to lie to the public about what happened in Tromaville. Among all of this action, horror, and intrigue, there is also a good dose of ridicule aimed at public and business institutions as well as some good old fashioned physical humor. I found this book highly entertaining, and luckily for those reading this trade paperback, they don't have to wait a month to see what happens in each subsequent chapter.

This book is the product of writer Matt Bors and artists Fred Harper and Lee Loughridge. Bors is a long time political cartoonist who also founded and edited The Nib. He has won multiple Eisner Awards and also writes the Justice Warriors series. Harper has a huge list of past clients, both comics and corporate. Loughridge is one of the most in-demand colorists in contemporary comic books. You can read more about these Toxic Avenger comics in this interview.

The reviews I have read about this book have been positive. Steven W. Alloway called it " weird, funny, sarcastic, satirical, sometimes violent, often gross, extremely campy, but ultimately good-hearted." Chris Coplan, who is a long-time Toxie fan like me, wrote that it "isn’t just a damn good comic, but it very much exceeds my kooky, totally awkward expectations."

The Toxic Avenger was published by Ahoy Comics, and they provide more information about it here. This book features body horror, gore, violence, and profanity, so I suggest it for readers mature enough to deal with those things.

And for those are enjoy this book, good news: there is more on the way.

Boys Weekend

The best kinds of satire usually skirt the lines between funny and horrible, and Boys Weekend certainly falls into this category. It's about Sammie, a newly out trans person who has been asked by her old friend Adam to be his "best man." 

As you might glean from this excerpt, Adam does not know about this change. Moreover, he certainly does not know how to deal with Sammie's new reality, nor do the even more clueless members of his groom's party. Still, all of them embark on a weekend trip to El Campo, an island resort where you can get away with way more than you can in Las Vegas, especially in the even more libertarian near-future when this book is set. For instance, they have an attraction where you can clone yourself and then go all "Most Dangerous Game," hunt it down and kill it.

Complicating matters even further from the incredibly cringe-worthy bachelor party is the rash of bloody murders happening in El Campo, and everything devolves into a disastrous survival situation more reminiscent of a horror movie than a weekend getaway. What makes this book work is that the horror stakes are real, the humor is sharp and topical, and the contemporary concerns about gender politics and discrimination are prominent. Boys Weekend is brutal, biting, and hilarious, a satiric parable for our times.

Mattie Lubchansky is a self-called "Award-Winning Transsexual Comics Idiot." She has a long history with making funny, political comics, from being an editor of the Eisner Award winning website The Nib to creating scores of comics for that venue to her own graphic novels, such as The Antifa Super-Soldier Cookbook. She speaks about her work on Boys Weekend in this interview.

The reviews I have read about this book have been mainly positive. Michael Kurt wrote, "It’s funny, deeply insightful, and even more wild than you’d expect for a story about a hedonistic future-tech-Vegas." Sylvie Rosokoff opined, "Lubchansky’s razor-sharp satire, eerie sci-fi sensibility, and distinctive illustration style make Boys Weekend the perfect mix of darkness and light." Kirkus Reviews found it a bit clunky in parts and summed up, "An uneven but undeniably original adventure."

Boys Weekend was published by Pantheon Graphic Library, and they offer a preview and more here. Because of adult humor and gore, I recommend this book for more mature readers.

Button Pusher

Button Pusher is a phenomenal graphic novel that manages to explore issues of ADHD in multiple ways, all the time still telling an emotionally engaging narrative. It is fictional though memoir-based, and the main character is Tyler, a young boy who is experiencing difficulties in school and gets diagnosed with ADHD. 

Uh, oh.

The reader gets a lot from his point of view about how he experiences the world and also how he does and does not fit in. What is more, we also learn a lot about his father and his own experiences with "hyperactivity" (what it was called in his day), and there is a bunch about how heredity affects things as well as how much this condition affects other family members as well.

The events of the book run a gamut of emotions, from confusion to humor to concern to anger and beyond. Also, what makes this book so strong is its inclusion of several passages that share information about ADHD from clinical and practical viewpoints, sometimes almost as infographics. 

Button Pusher features a comprehensive and human look at this sort of neurodiversity. As a parent who is dealing with at least one children who is diagnosed with ADHD, I appreciated so much about this book. It taught me about what I can expect, what I should do to deal with frustration, and also how to manage all our lives in better ways. If I gave out stars to rate books, this one would get them all.

This book was created by Tyler Page. His prior comics work includes the graphic novels Raised on Ritalin, which is more autobiographical, The Chicagoland Detective Agency series, and the direct sequel to Button Pusher, Extra Large, which was published very recently.

This book won the 2023 Excellence in Graphic Literature Award, and all of the reviews I have read of it have been positive. Kirkus Reviews summed up, "An engaging memoir of one boy’s experience of growing up with ADHD with a risky message around medication cessation." Jason Kelley wrote, "This book will destigmatize and foster understanding for both those navigating life with ADHD and their families."

Button Pusher was published by First Second, and they provide a preview and more information here.

Odessa

I have read tons of dystopian future stories from the YA graphic novel market, and Odessa is one of the best ones, because it is well realized and complex. It begins when Ginny, the main character, gets a package for her 18th birthday. This package, it turns out, came from her mother Odessa, who has not been home in years and was presumed dead. This gift sets off an entire series of events that put Ginny on a quest across the environmental disaster the western United States has become to either find her mother or some sort of resolution to this situation. Along the way she runs into a good number of interesting folks (both friends and adversaries), including two stowaways that really up the stakes for her (and their) safety.

I am being vague because I do not want to spoil too much, but suffice it to say that I feel that the plot of this book is excellent, with lots of moments of suspense and cliffhangers (both emotional and physical), superb character designs, grand vistas of devastation, and palpable character moments. The way the book ends very much begs for a sequel, and I really hope we eventually get one.

One big reason why we have not gotten a sequel yet is that this book's creator, Jonathan Hill has been working on another graphic novel series, Tales of a Seventh-Grade Lizard Boy and its soon-to-be-published sequel Lizard Boy 2: The Most Perfect Summer Ever. He speaks about his work on Odessa in this interview.

All of the reviews I have read about this book have sung its praises. In a starred entry, Kirkus Reviews summed it up as "a gritty, raw page-turner."  Sara Smith wrote, "There are parts of this story that are hauntingly beautiful." Becky Proie opined, "Odessa is a seemingly simple and effortless graphic novel that manages to take the well-used dystopian setting and somehow bring a welcoming feel to it that makes readers not want to put it down."

Odessa was published by Oni Press, and they offer more info about it here. 

The Comic Book History of Professional Wrestling

I was a huge wrestling fan when I was younger, in the heyday of "Rock 'n Wrestling" and the rise of the WWF (now WWE), and I was also intrigued by wrestling magazines that showed rankings for other wrestling promotions in other parts of the USA. The Comic Book History of Professional Wrestling helped me make sense of the convoluted history of "the one true sport" and learn about its origins as a sort of carnival attraction and its evolution into the media juggernaut it is today. Along the way, it touches on the unique history of wrestling and its provincial qualities and how they all eventually have been melded into a more national entity for the most part. What is more, this book does not just detail the US scene, but also elucidates about wrestling in Mexico, Japan, Europe, and Canada. 

The artwork is appropriately colorful and dynamic, taking its cues from cartoon superheroes, which I feel captures the bombast and energy of many wrestling personalities. There are a few times when specific images were repeated, which I found a bit distracting and "cookie cutter," but those instances were few. I felt that the art and story worked very well together so this book was incredibly entertaining and informative. Also, the book does not shy away from the more troubling aspects of wrestling, including steroid abuse, accidental deaths, murder/suicides, and the physical toll it takes on people's bodies and brains. I feel it would be great for a budding wrestling fan to learn the background of the profession as well as for non-fans that just want to know what all the hubbub is about.

The Comic Book History of Professional Wrestling was a collaboration between writer Aubrey Sitterson and artist Chris Moreno. Sitterson has written other comic book series, including No One Left to Fight and the upcoming Free Planet, and  Moreno has drawn comics for a variety of publishers. Both creators speak about their work in this interview.

The reviews I have read about this book have been mainly positive, with some reservations. Kyle Cassello wrote that "the recapturing of history will have fans smiling." Ben Abelson summed up, "Overall, readers should find CBSPW a valuable addition to their libraries — a handy quick reference for major formative events and persistent themes in wrestling history that is both illuminating and enjoyable." Greg Hunter found some positive parts of the book but found problems in its overall execution and glossing over some of the more seedy aspects of the business and particular popular wrestlers, opining that "the result is neither a key account of wrestling nor a notable use of comics."

The Comic Book History of Professional Wrestling was published by Ten Speed Graphic, and there is a preview and more information about it here.

Casual Fling

Corporate lawyer Jennifer Ryan leads an enviable life. She has a high-paying job, dutiful husband, and a happy family. Tensions between her home and work lives get a little stressed though, and one night she gets caught up in the attentions of a work acquaintance. 

She has the titular casual fling, but instead of being a one-off tryst it turns into a path of betrayal and blackmail. She gets threatened with exposure, and for fear of losing the life she has built she does some sleuthing of her own to learn about her mystery man and his path of villainy.

I picked this book up because I have seen some good things from AWA (Artists, Writers, Artisans) Publishing and I have really enjoyed a number of novels by this series author Jason Starr. I was not disappointed at all, and Casual Fling has all the hallmarks of an entertaining noir narrative: a tight plot, a compelling mystery, sexual tension, and complicated characters. This books really works because Jennifer is a flawed person but also one who owns up to her faults and won't simply be taken advantage of. 

Not just successful because of its plot and characterizations, this book also features strong artwork by Dalibor Talajić and colors by Marco Lesko that portrays steamy moments, tense interactions, action, and human moments in fine fashion. Consequently, it is a book full of moody, grim atmosphere that suits the plot. Casual Fling is a taut thriller told economically, great for noir or mystery fans.

The reviews of this book I have read have been positive. Kobi Bordoley called it "a sleek, well written story." Logan Dalton wrote that it was "a decent erotic thriller and still had plenty of time for tough, nuanced conversations."

Casual Fling was published by AWA Upshot, and they offer a preview and much more about the series here. There is also a sneak peek of the series available on Webtoons. Because of the themes, relationship issues, and adult situations in this book, I recommend it for mature readers.

I Was Their American Dream

I am the child of two immigrants, a German and a Greek, which makes me a Gerk ("jerk") is my hilarious joke. I have my own sense of figuring out my identity in relation to my relatives and also my native land, the USA, and I was very glad to read a very different tale of a person melding nationalities,  I Was Their American Dream. This book is a memoir by Malaka Gharib, whose parents are Filipino and Egyptian, making for a unique blend of cultures and religions. 

Much of this book centers on Malaka relating her formative experiences, remembering, celebrating, and regretting her cultural roots while also detailing how she made sense and peace with two religious traditions, Islam and Christianity. Also, it is about how she incorporated different aspects of those cultures into her life while also trying her best to be an American. It is a bumpy journey, and I really loved how she shares her various insights along the way. 

The artwork is mostly comics, though there are some passages that are more like an illustrated book. The drawings are cartoonish and convey broad emotions and actions very well. Still, there are some more quiet moments that still pack a sentimental punch. This book made me giggle, grow wistful, cringe, and relate. It is the best sort of memoir, one that is a window into a different world that affects how the reader sees life. I really loved this book.

This book was created by Malaka Gharib, who is a journalist and artist who works for NPR. She has also published another graphic memoir, It Won't Always Be Like This, about her summers abroad in Egypt. She speaks about the background and making of this book in this interview.

I Was Their American Dream won the 2020 Arab American Book Award, and has been well praised. In their starred entry, Kirkus Reviews summed it up as "a heartwarming tribute to immigrant families and their descendants trying to live the American dream." In another starred entry, from School Library Journal, Elise Martinez wrote, "This engaging memoir is an uplifting ode to Gharib’s bicultural background, her immigrant parents, and her road to self-acceptance."

I Was Their American Dream was published by Clarkson Potter, and they offer a preview and more information about it here.

Sunburn

The main character of Sunburn is Rachel, a 16-year-old British teen whose summer plans involve working at a butcher shop where she'll be elbow-deep in pig guts as well as the typical week-long family trip to a rainy cabin. Those plans get exploded when a mysterious invitation appears from the Warners, family friends who own an island house in Greece. They invite her to a summer of fun and sun, and she happily accepts.

Once there, she lives a comfortable life, with wonderful food, free new clothes, and scenic views. She also gets daily visits to the beach, afternoon naps, and dinner parties at different people's houses. The cherry on top of this sundae is that she also gets to spend time with Benjamin, a slightly older British boy, and the two flirt and get involved. 

Of course, nothing this awesome comes for free, and over the course of the book Rachel uncovers the details about why she is there. I very much enjoyed this book, as it made me nostalgic for my own vacations in Greece when I was younger, but it is also a compelling combination of a mystery and character study. Aside from the interesting plot, the artwork is also gorgeous, with a limited color pallette and plenty of landscape imagery that sets the atmosphere.

Sunburn was a collaboration between writer Andi Watson and artist Simon Gane. Watson is a cartoonist, writer, and illustrator who has created a number of books and graphic novels and who has been nominated for four Eisner Awards, two Harvey Awards, and an official selection of the Angoulême International Festival. Gane has drawn a number of comics series and books, including They're Not Like Us and Ghost Tree. Watson talks about making this book as well as some of his other projects in this interview.

All of the reviews I have read of this book have been positive. Darryll Robson wrote, "You will not find immediacy here, but the narrative is better for its slow, dreamy walk through the lives of its characters." Kirkus Reviews called it "a contemplative study of a girl battered and disillusioned by her first glimpses of adult complexities." Ramon Piña opined, "The art in the book is nothing short of spectacular."

Sunburn was published by Image Comics, and they offer more info about it here. 

Asgardians Book 1: Odin

How do you follow up the Olympians, a 12-volume series of graphic novels that took more than a decade to come out? With another series of graphic novels, ones that focus on Norse mythology, naturally. George O'Connor is back with more mythological adventures, and I am glad to say that this new series is just as excellent (so far), even though it tackles a much different sort of culture and ethos. The Norse gods and legends have a much more earthy feel, with a lot of literal spit and blood (among other bodily fluids) involved in the proceedings. The artwork is also subtly different, and O'Connor is mindful to change his art style and coloring to suit different subject matter.

 

This volume follows Odin, the king of the gods and warrior, searcher, and man of many faces and names. Among the adventures here, he loses an eye, gains great wisdom, battles giants, and travels the nine realms. Additionally, much of this book introduces the narrative world of Norse mythology, conveying an excellently detailed account of this strange, new universe. It features many weird creatures, like six-armed maws, beardless dwarfs, and an eagle full of mead. I learned so much from it, including just how much I did not know about these stories, because I have read tons of Marvel Comics about them and the actual source material is waaaaaay different, even if  the names are the same. If you like reading about myths and having your mind blown, this book is for you.

In addition to all of his graphic novels adapting mythology, O'Connor has adapted the American history journal account Journey into Mohawk Country and illustrated the dystopian future book Ball Peen Hammer, written by Adam Rapp. He also drew the political graphic novel Unrig: How to Fix Our Broken Democracy with author Daniel G. Newman. He speaks about his work on Odin in this interview.

All of the reviews I have read about it have been celebratory. Kirkus Reviews gave it a starred entry that summed up, "A rainbow bridge to a fresh set of mythological places and faces." Chris Cole concluded his review, "Overall, this book was a great start to the series. I’m excited to follow it to Ragnarok." Benjamin Russell called it "an excellent authority in distilling the complexities of Norse mythology and making it accessible to younger readers interested in folklore."

Odin was published by First Second, and they provide more information and a preview here. Because of violence, bodily fluids, and booze, I recommend this book for middle school and above readers.

Light It, Shoot It

 

I love a good noir story, especially one that features excellent artwork like Light It, Shoot It. It follows the travails of Billy Bonney, a young man who has just gotten out of prison for arson. He has troubles getting along with his peers as well as just fitting in to society. Luckily, his older brother is in the film business (on a low rung, but still), and he helps him get a gig being a actor's assistant. Mainly that involves him making sure the older alcoholic leading man is in working shape and on time to the set, not very glamorous work.  

As you can see from the excerpt above, the artwork is very expressive and lovingly portrays the gritty realities of 1970s Hollywood. The excerpt also features a lot of characters and moving parts, which are a hallmark of this book. There is a lot going on and lots of people with their own motives. Billy is trying to fit in; his brother is trying to get laid; one of the producers has a plan to recoup shooting costs through insurance fraud; some people are trying to make a movie; some people are trying to get famous, and still others just want to bask in the glow of showbiz. I am not going to say that the plot is the most original I've ever read, but I think that this book hits its story beats hard: a quintessential exploitation tale in graphic novel form. It's clearly a labor of love, and I got very much caught up in the enthusiastic way this story was told both through its narrative and art.

Light It, Shoot It was written and drawn by Graham Chaffee, who mainly works as a tattoo artist. He has published a couple of other graphic novels, including To Have & To Hold and Good Dog. He speaks about his work on this book in this interview.

All of the reviews of this book I have read highlight its strengths. Publishers Weekly wrote, "Chaffee’s pastel washes, clear affection for the period, and well-stocked gallery of colorful hoodlums and reluctant heroes make up for the lack of suspense." Jason Green called it "an excellent example of noir storytelling at its finest, soaked in a uniquely 1970s mood." Paul Dunne opined, "Drawn in bold brushstrokes, and hand-painted in subtle washes, Chaffee brings vintage LA to the page in a propulsive adventure."

Light It, Shoot It was published by Fantagraphics, and they provide a preview and more info about it here. This book is suggested from mature readers.

Parachute Kids

Parachute Kids is a compelling and moving graphic novel about immigration. It is set in the early 1980s, but I feel that the issues and experiences are still sadly relevant in contemporary times. The narrative follows a family from Taiwan who are visiting California except there is a huge twist: the parents have decided to leave their children to have a better life in the USA until they can return.

Most of the narrative then follows Feng-Li, the younger sister as she tries to fit in at school and life. She feels isolated and out of touch, and learning English is a huge hurdle. Also, she gets teased by other kids for being out of touch with US pop culture and also not having enough money to get some of the things she feels would help her fit in. However, this book is not just about her plight but also features two other prominent plots with her older siblings. Her older brother Ke-Gang has different issues than her fitting in, as he falls into a group of other immigrant children, but they often get into trouble outside of school. Her older sister Jia-Xi perhaps struggles the most, as she has to maintain finances as well as shoulder many of the parental roles. All of them fall into peril when she is victimized by a phishing call.

What I loved about this book was how it told individual tales in a way that reflects universal struggles that immigrants face. Even 40 years later, many of the prejudices, pitfalls, and obstacles still exist for people seeking to find better living conditions for themselves and their children. Both of my parents are immigrants so I am especially sensitive to immigration tales, and this one is told in beautiful and heart-rending fashion.

Although this book is fictional, it is based on the experiences of its author Betty C. Tang, herself a parachute kid from Taiwan who still lives in the USA. She has worked for various Hollywood animation studios including Disney TV and Dreamworks Animation. She has been working on her second graphic novel, a sequel called Outsider Kids, which is due to be published in April.

Parachute Kids won an Excellence in Graphic Literature Award, was included on the National Book Award Longlist, and was named an Asian/Pacific American Award Honor Book. Consequently, it has been extremely well reviewed. In a starred entry, Kirkus Reviews summed it up, "Emotionally moving and beautifully executed." In another starred entry, this one in The Horn Book, Jerry Dear wrote, "Tang weaves themes of family, racial stereotyping, cultural adaptation, sacrifice, peer pressure, sexuality, bullying, and survival into a poignant and triumphant story of perseverance and resilience, presenting a remarkably honest depiction of an Asian American immigrant experience." Esther Keller opined, "The endearing artwork, with color that pops and wide-eyed characters that mimic manga-style artwork, will easily find its audience."

Parachute Kids was published by Scholastic, and they provide more information about it here.