Huda F Cares?

I try to vary where and how I get graphic novels to read, and I was pleasantly surprised to find another book by Huda Fahmy in a little free library in my neighborhood. It's the follow-up to Huda F Are You?, which I finally read earlier this year, and it may be even more excellent. It continues the fictionalized memoir, following Huda into the summer after her freshman year of high school as she and her family embark on a road trip to Disney World for a family vacation.

I can say without hyperbole, I LOVED THIS BOOK. It is hilarious and human, a great look at family life as well as the dynamics of planning a trip and then traveling with siblings. They bicker during the long car ride. They have to split up in pairs and keep a strict timetable, otherwise they are grounded and have to spend all their time with their parents. Some help keep secrets, while others are complete tattletales. I found so much to relate to, cringe over, and laugh about, both recalling my own childhood travels and more recent happenings as a parent traveling with three children. 

Along the way, Huda learns a bunch about herself and her relationships with her sisters in organic ways. She sometimes tries to hide her Muslim prayer rituals, gets embarrassed by family picnics when her parents are trying to economize, makes a friend, tries to boss around her younger siblings, and has to deal with rude strangers as well as handsy jerks. She suffers many different consequences for her actions, the biggest one being detained by security for sticking up for herself, and the stakes for that offense make for some compelling reading. But really what bears emphasizing is that with all of this introspection, learning, and drama, the whole book is frequently HILARIOUS. I dare anyone to read it and not at least crack a smile or chuckle.

A National Book Award Finalist, this book has been very well reviewed. Islamic School Librarian wrote that "the entire book reads like time spent with friends who can keep you laughing, comfort you when needed, and who are willing to share their very real relatable world with you." Andy Oliver commented that "Fahmy’s great skill as a storyteller is to combine very funny character pieces with those more touching observations about contemporary perceptions of Islam." Kirkus Reviews summed up, "Delightfully heartwarming."

Huda F Cares? was published by Dial Books, and they provide more information about it here. 

Grommets

Grommets is a series I read via the Global Comix app on my phone, and it is an engaging and moving coming-of-age story. It was definitely a blast from the past for me, taking me back to the 1980s, skateboarding, and punk rock. Although I only really dipped my toe into the world of skateboarding, because my sense of balance was lacking, I was a big fan of the music in this book and had not a few friends who resembled characters in Grommets. The two main characters, Rick and Brian, live in Sacramento, California in 1984 and are loners who find common bonds in skating and music. Together, they navigate a great number of things, including being latchkey kids, dealing with disappointed parents, dating, getting hassled by jocks, dodging security guards, having illegal parties, and finding places to hang out.

As a person who lived through this era, I felt that the creators got so much of the feel and tone of the time period correct. It does not just throw out token references for the sake of nostalgia but weaves all the technologies, musicians, and politics of the 1980s into an organic whole. The artwork in particular is very well researched and portrays a very 1980s world, full of denim, run-down buildings, skate ramps, convenient stores, and other locales. It meshes realism with a cartoon style, a sort of hybrid of classic MAD artists Mort Drucker or Jack Davis and Tank Girl co-creater Jamie Hewlett. It works very well at capturing characters' emotional states as well as bringing energy and dynamism to the action sequences, especially with the vibrant coloring. 

The artwork well suits the funny, honest, and often brutal aspects of the plot, which does not sugar coat any of the rough stuff that come with being a social outlier, physical and emotional violence from peers, and fallout from family who might not see things the same way you do. I read the book as a series, and the wait for the final issue was a struggle because of the cliffhanger, I am not going to lie. It was a very gripping and emotional read for me, with very strong character work, and I found myself very concerned for Rick and Brian's well being. 

Grommets was created by writers Brian Posehn and Rick Remender, artist Brett Parson, and colorist Moreno Dinisio. Posehn is a stand-up comedian and actor who also has a bunch of writer credits for the Marvel character Deadpool. Remender is a comic book writer and television producer known for his work at Marvel as well as his original series Fear Agent, Black Science, and Deadly Class. Parson has drawn a number of Tank Girl comics as well as worked for a number of publishers. Dinisio is an artist and colorist for a wide range of comic books. 

I have read a number of online reviews about this series, and they were all celebratory. Javier Reyes called it "a love letter to 80s skater culture and punk rock." Publishers Weekly wrote, "This sweet and raunchy slice of life spikes its 1980s California skate-punk nostalgia with brutal face-plants, hard-won lessons, and bursts of violence."

Grommets was published by Image Comics, and they offer a preview and more information about it here. I recommend this book for readers mature enough to handle the drinking, language, and mature situations that these kids deal with. The first issue/chapter is available to read for free here. 

Holler

Continuing with my haul of comics from HeroesCon, today I am sharing Holler by Jeremy Massie. One of the best parts of going to Charlotte is seeing friends and getting to talk, even if it is while they are manning their booths and selling their wares. I always make a point to check in with pals Henry Eudy and Eraklis Petmezas, who are typically tabled next to each other, and this year they were joined by Massie. I was very eager to get Holler, as I had gotten the first few issues that were published by It's Alive but had not had the chance to finish the series. Lucky for me, Jeremy had this book for sale, and I loved reading it.

It's a pretty specific book, but I am the target audience in a few ways, because of my age and musical tastes. And I should note that it's not quite autobiography, but it is based on some real events and people. It's set in the 1990s in a small, rural town in Appalachian Virginia. Its narrator and main character is Mark, a high school student who does not really excel at academics, but he is a talented enough artist and musician. He plays guitar and joins his friends in a band called Magnesium Mama that plays grunge rock covers and some original songs. This scene puts him at odds with his family in some ways, as well as with the religious figures that factor heavily in his life. 

It also puts him in a clique that is at odds with the local "rednecks" (as he calls them), which leads to conflicts, both verbal and physical. Over the course of the book, Mark deals with a lot of different situations. He gets his first girlfriend, then experiences his first break-up. He experiments with drugs. He plays a lot of gigs and gets involved in a few different battles of the bands. He switches churches, sort of dates the preacher's daughter, and has to navigate the complicated ways his parents and he practice religion. 

The stories here are all told in episodes, and I found them highly compelling and poignant. The artwork is well paced, and is particularly excellent at capturing people's expressions and emotional reactions, which works very well as this book is very character driven. This book touches on a lot of issues that young people contend with as they get older and start trying to carve out spaces in the world, and it does so in a way that is sometimes humorous, occasionally cringe-inducing, and always relatable and human. Holler is one of the best coming-of-age graphic novels I have read, and I highly recommend it.

This book's creator Jeremy Massie has made all sorts of comics in various genres, including the superhero tales Amazing Age, horror stories Blood-Drenched Creature Double Feature, and the more realistic, solo-authored book All My Ghosts. He speaks about his work on Holler in this interview.

I was not able to locate many reviews of this book, which is a shame, because I feel it should be more widely known and read, because it is so good. Publishers Weekly concluded their review, "This bittersweet blast from the past will strike a chord with recovering high school outcasts."

Holler was published by Dark Horse, and they offer more information about it here. Because it features some drug use, sexual situations, profanity, and adolescent shenanigans, I recommend it for readers mature enough to deal with those matters. 

I Was A Teenage Michael Jackson Impersonator, And Other Musical Meanderings

One of the highlights of this year's HeroesCon for me was meeting Keith Knight and buying this book from him. I Was A Teenage Michael Jackson Impersonator, And Other Musical Meanderings is a funny and entertaining autobiographical comic that mainly details the author's brief stint making crazy amounts of money as a celebrity impersonator. For about a year and a half in the mid-1980s, starting when he was 17-years-old, he lip-synched and danced at birthday parties and department stores, joined a cadre of other touring impersonators, dated a Madonna impersonator, and learned a lot about the entertainment business. Also, ironically, by pretending to be someone else, he learned much about himself, the world, and how to get by in it.

Certainly, this book has lots of voyeuristic thrills, and it is fun to watch as Knight gets into (and out of) various scrapes and uncomfortable situations. His artwork is wonderfully cartoonish and expressive, bringing life and vibrancy to the proceedings, and the pacing makes the gags and witty dialogue land in hilarious fashion. As a bonus, interspersed between the chapters are passages from Knight's various comic strips that celebrate various musicians from David Bowie to Run DMC (RIP Jam-Master Jay) to Prince. If you have a fascination for 1980s pop culture and a sense of humor, this is the book for you.

The aforementioned Keith Knight created this book, and he has been celebrated for his past strips The K Chronicles and (th)ink. He is also a rapper and had his life and comics adapted into the comedy series Woke, which ran for two seasons on Hulu. I love this show and am glad it got two seasons, but I wish there were many more. Knight speaks about his MJ years and this book in this interview.

I Was A Teenage Michael Jackson Impersonator was nominated for an Eisner Award for Best Humor Publication in 2024. It was published by Keith Knight Press, and there is more info about it here. This book was originally funded by a Kickstarter campaign.

Huda F Are You?

I have been meaning to read this book for a while now, ever since I learned about it during a presentation at the Literacy Research Association this past December. Huda F Are You? is a fictionalized memoir about a young, Egyptian-American girl trying to figure things out. First, and foremost, is the titular question she is trying to answer, as she is struggling with a great many issues: keeping up her grades, being a hijab-wearing Muslim, making friends, and meeting her parents' expectations. The first one is easy for her, and being a top student is a key part of her identity. The second is tougher, as it makes her pretty visible and a target for discrimination from random white people and even teachers. The third is complicated because she feels like she does not really feel she is Muslim enough, because she is not as strong in Arabic as many of the other students in her school in Dearborn, Michigan. So she feels inferior to what she sees as "more perfect" Muslim kids, but she also feels alien to most other kids at her school.

Dealing with these three concerns cause Huda to spin off her axis, and her grades start to slip. So she makes some somewhat bold choices that lead her into more awkward situations. All of these behaviors lead to a confrontation with her mother that frames the narrative.

Not everything in this book resolves neatly, but she does find some peace and connections in her social and academic worlds. What impressed me most about this narrative was how relatable and  funny it is. It features lots of observational humor and also running jokes, like the multiple ways that people mispronounce her name, which I can relate to. This book has a lot of heart, and it shows it through its expressive artwork, intricate characters, and the delicate, deliberate pacing. I very much enjoyed this book, and now I need to read its two sequels.

This book's creator Huda Fahmy has written a number of comics for both adults and younger readers. Huda F Cares? and Huda F Wants to Know? are the two sequels to this book. Yes, I Am Hot in This and That Can Be Arranged are graphic novels that began as webcomics, and they are more geared toward adults. Fahmy speaks about her life and work in this interview.

All of the reviews I have read of this book sing its praises. Kirkus Reviews called it "hilarious, charming, and much needed." Richetta wrote, "This book is perfect for discussing identity on multiple levels." Amani Salahudeen opined, "I loved how Huda weaved in humor, touched on important topics within the Islamic community, and was unapologetically Muslim. This book is a must-read!"

Huda F Are You? was published by Dial Books, and they offer a preview and more information about it here. I recommend it for middle and high school readers.

Check, Please! Book 1: #Hockey

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Two of my favorite things are comics and hockey, and this book combines both! I cannot think of many books that do both, save for Robert Ullman's Old-Timey Hockey Tales mini-comics, which are great by the way. Check, Please! began as a webcomic, and the first two of the four seasons are collected here. The premise is that we are following the life of Eric "Bitty" Bittle, an incoming freshman to the fictional Samwell University that is located in the real-life state of Massachusetts and plays in the real-life ECAC conference. Bitty is a former figure skater turned hockey player who comes from Georgia, loves to bake and vlogs about his life. He is also gay, and wonders when and how he should come out to his teammates. Over the course of the book, he shares about his struggles to adapt to college life, his quirky teammates, his culinary creations, and his adapting to the rules and rigors of college hockey.

For instance, dealing with contact is new to Bitty...

Over the two seasons in this book, we get glimpses into Bitty's freshman and sophomore years. He transitions from being a newbie to moving into the team house. There is some light hazing, intense feedback from the team captain, heavy partying, and typical college shenanigans. A slight spoiler: It is refreshing to see a bunch of macho athletes appreciate Bitty's baking and sexual orientation with not just tolerance but acceptance and joy. This book is fun to read for its sports intrigue, personal drama, charm, clever banter, and humor. I am very much looking forward to reading the next book that runs to Eric's junior and senior years.

Check, Please! was created by Ngozi Ukazu. She began making webcomics but has transitioned into making graphic novels, including Bunt!, which is about a college baseball player, Barda, which is a YA graphic novel from DC Comics featuring Jack Kirby's Fourth World characters, and the forthcoming Flip. Ukazu speaks more about Check, Please! in this interview.

This series has won a Reuben Award, a Harvey Award, and an Ignatz Award, and it's been very well reviewed. The starred entry from Kirkus Reviews concluded, "A fun and deeply satisfying read for teens." Thoroughly Modern Reviewer called it " a well-written, immensely enjoyable rom-com," and added that "it’s also a delightful exploration of male friendship, a really funny coming of age story, and an exciting look into the softer side of hockey culture." Nick Goodsell summed up, "It’s funny, its heartfelt, its deep, and it’s another great coming of age story for anyone to enjoy!"

Check, Please! Book 1 was published by First Second, and they offer a preview and more information about it here. This book features profanity and some adult situations, so it is recommended for readers mature enough to handle those things, probably more mature teens.

Button Pusher

Button Pusher is a phenomenal graphic novel that manages to explore issues of ADHD in multiple ways, all the time still telling an emotionally engaging narrative. It is fictional though memoir-based, and the main character is Tyler, a young boy who is experiencing difficulties in school and gets diagnosed with ADHD. 

Uh, oh.

The reader gets a lot from his point of view about how he experiences the world and also how he does and does not fit in. What is more, we also learn a lot about his father and his own experiences with "hyperactivity" (what it was called in his day), and there is a bunch about how heredity affects things as well as how much this condition affects other family members as well.

The events of the book run a gamut of emotions, from confusion to humor to concern to anger and beyond. Also, what makes this book so strong is its inclusion of several passages that share information about ADHD from clinical and practical viewpoints, sometimes almost as infographics. 

Button Pusher features a comprehensive and human look at this sort of neurodiversity. As a parent who is dealing with at least one children who is diagnosed with ADHD, I appreciated so much about this book. It taught me about what I can expect, what I should do to deal with frustration, and also how to manage all our lives in better ways. If I gave out stars to rate books, this one would get them all.

This book was created by Tyler Page. His prior comics work includes the graphic novels Raised on Ritalin, which is more autobiographical, The Chicagoland Detective Agency series, and the direct sequel to Button Pusher, Extra Large, which was published very recently.

This book won the 2023 Excellence in Graphic Literature Award, and all of the reviews I have read of it have been positive. Kirkus Reviews summed up, "An engaging memoir of one boy’s experience of growing up with ADHD with a risky message around medication cessation." Jason Kelley wrote, "This book will destigmatize and foster understanding for both those navigating life with ADHD and their families."

Button Pusher was published by First Second, and they provide a preview and more information here.

I Was Their American Dream

I am the child of two immigrants, a German and a Greek, which makes me a Gerk ("jerk") is my hilarious joke. I have my own sense of figuring out my identity in relation to my relatives and also my native land, the USA, and I was very glad to read a very different tale of a person melding nationalities,  I Was Their American Dream. This book is a memoir by Malaka Gharib, whose parents are Filipino and Egyptian, making for a unique blend of cultures and religions. 

Much of this book centers on Malaka relating her formative experiences, remembering, celebrating, and regretting her cultural roots while also detailing how she made sense and peace with two religious traditions, Islam and Christianity. Also, it is about how she incorporated different aspects of those cultures into her life while also trying her best to be an American. It is a bumpy journey, and I really loved how she shares her various insights along the way. 

The artwork is mostly comics, though there are some passages that are more like an illustrated book. The drawings are cartoonish and convey broad emotions and actions very well. Still, there are some more quiet moments that still pack a sentimental punch. This book made me giggle, grow wistful, cringe, and relate. It is the best sort of memoir, one that is a window into a different world that affects how the reader sees life. I really loved this book.

This book was created by Malaka Gharib, who is a journalist and artist who works for NPR. She has also published another graphic memoir, It Won't Always Be Like This, about her summers abroad in Egypt. She speaks about the background and making of this book in this interview.

I Was Their American Dream won the 2020 Arab American Book Award, and has been well praised. In their starred entry, Kirkus Reviews summed it up as "a heartwarming tribute to immigrant families and their descendants trying to live the American dream." In another starred entry, from School Library Journal, Elise Martinez wrote, "This engaging memoir is an uplifting ode to Gharib’s bicultural background, her immigrant parents, and her road to self-acceptance."

I Was Their American Dream was published by Clarkson Potter, and they offer a preview and more information about it here.

Sunburn

The main character of Sunburn is Rachel, a 16-year-old British teen whose summer plans involve working at a butcher shop where she'll be elbow-deep in pig guts as well as the typical week-long family trip to a rainy cabin. Those plans get exploded when a mysterious invitation appears from the Warners, family friends who own an island house in Greece. They invite her to a summer of fun and sun, and she happily accepts.

Once there, she lives a comfortable life, with wonderful food, free new clothes, and scenic views. She also gets daily visits to the beach, afternoon naps, and dinner parties at different people's houses. The cherry on top of this sundae is that she also gets to spend time with Benjamin, a slightly older British boy, and the two flirt and get involved. 

Of course, nothing this awesome comes for free, and over the course of the book Rachel uncovers the details about why she is there. I very much enjoyed this book, as it made me nostalgic for my own vacations in Greece when I was younger, but it is also a compelling combination of a mystery and character study. Aside from the interesting plot, the artwork is also gorgeous, with a limited color pallette and plenty of landscape imagery that sets the atmosphere.

Sunburn was a collaboration between writer Andi Watson and artist Simon Gane. Watson is a cartoonist, writer, and illustrator who has created a number of books and graphic novels and who has been nominated for four Eisner Awards, two Harvey Awards, and an official selection of the Angoulême International Festival. Gane has drawn a number of comics series and books, including They're Not Like Us and Ghost Tree. Watson talks about making this book as well as some of his other projects in this interview.

All of the reviews I have read of this book have been positive. Darryll Robson wrote, "You will not find immediacy here, but the narrative is better for its slow, dreamy walk through the lives of its characters." Kirkus Reviews called it "a contemplative study of a girl battered and disillusioned by her first glimpses of adult complexities." Ramon Piña opined, "The art in the book is nothing short of spectacular."

Sunburn was published by Image Comics, and they offer more info about it here. 

Frizzy

Sometimes seemingly simple things are super complicated. Take hair, for instance. I don't think much about hair. I have long, straight hair now, and all I know about it was that long ago when I tried to get it feathered and wavy, it never responded. So, I just went with a short, pretty standard haircut for most of my life. That is certainly a position of privilege and convenience I have learned. Claribel, the star of Frizzy, does not enjoy such privilege. This young, Dominican girl has long, curly hair. It has flair and presence, and she learns from her mom that what she needs to do with it is tame that hair through regular visits to the salon. It constantly needs to be straightened and treated so that it is more manageable and she can fit in.

Bound up in all this thinking are all sorts of cultural assumptions of what people should look like, especially if they want to gain cultural capital and respect. Also, racial and ethnic identities come into play here, as some peoples' hair are seen as acceptable while others need work. Claribel and her mother clash over hair, and how it contributes to her being a "good girl," "presentable," and a maturing person. Claribel's Tia Ruby adds a different voice to this conversation, and over the course of the book all of the characters get the chance to interact, learn, emote, and engage in a debate over what people should look like and how it contributes to how they feel and what they can do in life. 

What I love about this book is how it engages in all sorts of complex issues without being didactic or prescriptive. The characters all feel real and relatable to me, and none of them present "straw man" arguments. They have their stances and feel justified in them, and they each have their strong points. Also, none of them is perfect, so the debate about what it takes to grow up as a realized person is palpable. Unless you are made of stone, this book will provoke your thoughts and move you.

This book is a collaboration between writer Claribel A. Ortega and artist Rose Bousamra, and Frizzy was the debut graphic novel from both. Ortega is a best-selling YA novelist whose books Ghost Squad and Witchlings have been very popular. Bousamra is currently working on her follow-up graphic novel, the self-authored Gutless. You can see both creators discuss this book in length in this video interview.

This book has won the 2023 Pura Belpré Award for Children's Text as well as the 2023 Eisner Award for Best Publication for Kids, and it has received many extremely positive reviews. In their starred entry, Kirkus Reviews summed it up, "An exquisite excavation of hair politics, family dynamics, and self-love." In another starred review, Publishers Weekly wrote, "Ortega expertly examines themes of colorism, generational trauma, and toxic beauty standards via authentic, heartstring-tugging dialogue and Marlene’s pitch-perfect narration." Esther Keller concluded, "This is a wonderful addition to the middle-grade repertoire of coming-of-age graphic novels. It will give young girls a great sense of self and help them be happy with the features they were born with."

Frizzy was published by First Second, and they offer a preview and more here.

Shortcomings

I am very late to the party in reading this book, and I am so glad that one of the students in my graphic novel course selected it to read with the class. Shortcomings is a modern class graphic novel, originally published as three issues in the late 1990s/early 2000s comics series Optic Nerve. It follows the trials and tribulations of a trio of Asian-American 30-something young adults as they navigate romance, friendships, and the demands of adult life to varying degrees of success. 

Ben Tanaka is the main protagonist, a Japanese-American movie theater manager who is acerbic, hyper-critical, and somewhat obsessed with white women. At the start of the book he is living with his girlfriend Miko Hayashi, who organized an Asian-American film festival, which Ben finds "shitty." Alice Kim is from Korea, and she and Ben went to college together, and they share a love for hating on things. She is also single and ready to mingle with a good number of people. When Miko decides to take a four-month-long internship in New York City, she and Ben go "on a break," which leads to a series of misadventures. Ever stirring the pot, Alice learns something about what Miko is up to in NYC and sends for Ben to come see. 

All this roiling drama is a huge draw for this graphic novel, and it also features strong characterizations that make you feel repelled by and also empathetic towards the protagonists. It is an engrossing and vexing reading experience, a book that lingers long after it is read. The artwork is crisp, expressive, yet also very open to interpretation. I love how it is paced, with lots of personal interactions punctuated by memorable and provocative images. I loved this book, and I will seek out more from its author, whose works I have been remiss about picking up.

This book's creator Adrian Tomine, the 2021 Eisner Award winner for his memoir The Loneliness of the Long-Distance Cartoonist. He has been publishing comics for more than 20 years now, most notably his series Optic Nerve as well as the graphic novels Summer Blonde, Killing and Dying, and Scenes From an Impending Marriage. He speaks about his early career and work on Shortcomings in this interview from 2007.

This book is very well reviewed. In a starred review for Publishers Weekly Junot Díaz called it both a "lacerating falling-out-of-love story" and "an irresistible gem of a graphic novel." PopMatters wrote, "In place of a conclusive affirmation, Shortcomings weaves an intricate portrait of the various responses to age and identity that set in during the early years of post-twenties life." Jim Woldof called it "a meticulously observed comic-book novella."

Shortcomings was published by Drawn & Quarterly, and they offer an excerpt and more info here.

This book has been optioned to be adapted into a motion picture. I am very interested in seeing how it turns out.

The Fifth Quarter: Hard Court

The Fifth Quarter: Hard Court is one of those sequels that I feel is better than its predecessor, which is saying something because I very much enjoyed book 1. In this book, Lori finds herself facing some new situations. Now in sixth grade, she and her friends are getting older and some are developing new interests and spending more time apart. Her dad is going to go back to work for the first time since she was born, and her mom is going to coach her rec league basketball team. Plus, she and her friend Elyse are growing their skills at basketball camp. There, their coach calls them the "Dream Team," with Lori being more offense-minded and Elyse more a defensive specialist. They still predominantly play during the fifth quarter for their middle school team, but Elyse gets more chances to get into actual games. This situation causes Lori to have some hurt feelings and jealousy. 

What I think pushes this book beyond the first one is the way it shows the dynamics between various relationships in very detailed and realistic fashion, warts and all. Lori's parents have their arguments over money, work, and their parenting roles. Lori has issues with her friends, parents, and little siblings. Also, a good portion of the book involves flashbacks to Lori's mom's childhood, so we learn about her own highly competitive nature as well as her strained relationship with her father and step-sister. 

Looking back, I gained insight into how she pushes Lori and herself to succeed. Getting to see a family reunion at the Passover Seder brings things full circle, as we get to see the aftermath of her childhood and how relationships turned out over the decades.

And I have not even mentioned the game-play, which is also a major aspect of the book. The various scenes of basketball are well paced, exciting, and dramatic. I really appreciate that there is no magical transformation, that Lori still has her struggles , even with extra coaching and attention from her mother. Some of her struggles even come from that very same coaching and her mother, which is both ironic and apt. Her mother pushes her to succeed and have a killer instinct, but she also might be pushing a bit too hard and also rehashing trauma from her childhood. This seemingly simple tale is actually pretty complex and imbued with nuances.

I love a good scrappy underdog tale, and this graphic novel is that as well. It shows that with effort and practice that there can be some success and growth, even if it's still not all sunshine and roses. Plus, as a parent, I really appreciate the vivid portraits of the adults as well as the children. There was so much I could relate to, and I desperately hope that this series will continue. It is simply superb.

I have this same exchange at least three times a day with my own kids.

Mike Dawson created this book. He has written and drawn more than a few graphic novels over the years, including Freddie & Me, Angie Bongiolatti, and Troop 142. He also has done a lot of  graphic nonfiction and essay work, including the collection Rules for Dating My Daughter and plenty of comics for The Nib. He speaks about his work on this book as well as other topics in this interview.

The reviews I have seen about this book have been largely positive.  Kirkus Reviews summed it up as "Buoyant and breathless, scoring on several levels."It currently has a 4.4 (out of 5) star rating on Goodreads.

The Fifth Quarter: Hard Court was published by First Second, and they offer a preview and more information here. 

I read an advance digital copy of the book, and it will published in July.

Twins

Twins is about Maureen and Francine Carter, identical twins who struggle with the transitions in their lives in unique ways. As they start middle school,  they have different academic schedules for the first time ever. 

Maurine especially feels anxious without her sister around, and she also struggles to perform well in the youth cadet corps (An ROTC-type program at her school). Francine starts wanted to be called Fran, and she is becoming more invested in school chorus activities. Also, as the more outspoken and extroverted sister, she is going to run for class president. Maureen, partly in order to get some extra credit for YCC, also decides to run not only for a class office, but for president as well. The two sisters' lives get consumed with their competition, which tests their relationship with each other, their mutual friendships, and their family.

The clear, colorful, and vibrant artwork excels in telling the story and setting tones, depicting the characters as distinct while also highlighting their various emotional states.  Where this book excels is in capturing the tenor of family relationships. Francine and Maureen love each other, but they are frequently at odds and argue. As a sibling from a large family and a parent who has multiple children, I have found that interpersonal dynamics can be mercurial, volatile, and/or comforting. I saw much here I could empathize with, from both twins. It is refreshing to see a book that explores just how messy family relationships can be while also showing how they can lead to growth and self-actualization. I also admire how much the parents are involved in their daughters' lives, trying to make choices to help both, even if their overtures are not always welcome.

I think that it would have been very easy for this book to be formulaic, but the character work elevates the enterprise. It takes its genre conventions and spins them in a way that makes it unique and human, relatable but also surprising. I loved reading this book.

Twins was a collaboration between writer Varian Johnson and artist Shannon Wright. Johnson has received many accolades and honors for his books, the most recent of which is Playing the Card You're Dealt. Wright is an illustrator and cartoonist who has worked with several prominent publishers and platforms. Johnson and Wright both speak about their work on Twins in this interview.

All of the reviews I have read of this book have been stellar. In a starred entry, Kirkus Reviews summed it up as "a touching, relatable story of identity, sisterhood, and friendship." Avery Kaplan called it "a comic that you’ll want to start over from the beginning as soon as you’ve reached the last page." Renée Watson wrote that it is "a page-turner with moments that make you laugh out loud. Anyone with a sibling will appreciate the sarcastic and witty banter of these sisters."

Twins was published by Scholastic, and they offer more about it here. This book is titled Twins #1 in various places, though I have not seen a sequel solicited at this time. I very much hope to see more stories about these characters.

Too Tough To Die: An Aging Punx Anthology

I have read a few anthologies published by Birdcage Bottom Books (like this one), and they have always been interesting and/or provocative, introducing me to some new artists along the way. Too Tough To Die is a weighty tome featuring 47 different entries. Many focus on autobiographical tales of people's punk rock fandom. There are references to lots of bands and multiple reasons why these people were drawn to punk rock. For some, there was family situations that made the scene relatable; others just liked the crass humor; some found it an appropriate response to hypocrisy, and others found kinship in the motley assortment of punks. Many of the stories speak to punk more as an ethos than a fashion or musical movement and also speak to how it was not just some youthful phase but a blueprint for being a critical and informed adult.

Art by Hyena Hell

These stories are not all about sharing mix tapes, though there is plenty of that. They are not overly nostalgic, depicting scenes of violence, some substance abuse, and a number of other poor life choices. Many also address some of the more sinister aspects of the scene, such as the presence of white supremacists and skinheads. Many of the stories puncture any pomposity of the narrators, as contemporary young people have their own particular mindsets and wonder why these lame old folk keep trying to impress them, even if they might be into the same bands.

Art by Ayti Krali

In terms of representation, I really liked seeing the multiple ways that people found their ways into punk consciousness. There are tales from men, women, people of color, city dwellers, suburbanites, and kids from the country. There is also plenty of discussion about how punk intermingled/juxtaposed with other movements, such as hair metal, grunge, and alternative music.

Art by Gideon Kendall

There are too many stories for me to explain fully, but I loved the range of formats and styles. Some are short, almost like gag strips. Many are pretty raw, featuring rough lines and splotchy black and white images, mimicking the format of zines. One of my favorites, concluding the book, is series of images and biological accounts by Haleigh Buck in the style of show posters. Maybe it's because I am squarely in the age demographic of many of these artists/stories, but I found much I could empathize with and relate to. This anthology is phenomenal.

This collection was edited by Haleigh Buck and J.T. Yost. Yost has done all sorts of comics over the years, including a memorable tale about the Westboro Baptist Church in American Cult, and also founded and runs Birdcage Bottom Books. Buck is a frequent contributor to anthologies and has created a number of comics and mini-comics.

The reviews I could find of this book have been positive. Publishers Weekly summed up, "This is one awesome and introspective ode to rebellion." It currently has a 4.7 (out of 5) star rating on Goodreads.

Too Tough To Die was published by Birdcage Bottom Books, and they offer a preview and more here. This book features profanity, some sexual situations, and drug use, so reader discretion is suggested.

The Girl From the Sea

The Girl From the Sea stars a Morgan, a 15-year-old young woman who is a planner. She plans to do a lot with her life once she escapes the small coastal town where she lives as well as a lot of personal drama. She is going to figure out how to cope (from afar) with her parents' divorce and a grouchy younger brother. She is going to get decent grades, hang out with her friends, and do what she can to get by until she can move away, go to college, and live the life she actually wants. Morgan realizes that she is attracted to girls, but she wants to stay closeted and wait to explore that side when she is not under the gaze of an entire small community. Her plans get blown to bits one day, however, when she accidentally falls into the ocean and is rescued by a mysterious young woman named Keltie.

Not to spoil things, but Keltie has a big secret of her own, and she is not entirely human. Also, she does not fit in with Morgan's friends, has a unique style, and really wants to be physical. But Morgan is not ready to be public with their relationship, even though she does feel a strong attraction. When she starts ghosting her family and friends to hang out with Keltie, lots of questions come up, and Morgan has to decide whether or not to be honest or stay in the closet.

This book has lots of personal dimensions, and I love how it explores a variety of relationships, between friends, family, and romantic partners. I feel that the characters are all strong, distinct, and realistic, and I was rapt by the various dynamics of how they try to get along with each other. I also liked how it used social media to deliver both exposition as well as character development. It was an effective, contemporary touch.

The artwork is very expressive in detailing their various emotional states and interactions, and I found this a book that was very easy to get lost in. Even though a few of the plot developments seemed telegraphed, I enjoyed reading it, and would suggest it to any reader, young adult or otherwise, looking for a magical tale of love and searching for identity.

This book's creator Molly Knox Ostertag. is one of my favorite graphic novelists. I love her trilogy of The Witch Boy, The Hidden Witch, and The Winter Witch. I also am a big fan of works she illustrated like the webcomic Strong Female Protagonist, which has been collected in two trade paperbacks from Top Shelf, and the sci-fi tale The Shattered Warrior. She speaks about her career in comics as well as The Girl From The Sea in this interview.

All of the reviews I have read of this book have been positive. Michael Berry called it "a perfect summertime treat -- heartfelt and touched by magic." Avery Kaplan wrote about how it is a book based on cycles and how it "succeeds because it recognizes the beauty in every stage of those cycles: not just the thrill of beginning, but the joy of the journey, and the bittersweet but wholly necessary nature of conclusion." Kirkus Reviews summed it up, "Sweet, fun, Sapphic fluff."

The Girl From the Sea was published by Scholastic Graphix, and they offer more information about it here. 

Friday Book One: The First Day of Christmas

The holidays can be a tough time of year for many people. This is especially true for Friday Fitzhugh, a young woman who comes home to her small New England town after her first semester at college and finds herself embroiled in a mystery. This situation is not novel to her, because she spent most of her childhood traipsing over town with her best friend Lancelot Jones, solving mysteries, foiling villains, and discovering all sorts of magical items. Something menacing and mysterious is lurking in the woods outside of town, driving some townfolk mad. However, something happened just before she left for college that estranged her from Lance, and she does not know quite how (or if) to deal with it. 

Friday is a sort of version of Sally Kimball,  tough and athletic and able to be a body guard for her friend. Also, she is a multi-faceted young woman who is trying to figure out her place in the world, and what a strange world it is. The seaside New England town where this book is set is like a character unto itself, full of interesting characters, adjoining a creepy forest, and a focal point for dark magic. 

I really enjoyed reading this book, and I may just be the perfect demographic for it. It smacks of things I read when I was a kid, like the Encyclopedia Brown series and John Bellairs novels, only with a twist that carries them beyond a children's book perspective. The characters and setting coalesce organically in the tightly plotted narrative, plus the artwork is exceptional. It is full of atmosphere, and I loved poring over pages to admire the archaic architecture, creepy critters, and spot-on character designs. My admiration of the art, along with the need for checking for clues to the mystery, led me to re-read this book a few times for fun. The worst thing I can say about it is that it is a long prologue for the real  narrative, because the last few pages of the book add a twist that I did not see coming. But it's so incredibly intriguing and well crafted  that I really did not care. It's a great piece of genre fiction, and I cannot wait for the next two books to see how things resolve.

Friday is a collaboration between writer Ed Brubaker, artist Marcos Martin, and colorist Muntsa Vicente. Brubaker is a multi-award winning comics creator whose works include Sleeper, Criminal, Incognito, Fatale, The Fade-Out, and Kill or Be Killed. Martin has also won Eisner Awards for his art in the superhero series Daredevil and the webcomic The Private Eye. Vicente has done design and illustration work for a number of high profile clients and more recently has also gotten into coloring comics.

Friday won the 2021 Eisner Award for Best Digital Comic, and all of the reviews I have read about this book have been positive. Publishers Weekly wrote that "this atmospheric first installment sets up compelling sequels, with a sucker punch ending that demands follow-up." Luke Chant opined, "Ed Brubaker’s script is excellent, while Marcos Martín and Muntsa Vincente combine to do a great job capturing the 70s feel." Steve Baxi called it "an incredible start to what is sure to be an incredible series."

This trade paperback of Friday Book One: The First Day of Christmas was published by Image Comics. All individual and future issues are and will be available from Panel Syndicate.

I Am Not Starfire

I Am Not Starfire is another graphic novel in DC Comics's YA line, and I'd say that this book is 2/3 YA book, 1/3 superhero adventure. It involves the relationship between Teen Titan Starfire and her daughter Mandy. Mandy looks nothing like her mom. She is stocky, pale, freckles, and prefers to wear goth style makeup and clothing. She resents the attention that she gets from others just because she is the child of a superhero, and she really only tolerates Lincoln, who is "the most annoying person in the world" and also her best friend.

Mandy has lots of things on her mind. There are plenty of rumors about who her father is (Starfire won't tell). She is stressed about taking her SATs and does not want to take them or go to college. And she feels overall inadequacies because she has no powers of her own. Things take an upturn when she gets paired with the super-popular, athletic Claire on a school project and the two begin a friendship that turns into a fledgling romance. Sparks also start to fly when Starfire realizes what Mandy plans (or does not plan for her future), and matters kick into a third gear when Starfire's estranged sister Blackfire comes to Earth to kill off any threats to her reign.

This book is terrific, and there are two things that really recommend it. One, the artwork is eye-popping and incredible. Each page conveys a great deal of emotion and dynamism. It is truly splendid to behold. Two, this book has a lot of heart. In one way it is about a strained mother-daughter relationship, but it is also an immigrant tale about a parent who wants a better way of life for her child. The characters are fully developed and interesting, and this version of Starfire is an adult one that combines aspects of superheroism, celebrity, and the personality made popular in the Teen Titans cartoons. Although the plot went pretty much as I expected, this was a fun book to read. It is an excellently rendered, beautifully drawn piece of genre fiction.

This book was a collaboration between writer Mariko Tamaki and artist Yoshi Yoshitani.  Tamaki has won a ton of awards in comics, including multiple Eisners, being a finalist for the Printz Award (twice!), and a Caldecott Honor. She is known for the graphic novels This One Summer, Skim, Laura Dean Keeps Breaking Up With Me, and a few prior entries in DC Comics' YA graphic novel line, including Harley Quinn: Breaking Glass. Yoshitani is an illustrator with a long list of prestigious clients and has also drawn the graphic novel Zatanna and the House of Secrets.

All of the reviews I have read about this book have been positive. Emily Lauer called Mandy "pretty damn relatable" and also noted that she appreciated how "unlike many parents in YA, Starfire feels like a fully realized character." Ray Goldfield called it "a fun story that I imagine a lot of girls will see themselves in." Kirkus Reviews summed up, "Equal parts entertaining and thought-provoking."

I Am Not Starfire was published by DC Comics, and they have more information about it here.