Maker Comics: Fix a Car!

The Science Comics series of graphic novels has been one of my favorites, and certainly one of the easiest ones for me to recommend to STEM teachers. Their publisher, First Second, has recently branched off into another series with a similar bent, Maker Comics, that encourage readers to bake, create comics, make robots, and do other practical tasks. I can see lots of connections with these books and the "special" subject areas, like family and consumer science, art, and in the case of the book I am looking at here, either auto shop or driver's education.

Fix a Car! follows a group of teenagers and their weekly car club, as they learn about how to care for their vehicles. The teens in this book are all very onto cars and constitute a motley but relatable crew. Some of them have driver's licenses; some are into tricking out their rides with fancy details, and others are into restoring older cars. Over the course of this book, under the guidance of their teacher/advisor Ms. Gritt, they learn how to assemble a tool kit, do routine maintenance, and perform roadside actions like fixing a flat tire or jump-starting an engine. 

Like the Science Comics books, this one has lots of details about how the various systems and parts in a car. It tells about how an engine, transmission, and climate system works. It shows how to change windshield wipers, adjust a drive belt, and switch out a burnt-out tail-light. It also shows how to take care of a battery, maintain proper fluid levels, and properly wash the exterior without ruining the paint job. And what is more, it emphasizes auto safety and delivers all of this information in a very engaging way that does not overwhelm while also maintaining a sense of humor.

This balance between informing and engaging was struck by Chris Schweizer, a comics Renaissance man who has created a few series like the Crogan's Adventures and The Creeps. He has a bent toward historical works, including The Roanoke Colony, one of the inaugural books from the new History Comics series, which (spoiler) I'll be reviewing in the near future. He sheds some insight into his work on Fix a Car! in this interview.

I was not able to find many reviews of this book, but the ones I have seen have been very positive. Sharona Ginsberg wrote that it provided "a more accessible way to approach learning a new skill than advanced technical documentation, textbooks, or manuals" and suggested it "for older readers—beginning around high school—especially as teenagers who may have their licenses and even own cars will find the information more helpful and relevant." Tony Dillard called it "A must for anyone who wants to share the experience of working on cars with a special youngster in their life!"

Fix a Car! was published by First Second, and they offer a preview and more information about it here.

Frogcatchers

 

Frogcatchers is a brief but memorable book about memory, aging, and second chances. It begins with an older man waking up in a strange room, attached to medical equipment. As he gets untangled and disconnected he begins to wander; then he finds he is in a strange hotel building. When he goes outside, he finds himself in a tunnel where a young boy is hunting for frogs. As he gets his bearings, he finds more mysterious items and learns about the ominous being known as the Frog King, who runs the place. 

I don't want to describe much more about the plot of this book, because of spoilers but also because it is more based on tone and sensation than narrative. There are extended passages without words, where the scratchy images establish context or feelings. Sometimes the imagery also complicates to the overall enigma that is this place and setting. I know that it does not always look polished, but I feel that is what makes it exceptional. The lines are expressive and capture so much feeling with their kinetic energy. 

When I called this book brief I meant that it goes by quickly, but it also invites multiple re-readings and opportunities to suss out just what happened. It is a quiet, introspective book that offers interesting insights into what makes a life worth living.

This book's author Jeff Lemire is one of the most prolific comics creators in the field today. He has a huge list of comics credits and has won a few major awards along the way to boot. He is best known for The Essex County Trilogy, Black Hammer, and Sweet Tooth. He speaks about his work on Frogcatchers in this interview.

All the reviews I have read about this book have been raves. Irene Velentzas called it "a visually and narratively rich tale that suggests the key to navigating life and the self is to remain amphibious, to see under the surface of things, to grasp at opportunities, and to remain open to the constant change found within life’s current." John Seven commended the emotional work in this book, opining that it is "more like a visual poem than a character drama." Kevin Apgar gushed, "Unlike so many other graphic novels that sometimes overstay their welcome, I didn’t want Frogcatchers to end. Ever."

Frogcatchers was published by Gallery 13, and they offer more information about it here.

Eve Stranger

Eve Stranger is a book totally up my alley. It tells the tale of a young woman named Eve Stranger who wakes up once every week alone in a hotel room. She has no memory of the recent past and is surrounded by a used syringe, a gun, a stuffed animal, a notebook where she explains to herself some basic facts, a package containing some assignment, and unlimited credit. If and when anything untoward happens, when she tries to report it to the police she finds the scene completely cleaned up with no evidence of her presence. When she goes to the doctor to give blood, it eats a hole through the beaker. Put simply, this book contains all sort of mysteries to unravel.

Getting to the bottom of her existence and mysterious employers is only part of the fun of this book. It is well plotted, with lots of clues along the way that add up to a satisfying solution. But her missions, which include fast motorcycles, a jet-pack, running with the bulls in Pamplona, contending with a twenty-foot-tall gorilla, and assassinating a potential future tyrant are all fast-paced, madcap adventures full of hand-to-hand combat, chases, and interesting twists. 

 

Finally, I love the artwork done by two of my favorite artists. The main narrative was rendered by Philip Bond, whose work I have been following since I was a teenager on vacation in Greece, reading translated British comics. His style is cool, full of stylish, stylistically unique people and tiny details that pop and also crack me up. He does great spreads that feature action and battle scenes in excellent fashion. 

The second feature in each chapter (or issue, as this book originally appeared as a five-issue limited series) is a sort of comic strip by Liz Prince, where Eve is an intrepid girl reporter. These stories are more frivolous and surreal but also contain more clues about her identity that comment on the main narrative. Combined, the two strands make for intriguing, fascinating storytelling.

My biggest criticism of this book is that I feel it was a fun, wild ride that ended too quickly. Certainly, it ends in a way that seems to beg for a sequel, but unfortunately this is the last book published under the Black Crown imprint. I hope it does well enough to get picked up elsewhere, because I'd love to read more Eve Stranger adventures from this creative team.

Joining Bond and Prince in this collaboration is writer David Barnett. He is a novelist who has also written a number of comics for DC and IDW, notably the series Punk's Not Dead. Bond is known for his work with Deadline and the Vertigo Imprint, especially for the one-shot Kill Your Boyfriend. I have read and reviewed lots of Prince's books, including Tomboy and Be Your Own Backing Band.

All of the reviews I have read about this book have been positive. Clyde Hall wrote in his spoiler-filled review that there is a "bright Britpop..spirit" that "buoys Eve Stranger above mere Noir." Bruno Savill De Jong called it "a satisfying and exhilarating read that is worth remembering." Max Beaulieu called it a "fun series," adding that Eve is "a mix of vulnerable and badass, childlike and mature, driven and yet romantic."

Eve Stranger was published by Black Crown, and they offer previews and more about the series here.

Mr. Butterchips: A Collection of Cantankerous Commentary

Mr. Butterchips is an interesting character, a monkey who aspires to be a stand-up comedian but who is largely relegated to make ends meet by partnering with an organ grinder. His job brings him into contact with a wide cross-section of people, making a sturdy platform for him to express his cantankerous views of social conditions, politics, popular culture, and all sorts of other matters. The first half of the book is episodic, in the vein of a weekly comic strip. And I was pretty amused to see how he tackles contemporary hypocrisy and injustice through comedic commentary, targeting things like "the war on Christmas," pro-lifers, big pharma, Comicsgate, and anti-vaxxers. 

The second half of the book is a single, sustained narrative about Mr. Butterchip's misadventure with controlled substances in the streets (and sewers) of San Francisco. This story is more surreal, reminiscent of underground comix, with the city and its denizens being the butt of the jokes. I have only been to SF once, so I might not get all of the "in" humor, but I was still entertained by the tale, which also has a few mild suspense elements. 

One of the best features of this book to me was seeing how the character, setting, and situations evolved over time. At first, the episodes are given to finding a tone and also establishing the character, which has it fits and starts with mundane things like girlfriend trouble and struggling to make rent. Over time, Mr. Butterchips develops more of a voice and the targets of its satire become more pronounced. By the time I got to the large story that ends the book, I felt a familiarity with things that made the plot hum. It was a lot like reading old volumes of comic strips and seeing how they grow into themselves. I'd be interested to see if there will be more adventures with this acerbic primate in the future.

These comics were created by Alex Schumacher, and most of them appeared monthly in Drunk Monkeys. He has completed a number of projects, including the webcomic Decades of (in)Experience and the self-published print collection Defiling The Literati. He speaks more about his work and career in this interview.

I was only able to find one review of this book, but it was very positive. Aaron Iara wrote, "Our news feeds and social media are chock-full of people arguing and discussing the issues of the day. However, hearing these arguments from a heated drunken monkey is so much more fun." He summed up by recommending "Mr. Butterchips to fans of political cartoons, boisterous stand-up comedians, and off-beat comic books."

Mr. Butterchips was published by SLG, and they offer more info about it here. This book features profanity, adult themes, drug use, and some sexual situations, so it is recommended for readers mature enough to handle those things.

A Fire Story

On Monday, October 9, 2017, Brian Fies and his wife Karen grabbed some things and got in their car for what they thought were precautionary measures because of wildfires. Hours later, they were homeless. 

The fires they escaped were some of the most destructive this country has ever seen, and they ravage Northern California. This book is an intimate look at lives forever changed, how people deal with large-scale destruction in terms of emotional reactions and the practical matters of dealing with relief agencies and other institutional entities. One of the parts that sticks most in my head is Fies dealing with the utilities company, whose representative keeps asking inane questions about whether workers would have clear access to the meter. "Unlimited access," he deadpanned, "but there's no gas meter there anymore." 

The wide array of emotions and somewhat surreal situations that accompany such loss make this book memorable. The personal tale packs a wallop, especially when it is accompanied by several other text pieces told from the perspective of others that the fires affected. As a whole, this book is a wonderfully detailed mosaic of the resilience of the survivors and how some begin to rebuild their lives. This book is moving and informative, giving great insight into how people cope with and survive a natural disaster.

This book's author, Brian Fies began this story as a 18-page comic he published on his blog, adapted it into a Emmy Award-winning animated short, and then expanded it into this graphic novel version. He speaks of the entire process in this video. He also speaks about sharing his story as a graphic novel in this interview. Fies is an Eisner Award winning creator who has created a couple of other graphic novels, the autobiographical Mom's Cancer and the nonfiction long-form essay Whatever Happened to the World of Tomorrow? I also had the honor of being on a panel with him at the 2019 Denver Pop Culture Con.

I was very moved and impressed by this book, but some of the reviews I have read have been more critical. Caitlin Rosberg opined, "It’s a heartfelt, emotional read that has just as much historical and social worth as it does personal value, and a reminder of the best and worst parts of what people can be." Alex Hoffman wrote, "The full book feels scattered, unable to hold the weight of Fies’ trauma." Josh Kramer thought that perhaps the book was rushed and called it "good memoir and inadequate journalism."

A Fire Story was published by Abrams, and they offer a preview and more about it here.

Cankor

As you might can tell from the wordless cover, Cankor is an atypical book. It starts out in an auto-biographical mode, with the tale of a man (or mannish creature) going to a rock show, but then it goes into a very psychedelic direction. He has made some fan art to show the band but left it home, only to see it actually appear in the band's posters and merch.

Things only get stranger as the muscular fella on the cover, an android/cyborg named Cankor makes a ghostly appearance on the scene. Most of the rest of the book follows Cankor as he traverses worlds and dimensions, encountering beings large, small, and superheroic on his way. However, there are interspersed spaces where the autobiographical stories crop up. In all, this is a ethereal reading experience. Sort of like a contemporary version of 1970s Jim Starlin Marvel Comics like Adam Warlock. I won't say that they get so philosophical, but they do meld fantasy, fiction, and reality in interesting and compelling ways.

The artwork is a huge draw or this book. The minute details of circuitry and rock features are just part of what drew me into it. Too often I think I review books here and talk about their plots and characters, and I have been trying to focus more on the artwork and what it brings to the table. As you might can tell from my meandering description of the book's content in the first paragraph, this book is not so much plot driven as it is about sensory-perception and visuals. It is full of long sequences with no words, but the visual storytelling is utterly compelling and beguiling. The imagery is convoluted, complex, and as full of emotional energy as it is of enigmas.

I had not encountered artist Matthew Allison's work before now, but I will definitely be checking out some more of it after reading this book. As far as I can tell, he has largely been doing comics covers and self-publishing Cankor and a horror book called Sweet Sepulchre! I have really enjoyed checking out his Instagram feed for some of his commissions and other art. He speaks about his work on Cankor in this interview.

All of the reviews I have read of this book have been positive and mention its idiosyncrasies. Alisha Weinberger wrote, "The art of Cankor is deeply disturbing and nauseating. And I say this with love and admiration." David Charles Bitterbaum called it a "fantastically bizarre work." There are more reviews at Goodreads, where the book currently has a 4 (out of 5) star rating.

Cankor was published by Adhouse Books, and they offer a preview and more here. This book features some profanity and violence, so I suggest it for mature readers.