Saturday, November 30, 2019

A spotlight on Birdcage Bottom Books

Several months back, I backed a Kickstarter campaign for Birdcage Bottom Books, and I am finally getting around to reading and reviewing these books. Today, I will write about three of the ones I received, and I'll save one to write about in my next entry.
Future Corpse is a short collection of comics by Eva Müller,  whose In the Future, We Are Dead was one of my favorite graphic novels published last year. There are a few short tales in this slim book, including an autobiographical look at growing up as a feminist, a look at how Karl Marx would be in contemporary times, and a frightening nightmare about a giant snake and failure.
I think that Müller is one of the best comics artists out there right now, and it's good to see some new work from her.
This book was actually a throw-in, as they like to offer freebies from other publishers they sell through their catalog. I had not actually read any Snakepit comics before, and it's a year's worth of diary comics from (as you might guess from the title) 2009. Each day, Ben Snakepit draws a 3-panel comic about the goings-on in his life. I am not going to say that each day is eventful or overly exciting, but it is strangely compelling to see a consistent record of what people do, even if it is eat, play in a band, watch movies, and hang out.
It is an enjoyable book and, interestingly, now a time capsule from 10 years ago (which is crazy, if you think about it). I cannot help but love a book that explicitly states on the front page that it "ever shall be intended to be read on the toilet."
Rooftop Stew is an acquired taste, I would say. It is a book full of short stories by Max Clotfelter that range from uncomfortably relatable autobiographical tales to gruesome yet funny fictional accounts of way-out characters like a family of drug addicts that sells their baby, FEMA victims who are forced to farm mutant foods, and neanderthal bar patrons. It's a very visceral book, both in terms of the art style and story content, and I found the whole thing utterly compelling. Sure, I winced a few times, but it's a rare book that simultaneously makes you want to put it down while also being so gripping it makes it impossible to actually put down. Also, in a way it's also an educational comic, for instance I learned what happens to a raccoon tail if you leave it under a dresser for six years. It's definitely not a book for young readers or the easily offended, but it is certainly full of eye-popping art, weird situations, and dark humor. If you think this excerpt is funny, it might just be a book for you.
The reviews I have read of this book have been very positive. Warren Elliott called it "lowbrow comix at its finest!" Publishers Weekly concluded, "This is a yawp of a book that highlights Clotfelter’s willingness to confront his demons head-on and turn them into visceral and emotionally affecting art." Robert Kirby opined, "Clotfelter is a natural storyteller, with a worldview and persona peculiarly his own, wrapped up in a visual style that fits it all like a ratty glove."

Rooftop Stew and Future Corpse are available here to purchase. Snakepit 2009 is available here.

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