Billy Bat, Volume 1

Set in 1949, Billy Bat tells the tale of Kevin Yamagata, a Japanese-American artist who has hit it big with his popular new series Billy Bat.

As you can see, that comic is a cartoon noir, with lots of subterfuge and, it turns out, communist spies. Everything is going all right until one day, Kevin learns that his character may be based on one that originated in Japan, where he was stationed during World War II. 

Even though the stories that character Billy Bat has are not based on any story he's consciously read, he feels obligated to travel to Japan and track down the original artist in order to get his blessing and also head off any issues with plagiarism. What Kevin finds in Japan instead turns into a tangled web of murder, politics, ancient texts, graffiti, tattoo artists, and communist spies. And the reaches of this conspiracy range far, maybe even beyond planet Earth. There are plenty of twists and turns in this single volume, likely a portent of the amount of suspense to follow.

The kick-off to this series was made by writer/artist Naoki Urusawa and Takashi Nagasaki. Urusawa is an internationally known manga creator, winner of the Shogakukan Manga Award three times, the Tezuka Osamu Cultural Prize twice, two Eisner Awards, and the Kodansha Manga Award. His works have been some of the most celebrated of recent times and include Asadora!, Monster, 20th Century Boys, and Pluto. Nagasaki is also an award winning manga writer/editor with a long list of credits. Billy Bat has been completed in Japan for some time and only now being published in the US, and editor Kriistina Korpus explains more about why in this interview.

All of the reviews I have read of this book have been positive. Matthew Orozco opined that it is "an enthralling, genre-defying series that combines mystery, historical fiction, conspiracy theory, and metafiction, unfolding across multiple eras and continents." David Brooke called it "exactly the kind of ambitious, unpredictable storytelling that has made Naoki Urasawa one of manga’s most celebrated creators." Kara Dennison wrote, "The art is wonderfully dissonant, slipping easily between stylized mid-century cartoons and a more settled, faded realism."

Billy Bat was published by Kana, and they offer more information about it here.

Dogs on Dates

Dogs on Dates began a few years ago as a series of strips on Luke Healy's Instagram account, and I have been looking forward to this book. It follows the lives of Brad and Bernie, a couple of gay dogs whose "meet cute" involves a broken plate glass window and a shared ambulance ride. 

What follows is a series of dates, some quotidian and others quite outlandish, and the duo gets to know each other. Much of the book is composed of single page strips that depict a single date, though there are some extended sequences where some of their more complicated adventures occur. These sequences are suspenseful and well-plotted, making them real page-turners. Also, the character designs, gestures, expressions, and interactions make these cartoon dogs palpable and relatable.

Overall, I loved getting to know these characters and seeing how their relationship develops and unfolds. There is lots of drama and emotional baggage, from meeting parents to dealing with employment issues to learning about past relationships, but this book presents them in frank, refreshing, and utterly charming ways. It made me laugh and worry and my heart melt. It is a feel-good read, in a wonderful and substantial way, a reaffirming tale that shows the realities and absurdities of love.

The book's author Luke Healy is a cartoonist, comedian, and screenwriter. He has made all sorts of comics from short-form to graphic novels like Self-Esteem and the End of the World and The Con Artists. I feel the need to read more of his work soon.

All of the reviews I have read of it have been positive. Lindsay Pereira wrote, "There is a lot of sensitivity on display here, especially when one considers that these feelings are being filtered through the lives of two anthropomorphic canines." Jeff Provine highlighted "the genuine humanness of two guys just trying to be a couple in a world packed with awkwardness and responsibilities as well as amazing snacks and belly laughs." Killian Fox called it "an endearingly scrappy piece of work whose charms make up for its occasional misfires."

Dogs on Dates was published by Drawn & Quarterly, and they offer an excerpt and more here.

 

My Life in 24 Frames Per Second

Anime seem omnipresent in contemporary times, and I feel I did not know much about it before I read this book. Rintaro is a veteran anime director who has an impressive body of work to his credit. My Life in 24 Frames Per Second is a different sort of artistic endeavor for him, a manga memoir of his life and work in the cartoon industry. This book melds his personal and professional lives, beginning with him as a child and his family dealing with the fallout of World War II.

He and his father end up having a tenuous relationship, though they do share a love of cinema. Rintaro begins working in animation at the tender age of 17, and the rest of the narrative traces his circuitous rise to being one of the most storied and influential people in his field. Along the way, he worked at multple studios and collaborated with such titans of the industry as Osamu Tezuka, the god of manga, and Masao Maruyama, another founder of Madhouse Studio. He worked on seminal TV series like Astro Boy and Kimba the White Lion as well as directing the groundbreaking film Galaxy Express 999. Seeing the behind-the-scenes goings-on of these projects lends a lot of insight into how much work, uncertainty, and ingenuity went into these classic works.

I love how this book humanizes the people who may seem like otherworldly figures because of their accomplishments. Rintaro comes across as a driven but ordinary person, trying his best to realize his dreams. Also, it is clear that many of these anime/manga artists really overworked themselves with their projects, some to the detriment of their personal lives and health. This is a very engaging and eye-opening book that educated me tremendously about anime. 

My Life in 24 Frames Per Second has been nominated for an Eisner Award, and all the reviews I have read of it have been positive. Publishers Weekly concluded their starred review, "This meticulous portrait of a life in animation glows with love of the art form." Orrin Scott called it "a powerfully personal story written like a screenplay."

My Life in 24 Frames Per Second was published by Kana, and they have more information about it here.

I borrowed this book from my local library. Libraries RULE! 

Wrestle Heist

Any new series by Kyle Starks is a reason for me to celebrate, especially when he draws it as well. I love his pacing, dialogue, and way of weaving familiar pop culture tropes into new and interesting tales. Wrestle Heist features Sterling Steele, a former professional wrestler who has been done wrong by a crooked promoter. In order to get some revenge and also give him a proper nest-egg, he sets out to rob the box office haul from the biggest event of the year. 

In order to pull off a job of this scope, he needs a crew, and a lot of the fun in this book comes from the powerful personalities of that crew, including luminaries like Gravedigger and Bearwolf. Their interactions and relations are nuanced, peppered with snappy patter and well-developed backstories. If it was not clear enough that this book is a love letter to 1970s/80s professional wrestling, the book also features plenty of back matter that hilariously parodies the pro wrestling magazines of the era. I cackled out loud at them more than once. This book has it all: thrills, action, and laughs, plenty enough to suit fans of pro wrestling and/or crime caper tales. I daresay its my favorite Starks book yet.

Every review I have read about this series has been positive. Mike Eakins called it "a masterclass in storytelling." Chris Coplan wrote, "The character work is not only interesting, but it bucks expectations." Fred Morlan opined, "Stark has a singular genius for writing bizarre idiots."

Wrestle Heist was published by Image Comics, and they offer a preview and more information about it here. 

Calamity Before Jane

I recently borrowed this book from my local library. Libraries RULE! Calamity Before Jane is a biography/history book for younger readers, and I feel it is very successful in deflating romantic myths about the American West. When this book opens, Jane (born Martha Jane Canary) is a performer in Buffalo Bill's Wild West show, telling her tales to an audience in upstate New York. She happens upon a couple of young runaway orphans and tells them about her own tough childhood. She is run-down, barely able to tell her own tall tales, and adding insult to injury, they rob her after she passes out.

What we know to be true: Jane's dad moved the family around a lot, trying to get rich by mining gold, gambling and later farming. Her mom died when she was young, and she had to take up the housework before she decided to strike out on her own. She had to fend for herself in places of ill-repute, learning to ride a horse and shoot along the way. She drove cattle and was a US Army scout. The rest may or may not have happened.

All in all, the brown and grey coloring of this book matches the dour town of the story, which is enlightening in how it dispels the typical "cowboys and Indians" tenor of many Western tales. This book does not sugarcoat the treatment or depictions of Native Americans, describing how it avoids the stereotypes used to portray them as wild people. It also touches on their genocide, the pointed decimation of the American buffalo, and later small inclusions in traveling shows like Buffalo Bill's. 

Bolstering the story are informative essays by Dr. Susana Geliga that add more context to Jane's life and times. There are also copious period photos in the inside covers and endpapers that show readers more about the reality of her life, and they also reveal how much reference work went into the drawings. I feel like this is an excellent source for learning about American history for readers of any age.

Cartoonist Noah Van Sciver wrote and drew this book. He is one of my favorite comics creators, the Ignatz Award-winning author of the graphic novels Beat It, Rufus, One Dirty Tree, The Hypo: The Melancholic Young Lincoln, Saint Cole, and Fante Bukowski.

All of the reviews I have read about this book have been positive. Kirkus Reviews called it "engaging and eye-opening." Publishers Weekly wrote, "Gritty illustrations and ample 19th-century vernacular render a thought-provoking portrait of the rapidly changing era." Melanie Jackson described it as "fun, lively."

Calamity Before Jane was published by Toon Books, and they offer more information about it here.