I think overall that this book works well. I thought the actual account is compelling and seeing the aftermath of such a violent act told in frank manner was eye-opening. Dini does much soul-searching in this book, and I could certainly relate to many of his ruminations on being a fanboy with issues relating to specific types of people.
Still, I wonder how much of his storytelling is for effect, as a couple of moments really stand out in my mind as potentially problematic. One, the opportunistic, narcissistic woman he thinks he is dating, while she regards him as a friend who might be a connection for her own career, comes off as utterly the worst person. I have heard about lots of opportunistic Hollywood-wanna-bes and what they will do to further their careers, and maybe she was utterly horrible, but her portrayal seems two-dimensional and skirts misogyny. Second, there is a moment during his recovery where what seems to be the only African-American who works on the show asks if his assailants were black. I think this moment is supposed to show racial solidarity in some way, but it comes off as tin-eared and ham-handed. I know that superheroes at the time this story takes place were largely the province of white males, and maybe this book accurately portrays the problematic outcomes of that situation. Still, as a present day reader, I felt that both scenes play badly.
Collaborating with Dini on this book is Eduardo Risso, a very talented artist who employs multiple styles and color palettes in visually telling this tale. Risso is an accomplished artist who has won an Eisner Award for his work on 100 Bullets, and he has more recently been at work on the werewolf/gangster drama Moonshine. Dini is also a multiple Eisner Award winning author, most notably for the book Mad Love. He speaks about his work on this book in this interview.
All of the reviews I have read about this book have been positive. Jesse Schedeen concluded, "It offers a very personal and heartfelt look at how the character helped guide Dini through a terrible time in his life, and it proves all the more that both Dini and Risso are among the most talented storytellers ever to work within Gotham City." Bryan Young gushed, calling it "a truly unique comic storytelling experience that has to be seen to be believed." Gregory Paul Silber wrote, "Dini may have been through a terrible ordeal, but he is a lucky man to have such wonderful people to collaborate with."
Dark Knight: A True Batman Story was published by Vertigo, and they have more info about it here.
In addition to the violence, this book features some profanity and adult themes, so it is recommended for readers mature enough to handle those things. |
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