Asgardians: Loki

I thought it might be appropriate in the month of trick-or-treating to take a look at one of the biggest tricksters of all. If everything you know about Loki comes from Marvel Comics or MCU movies this book is going to blow your mind. First off, Loki here is a half-brother to Odin, not Thor. He is the son of a ice giant, and he engages in all sorts of chicanery. Some of it is in service of the Asgardians, like negotiating the building of a defensive wall around the city, and some for nefarious reasons, like plotting the death of Baldur, the most beloved of all Aesir. Along the way, he gives birth to a 8-legged horse, uses his testicles to play tug of war with a goat, and fathers a giant wolf, the Midgard Serpent, and Hel, the goddess of the underworld. He lived a wild life for sure.

What I loved about this book was how it is crafted in a way that more clearly shows that how all the books in this series fits together to tell one grand narrative. Loki and his kin all will play huge roles in the ultimate demise of the Norse gods, Ragnarök, which will be the focus of the fourth and final book. And instead of portraying all of the major players there as villains, this book gives insights into how and why they are pitted to combat against the Aesir. The tale of the Fenrir the wolf I found especially distressful, with how they tricked him into bondage while also sacrificing the right hand of Tyr, who had played a big part in raising him, in the process. The Norse gods are petty, deceitful, greedy, and prone to bullying, and it is interesting to juxtapose this pantheon with the Olympians, the Greeks gods that author George O'Connor chronicled. 

Also, like the other books in the series, there are copious endnotes that lend lots of insight into O'Connor's artistic choices and visual themes. There is much to digest from this wonderfully rendered graphic novel.  

O'Connor has created many graphic novels in the past two decades, including the American history journal account Journey into Mohawk Country and the dystopian future book Ball Peen Hammer, written by Adam Rapp. He also drew the political graphic novel Unrig: How to Fix Our Broken Democracy with author Daniel G. Newman. He speaks about his penchant for drawing mythological tales in this interview.

All of the reviews I have read about this book have been positive. Kirkus Reviews called it "a semi-sympathetic portrait of a god too clever for his own good." Ian Keogh wrote, "Asgardians has been an excellent series from the start, well researched and engagingly presented, but the additional nuance in telling Loki’s story, the sheer variety of other material and the always excellent art raise the quality higher."

Asgardians: Loki was published by First Second, and they offer a preview and more information here. I am so looking forward to book four!

Asgardians Book 2: Thor

Many people, myself included, know a lot about the Thor from Marvel. He's big, strong, blond, wields a big hammer, and can control lightning. The mythological Thor is some of these things, including the muscles, power, hammer, and lightning, but he is also somewhat different.

This second volume sheds more light on that Thor, telling a good number of tales that show him to be a sort of dunderhead despite all of his strength and abilities. He's loud and impetuous, and he often gets taken advantage because of that, particularly by his clever half-brother Loki, though he does strive to do his best.

I really love this book, and I also love that it has a very different sort of flavor than the Olympians series by the same author. Norse legends are a bit more gritty and earthy, and the artwork and storytelling here reflects that. This Thor has to get his hands dirty when he fights, he slaughters and eats goats, and he drinks a lot of ale. He is also sort of goofy in the way he has to get himself out of sticky situations. Still, he is heroic in his own way, and this book does an excellent job of conveying the original legends in an intriguing and engaging way. The third book in this series, Loki, is slated to come out in October and I am really looking forward to it.

George O'Connor has a slew of excellent graphic novels under his belt. In addition to the aforementioned Olympians series, he adapted the American history journal account Journey into Mohawk Country and also illustrated the dystopian future book Ball Peen Hammer, written by Adam Rapp. He has also drawn the political graphic novel Unrig: How to Fix Our Broken Democracy with author Daniel G. Newman.

All of the reviews I have read of this book have been positive. In a starred entry, Kirkus Reviews called it a "close and spirited take on original sources." Carol Youssif summed it up, "A well-rounded title that will appeal to fans of the titular god and Norse mythology, and readers looking for an action-packed story." Ian Keogh concluded his review, "These are a bunch of great stories by any reckoning, and O’Connor really brings them to life, and not just for the intended young adult audience."

Thor was published by First Second, and they offer a preview and more information about it here. 

Asgardians Book 1: Odin

How do you follow up the Olympians, a 12-volume series of graphic novels that took more than a decade to come out? With another series of graphic novels, ones that focus on Norse mythology, naturally. George O'Connor is back with more mythological adventures, and I am glad to say that this new series is just as excellent (so far), even though it tackles a much different sort of culture and ethos. The Norse gods and legends have a much more earthy feel, with a lot of literal spit and blood (among other bodily fluids) involved in the proceedings. The artwork is also subtly different, and O'Connor is mindful to change his art style and coloring to suit different subject matter.

 

This volume follows Odin, the king of the gods and warrior, searcher, and man of many faces and names. Among the adventures here, he loses an eye, gains great wisdom, battles giants, and travels the nine realms. Additionally, much of this book introduces the narrative world of Norse mythology, conveying an excellently detailed account of this strange, new universe. It features many weird creatures, like six-armed maws, beardless dwarfs, and an eagle full of mead. I learned so much from it, including just how much I did not know about these stories, because I have read tons of Marvel Comics about them and the actual source material is waaaaaay different, even if  the names are the same. If you like reading about myths and having your mind blown, this book is for you.

In addition to all of his graphic novels adapting mythology, O'Connor has adapted the American history journal account Journey into Mohawk Country and illustrated the dystopian future book Ball Peen Hammer, written by Adam Rapp. He also drew the political graphic novel Unrig: How to Fix Our Broken Democracy with author Daniel G. Newman. He speaks about his work on Odin in this interview.

All of the reviews I have read about it have been celebratory. Kirkus Reviews gave it a starred entry that summed up, "A rainbow bridge to a fresh set of mythological places and faces." Chris Cole concluded his review, "Overall, this book was a great start to the series. I’m excited to follow it to Ragnarok." Benjamin Russell called it "an excellent authority in distilling the complexities of Norse mythology and making it accessible to younger readers interested in folklore."

Odin was published by First Second, and they provide more information and a preview here. Because of violence, bodily fluids, and booze, I recommend this book for middle school and above readers.

Happy Thor's Day!

Fun fact: Thursday is named for Thor, the Norse god of thunder. Today, to commemorate this fact, I am going to tell y'all about three books I read recently about this free-wheeling, somewhat dim, and mighty warrior.

This first book is a retelling of traditional legends about the thunder god. Here he has a big red beard and not the flowing blonde locks and clean shaven look made popular in comic books and movies.

Today's preview theme: two folks riding in goat drawn chariots.

This book retells the tale of Thor and Loki visiting giants and being challenged by Utgard-Loki and his hall of illusions. Faced with a number of challenges, the two Asgardians and the two human children they have in tow acquit themselves well, but are no much for the giant's chicanery. In the end, brains are much more effective than brawn. I like that there are some modern flourishes in the story, such as the young girl calling the giants on their sexism, which make the whole narrative more light and enjoyable. I also appreciate the relationship between the god-like siblings, where Loki comes off less an antagonist and more like a know-it-all younger brother and Thor less heroic and more a bullish mook.

Collaborators Jeff Limke and Ron Randall made this book. Limke is a frequent writer of mythological tales for young readers. Randall has drawn comics for decades and has worked for all the big companies. He is best known for his work on fantasy and sci-fi books, such as his original series Trekker and licensed Star Wars adventures. He recently also had a Kickstartr project for an art book successfully funded.

Reviews I have read of this book are positive though not spectacular. Bekka felt the story was a bit "flat," the artwork "vivid and colorful," and summed up that "for the Norse lovers, this is a must-have comic to add to your own library." Rob McMonigal called it "a pretty well-done comic" for younger readers. He also added, "I'd easily recommend this to anyone with children who want to learn about the legends and myths surrounding the days of the week."

Thor and Loki: In the Land of Giants was published by Lerner Publishing Group under their Graphic Universe imprint.

I reviewed the first volume of Roger Langridge and Chris Samnee's Thor: The Mighty Avenger series here. This second volume continues the action-packed tales of adventure that also contain some excellent character work, and I particularly like the take on Jane Foster, who is warm, feisty, and intelligent. In  these stories, Thor is still banished on earth to learn humility, but he is also somewhat confused about this circumstance because of the machinations of his trickster half-brother Loki. I very much liked the range of adventures, which show him fighting Prince Namor, The Submariner, who is an excellent foil/mirror for Thor, battling the dragon Fin Fang Foom, contending with robots, and meeting Iron Man for the first time.

Thor sure does love riding his goat drawn chariot.

This book contains excellent storytelling and some great, straight-forward superhero stories. I found the artwork crisp and attractive, and the stories are appropriate for all ages, accessible to fans and non-fans alike. The contents of this book are flat-out fun and well told. Plus, as an added bonus, there are two additional tales to round out the book, by original Mighty Thor creators Jack Kirby, Stan Lee, and Larry Leiber, which give readers a glimpse into the early output of Marvel Comics.

Originally slated to be 12 issues, this series was cut short to 8 issues and never resolved, even though it was very well received and reviewed. Conor Kilpatrick called it "fun in a way that most superhero comic books aren’t anymore" and added that it "features the wonderfully lush and detailed pages that Samnee is now famous for." Mario Lebel wrote, "If you like accessible, well written and superbly drawn superhero comics with as much brains and heart as there is brawn and creative costumes, do yourself a favour, pick up a copy of Thor: The Mighty Avenger and savour the brief glimpse into a grand story that could have been."

Marvel Comics originally published this book in digest size, but it is now available bundled as a complete collection containing the entire series.

If the first two books were all ages and aimed toward younger readers, this one is clearly aimed at a more mature audience. The story is dark and foreboding, full of horrific elements and lots of intrigue. The story is clearly couched in not only Norse myth but all mythological pantheons. There is a powerful entity that is hunting down and butchering gods of all sorts across dimensions, universes, and traditions. Thor first encounters it when he is a younger godling and is badly hurt in the battle. Centuries later, he finds clues that the adversary is back and he also finds himself in a very unfamiliar situation, feeling fear as he hunts for the killer.

No chariot, and I don't want to ruin what is hanging, but I will tell you it's not goats.

The story here is by Jason Aaron and the art by Esad Ribic. Aaron is an accomplished writer known for his series Scalped and Eisner Award-nominated The Other Side as well as his work on series like Ghost Rider and Wolverine. Ribic has also done much work for Marvel including the series Silver Surfer: Requiem and Submariner: The Depths. Both talk about their plans for this book and beyond in this interview/preview.

All of the reviews I have read about this volume have been very positive. Charles Payseur wrote that "the story comes across as focused and kinetic, full of memorable visuals and dialogue." The reviewer at Packrat Comics summed up, "This is a Thor book for anyone.  It balances the fantasy with science fiction and horror, and focuses on Thor as a character rather than being overly enthralled with the pantheon and mythology attached to him." Matt Lippman wrote, "While the dark and grim tone might not appeal to some people, it’s so skillfully done and so powerful that I find it tough to imagine it doing nothing for you if you’ve got the slightest interest in the character."

Thor: The God Butcher Volume 1 was published by Marvel.

So there you have it, three different books about the popular Norse god for a variety of readers. Happy Thursday!