The Cardboard Kingdom: Roar of the Beast

I was super-impressed and loved The Cardboard Kingdom, which I feel is a watershed book in the world of graphic novels for younger readers. This sequel, Roar of the Beast maybe lacks the varied emotional impact of that book, but it offers a more unified and complex narrative. Both books are superlative, and arguing which is better is sort of like arguing whether The Godfather or The Godfather II is better, which is to say that you cannot go wrong with either.

The main plot in this book is that there is great unrest in the neighborhood. Some of the kids are doubting/rethinking their characters, some bullied by older teens, and there seems to be a great beast roaming around at night wreaking havoc and spreading fear.

Overall, I think it is a great exploration of emotional issues that young people may experience, and how messy friendships and navigating the many changes of growing up and dealing with relationships can be. It does not downplay the complexity of what people do or feel, and not everyone makes the best choices for themselves, which I think reflects reality. It was a very moving book, and one I think that will resonate with a great many readers, both young and old. This is a graphic novel that I feel belongs in every upper elementary/middle school library.

This book was drawn by Chad Sell, and co-written with nine other authors, Vid Alliger, Manuel Betancourt, Michael Cole, David DeMeo, Jay Fuller-Ng, Cloud Jacobs, Barbara Perez Marquez, Molly Muldoon, and Katie Schenkel.

All of the reviews I have read of this book comment on its excellence. Charles Hatfield called it "that rare sequel that outshines its original." Kirkus Reviews wrote, "Continuing his collaboration with a group of different writers, Sell weaves together an engaging, endearing ensemble cast with a diverse range of gender identities and gender presentations, races, ethnicities, and body shapes." Juanita Giles wrote about how well this books captures the sensations and uncertainties of growing up and opined that it "not only reminds us of what it was like to go through that transition, but just how real even imagined problems can be at that age."

The Cardboard Kingdom: Roar of the Beast was published by Random House Graphic, and they offer a preview and more info about it here.

The Fifth Quarter

4th grader Lori Block LOVES basketball, and she is on her school's team, but she is not so good and only gets to play in the "fifth quarter" when things don't count. After getting a small taste of actual gameplay, she wants more and gets the opportunity to take part in some camps where she can learn more skills and practice. She is driven to succeed and relishes her opportunities, even though her desires come at odds with her friendships.

Lori's friends are not into basketball as much a she is, and at recess they rather play unicorns or four-square than shoot baskets, which causes her distress. She is also awkward at times and makes comments that are meant as jokes but get taken as insults, especially to her fellow "double-dribble twin" Sophia. So she has a lot to navigate in terms of her social world.

Adding to this mix is her family, which includes her mom and dad as well as her younger twin siblings, Jason and Becky. They are all depicted in realistic manner, with a plot following her mother's run for local political office (trying to do something to help the kids) against a smug incumbent, and her put-upon father trying to hold down the fort and keep the two little one's faces out of screens as much as possible. One of the aspects of this books I liked the most was how much space and respect was given to her family, who are important players in this story, which I find is not often the case in YA/tween graphic novels.

This book excels at capturing the excitement of the games as well as the variety of social and emotional dynamics. The relationship aspects of this book are complex and compelling, and I love how it captures the messiness/uncertainties of human interactions and growing up. Just check out this sequence from early on in the book:

In terms of artwork, I think that the coloring pops and the facial expressions and gestures are economical and highly expressive. I found the Fifth Quarter to be utterly riveting and read it in one sitting. It's a very human and relatable book that I feel I will revisit multiple times. If there is any justice in the world, it will sell millions of copies.

I am a big fan of this book's author Mike Dawson. He has written and drawn a few graphic novels over the years, including Freddie & Me, Angie Bongiolatti, and Troop 142. He also has done a lot of  graphic nonfiction and essay work, including the collection Rules for Dating My Daughter and plenty of comics for The Nib. He speaks about his work on The Fifth Quarter in this interview.

All of the reviews I have read about this book indicate its high quality. Publishers Weekly wrote that it was full of "sincerity, humor, and strong character development." Kirkus Reviews gave it a thumbs up, concluding, "Nothing but net." Hillary Brown commented about Dawson's art style and storytelling, especially on how refreshing it was to see the adults portrayed as "real humans, dealing with their own shit."

The Fifth Quarter was published by First Second, and they offer a preview and more information here. It is also the first of a series, and I am eager to see more of these characters and their lives.

Are Comic Books Real?

Teaching can be maddening, frustrating, exhausting, rewarding, surprising, and rejuvenating, and Are Comic Books Real? captures those emotions in a visceral way I've not seen another graphic novel do. This series of stories from teaching and glimpses into the lives of elementary school students and their teacher, captures the good days and bad, the days when you question your sanity/life choices, and the times when something happens to make everything seem worthwhile. Some times nothing seems to go right. Others, the students amaze you with their work or crack you up with their observations of the world and/or ways that they interact with each other. There is a certain sense of capriciousness that goes with teaching, and this book depicts that roller-coaster ride with great acuity and empathy.

I loved how it incorporates lots of different sorts of representation, from more traditional ink drawings (both in black and white and in color) to color pencil drawings to single page portraits of students to actual student comic work. I loved seeing how all these various images combined to portray the realities of teaching and learning and how art affects it all. It captures the tenor of the controlled chaos of a classroom as well as the unique politics of students and how their behaviors affect their teachers. Just check out this moment:

I loved this book and found it incredibly moving. It made me laugh and cringe, empathize and recall some of my toughest days, and also called back some of my most memorable students. It made me remember what being a school teacher was like, and I think that it should be read widely by folks who would like to be educators or educators themselves, but perhaps especially by those who purport to know what teaching is like. I think ignorance and abuse of the profession and those who sacrifice much (both financially and mentally) to practice it are some of the biggest issues facing education in our country today. This book entertains and enlightens.

This book's creator Alex Nall is a teacher and an artist. He has published a number of other comics and books, including Lawns, Teaching Comics, and Kids with Guns. He speaks about his comics and teaching in this interview, and there is also more about his work on his (maybe no longer updated?) blog.

Are Comic Books Real? was published by Kilgore Books, and they offer a preview and more information about it here. This book was one published via a Kickstarter campaign this year. I gladly backed it and would hope others might also in their future ones.

Best Friends

Best Friends is the follow-up to Real Friends, a very well-received, well-reviewed graphic memoir about the ups and downs of elementary school friendships. In this book, things get even more complicated when Shannon gets to sixth grade, the final grade of elementary school. Her friendships seem to carry higher stakes, as the oldest girls in school become the most popular and also have the most power to level at outliers and less social children. 

Being in the popular group brings its own pressures, and things get weird when some of her friends start doing things to purposely test Shannon's loyalty and trustworthiness. Also, she does not seem to watch the same TV shows or listen to the same music they do, which makes her feel out of touch and uncool. And on top of everything else, some of the friends start hitting puberty and turning their attentions to boys in complicated, often confusing ways.

Not only is Shannon dealing with a lot of moving parts in terms of school, friends, and gender politics, she also has to deal with her own struggles with anxiety. These manifest in stomachaches, very dark thoughts (about loved ones dying or her house burning down), and OCD tendencies, and they also hinder her confidence. One of her coping mechanisms is to channel her feelings into her creative writing, here a story of Princess Alexandra who finds a magic jewel with mysterious powers. She is quite imaginatively playful in general, an aspect of her personality that the popular girls just don't seem to get.

By the end of the book, and the onset of middle school, she learns more about what works for her and what satisfies her in terms of friendships and future aspirations. Not everything ends in tidy fashion, and I appreciated the attention paid to a realistic portrait of a young person's emotional life. I think that there is much here for younger (and even older) readers to relate to and even find solace in.

This book is another collaboration between author Shannon Hale and artist LeUyen Pham. The back pages of the book feature a lot of information about them and how they collaborate, and they seem like they are having a blast working together. Hale is a prolific children's book and YA author, and she has a few graphic novels under her belt, too, including Rapunzel's Revenge and Calamity Jack. Pham has drawn a good number of children's books, including The Bear Who Wasn't There, and has worked with Hale before on a series of The Princess in Black books. Both creators speak about their work on Best Friends in this interview.

All of the reviews I have read about this book have been positive. In a starred review, Kirkus Reviews called the book "insightful, introspective, and important." Sam Wildman opined, "I can relate to almost every panel on every page and I know young readers will feel the same." Ayla Jaganjac wrote that it was "amazing."

Best Friends was published by First Second, and they offer a preview and more about it here. The third book in this series, Friends Forever, (about life in 8th grade) is due out in August.

3x4

When I survey the range of graphic novels out there today, I am amazed at the sorts of titles and topics they cover. Except when it comes to mathematics. Math is the one area that is apparently very difficult to translate into comics, and that is one reason why this book, 3x4, is noteworthy.

The premise in this book is a homework assignment where the students have to draw sets of 12. The amounts of sets and items is up to them. They can draw one set of 12, two of six, three of four, or four of three. I know that the author uses this exact assignment with adult art students, but it also works for teaching younger children about counting, multiplication, and elementary factoring. And the children take the assignment to heart, expressing their interests through their drawings.

Roses! And mmm, donuts.

A lot of the fun of this book shines through the drawings. It is full of simple figures and backgrounds rendered in geometric shapes and in vibrant colors. My 2-year-old love reading this book, pointing out all of the items that appear in the sets. He also likes to tell me whether we can eat them or not, but I think that means that the items themselves appeal to young readers and also that the illustrations are just that visually appetizing. Fans of the book Wordplay, which I reviewed earlier this year, will also be glad to see Annemarie return and play a prominent role here. This book has the illusion of simplicity, but it is elegantly complex and works on many different levels.

This book's author, Ivan Brunetti, an artist and educator who has been working in comics for a few decades. Currently an associate professor at Columbia College Chicago, he has done multiple covers for The New Yorker and created all kinds of solo work, including lots of independent comics and lately a growing number of titles for younger readers like Comics: Easy As ABC. He speaks about his work on 3x4 in this interview.

All the reviews I have read of this book have been glowing. In a starred review, Kirkus Reviews summed up, "So exemplary an execution of a simple concept that it can be read multiple ways—as multiplication, counting, sorting—without sacrificing fun." In another starred review, Publishers Weekly concluded, "As the characters work through the multiplication concept on their own terms, readers are sure to arrive at a clearer understanding." Kelley Gile gave it another starred review, calling it "a lovely graphic story that teaches a simple concept in a most engaging way."

3x4 was published by TOON Books, and they offer a preview and more here.

Real Friends

Real Friends is a memoir about the trials and tribulations of friendship in elementary school. The story here follows Shannon from her days in kindergarten to fifth grade. She has a tough time making friends at first but then meets Adrienne and something just clicks. They are inseparable for a while, but as they get older their relationship gets complicated by other friends, boys, and summer vacations. By the time second grade comes along, they start hanging around a girl named Jen. Jen is very popular and talented, and she ends up the leader of a collection of girls called The Group.

 

Much of this book involves Shannon's various adventures and misadventures with The Group. She strives to belong to it, but she also has to endure a lot of hardship and emotional pain from trying to fit in while being tormented by various Group members. On top of the friendship dynamics, we are also privy to Shannon's family life.  A middle child with four siblings, she often feels isolated and starved for attention. Adding to her load, her older sister Wendy has her own troubles and often unleashes her misery in Shannon's direction. In the end, I felt this book was a very relatable and accurate look at childhood friendships. The author also has a bunch of commentary before and after the story, and the whole enterprise resists easy answers and pigeonholing about people, which I found refreshing. Also, I very much enjoyed the emotion and various personalities conveyed through the art. This book is both vibrant and evocative.

This book is a collaboration between author Shannon Hale and artist LeUyen Pham. Hale is a prolific children's book and YA author, and she has a few graphic novels under her belt, too, including Rapunzel's Revenge and Calamity Jack. Pham has drawn a good number of children's books, including The Bear Who Wasn't There, and has worked with Hale before on a series of The Princess in Black books. Both creators speak about their work on this graphic novel in this interview.

All of the reviews I have read about this book have been glowing. In a starred review for the School Library Journal, Mahnaz Dar summed up, "This tender, perceptive graphic memoir is bound to resonate with most readers, especially fans of Raina Telgemeier and kids struggling with the often turbulent waters of friendships and cliques." Kirkus Reviews called it "A painful and painfully recognizable tale of one girl’s struggle to make and keep 'one good friend.'” In another starred review, Publishers Weekly called it "a wonderfully observed portrait of finding one’s place in your world."

Real Friends was published by First Second and they have a preview and much more about it available here.

A review copy was provided by the publisher.

Comics Squad: Lunch!

This second volume of Comics Squad features some pretty heavy hitters in its line-up. Most of the stories within are humorous, but a few are actually pretty serious. In all, I liked the range of stories and art styles, and I felt this book would be a great introduction to comics for many young readers. Or, because it features so many established creators and characters, it would be a great read for more ardent comics fans as well.

I felt that the standout story was by Cece Bell, about a young girl who is very picky about her meals and particular about her lunch routine. I would like to say that she learns to branch out from her ways, but instead I was treated to one of the weirdest manifestations of nut allergies I have seen.

Other standout stories come from the Holm siblings who gave us another fun and funny Babymouse tale.

I also really enjoyed Jason Shiga's take on a choose-your-own-adventure story that reads like a kid's version of Meanwhile. Though I have to admit in the end I kind of had to cheat on the premise, because I could not get the darn tubes to match up with the stories (I blame operator error). And it is worth noting that this story had some funny bits but not a happy ending.

Humor is also mostly absent from the short Hazardous Tales entry from Nathan Hale, but I still appreciated his version of a peculiar World War II naval battle. He makes great nonfiction, and it is good to see such work rounding out this collection.

Among the other tales here include Jeffrey Brown's "Cave Soup" featuring Lucy & Andy Neanderthal, which acts as an introduction to a forthcoming book (series?) and a look at Lunch Lady when she was just a kid. The only real clunker in the bunch was the Peanuts piece, which made me a bit sad. There are so many good Schulz stories, but this one was a studio-created one that I found insipid. More an 8-page commercial for Snoopy than a story really.

Almost every review I have read about it had great things to say about this book. Andy and Gwen commented that "The eight stories collected in the anthology are relatively short, making them ideal for reluctant readers or for readers who are new to comics." Kirkus Reviews summed it up as "One rotten apple aside, a second helping of tasty treats." The Mayor of Bookopolis called it "the ultimate 'sampler platter' of graphic novels."

Comics Squad: Lunch! was published by Random House, and they have some more information about it here.

Tomboy

A couple of weeks ago, I reviewed Liz Prince's Alone Forever collection and learned she had created an honest to goodness graphic novel. Being a big fan of her earlier works I just had to check it out. Tomboy is a memoir about growing up, feeling weird, and trying to fit in, with a huge focus on gender issues and how they get defined from an early age. The book opens with a pivotal scene that sets the stage for the rest of the book. Liz, age 4, communicates how she hates how she's been dressed and has a meltdown:

 

Her family is very positive about her wants, and they cater to her wishes without making a fuss or being critical or hurtful. They just want her to be happy with who and how she is. As she grows older and interacts with friends in school though, things get tense. The young children and adolescents she encounters in all her schools (elementary, middle, and high) and in her neighborhood are not always the most accepting of her toy, wardrobe, playtime, or pastime choices. And from these points of conflict come a discussion about what's right, who gets to decide what is right, and how people judge one another based on preconceived gender roles.

Looking at what I wrote above, it may seem like this book is somewhat academic, and it is in a few places. But I hope you can see from the excerpts that it more consistently is a book with heart, humor, and very human feelings. There are many laughs, moments of sadness and hurt, glimpses of hope, and lots of opportunities where I felt personally connected with the characters and situations. The storytelling, facial expressions, and pacing are all expertly delineated and make this book a joy to read.

All of the reviews I have read about this book have been full of praise. The notoriously tough Kirkus Reviews gave it a starred review and called it "Spectacular; a book to make anyone think seriously about society’s preordained gender role." The School Library Journal's Amanda MacGregor called it "utterly fantastic." For those interested in learning more what's behind this book, Prince talks about her work on Tomboy in this interview with Comic Book Resources.

Going by the tried and true Joe Bob Briggs 3 B's scale, this book has 7 beasts (three bullies, three mean girls, and one crazy "friend"), a few mentions of blood (menstrual), and 3 boobs (in an educational film the girls have to watch in school). It also features some profanity, harsh taunting, and more than a few romantic or sort of sexual situations, so I recommend it for readers mature enough to handle those things.

Tomboy was published by Zest Books, and they offer a preview, reviews, and more here.