My Favorite Graphic Novels of 2019

Every year, I read a lot of graphic novels. These are the ones published in the past year that have stuck with me the most. In no particular order, and in no set categories, here are my favorites:

Favorite Overall Graphic Novel

The Hard Tomorrow is a tale set in the not-so-far-future where Facebook founder Mark Zuckerberg is the US president, social media is used for surveillance, and civil rights are under siege. The story of relationships nested within this context is complex, moving, and very relatable for me. The ending of this book literally gave me goosebumps.






Favorite Book by a Hernandez Brother

For once, Jaime out-published Gilbert in terms of books in a calendar year. A 30-year punk rock reunion concert is the setting for Is This How You See Me?, and it pulls off the great trick of flitting from the present to the past to show a broad picture of growing up or changing in terms of people and music scenes. Although it did not give me goosebumps, the final page of this book put a perfect exclamation mark on the whole enterprise.





Favorite Adaptation

Using all sorts of styles and media variations, Anne Frank's Diary is a moving translation that does justice to the book and makes it even more relatable to a modern context. I read a lot of graphic novel adaptations, but this one knocked my socks off.







Favorite Scifi/Horror

Nathan Hale regularly appears in my end-of-year posts for his nonfiction Nathan Hale's Hazardous Tales series, but this book is a work of fiction. Apocalypse Taco is about some school drama students who get caught up in nightmare scenario involving inter-dimensional beings trying to replicate and replace our world, and it is full of great twists and body horror. Plus, one of the eventual heroes is a graduate student. Hooray for graduate students! (This book would have also won my Best Title category, for the record.)




Favorite Book for Younger Readers

My rating here is based on two criteria: 1. number of times my 4-year-old requested to read it, and 2. just how charming and inventive the whole thing was. Red Panda & Moon Bear is about two superheroic kids who protect their neighborhood from various menaces, from bad dogs to ghosts to ice cream monsters. I loved seeing how they solved their problems with ingenuity and empathy. We loved this book in my house!




Favorite Nonfiction Book

Box Brown is a regular in my end-of-year lists as well, but this book surprised me with just how much it taught me. Cannabis is a history of the contentious plant, showing the science behind how it works, its international roots, and how a long-term process of racism and misinformation has colored how we view it today. It is an excellent cultural history.






Favorite Scifi

Last Pick: Born to Run is two things: an gripping scifi story about an alien invasion of Earth and what people who are underestimated can accomplish. This look at what are typically considered disabilities or disablement made for great drama to accompany strong characterization and great, gruesome monster designs.






Favorite Young Adult Book

The insights into an African-American young man and the experiences he has at a private school make New Kid a unique and important book. Not only does it explore the social dimensions of adolescence, it also raises timely questions about social justice and equity in a way that involves multiple shareholders. Additionally, I very much enjoyed getting to know Jordan Banks, the main character, as he learns the lay of land while trying to develop his artistic skills. It features a great message but with a sense of both humor and humanity.




Favorite Memoir

Lucy Knisley is another regular in my end-of-year lists, and in Kid Gloves she offers multiple features in one book. It is a memoir about her own process of getting pregnant, pregnancy, and giving birth. It also contains a bunch of historical sections about how those three life processes have been viewed and evolved over time and across cultures. It also contains a good deal of graphic medicine about specific conditions and treatments. All of these features combine to give the reader much to learn about, chew over, and also be entertained and moved by. This is an excellent book for anyone who is a parent or who would like to be one.



OK, that's my list. Happy New Year!

Is This How You See Me?

I've said it before and I'll say it again: Jaime Hernandez is one of my favorite comics makers ever, and I don't know how he keeps topping himself, but he's done it again. Is This How You See Me? is a book about a reunion. The Locas, characters Hernandez has been writing about since the early 1980s all convene 30 years later for a special concert of their old favorites and some of the new Turks who were inspired by them. It also features old friends and acquaintances coming back together, some happily and others not so much. What is phenomenal to me is just how vibrant and complex a quilt Hernandez weaves in a relatively short space in this book.

All of the major players here have aged, most have mellowed, and it is interesting to see how their lives have shifted over time. Of course, this book focuses much of the time on Maggie and Hopey, the on-again, off-again friends and lovers who were the primary focus of the classic Locas tales. Their adventures have always featured lots of personal drama and upheaval, and it is fascinating to see how that still plays out 30 years later.

This book features a lot of juxtaposition. It hops back in forth in time to show characters then and now. It shows what the folks at the reunion are up to while also showing what their significant others are doing while left at home. And although a few things remain relatively the same, it shows the ocean changes the exist between then and now. Perhaps most strikingly for me was the difference between the sorts of trouble Maggie and Hopey can get into to. Their past run-ins with punks and drug dealers seemed almost quaint and fun next to the two episodes of hate they run into in the present, which were full of menace and danger.

One of the strong points is just how iconic and potent the illustrations are. Hernandez has honed his craft over the decades to be able to capture an emotion or deliver a visual zinger in economical fashion. There were multiple times I found myself poring back over pages to admire his characters and how he brings them to life via his artwork.

Another of the strongest parts of this book for me was its dialogue. There are a number of big crowd scenes where people are watching shows, catching up, or hanging out late night in diners, and their conversations are mundane, silly, pointed, and sometimes poignant. I know that comics work best when there is a playful, intentional interplay between the images and the words, and Hernandez shows he is a maestro of drawing, writing, and also marrying the two.

I feel that I have a difficult time doing this book justice, because it does so much. It delivers quality slice-of-life type tales while also showing what happens across a lifespan. It is funny, sometimes sad, and very rewarding. There are lots of pay-offs for longtime Love & Rockets readers but also quite enough context to entertain and engage those new to this universe. I cannot recommend this book enough.

The reviews I have read of this book have been glowing. Edwin Turner wrote, "It's fascinating too to see how naturally Hernandez has realized the aging of his characters, as if they were not drawings on a page, but rather real people." In a starred review, Publishers Weekly concluded, "While longtime fans will discover extra levels of joy and regret in this installment, even those who pick this up as their introduction to the series will be moved by its tale of growing older without necessarily growing up." Hernandez speaks about his work on this book in this interview.

Is This How You See Me? was published by Fantagraphics, and they provide a preview and much more here. It features profanity, some violence, and sexual content, so it is recommended for readers mature enough to handle those things.

The Hard Tomorrow

Imagine it's 2022, and Mark Zuckerberg is president. That's the premise of The Hard Tomorrow, the latest book from Eleanor Davis, one of the best comics artists going right now. The book's main character is Hannah, a young woman who works as an in-home caretaker for an elderly woman and who lives in a truck with Johnny. Johnny is working on building them a house, but he spends a lot of his alone time smoking pot and hanging out with their dog Tinker. Also, the two of them are trying to get pregnant.

When she's not at work, Hannah is involved in Humans Against All Violence, a group working for positive social action. She also hangs spends much of her time with her friend Gabby. Johnny spends his free time with Tyler, a reclusive survivalist who has many guns. Hannah is not a big fan of Tyler's, obviously, but the near future makes for some interesting bedfellows.

As much as this book is a commentary on the present day, and how it might become even worse, it is also a book about humanity and hope. Although things are tough, and in the course of the book several heartbreaking things happen, it casts a wide light on the complex and nuanced characters contained in its pages. Some of them are disappointments, while others come through in the clutch. Some are utterly wrong, and some who are easy to doubt end up being right. No one in this book is completely a saint or a sinner (except for faceless, fascist police and the POTUS), and the exploration of humanity under duress is both fascinating and moving. Most impressively, this feat is achieved via the plot and the pictures, as Davis's artwork breathes life into the pages. The Hard Tomorrow is both provocative and poignant, containing moments both jarring and subtle. Not many books move me as much as this one did, and the ending had me covered in goosebumps.

This book's creator is Eleanor Davis. She has racked up quite a few accolades, including the Russ Manning Most Promising Newcomer Award, and she has created a number of books that can appeal to adults (How to Be Happy and Why Art?), younger readers (Stinky), and adolescents (The Secret Science Alliance). You, a Bike, & A Road was one of my favorite books of 2017, and it won an Ignatz Award for Outstanding Anthology or Collection. She speaks about her work on The Hard Tomorrow in this interview. I'd be shocked if this book does not win at least a few major awards in the coming year, as it highlights just how spectacular a writer and artist she is.

All of the reviews I have read of this book have been glowing. Publishers Weekly opined that "Davis seems to argue that any life is rich and complicated enough to merit its own book—and she convinces the reader she is right." Leonard Pierce wrote, "All told, this is a book that finds that razor’s edge between irrelevance (sic?) and datedness and balances there with the expertise of a gymnast." Oliver Sava called it a graphic novel that "looks at a bleak and very familiar near-future to tell a story about activism, empathy, and believing in a better world."

The Hard Tomorrow was published by Drawn & Quarterly, and they offer a preview and more here.

Last Pick, Book Two: Born to Run

I had the distinct pleasure of serving as moderator for a panel about graphic novels and illustrated books this weekend for Read Up! Greenville, and I got to meet Chuck Brown, one of the co-authors of Bitter Root. I also got to meet Jason Walz, a comics creator and special educator who wrote today's book, Last Pick: Born to Run. It is actually the second book a trilogy, and I must admit I had not read book one beforehand (I will remedy that soon). Still, I was immediately immersed in the narrative and hit the ground running. The plot here is a dystopian future tale where aliens have taken almost every human over the age of 16 and “able-bodied” off Earth to work as slave labor, leaving what they feel are the young and infirm behind. This arrangement has separated a pair of twins, Wyatt and Sam.

Sam is taken off-planet where she learns more about exactly who the alien invaders are, and also gets involved in a galactic civil war. Wyatt, who is neurodiverse and prone to moments where his mental focus shifts, is one of those left behind, but he and others band together to mount a resistance and disrupt the alien occupation force.

 

 

Apart from all of the exciting action elements, and some delightfully gruesome alien designs, there is also a strong message about how even those who get discounted can find the resources, strength, and resolve to succeed. Even with this topical message, it does not come off as preachy, as the plot is well crafted and quite compelling. I am eager to see how the whole thing concludes when the final book comes out next year.

Beside the Last Pick series, Jason Walz is also known for his Eisner Award-nominated Homesick as well as A Story for Desmond. He speaks more about his work on the Last Pick series in this interview.

All of the reviews I have read for this second entry have been positive. Kirkus Reviews gave it a starred review that concluded, "An extraordinary sequel that is thrilling, inclusive, and unforgettable." Erin Partridge wrote, "The change in the trope of the hero who overcomes adversity to a team of people who triumph while living with their differences could be very empowering to people navigating the tricky world of human life."

Last Pick: Born to Run was published by First Second, and they offer a preview and much more here.

Kid Gloves

Lucy Knisley is one of my favorite graphic novel creators, and I am a big fan of her prior graphic memoirs Relish, about her love affair with food, and Something New, about getting married. This book follows the progression of the classic song: first comes love, then comes marriage, then comes a baby in a baby carriage. But Kid Gloves is a book that covers some wide ground, making it more than a simple graphic memoir. It contains a lot of medical information about pregnancy and pregnancy-adjacent topics like birth control and miscarriages, and those passages sit right alongside the biographical ones. In a way, it makes the book a little disjointed, as it hops from topic to topic, but it also makes it simultaneously useful, informative, evocative, and entertaining.

My wife and I have three children, and each one had a different story in terms of their birth. One of the things we've learned is that almost everyone who is a parent has a unique story about the conception and birth of a child, and those stories may or may not be instructive or informative. What I like about this book is that it talks frankly about having difficulties with conception, often accompanied by frustration and grief. It also delves deeply into the oft-stigmatized experience of miscarriages. It even shows how birthing can have its complications, and how the after-effects of childbirth can be varied and sometimes hazardous.

Knisley shares a lot about her life, and reading this book almost gives the feeling that the reader knows her, she is that intimate. I feel there is much here that can help a person or people struggling with aspects of becoming a parent in any number of ways. It shows that it is not always a simple, joyful, and easy path to parenthood. It does not sugar-coat the process, although it does tell its story with a lot of heart and humor.

The reviews of this book I have read leaned positive. Josh Kramer called it "a good read, full of pieces that work on their own while telling the story of Knisley’s pregnancy. It may be prone to tangents, but it’s very likely to have a real impact on readers." Publishers Weekly wrote, "Despite its tonal problems, the book is worth reading for Knisley’s fierce wit, strong point of view, and well-paced storytelling." Caitlin Rosberg opined, "While Knisley’s honesty about both the best and worst parts of pregnancy are compelling, what elevates the book to a must-read for those who want kids or love people who do is the context in which she places her personal experience."

Kid Gloves was published by First Second, and they offer a preview and much more here.

Red Panda & Moon Bear

Red Panda & Moon Bear is a delightful book. It features a unique Latinx sister/brother superhero team. Both wear hoodies, Red Panda's giving her the strength of ten red pandas. Moon Bear possesses a magic crystal that he wields in a special gauntlet. Together, they defend their neighborhood from various menaces and solve mysteries. They face evil dogs, a ghost in a library, ice cream monsters, a nightmare, shape-shifting monsters from another galaxy, disappearing buildings, and scary trees.

Their adventures are fun and inventive, and I appreciate how they get through various situations not only by using their wits and sometimes their fists, but also by being empathetic and talking things through. They show that kindness and understanding can be effective for dealing with others and finding solutions to various dilemmas.

This book is fantastical in the best kind of way, with cool sci-fi, fantasy, and superhero elements woven throughout 11 chapters. And I love RP and MB's sense of adventure and cleverness. I think that perhaps the highest praise I have for the book is that I read it with my three-year-old, and he did not want to put it down. He not only insisted I keep reading each chapter, he even took it with him in his wagon when we went for a walk around our neighborhood. This book is enchanting!

When I asked him what he liked about it, he told me, "There's a mystery." "It's a little bit scary." And "I like Red Panda and Moon Bear (the characters)." So, there's something for everyone!

This book's creator Jarod Roselló is an artist, researcher, and educator who teaches creative writing at the University of South Florida. Although this book is his first for younger readers, he has published the graphic novel The Well-Dressed Bear Will (Never) Be Found as well as a bunch of shorter pieces. He has another graphic novel called Those Bears in the works for publication. He speaks about his work in this interview.

I was not able to locate many reviews of this book, but the ones I found were very positive. Cassie at Teachers Who Read called it "a perfect addition to the graphic novels in my classroom." It currently has a 4.71 (out of 5) star rating at Goodreads.

Red Panda & Moon Bear was published by Top Shelf Productions, and they offer a preview and much more here.

Apocalypse Taco

If you have been reading my blog for any length of time, you'll probably know that I love Nathan Hale's comics and graphic novels. His nonfiction series Nathan Hale's Hazardous Tales is the gold standard for historical graphic novels, as far as I am concerned. I loved his takes on fairy tales and the southwest, Rapunzel's Revenge and Calamity Jack. And I really liked his original sci-fi graphic novel One Trick Pony. With his new book Apocalypse Taco, not only does he win the prize for best original book title, he also provides a gripping, tense, icky, and fun sci-fi/horror tale.

The set-up of this book starts before a school theater production of Brigadoon, when the students are creating the set. A trio, including 11-year-old twins Axl and Ivan and 16-year-old Sid make a late night fast food run to energize the minds and bodies of the crew. Not only do they not get the food, the food tries to get them.

At first they think they have been transported to some alternate, hellish dimension. Then they find that their school and town have been transformed into imperfect replicas. Everyone and everything, including their families, friends, and homes have turned to goopy creatures that are chasing them. Not only that, they encounter other strange lifeforms, including one made up entirely of arms and another made up of teeth. All of this is clearly unsettling and horrific, but luckily they meet up with a graduate student (!) who starts to make sense of things.

I will not reveal more, as I don't want to spoil things, but clearly this is a book with a lot going on. I enjoyed how horrific and original it was, and I admire just how much it is genuinely a thriller that does not insult anyone's intelligence. The situations are strange and compelling, and Hale definitely establishes a mood throughout the book that builds suspense and has multiple payoffs in terms of the plotting. As much as I love his nonfiction work, I also really dig the fiction he has written. His takes build on common genre tropes, but he extends them to interesting, unique places. Hale is one of the best comics creators out there, for all audiences, in my opinion. Apocalypse Taco is a satisfying, gruesome tale that should appeal to readers looking for fun, sci-fi/horror.

All of the reviews I have read about this book have praised it. Publishers Weekly summed it up as "Weird, freaky fun." J. Caleb Mozzocco concluded, "Young readers, particularly those who are easily freaked out, may want to proceed with caution. More adventurous readers can plunge right in, with one caveat: There’s a pretty good chance their minds might get blown in the process." Sam Wildman wrote, "Apocalypse Taco has great crossover appeal for both adult readers and young readers – at least those who can appreciate a trippy surreal trip into the world of grotesque body horror." Kirkus Reviews called it "A well-balanced mix of sci-fi, horror, and humor."

Apocalypse Taco was published by Abrams, and they offer a preview and more info about it here.

I finally had the honor and pleasure of meeting Nathan Hale at the Denver Pop Culture Con last month, and he was gracious enough to sign my copy. HE ROCKS!

New Kid

New Kid was recommended to me by fellow graphic novel aficionado Zach Barnes, and I am glad he turned me onto it. It is a rare book, in its view of a scholarship student going to a private school. Riverdale Academy Day School is a launching pad for success, and Jordan Banks's parents decide it is the best way for him to go. He's African-American, which puts in him in the minority at that new school, and he's really unsure if he belongs for many reasons. First, he wants to be an artist, and he feels that art school might be a better path for him. Second, he's from a family with modest means, and most of the students at RADS are super-rich patricians, some of whom have legacies there.

What really stood out to me about this book was how it depicted Jordan's various plights with humor, heart, and nuance. His parents want what is best for him, although they also have their disagreements about this situation. Jordan has to navigate a new space while dealing with racial and class issues. People often do not speak to him, and when they do they call him by the wrong name. Furthermore, he has to make new friends while also maintaining his relationships at home and making sense of both worlds. In part this struggle is embodied by the subtle transformations he makes each day as his dress and demeanor change over the course of the long bus ride to school. He has to assume several identities and navigate multiple realities, which this book shows in a way that drives home what many young people have to do in order to get by on a daily basis.

The book is laid out in multiple chapters, episodes that follow him across the school year. There are multiple plot threads, and overall I'd say the narrative is more observational than dramatic. But those observations are sharp, astute, and often heartfelt. I also very much enjoyed the sequences where we get to see Jordan's artwork and its humorous commentary on his life in and out of school. All of the characters are interesting and well portrayed as individuals who I enjoyed getting to know the over the course of the book, and I'd love to have another opportunity to revisit them in a sequel. I feel that this book has much to offer as food for thought and also as a keen and emotional look at teen life. It is excellent for reading and re-reading, and I cannot recommend it enough.

Jerry Craft wrote and drew this book. He has drawn multiple children's books and graphic novels in the past, and he is known for his work on Mama's Boyz, both as a comic strip and in four books. This article sheds light on his work on New Kid, as does this interview.

Every review I have read about this book has been glowing. Elizabeth Bird summed up, "More than just the sum of its parts, Craft has created a book with guts, that kids will want to read multiple times. Funny, whip smart stuff." Victoria Jamieson called it "tender and tough, funny and heartbreaking." Kirkus Reviews gave it a starred review that concluded, "An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America." Publishers Weekly also gave it a starred review that ended, "This engaging story offers an authentic secondary cast and captures the high jinks of middle schoolers and the tensions that come with being a person of color in a traditionally white space."

New Kid was published by HarperCollins, and they offer an audio excerpt, teacher guide, and more info here.

Cannabis: The Illegalization of Weed in America

First off, I meant to have this post up for April 20, but life has been hectic lately, and as you might tell, I have not been posting as regularly as accustomed. Hopefully, this is the book to get me back on track. I am a big fan of Box Brown's work, and in the past his stuff has appeared on my "Best of" year-end lists. This book is unique though in that I am not really that familiar with the topic and it's not something, like professional wrestling, video games, or comedy, that I have been a fan of. So this book was more of a learning platform for me. Cannabis: The Illegalization of Weed in America covers a lot of ground and includes lots of different insights. It shows, among other things,

the science behind getting high on marijuana

an origin myth from the Hindu tradition

a history of false assumptions and spurious science.

And I gleaned much here. For instance, I had no idea who Harry J. Anslinger was before I read this book, let alone that the man almost single-handed created the "war on drugs" as we know it. It is horrifying to see how much he relied on false claims, racism, and prejudice against immigrants to push public policies that have led to decades of abuse, misinformation, and incarceration. A large portion of the book focuses on his work, and he definitely comes off as a villain, which seems appropriate and sadly familiar to some contemporary voices I hear.

There is a lot going on in this work, and it is well researched, with a huge bibliography at the end. I think it may have benefited from some chapter headings to help steer the reader, but overall I feel it does its job well. It contains all sorts of disparate information and weaves it together into a portrayal of the modern take on marijuana use. It also makes a strong thesis for why current policies and views are misguided and wrong. I feel it is a strong piece of comics rhetoric and history, and I highly recommend it.

This book's creator Box Brown has left a big footprint in comics already, founding the indie imprint Retrofit Comics. He has also created a cavalcade of comics, mini-comics, and graphic novels, including his biographys of Andre the Giant and Andy Kaufman as well as his history of Tetris. He speaks about his work on Cannabis in this interview as well as this NPR interview.

The reviews I have read of this book have ranged from good to lukewarm. Jonathan O'Neal wrote, "Brown’s book presents an impassioned case for continuing the discussion over this very complicated issue, and with “Cannabis: The Illegalization of Weed in America,” Brown becomes an important voice in that conversation." Henry Chamberlain called it "a most remarkable book in how it packs together a disparate clump of facts and myths and makes sense of it all." Kirkus Reviews summed up, "Not as engaging as the author’s bio of Andre the Giant, but his uncluttered drawings suit his straightforward argument."

Cannabis was published by First Second, and they offer a preview and much more here.

Anne Frank's Diary: The Graphic Adaptation

The Diary of Anne Frank is one of the most read books in the world, which may beg the question of whether or not a graphic adaptation of it is necessary, but I have to say that I was blown away by this work. It is expressive, incorporates disparate pieces of artwork into the story, and creates a context for both exploring humanity and horror at the same time. Anne and her family spent years hiding from Nazis in an annex in Amsterdam during World War II. Along with some others they shared the cramped quarters, living in as quiet and unobtrusive fashion as possible. And all the while they listened for scraps of news and hope while hearing bombing and shooting all around them.

As if this atmosphere was not bad enough, Anne also had to deal with lots of other personal dynamics, including a rivalry with her older sister, a crush on a boy, and having to share her room with an adult man dentist. What I feel this book captures best about the work is 13-year-old Anne's sense of figuring out the world and her place in it, ironically at a time when she was sequestered and eventually taken out of it. This book is full of humanity, wisdom, and sadness, and the artwork only exemplifies the beauty and thoughtfulness of its prose.

As an educator, I often think of how to use a book like this, and I feel that it could be used in several ways. It could be read alone, in tandem with the original book that it excerpts, or it could also be excerpted itself to draw attention to particular passages. I was very impressed with this book, especially in how it uses various visual styles and formats to adapt the diary entries. Sometimes, it plays with a single image, often cribbed from a classical art source.

Sometimes, it uses straight forward comics, and others it features an illustration with an entire diary entry. I think that its creators were savvy in selecting which sections to summarize and adapt and which to present in more whole fashion. This adaptation is superlative, and it is prelude to an animated feature that is nearing the end of production. If it is anything like this book, it should be excellent.

This adapted book was a collaboration between Ari Folman and David Polonsky. Folman is an Orphir Award and Golden Globe Award winning director and screenwriter. Polonsky has worked as an art director, children's book illustrator, and animator. Both collaborated on the lauded animated film Waltz with Bashir. This interview sheds light on both creators' work on this book.

The reviews I have read about it have been largely positive. Ruth Franklin wrote, "Their book is brilliantly conceived and gorgeously realized." Publishers Weekly's starred review concluded, "The beauty of Anne’s life and the untarnished power of her legacy—here further elevated by Folman and Polonsky—are heartening reminders of the horror of her fate." Gene Ambaum called it "spacious, interpretive, and altogether wonderful."

Anne Frank's Diary was published by Pantheon, and they offer a preview and more here.

The publisher provided a review copy.