Nathan Hale's Hazardous Tales: Above the Trenches

I have read and reviewed every graphic novel in this series (go see), and this one is a sequel of sorts to Treaties, Trenches, Mud, and Blood in that it also is about World War I. However, this one does not look at the broad scope of the war but at a specific area, namely the origins of aerial combat. 

It is crazy to think that people took their lives into their own hands in early airplanes and even crazier than not even ten years after man-powered flight was invented that someone thought to use these vehicles for war. At first, they were used to scout troop movements and plan assaults, then they were used to drop bombs, and finally someone had the bright idea to strap guns onto them. 

At the time, just flying an airplane was somewhat a daredevil enterprise, with lots of risk involved and little in the way of safety equipment. This book follows a small group of brave (or foolhardy, depending on your viewpoint) young Americans who enlisted in the French Foreign Legion in order to take part in a war that the USA had not yet entered. Their intention was to become pilots and help fight in the skies, and this book chronicles the long, bumpy road many of them took in order to become soldiers. Spoiler: As people who engage in highly dangerous situations they also frequently smoke and drink. Also, most of them die or get killed over the course of the war.

What is excellent about this book is how it puts a human face on the war. There are many stark, pronounced personalities among the pilots, and it is very easy to get to know and root for them. Also, as with all the other volumes in this series, there are plenty of details that make the past come to life. Among the various topics also at hand are the intricacies of dog-fighting, string of technical innovations, military developments, and a code of honor among all pilots. 

It is amazing to me that this book not only encompasses so much information but also communicates it clearly while also making for a compelling, human story. And I have not even mentioned how many visual references must have gone into depicting the intricate uniforms, planes, and people involved in the war. From the lack of reviews I have found online, not many people review the twelfth entry in a series, but I feel it bears repeating just how marvelous and exceptional this book and the entire series are. The art is phenomenal, the stories moving, and the facts fascinating. NHHT continues to be the gold standard for nonfiction graphic novels.

Author Nathan Hale (not related to the Revolutionary War spy) is a highly accomplished graphic novelist, so much so that I named one of my annual favorites list categories after him. Aside from his great success with this series, he has also published the fictional graphic novels The Mighty Bite,  One Trick Pony and Apocalypse Taco. He has also drawn a few others, including Rapunzel's Revenge and Calamity Jack.

Above the Trenches was published by Amulet Books, and they offer more information about it here.

Hell Phone: Book One

Sometimes, I just have to read a good, creepy story, and Hell Phone fits the bill perfectly. It's the story of a couple of hip (my word, not theirs) best friends and next-door-neighbors, Sissy and Lola, who happen upon a stray flip phone. Strangely the outdated phone continues to ring until they answer it, and when they do they get cryptic directives that lead them all over town.

Spoiler: Whoever the guy is, he's not a hermit, and he was not in that house. I won't spoil what was, but it was gross and horrifying. Of course, no one in authority believes Lola or Sissy, so they are left to their own devices in order to get to the bottom of things. 

As a fan of the teens-who-solves mysteries trope, I really like this well done and contemporary take, and a lot hangs on the two main characters. They are fashionable, savvy, sort of sensible, and darkly humorous. They are also graphically depicted in a wide-eyed, colorful manner that pops. They're cool. They know the kind of story that they are in, and they know how to game the rules. The problem is that the mystery starts taking more turns and involving more people they know, so things start to spiral out of control.

Hell Phone was created by Benji Nate, a comics artist and comedian. She has created a number of other graphic novels and comics, including Catboy, Lorna, and Girl Juice.

This book was named one of the 2023 YALSA Great Graphic Novels for Teens, and all of the reviews I have read have been positive. Alenka Figa commented on the "cute, appealing visuals and humorous dialogue." Arpad Okay gushed that this "book is establishing new territory in comics and crime pulp fiction." Publishers Weekly called it "a quirky and stylish supernatural mystery that still hits her sweet spot of slice-of-life friendship comics."

Hell Phone was published by Silver Sprocket, and they offer a preview and more info here. You can also read the entire story (so far) online and free at Webtoons. I have not seen Book Two solicited yet, and I hope to see it sometime soon.

Pinball: A Graphic History of the Silver Ball

I have read a bunch of comics by Jon Chad over the years, including his Science Comics entry about volcanoes, his Leo Geo books, and The Bad-ventures of Bobo Backslack. I have even checked out his multi-genre/multi-media collection Bad Mask, which is an inventive collection of texts. I have always been excited to experience his artwork and storytelling, both which usually press the boundaries of comics. Here, in Pinball, what he does is use comics to try to communicate the kinetic action and vibrancy of pinball machines while also telling their history.

I came of age in the 1970s and 1980s, so pinball machines are something I am well acquainted with. I spent many a quarter trying to keep silver balls in play while ringing up bonuses and being distracted by flashing lights. They seemed a relatively harmless entertainment, and I had no idea about their origins and links to organized crime and alleged juvenile delinquency. They were sort of the video games of their time, a new type of entertainment technology that got unjustly blamed for social ills. 

Pinball machines had a long ride as a popular amusement, and this book does a great job chronicling their rise and decline, with a good deal of information about their designers and technological advancements. It is a marvel just how much goes into making these machines, a complicated combination of engineering and computer programming. I learned so much about the technical and cultural aspects of pinball while reading this book, and it is a dense, rewarding account. I am not sure if the topic would appeal to everyone, especially the more technical aspects of pinball machinery, but I think that it has something important to say to any audience in terms of how popular technologies emerge and evolve.

All of the reviews I have read of this book have been positive. Publishers Weekly summed up their starred review, "Cracking this one open evokes the delight of snapping back the launcher in the arcade." Leonard Pierce wrote, "Pinball: A Graphic History of the Silver Ball isn’t going to set the comics world on fire. It’s a niche guide to a niche game," but he also called it a "a surprisingly deft combination of social history and how-to manual" and "downright charming." Brian Salvatore opined that it is "a lovingly crafted, expertly presented exploration into something that has rarely been thought of this deeply before."

Pinball: A Graphic History of the Silver Ball was published by First Second, and they offer a preview and more here. And if you want to learn more, Chad talks about his work on the book in this interview.

The Civil War Diary of Freeman Colby, Volume 1: 1862

What seems like a million years ago now, I supported a Kickstarter campaign for volume 3 of The Civil War Diary of Freeman Colby, and I am so glad I did. I read the first book a long while ago, and so much of it stayed with me. It is a faithful, compelling, informative, moving, and often funny adaptation of a Civil War soldier's diary (just like the title says!). When the war broke out, this 21-year-old New Hampshirite was a teacher, but when his gung-ho little brother Newton enlisted in the Union Army, his parents entreated him also to join so he could look after the impetuous lad. 

What follows is a treasure trove of experiences, a primary account of what these soldiers did, where they stayed, what they endured, and what they ate. That last point especially looms large, as much of this book involves matters we mostly take for granted today, such as a regular diet, routine medical care, and a host of gastrointestinal plights that plagued these soldiers for various reasons. Things are not always so great for poor Freeman. Also, we get to see the not always brilliant machinations of military leadership as well as the events of the day as interpreted by a civilian.

This last point is one of the main features of this book that really makes it sing. I love how this book is all from the viewpoint of a person I had never heard of before, and mostly the soldiers in these pages are basically homesick kids. It really impresses a view of the war in a unique and memorable way, a truly invaluable view of history. 

The other main feature that really makes an impression is the highly expressive artwork. Sure, it looks simple, with its spare lines and almost stick-figure rendering, but this simplicity belies the use of reference materials, much craft, and thoughtfulness. The accounts here are imbued with so much movement and feeling that they are almost palpable. It may be a cliche to say that this book makes history come to life, but I'll dare say it anyway. This series of books is an excellent resource for anyone interested in or learning about the US Civil War. And to boot, Volume 1 of the series was named one of YALSA's Great Graphic Novels for Teens in 2017.

Artist/educator Marek Bennett created this book and also runs his Comic Workshop across New England. In addition to the Freeman Colby series, he has also collaborated with a host of creators on The Most Costly Journey/El Viaje Más Caro, a graphic medicine/ethnographic look at migrant workers in Vermont. He speaks about his work on the Civil War Diary series in this interview.

The Civil War Diary of Freeman Colby was published by Comics Workshop, and they offer a preview and more info about it here. Thus far, there are three volumes in the series

Frizzy

Sometimes seemingly simple things are super complicated. Take hair, for instance. I don't think much about hair. I have long, straight hair now, and all I know about it was that long ago when I tried to get it feathered and wavy, it never responded. So, I just went with a short, pretty standard haircut for most of my life. That is certainly a position of privilege and convenience I have learned. Claribel, the star of Frizzy, does not enjoy such privilege. This young, Dominican girl has long, curly hair. It has flair and presence, and she learns from her mom that what she needs to do with it is tame that hair through regular visits to the salon. It constantly needs to be straightened and treated so that it is more manageable and she can fit in.

Bound up in all this thinking are all sorts of cultural assumptions of what people should look like, especially if they want to gain cultural capital and respect. Also, racial and ethnic identities come into play here, as some peoples' hair are seen as acceptable while others need work. Claribel and her mother clash over hair, and how it contributes to her being a "good girl," "presentable," and a maturing person. Claribel's Tia Ruby adds a different voice to this conversation, and over the course of the book all of the characters get the chance to interact, learn, emote, and engage in a debate over what people should look like and how it contributes to how they feel and what they can do in life. 

What I love about this book is how it engages in all sorts of complex issues without being didactic or prescriptive. The characters all feel real and relatable to me, and none of them present "straw man" arguments. They have their stances and feel justified in them, and they each have their strong points. Also, none of them is perfect, so the debate about what it takes to grow up as a realized person is palpable. Unless you are made of stone, this book will provoke your thoughts and move you.

This book is a collaboration between writer Claribel A. Ortega and artist Rose Bousamra, and Frizzy was the debut graphic novel from both. Ortega is a best-selling YA novelist whose books Ghost Squad and Witchlings have been very popular. Bousamra is currently working on her follow-up graphic novel, the self-authored Gutless. You can see both creators discuss this book in length in this video interview.

This book has won the 2023 Pura Belpré Award for Children's Text as well as the 2023 Eisner Award for Best Publication for Kids, and it has received many extremely positive reviews. In their starred entry, Kirkus Reviews summed it up, "An exquisite excavation of hair politics, family dynamics, and self-love." In another starred review, Publishers Weekly wrote, "Ortega expertly examines themes of colorism, generational trauma, and toxic beauty standards via authentic, heartstring-tugging dialogue and Marlene’s pitch-perfect narration." Esther Keller concluded, "This is a wonderful addition to the middle-grade repertoire of coming-of-age graphic novels. It will give young girls a great sense of self and help them be happy with the features they were born with."

Frizzy was published by First Second, and they offer a preview and more here.

Super Magic Boy 1: I Am a Dinosaur

All of my kids and I LOVE graphic novels by Jarod Roselló. We have all read both his Red Panda and Moon Bear books, and I have read a bunch of his mini- and web-comics, including the compiled The Well-Dressed Bear Will (Never) Be Found. His work is playful and energetic, and we all have found great joy in it. So, we were all sure to get this book, the first in a proposed series, Super Magic Boy.

In I Am a Dinosaur we met Hugo, a boy who has magic powers and can do seemingly anything. In the first few pages, he animates one of his dinosaur toys and makes it a real dinosaur and then transforms himself into a dinosaur. Of course, they do what dinosaurs do best, go on a rampage.

After crashing and roaring about the house and punching a hole in the exterior wall, they end up outside. The duo then decides to dig a giant hole, where they unearth (among other things) the Cursed Skeleton King and his cursed treasure. After wreaking a path of destruction, Hugo eventually settles down enough to fix everything in his own unique way.

My whole family liked many aspects of this book, and all of my kids loved reading this book both with me and by themselves. I liked that it is fun to read aloud, and the educator in me also liked how Hugo taught the dinosaur new words. I also admired the colorful artwork that looks like a blend of comics and collage. My kids liked its action, characters, and humor. And to be more exact: My four-year-old was thrilled by their rampaging. My six-year-old thinks the dinosaur is hilarious, because he loves how it does not know anything. My eight-year-old really enjoyed the shorter second story where Hugo and the Cursed Skeleton King search for treasure and encounter an imposing guardian. This book is full of wonderful and exciting things, and we are all looking forward to Book 2. If you have younger children who are into graphic novels or simply laughing, go get this book!

I Am a Dinosaur was just published, and thus far I have not been able to locate many other reviews. In the one I did find Kirkus Reviews summed up, "A high-energy celebration of a delightfully rambunctious childhood."

Super Magic Boy: I Am a Dinosaur was published by RH Graphic, and they have a preview and more available here.

The He-Man Effect: How American Toymakers Sold You Your Childhood

I am a big fan of Brian "Box" Brown, a comics artist who uses a clean, minimalist art style to tell many a nonfiction tale. Here, I expected to get a story about toys and toy companies, but I got so much more. This book touches on many aspects of the social studies, including history, government, and psychology in explaining the arcane and calculated strategies that have shaped modern generations. This book begins with a look at propaganda from World War I and then traces how the strategies used to sell war to a population were turned to selling goods to people, notably toys, comics, and cartoons to children. 

Box Brown goes way-back to the roots of the propaganda.

Along the path of this explanation, Brown touches on many issues, including the work of psychologist (and Sigmund Freud's Nephew) Edward Bernays, a pioneer in the field of public relations; the evolution of public domain; the importance of children engaging in imaginative play; the great toy boom set off by the popularity of Star Wars, and Ronald Reagan-era policies that deregulated the connections between advertising and children's programming. As you can see, if you are interested in tracing a great many social issues about nostalgia, marketing, and public consciousness, this is the book for you. It critiques our modern culture, delving deeply into what shaped it and what we might do differently in terms of being a literate person in the 21st century. What could have been a trifling book about playthings turned out to have much more gravity.

This book's author Box Brown has drawn a number of nonfiction graphic novels. including ones about Andre the Giant, Andy Kaufman, Tetris, and Cannabis. He also published the fictional biography Child Star. Of late he is publishing a web-comic about the state of Cannabis in the USA, Legalization Nation, and is the midst of Kickstarter campaign to fund a print compilation of those strips. He speaks about his work on The He-Man Effect as well as a number of his other works in this article.

All of the reviews I have read of this book have been positive. Kirkus Reviews summed it up as "a boffo cartoon history of the deliberate manipulation of children's minds." April Spisak called it "another clever, sharp, and well-researched graphic novel that explores a pop culture non-fiction topic in close detail." Timothy ONeil wrote, "It can sound hyperbolic to call this book important, but it really is... The way nostalgia and brands have been entrenched in our culture is only growing bigger, and it’s important to understand how we got here."

The He-Man Effect was published by First Second, and they have a preview and much more information here.

Adventuregame Comics #1: Leviathan

 

Jason Shiga is one of my favorite comics creators, and he has consistently pushed the boundaries of comics, puzzles, and visual deign. He frequently incorporates math and science aspects into his work as well, giving it a very unique dimension. He has created books on a variety of topics, from the choose-your-own-path adventure Meanwhile, to the action-librarian yarn Bookhunter, to the modern romance Empire State, to the definitely adult supernatural escapade Demon. In his most recent publication, Leviathan, he returns to the territory of choose-your-own-path books.

Here, he follows the quest of a young, medieval villager in a quest to find and defeat a giant sea creature. This trail leads to various places, including home, a tavern, and a library, in order gather information and clues about the beast. Your choices dictate the story's path, as panels lead to various page numbers for you to trace the trajectory of the tale. Choose poorly, and you may end up kicked out on your ear, lost at sea, or worse. Pay attention, and you may be shocked by what is revealed. 

These two early pages from the book give a flavor of how it works.

This book is aimed at a younger audience than Shiga's past works, middle school-aged readers, but I think it is enjoyable for older ones as well. It is intriguing and fun and invites lots of re-reading and engagement. With some time and effort, I managed to successfully navigate this narrative, a feat I never have managed to do with Meanwhile, which only has one "happy ending" out of about 4,000 possible ones. So, it's mildly difficult, not diabolical like Meanwhile, a happy challenge for fantasy or adventure-minded readers.

All of the reviews I have read of this book have been glowing. In a starred review, Publishers Weekly noted that its "clever dialogue and stout character design impart good humor." Sean Kleefeld wrote, "It's an excellent use of the comic medium and far improves upon the reading experience relative to any other CYOA-style books I've seen." Kirkus Reviews called it "a clever story requiring investigation, diligence, and the ability to think outside the box."

Leviathan was published by Amulet Books, and they have more information about it here. As you may have guessed from the #1 in the title, this book is the first in a series. Book #2, The Beyond, is due to be published in August. For more insight into Book #1, you can read this interview with the author.

Asadora! Volume 1

My experiences with manga are pretty limited, I feel, but there are certain authors whose works I seek out and Naoki Urasawa is chief among them. Asadora! shares many features with his other works, including an exploration of how the past affects the present, a compelling mystery, expressive art, and a series of breathtaking cliffhangers. The titular star of this book comes from a large family, and is often overlooked in the shuffle of daily life. (SPOILERS ahead!) One eventful day, she gets kidnapped, a giant hurricane hits, and she and her kidnapper have to band together to survive. While trapped, she learns about his background as a fighter pilot in World War 2, and when they finally survey the damage they see what appears to be a giant footprint among the wreckage. (end/SPOILERS)

What are they looking at? Buy the book and find out!

Three things recommend this book: 1. It is incredibly well crafted in terms of plot. Each chapter ends with a revelation/cliffhanger that compelled me to keep going. 2. The characters and their personalities are quickly introduced and communicated, both visually and narratively. They are drawn in an incredibly expressive style, and I found myself intrigued and enchanted by them in short order. 3. It sets up a captivating mystery, adding a touch of magical realism into an otherwise straight-forward action tale. There is so much going on that is unresolved and unanswered, and this book is a great introduction to a nuanced and detailed serial comics series. I have read the next four books already, and I cannot get enough of them.

Naoki Urasawa is regarded as one of the premier manga creators, and he has won the Shogakukan Manga Award three times, the Tezuka Osamu Cultural Prize twice, two Eisner Awards, and the Kodansha Manga Award once. His works have been some of the most celebrated of recent times and include Monster, 20th Century Boys, and Pluto. More recently, he has started a YouTube channel where he demonstrates his artwork (in Japanese).

All of the reviews I have read of this book have been positive. Tom Shapira contextualized it against others in his oeuvre, and although he has some issues with some tics, he concluded that "Urasawa can do it all." Will called it "another strong entry in Urasawa’s career." Publishers Weekly wrote, "Urusawa excels in focusing on human drama and multifaceted characters, and the storytelling is matched with dynamic, classic realist manga artwork."

Asadora! is published by Viz Books, and they offer  more information about it here.

Tales of a Seventh-Grade Lizard Boy

 

I caught a lot of teasing about my name throughout my schooling, and I cannot imagine what it would have been if I had been called Booger Lizk’t. On top of that name, Booger is a lizard person from Elberon, an underground civilization that faced a natural disaster that drove his family to the surface. So he would stand out pretty starkly in a typical US middle school. Luckily for him, his people can shape their skin pretty much as they please, which makes it possible for them to pass as human. However, Booger also has to fit in socially, which is why he goes by the name of Tommy Tomkins while in Eagle Valley. But he is still having a very difficult time, especially when so many of his classmates watch a popular TV show about villainous alien lizard invaders who want to invade Earth (sort of like V).

From the informative back matter of the book, I learned that many of these feelings and situations are based on the author's Vietnamese heritage, and much of the book reflects commonplace immigrant experiences. This aspect gets highlighted by Tommy's friendship with Dung Tran, a Vietnamese immigrant and kindred spirit. The two gravitate toward each other and take solace in each other's company. Like Dung, Tommy has to figure out how to find friends, speak the language, eat strange food, deal with bullies, and navigate academics on top of passing as a human being, so they are both under a lot of pressure and stress. 

What I liked about this book was how human and organic it was. The plot takes all sorts of twists and turns, and this is not a simple tale of a kid learning to fit in or find his people. Tommy is not perfect, and he makes mistakes, pulls some ill-advised pranks, and hurts some of the feelings of his few friends. I found a lot to relate to as well as laugh and marvel at.

This book was created by Jonathan Hill, who also wrote and drew a fantastic apocalyptic graphic novel Odessa. He also drew Americus, a book I reviewed some years ago. He speaks about his work on Tales of the Seventh-Grade Lizard Boy in this interview.

The reviews I have read about this book have been positive. Kirkus Reviews summed it up as "engaging and thought-provoking." Publishers Weekly wrote, "Employing a bright and energetic palette, uncomplicated paneling, and a cast comprising varying skin tones and body types, Hill keenly portrays the effects this othering has on Tommy and Dung, and how connection, mutual support, and earnest understanding can bridge even significant differences." April Spisak opined, "Vivid colors, wry humor, and playful ignoring of traditional panel structure lighten the heaviest moments, firmly focusing this story on working toward better things."

Tales of a Seventh-Grade Lizard Boy was published by Walker Books US, and they offer a preview and more info about it here.

Swim Team

Swim Team focuses on Bree, an African-American middle school student who recently moved to Florida from New York with her father. 

She is anxious about starting life in a new place and in a new school, and she really does not want to do anything that involves swimming. However, she ends up having to face her fears and learn to swim because it is literally the only elective that fits her schedule. It turns out, she's got of lot of potential and even makes her swim team, the Mighty Manatees.

The middle school she attends is under-funded and in danger of losing its swimming facilities, but the community values competitive swimming highly, which opens a year-long competition with the dominant private school in order to save their pool and program. Not just a typical underdog story, though it does have many of the positive components of the genre, this book also touches on friendship, family relationships, as well as the history of race and class relations in the community. It is a multi-faceted, complex story that I found both moving and touching. It also features a lot of heart and a good sense of humor. This is a superlative graphic novel for middle school students.

This book is the creation of Johnnie Christmas, who has created a number of other graphic novels for both adults as well as younger readers, including Firebug and the Angel Catbird series. He spoke about his work on Swim Team in this interview.

A Coretta Scott King Honor Title and a National Book Award Finalist, Swim Team has received many glowing reviews. In their starred review Kirkus Reviews called it "deeply smart and inspiring story." In another starred review Publishers Weekly wrote, "Challenging the idea that 'Black people aren’t good at swimming,' this middle grade debut from Christmas (the Angel Catbird series, for adults) details segregation’s generational impact through a warmhearted story of community, Black diasporic identity, and learning, all portrayed in kinetic contemporary art." Esther Keller opined, "The bright artwork with vivid sunny colors and fine details in each panel, brings the story to life."

Swim Team was published by Harper Alley, and they offer a preview and more here.